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Littérature scientifique sur le sujet « Central Americans in motion pictures »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Central Americans in motion pictures"

Sarat, Austin, Madeline Chan, Maia Cole, et al. "Scenes of Execution: Spectatorship, Political Responsibility, and State Killing in American Film." Law & Social Inquiry 39, no. 03 (2014): 690–719. http://dx.doi.org/10.1111/lsi.12084.

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For as long as there have been motion pictures, scenes of execution have appeared in American film. This article examines those scenes over the course of the twentieth century and suggests that spectatorship, and what it means to watch, is central to scenes of execution in film. We are interested less in the intentions and politics of a filmmaker and more in what those scenes offer viewers. We argue that three central motifs of spectatorship characterized death penalty films during the more than 100‐year period that we studied. First, viewers are often positioned as members of an audience and

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Betancourt, Michael. "‘Cinema’ as a Modernist Conception of Motion Pictures." AM Journal of Art and Media Studies, no. 16 (September 5, 2018): 55. http://dx.doi.org/10.25038/am.v0i16.254.

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In the 1960s and 1970s the Clement Greenberg’s Modernist ideology of ‘purity’ played a central role in the definition of ‘avant-garde cinema’ as a serious, major genre of film. This transfer between ‘fine art’ and ‘avant-garde film’ was articulated as ‘structural film’ by P. Adams Sitney. This heritage shapes contemporary debates over ‘postcinema’ as digital technology undermines the ontology and dispositive of historical cinema. Its discussion here is not meant to reanimate old debates, but to move past them. Article received: March 12, 2018; Article accepted: April 10, 2018; Published online

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Toka, Karolina. "Progression or Stagnancy? Portraying Native Americans in Michael Apted’s Thunderheart (1992)." Ad Americam 22 (March 28, 2021): 87–100. http://dx.doi.org/10.12797/adamericam.22.2021.22.06.

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Progression or Stagnancy? Portraying Native Americans in Michael Apted’s Thunderheart (1992) As argued by Wilcomb Washburn, no other ethnic group has been misrepresented in media and popular culture to such extent as the Native Americans (2010). Movies that shaped their image did so by crystallizing stereotypes and misconceptions, through which indigenous peoples have been perceived until the present day. Thomas Edison’s vignettes, early westerns, as well as subsequent motion pictures of the 1960s and 1970s strengthened the stereotypes of the vanishing Indians, bloodthirsty savages, and

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Angelone, Bonnie L., Daniel T. Levin, and Daniel J. Simons. "The Relationship between Change Detection and Recognition of Centrally Attended Objects in Motion Pictures." Perception 32, no. 8 (2003): 947–62. http://dx.doi.org/10.1068/p5079.

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Observers typically detect changes to central objects more readily than changes to marginal objects, but they sometimes miss changes to central, attended objects as well. However, even if observers do not report such changes, they may be able to recognize the changed object. In three experiments we explored change detection and recognition memory for several types of changes to central objects in motion pictures. Observers who failed to detect a change still performed at above chance levels on a recognition task in almost all conditions. In addition, observers who detected the change were no m

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Porter, Pete. "Engaging the Animal in the Moving Image." Society & Animals 14, no. 4 (2006): 399–416. http://dx.doi.org/10.1163/156853006778882411.

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AbstractHuman engagement with nonhuman animals in motion pictures is a complex process that anthropomorphism and identification misconstrue. A superior model comes from cognitive theories of how spectators engage characters, particularly Smith (1995), who suggests modifications to account for the nuances of spectator engagement with nonhuman animal characters. The central components of this amended model include the person schema, the three types of cues that films use to activate the person schema, and what Smith calls the "Structure of Sympathy." Such a model enables us to understand better

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Driscoll, Catherine, and Liam Grealy. "In the name of the nation: Media classification, globalisation, and exceptionalism." International Journal of Cultural Studies 22, no. 3 (2018): 383–99. http://dx.doi.org/10.1177/1367877918784606.

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This article examines the relationship between exceptionalism and nationhood in media classification. The history of age-ratings is an international one, and the present challenges associated with digital media circulation are similarly international. We argue that the nation nevertheless provides an appropriate frame for understanding age-rating by attending to the ways national agencies have struggled to articulate the specificity of their work based on the specificity of domestic constituencies. Drawing on archival and ethnographic research, our central examples include the resistance of th

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Yulianti, L., C. D. Evans, and A. J. Jovani-Sancho. "Water Table Dynamic and Peat Motion in Forest and Burnt Area in Central Kalimantan Province, Indonesia." IOP Conference Series: Earth and Environmental Science 1421, no. 1 (2024): 012005. https://doi.org/10.1088/1755-1315/1421/1/012005.

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Abstract Water table dynamic (WTD) and peat motion are useful data to assess the condition of peatland ecosystems. Decomposition of peat is affected by WTD, with lower groundwater levels resulting in larger peat subsidence and CO2 emissions. In this study, we used low-cost time-lapse cameras based on Raspberry Pi computers to periodically monitor peat motion and water table depth. The camera will take pictures every 2 hours at the same time as the WTD data taken by water level logger. The aim of this research is to determine the magnitude of peat surface movement under forest cover and ex-burn

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Zubko, Olha. "Movie in the life of ukrainian emigration in the interwar CHSR (1921–1939)." Bulletin of Mariupol State University. Series: Philosophy, culture studies, sociology 9, no. 18 (2019): 37–43. http://dx.doi.org/10.34079/2226-2849-2019-9-18-37-43.

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In the 1920 s, the politically heterogeneous Ukrainian emigration community in inter-war Czechoslovakia, with its back in World War I and losing national liberation competitions, desperately needed both physical and spiritual rest. However, the status of «emigrants» transformed the imagination of the natives about leisure and leisure. The recreational regulator was, on the one hand, the scientific and technical implications of the 'stormy twenties' and, on the other, the urgent need to keep 'one's band', that is, a collective form of rest and leisure. Ukrainian exiles visited various theatrica

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Mitroiu, Simona. "Challenging the Roma Structural Discrimination: Deterritorialization Practices in Romanian Cinema." Metacritic Journal for Comparative Studies and Theory 7, no. 2 (2021): 46–68. http://dx.doi.org/10.24193/mjcst.2021.12.03.

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This paper examines the cinematographic reworking of memory spaces associated with power relations and structural injustice. The way in which space is represented and used as a medium that reflects power relations allows to question the space itself in cultural productions from Central-Eastern Europe when associated with Romani people (space and power relations, memory of slavery and discrimination, space and freedom, territoriality, space and its inhabitants, non-belonging, segregation, etc.). The paper focuses on motion pictures produced in the last decade in Romania, a prolific period due t

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Basilowski, M., B. Schönfeld, S. Esser, et al. "From Bones to Brain: 50 Years of Star Trek and Changes in the Stigmatization of Psychological Disorders." Current Psychology 39, no. 5 (2018): 1705–14. http://dx.doi.org/10.1007/s12144-018-9868-9.

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Abstract The Star Trek franchise currently includes five spin-off series and 13 motion pictures. Star Trek’s central theme is the utopian future of mankind, but the series does not disregard issues that were socially relevant for its time of production. Therefore, Star Trek has functioned as a representation of history throughout its 50-year lifespan. This paper conducts a comparative analysis of fictional representations of psychological disorders and corresponding treatments to retrace the cultural changes in the portrayal and treatment of psychological disorders from the 1960s to the turn o

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Thèses sur le sujet "Central Americans in motion pictures"

Mann, Erika Noelle. "Cinema's green is gold the commodification of Irishness in film /." CONNECT TO THIS TITLE ONLINE, 2008. http://etd.lib.umt.edu/theses/available/etd-05082008-102020/.

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Willis, Corin Charles. "The signifier returns to haunt the referent : blackface and the stereotyping of African-Americans in Hollywood early sound film." Thesis, University of Warwick, 2002. http://wrap.warwick.ac.uk/55891/.

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This thesis investigates the persistence of blackface in Hollywood's early sound era 1927-1953. It establishes the extensive and complex nature of this persistence against previous historical accounts of its decline after the introduction of sound. Specifically this thesis considers the overlooked phenomenon of co-presence where blackface was juxtaposed with the increased visibility of African-Americans in Hollywood film. It argues that the primary historical significance of the persistence of blackface lies in its involvement in, and exposure of, the formal stereotyping of African Americans i

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Huang, Ying. "Multiple interplays : Americans' perceptions of two Chinese Wuxia movies /." Available to subscribers only, 2006. http://proquest.umi.com/pqdweb?did=1203584091&sid=4&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Gunckel, Colin. ""A theater worthy of our race" the exhibition and reception of Spanish language film in Los Angeles, 1911-1942 /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1997008061&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Albertson, Mark C. "Cultivating Chicana/o images negotiating the cinematic mainstream for cultural survival /." To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2007. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.

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Urquijo-Ruiz, Rita E. "Las figuras de la peladita/el peladito y la pachuca/el pachuco en la producción cultural chicana y mexicana de 1920 a 1990 /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2004. http://wwwlib.umi.com/cr/ucsd/fullcit?p3138840.

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Thesis (Ph. D.)--University of California, San Diego, 2004.<br>Accompanied by compact disc sound recording of 11 Pachuco trio songs by Lalo Guerrero with Trio Imperial. Vita. Includes bibliographical references (leaves 200-209).

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Khor, Denise. "Asian Americans at the movies race, labor, and migration in the Transpacific West, 1900-1945 /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3291752.

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Thesis (Ph. D.)--University of California, San Diego, 2008.<br>Title from first page of PDF file (viewed March 17, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 297-213).

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Lamberti, Justin V. Winn J. Emmett. "Fagidaboudit the American dream and Italian-American gangster movies /." Auburn, Ala., 2005. http://repo.lib.auburn.edu/2005%20Summer/master's/LAMBERTI_JUSTIN_26.pdf.

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Willmets, Simon. "Falling out with history : Hollywood and the Central Intelligence Agency, 1945 - 1975." Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/47074/.

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This thesis examines the representation of the Central Intelligence Agency and its predecessor the Office of Strategic Services in Hollywood cinema from 1945-1975. It argues that the development of these cinematic representations over time has articulated a growing scepticism towards "official" narratives of the past that regard the state as the arbiter of historical authenticity. This scepticism towards state-sourced history is a consequence of increasing US government secrecy. In other words, secrecy fundamentally problematizes state-sourced approaches to historical representation, which rel

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Cork, Kevin James. "Twenty-four miles around Nelungaloo : the history and importance of cinema exhibition in pre-television times to a country area of central-western New South Wales /." View thesis, 1994. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030916.125146/index.html.

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Livres sur le sujet "Central Americans in motion pictures"

Carballo, Willian. Centroamérica, una película de Hollywood: Representación de los países del Área y sus migrantes en series y filmes estadounidenses de 1990 a 2015. Escuela de Comunicación Mónica Herrera, 2016.

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Amir, Labaki, ed. O cinema brasileiro: De O pagador de promessas a Central do Brasil = The films from Brazil : from The given word to Central Station. 2nd ed. Publifolha, 1998.

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University of Illinois (Urbana-Champaign campus). Press., ed. African Americans in cinema: The first half century. University of Illinois Press, 2003.

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Richard, Alfred Charles. Contemporary Hollywood's negative Hispanic image: An interpretive filmography, 1956-1993. Greenwood Press, 1994.

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Keller, Gary D. Hispanics and United States film: An overview and handbook. Bilingual Review/Press, 1994.

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Dönmez-Colin, Gönül. Cinemas of the other: A personal journey with film-makers from the Middle East and Central Asia. Intellect, 2006.

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Dönmez-Colin, Gönül. Cinemas of the other: A personal journey with film-makers from the Middle East and Central Asia. Intellect, 2006.

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Gribben, Arthur. Images of the Irish & Irish-Americans in commercial and ethnographic film. Northeastern University, 1987.

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Cooper, Rose. 3 Black chicks review flicks: A film & video guide with flava! Amistad, 2002.

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Berry, Torriano. The fifty most influential Black films: Movies that changed the way we see America. Citadel Press/Carol Pub. Group, 1999.

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Chapitres de livres sur le sujet "Central Americans in motion pictures"

Molenda, Michael H. "History and Development of Instructional Design and Technology." In Handbook of Open, Distance and Digital Education. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-2080-6_4.

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AbstractThe origins and evolution of instructional technology and instructional design are treated in this chapter as separate concepts, although having intertwined histories. As with other technologies, their origins can be traced to the scientific discoveries on which they are based. Early in the twentieth century, new discoveries in optics and electricity stimulated educators to the adoption of technological innovations such as projected still pictures, motion pictures, and audio recording. Individuals and, later, groups of affiliated professionals promoted enriching learning by adding visu

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Molenda, Michael H. "History and Development of Instructional Design and Technology." In Handbook of Open, Distance and Digital Education. Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-0351-9_4-1.

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Noam, Eli. "Electronic Media and Their Impact." In Television in Europe. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195069426.003.0005.

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Abstract Joseph Schumpeter’s metaphor of the creative destruction of capitalism is a useful backdrop in looking at the perceived dangers to culture caused by “new” media. There has always been a tendency by any group of creative people and institutions to identify their own role, and the technology on which it is based as central to culture. When sound was introduced into motion pictures, the German musicians’ associations agitated publicly, holding that “sound movies are tasteless” and “sound movies are economic and spiritual murder.” When radio was introduced, American researchers noted that

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Brennan, Nathaniel. "The Cinema Intelligence Apparatus." In Cinema's Military Industrial Complex. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520291508.003.0008.

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This chapter, by Nathaniel Brennan, discusses the efforts of the Museum of Modern Art Film Library to make use of captured enemy motion pictures on behalf of the federal government’s wartime intelligence programs during World War II. While the chapter presents an overview of the film library’s governmental intelligence work, ranging from matters of storage to the challenges of training analysts, the central case study examines the work of British anthropologist Gregory Bateson, whose work at the film library consisted of trying to define an objective approach to the study of culture through ci

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Kalinak, Kathryn. "A history of film music I." In Film Music: A Very Short Introduction, 2nd ed. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/actrade/9780197628034.003.0004.

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Abstract Music has been central to the history of film. This chapter charts that history through a global perspective, looking at the origins and development of musical accompaniment to motion pictures from the United States to South America, from Europe, Russia, and the Soviet Union to India, Japan, China, and numerous other countries in between. That history includes attention to the variety of forms that musical accompaniment to early film took from phonographic accompaniment to live performance, from improvisation to cue sheets to original film scores, and from a single musician to a symph

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Morton, David. "“Motion Pictures at a Great Saving!”." In Motion Picture Paradise. University Press of Florida, 2024. https://doi.org/10.5744/florida/9780813069999.003.0004.

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Riding on the crest of the Florida land boom, local boosters attempted to create various studio cities across Central Florida and along the state’s West Coast during the 1920s and 1930s. Each of these fly-by-night ventures succumbed almost as quickly as they began due to misappropriation of funds, investor fraud, or lack of interest either by filmmakers or the local communities. To complicate matters further, Florida suffered a series of successive disasters caused by the 1926 Miami and 1928 Okeechobee hurricanes and the onset of the Great Depression. These developments inspired several questi

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Tsika, Noah. "Veto Power." In Screening the Police. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197577721.003.0004.

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Throughout the first half of the twentieth century, police censorship of motion pictures was a significant and always controversial index of the expansion of law enforcement agencies to include activities that many Americans deemed unbecoming of cops. As such, it offers considerable insight into contemporary debates over the scope of police power in the United States. Today’s arguments have deep roots, including in a practice that was far more prevalent—and far more contentious—than conventional histories allow. When it came to vetting motion pictures, the methods of municipal police departmen

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Gleeson-White, Sarah. "Black Authorship at the Movies: Oscar Micheaux, Paul Laurence Dunbar, Wallace Thurman." In Silent Film and the Formations of U.S. Literary Culture. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780197558058.003.0003.

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Abstract Chapter 2 considers the encounters of race film—all-Black-cast films largely produced and consumed by African Americans—and early twentieth-century Black literature, two fields only very rarely brought into conversation, although, as this chapter finds, there were significant exchanges between the two media and industries. It discovers it was motion pictures that provided Black authors as diverse as Oscar Micheaux, Paul Laurence Dunbar, and Wallace Thurman a means to navigate the gnarly terrain of Black authorship across the early decades of the twentieth century, caught as it seemed

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Aron, Stephen. "Chimney Rock." In Peace and Friendship. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197622780.003.0005.

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Abstract This chapter takes as its vantage point Chimney Rock, one of the signature landmarks along what became the principal overland trail across the Great Plains and to the Pacific Slope during the 1840s and 1850s. Although circled covered wagons, surrounded by marauding Indians on horseback, became a staple scene in nineteenth-century paintings and twentieth-century motion pictures, those images mislead about relations between American emigrants and Plains Indians. Through the 1840s, peace generally prevailed on the trail, and trade, if not friendship, linked Americans heading west and the

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Clark, Walter Aaron. "Doing the Samba on Sunset Boulevard." In Tide Was Always High. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520294394.003.0004.

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This chapter focuses on Latin American singer and actress Carmen Miranda, who helped create an all-purpose, homogeneous image of Latin Americans, their culture, and especially their music. Hollywood used Miranda as a do-all prop in dramatic settings as diverse as New York, Rio de Janeiro, Buenos Aires, Havana, and Mexico. The resulting conflation of costumes, instruments, musical genres, and languages is highly entertaining on one level but pernicious and (at the time) politically counterproductive on another. The partial coverage by US news media of events in South America left a gap that is

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Actes de conférences sur le sujet "Central Americans in motion pictures"

Kobus, C. J., and Y. P. Chang. "Teaching Kinematics and Kinetics From a Project-Based Experience Analyzing Sci-Fi Motion Pictures: A Star Trek Example." In ASME 2012 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/imece2012-88215.

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In engineering subjects both simple and complex, retention is an issue. Interested students appear to excel in such subjects, but the retention rates for everyone else suffer somewhat. In this paper an example is laid out of how to utilize motion pictures, and specifically the scientific errors therein, to create interesting problems that this author has found helps in student retention of complex engineering material. Why linking elements of entertainment aids in retention is due to creating emotionally arousing stimuli that enhances memory for central details, as has been shown in neurologic

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