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Articles de revues sur le sujet « Choreography and technology »

Auteur : Grafiati

Publié le 7 juin 2025

Mis à jour le 2 août 2025

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1

Olar, Cristina Maria. "Intersecția coregrafiei cu tehnologia." Symbolon 25, no. 1 (46) (2024): 89–98. https://doi.org/10.46522/s.2024.01.7.

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Throughout the ages, pioneers of art, guided inwardly by the need for knowledge and development, have pushed the boundaries of possibility and imagination towards evolution. The field of choreography is no stranger to artists who have dedicated their entire activity to discovering new ways of creating choreography and performance in a spectacular manner. The new forms of performance that emerged mainly at the beginning of the 20th century and up to the present day have meet digital art. Artists from all over the world conceive new experimental contexts in a transcendental space. In this resear

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Azam, Muhammad Syafiq, Sumathi Maniam, and Muhammad Fazli Taib Saearani. "Batu Tumbuk as A New Creation Dance: Art and Culture Preservation Through Time." Gelar : Jurnal Seni Budaya 20, no. 1 (2022): 1–8. http://dx.doi.org/10.33153/glr.v20i1.4019.

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This research aims to analyze the choreography of the New Creation dance, Batu Tumbuk by Muhaldin Jamin, which was staged in 2015. The term ‘New Creation dance’ refers to the dance that undergoes a process of improvement or refinement that is appropriate to the passage of time but does not affect the traditional values of the community. Hence, this research discusses the Batu Tumbuk dance from the aspect of choreography. The choreographic approach by Minton (1997) is used in this article to discuss the choreographic aspects of the New Creation dance selected. The methodology used for this rese

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Sun, Yue. "Teaching of Dance Choreography Course Based on Multimedia Network Environment." Journal of Environmental and Public Health 2022 (September 10, 2022): 1–10. http://dx.doi.org/10.1155/2022/8627822.

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The growth of society has been significantly impacted by the introduction of the new multimedia era. A new task will present itself to the choreographer in light of this context. This paper makes the argument that multimedia technology should be incorporated with dance art so that dance works can give audiences a deeper feeling and impression and promote the diversified development of dance art by outlining the characteristics of multimedia and its application advantages in choreography. A multimedia network classroom contains a variety of features, including real-time educational feedback, an

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Gorbatova, Nadiia. "Bachelor Creative Project in Student Training Under the Educational and Professional Program "Ballroom Choreography"." Dance Studies 5, no. 2 (2022): 148–56. https://doi.org/10.31866/2616-7646.5.2.2022.269344.

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The purpose of the article is to reveal the role of a creative project in the training of a student in the educational and professional program "Ballroom Choreography" at the Kyiv National University of Culture and Arts and to find out its features. Methodology. Methods of analysis and synthesis, deductive method, comparison are applied. Scientific novelty. The definition of the concept of "choreographic creative project" in the educational process is presented; methodical experience regarding the bachelor's choreographic creative project, teste

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Popova, Kseniia. "Interrelation of Literature and Choreography in the Works of John Neumeier." Философия и культура, no. 7 (July 2023): 73–85. http://dx.doi.org/10.7256/2454-0757.2023.7.39283.

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The subject of the study is one of the main lines in the work of choreographer John Neumeier - the interpretation of literary works on the ballet stage. This article discusses his productions based on literature such as "The Lady with Camellias" (1978), "Peer Gynt" (1989/2015), "The Seagull" (2002), "Death in Venice" (2003), "Anna Karenina" (2017), "The Glass Menagerie" (2019). Neumeier's ballets reveal a special relationship between literature and choreography. The performances created by him are not just a fact of illustrating the plot of the original source, but an attempt to penetrate into

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Kopunova, Kseniya Sergeevna. "Continuity of the choreographic tradition of the Mariinsky Theatre and the Vaganova Academy of Russian Ballet." Культура и искусство, no. 8 (August 2022): 46–59. http://dx.doi.org/10.7256/2454-0625.2022.8.38089.

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This article is devoted to continuity in choreographic education. The novelty of the research is due to the fact that an attempt has been made to show the continuity of the choreographic tradition of the Mariinsky Theater and the Vaganova Academy of Russian Ballet in a comparative aspect. The author also examines the term "continuity" in an educational perspective, explaining the importance of this aspect in the formation of the personality of a ballet dancer. The historical moments concerning the preservation of pedagogical traditions, as well as modern issues of an educational nature are con

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TKACHENKO, IRYNA, ELENA YENSKAYA, and ANATOLY MAKSIMENKO. "APPLICATION OF INNOVATIVE TECHNOLOGIES IN PRACTICAL WORK WITH FUTURE CHOREOGRAPHY SPECIALISTS." Scientific Issues of Ternopil Volodymyr Hnatiuk National Pedagogical University. Series: pedagogy, no. 2 (April 6, 2021): 94–102. http://dx.doi.org/10.25128/2415-3605.20.2.13.

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The expediency of innovative technologies application in practical work with future choreography specialists in higher education institutions has been substantiated. It has been established that the value of innovative technologies implies the unleashing of the future choreographers’ creative potential, formation of a stable motivation to learn, ensuring a high creative result in the educational process. On the basis of general scientific (analysis, systematization, generalization) and specific scientific (comparative analysis) methods of scientific research, the differences of the innovative

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Zhou, Qianling, Yan Tong, Hongwei Si, and Kai Zhou. "Optimization of Choreography Teaching with Deep Learning and Neural Networks." Computational Intelligence and Neuroscience 2022 (July 31, 2022): 1–9. http://dx.doi.org/10.1155/2022/7242637.

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To improve the development level of intelligent dance education and choreography network technology, the research mainly focuses on the automatic formation system of continuous choreography by using the deep learning method. Firstly, it overcomes the technical difficulty that the dynamic segmentation and process segmentation of the automatic generation architecture in traditional choreography cannot achieve global optimization. Secondly, it is an automatic generation architecture for end-to-end continuous dance notation with access to temporal classifiers. Based on this, a dynamic time-stampin

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Yang, Liu, and Zhengxi Qian. "Characteristics and Influence of Multimedia Technology on Dance Choreography." Journal of Contemporary Educational Research 6, no. 1 (2022): 52–55. http://dx.doi.org/10.26689/jcer.v6i1.2842.

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In contemporary times, with the development of multimedia technology, especially in consideration of the advantages of multimedia technology in performance, dance, as an expressive art, is bound to be concatenated with multimedia technology to enrich its form of display. The influence of multimedia technology in dance choreography on dance works and the effect of multimedia technology itself on dance choreography are worth further discussion. There is no doubt that with the application of multimedia technology in the dance field, choreographers have more open and creative ideas. Perhaps, in vi

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Mileshko, Anastasia L., and Irina G. Belyakova. "Digital Technologies and Contemporary Dance Practices in the Context of the Communicative Function." Observatory of Culture 22, no. 3 (2025): 248–59. https://doi.org/10.25281/2072-3156-2025-22-3-248-259.

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The article considers the communicative aspects of the results of the introduction of digital technologies in the practices of contemporary dance culture. Interdisciplinary experiments in the field of dance and technology, the tendency to enhance audiovisual effects in choreography and the departure from reality into virtual spaces reflect the complexity and contradictory nature of contemporary digital society. This confirms the need to apply cultural methodology to the study of the impact of digital technologies on contemporary dance practices.The application of digital technologies in the fi

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Ma, Muyuan, Shan Sun, and Yang Gao. "Data-Driven Computer Choreography Based on Kinect and 3D Technology." Scientific Programming 2022 (January 19, 2022): 1–9. http://dx.doi.org/10.1155/2022/2352024.

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As a form of artistic expression, dance accompanied by music enriches the cultural life of human beings and stimulates the creative enthusiasm of the public. Choreography is usually done by professional choreographers. It is highly professional and time-consuming. The development of technology is changing the way of artistic creation. The development of motion capture technology and artificial intelligence makes computer-based automatic choreography possible. This paper proposes a method of music choreography based on deep learning. First, we use Kinect to extract and filter actions and get ac

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Lee, Jungyeon. "A Case Study of Performance Applying a Virtual Space : Focusing on the <Lucid Dream> Which Applied MR." Korean Society of Culture and Convergence 44, no. 10 (2022): 793–803. http://dx.doi.org/10.33645/cnc.2022.10.44.10.793.

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The purpose of the study is to examine the case of space expansion in the performance “Lucid Dream” which choreographed using virtual space and to discover the infinite possibility of development of the performance form in the future. The research method is based on the literature review for examination of the change in the concept of space in performances. In addition, in order to choreograph works in a virtual space, the production and possibilities of works were specified through development meetings with experts in each field, and the meaning of cases was derived through experts. As a resu

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Wu, Yanyan, and Min Liu. "Research and Development of User Clustering-Based Content Similarity Algorithms in Dance-Assisted Choreography Techniques." Computational Intelligence and Neuroscience 2022 (September 23, 2022): 1–10. http://dx.doi.org/10.1155/2022/1364835.

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With the gradual development of digital information and software computing capabilities, the use of computers in dance-assisted choreography is becoming more and more widespread. But although the level of computers is now in rapid development, the technical level of using computers in dance choreography is not yet very mature, technical support is not in place, dance-assisted choreography is not effective, and the existing technical level is not yet able to meet the new needs of dance choreography. In order to improve the dance-assisted choreography technology and provide a more complete educa

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Lytvynenko, Viktor. "Aesthetic reflection of the labor process of production in the art of folk stage choreography of Ukraine." Collection of scientific works “Notes on Art Criticism”, no. 39 (September 1, 2021): 70–74. http://dx.doi.org/10.32461/2226-2180.39.2021.238690.

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 The purpose of the article to research the creative work of choreographers of Ukraine, who devoted a significant role in the staging work to dances on a labor theme. Relying on a certain historical concreteness, they accurately reflected different aspects of the relationship of people and classes in work with the expressive means of choreography. Most of them reflect the artistic images of people for whom work is the first vital need, a source of creative joy, and a sacred duty to society. Therefore, the content of their works was a love of work, a creative attitude towards it, a consta

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Lymanska, Olha, Olha Barabash, and Karine Redko. "DEVELOPMENT OF FUTURE CHOREOGRAPHERS’ PRODUCTION COMPETENCES IN THE PROCESS OF PREPARATION OF PERFORMING ART COMPETITION COMPOSITIONS." Academic Notes Series Pedagogical Science 1, no. 192 (2021): 96–102. http://dx.doi.org/10.36550/2415-7988-2021-1-192-96-102.

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An active search for means of the optimization of the educational process on art specialties determines professionals’ appeal to the problems associated with the reformation of higher education in Ukraine, in particular, bringing curricula and programs in line with new industry standards. One of the current trends in the development of choreographic art is a competition, which has become the most active in the period of independence of our state. The main purpose of most choreography competitions is to promote dance in its various genres among the general public. The development of modern comp

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Karina, Sarkissova. "Interconnectedness: Entangled curation and dance in unsettled landscapes: An interview with DACE." Maska 37, no. 3 (2022): 87–94. http://dx.doi.org/10.1386/maska_00132_1.

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DACE is a platform for curatorial and choreographic explorations on dance and choreography in a more-than-human world, founded by Rickard Borgström and Rebecca Chentinell. Central to the duo is how the body functions as an interface towards the surroundings. Consequently, they collaborate with artists engaged in the rapid environmental, technological and political changes, exploring a multitude of bodily approaches in questioning how these affect our actions, thinking and artistic practices. DACE traces new bodily sensitivities and interconnections between human, technology and nature in a mor

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Taušan, Nebojša, Jouni Markkula, Pasi Kuvaja, and Markku Oivo. "Embedded Systems Specific Requirements for Choreography Modelling Language Design." International Journal of Information System Modeling and Design 7, no. 3 (2016): 115–36. http://dx.doi.org/10.4018/ijismd.2016070106.

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Software companies that develop embedded systems following the principles of service-oriented architecture can anticipate various benefits from choreography modelling. Current choreography modelling languages, however, have a limited applicability in embedded systems development since they are not expressive enough to capture all the choreography-relevant aspects that are typical in this domain. This problem is addressed in this study with the analysis of the needs in embedded systems domain for choreography modelling language. The analysis was guided by design science and relied on expert int

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Roy, Molly. "Systems of Choreography: Performing Normal in Public." Surveillance & Society 19, no. 1 (2021): 143–49. http://dx.doi.org/10.24908/ss.v19i1.14441.

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Building upon facial recognition and other systems of identification, the next generation of biometric technology includes behavior recognition, training AI to analyze and interpret how bodies move in public spaces. Paired with already ubiquitous CCTV cameras, these software systems detect a range of motions—trips, falls, fighting, irregular gait—anything that deviates from the established norm. In this paper, I argue that by criminalizing certain movements, behavior recognition technologies effectively codify a technique, a vocabulary of acceptable and allowable movements, enacting a form of

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Li, Xiaoxiao, and Yanxiang Zhang. "Analysis Of The Effect Of The Application Of Montage Artistic Expression Of Video Data Information Technology Processing In Film And Television Choreography." Scalable Computing: Practice and Experience 26, no. 5 (2025): 1943–54. https://doi.org/10.12694/scpe.v26i5.4717.

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Film and television works integrate the changes of light and shadow in the camera, relying on the interplay of screen, character and artistic techniques to convey a new emotion and attitude to the viewer. As the means of artistic creation begins to shift toward perceptual and cognitive perspectives, the original artistic expressions are stretched to the limit in film and television choreography. As a ”big hit” in film and television choreography, the study of montage in the history of film choreography has never stopped: it is a sensual means of expression, but also an artistic technique that

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Kim, Soo-Kyung, and Jae Hyun Shon. "The Effect of Multimedia Technology on Dance Choreography." Korea Journal of Sport 22, no. 3 (2024): 201–9. http://dx.doi.org/10.46669/kss.2024.22.3.019.

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DOULOV, ULUGBEK HAYITBAYEVICH. "DANCE AND TECHNOLOGY: CHOREOGRAPHY IN THE DIGITAL AGE." Multidisciplinary Journal of Science and Technology 4, no. 9 (2024): 63–66. https://doi.org/10.5281/zenodo.13799105.

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<strong>The article explores the relationship between dance and technology in the digital age, examining how choreographers integrate digital tools such as virtual reality, motion capture, and digital projections into their performances. It also highlights the impact of social media platforms on the dissemination of dance performances and how technology is shaping the future of choreography. The convergence of dance and technology is revolutionizing the way choreographers create, share, and present their work in a globalized and digitally connected world.</strong>

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Zhang, Zheqing. "A comprehensive review of AI-based dance generation applications and their developmental prospects in virtual reality." Applied and Computational Engineering 76, no. 1 (2024): 148–54. http://dx.doi.org/10.54254/2755-2721/76/20240580.

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In the context of the rapid development of large AI models, multimodal fusion, and extensive application of VR, particularly in the era where technology profoundly impacts artistic expression, this review explores the innovative intersection of artificial intelligence (AI), virtual reality (VR), and dance choreography. It discusses the evolution of dance creation from traditional methods to advanced AI-driven techniques, emphasizing the role of AI in analyzing and synthesizing complex dance movements. The review highlights the application of multimodal learning in dance, focusing on how AI uti

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Unander-Scharin, Åsa, and Carl Unander-Scharin. "Robocygne: Dancing Life into an Animal-Human-Machine." Leonardo 49, no. 3 (2016): 212–19. http://dx.doi.org/10.1162/leon_a_01021.

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Robocygne is an artistic project that revolves around the development of a custom-built robotic bird, dancing to a remix of Tchaikovsky’s Swan Lake. The artists created the choreography through a process in which movements were danced into the robot by the choreographer’s manipulation of the bird’s limbs, by hand, to the music. To enable this multitracking procedure, the artists, in collaboration with the engineers, developed novel software that allowed overlying recording of motions in synchronization with an audio track. From an artistic perspective, the authors discuss the search for choreo

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Portnova, Tatiana V. "Spatial function of light in staging of contemporary choreography." Nexo Revista Científica 34, no. 01 (2021): 346–55. http://dx.doi.org/10.5377/nexo.v34i01.11311.

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The principles of using light in choreographic performances are the basis of image perception integrity. The novelty of the study is determined by the fact that the illumination as a component of the performance can be based not only on the physical laws of light, but also on its imitation. To look into the matter of illumination, the authors consider it necessary to use a polygonal model, which can also form a spatial picture if necessary. The paper defines the general illumination model, which uses ray tracing technology and allows to determine the structure of lighting in the hall and to di

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ZHOU, Yingbao. "Application of Automatic Choreography Software Based on Virtual Technology in the Gymnastics Teaching." International Journal of Emerging Technologies in Learning (iJET) 11, no. 05 (2016): 39. http://dx.doi.org/10.3991/ijet.v11i05.5692.

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this research designed simulation system of gymnastics automatic choreography software. To successfully design the gymnastics movements, experiment adopted solutions based on key frame spline interpolation calculation which managed to solve the problem of location deviation; quaternion interpolation algorithm was adopted to solve the rotation problem of the subject and the body, which made the modified action by computer auxiliary choreography system completely returned to virtual figure animation. In addition, for coordination of dance and audio, this paper established movement fragments libr

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Wang, Li-Juan. "Research on the Application of Hybrid Density Network Combined with Gaussian Model in Computer Music Choreography." Journal of Sensors 2022 (September 12, 2022): 1–11. http://dx.doi.org/10.1155/2022/3385134.

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Dance, as a unique form of expression, is usually accompanied by music and presented to the audience visually, improving people’s cultural and spiritual lives while also strengthening their creative energy. And dance choreography is usually created by a few skilled choreographers, either individually or together, with a high level of expertise and complexity. With the introduction of motion capture technology and artificial intelligence, computers can now do autonomous choreography based on music, and science and technology are changing the way artists produce art today. Computer music choreog

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Ji, Hua Juan, Jian Bo Zhao, and Huan Zhao. "The Design and Implementation of Prototype System for Choreography and Rehearsed Based on Virtual Simulation Technology." Applied Mechanics and Materials 713-715 (January 2015): 2495–98. http://dx.doi.org/10.4028/www.scientific.net/amm.713-715.2495.

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This paper use crowd simulation and virtual reality technology design choreography prototype system. Based on the analysis and research of group calisthenics performance’s choreography work draws the related theory of crowd movement model, proposes a crowd movement model which can describe actor behavior in group calisthenics. This paper is divided into three parts; the first part introduces the development of group gymnastics in China. The second part introduces the structure and function of group calisthenics prototype system. The third part focuses on the design and implementation of a prot

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Cang, Jun, Yichen Huang, and Yanhong Huang. "Research on the Application of Intelligent Choreography for Musical Theater Based on Mixture Density Network Algorithm." Computational Intelligence and Neuroscience 2021 (November 29, 2021): 1–9. http://dx.doi.org/10.1155/2021/4337398.

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Musical choreography is usually completed by professional choreographers, which is very professional and time-consuming. In order to realize the intelligent choreography of musical, based on the mixed density network (MDN), this paper generates the dance matching with the target music through three steps: motion generation, motion screening, and feature matching. The choreography results in this paper have a high degree of matching with music, which makes it possible for the development of motion capture technology and artificial intelligence and computer automatic choreography based on music.

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Yoo, Hanha, and Yunsick Sung. "Advanced Dance Choreography System Using Bidirectional LSTMs." Systems 11, no. 4 (2023): 175. http://dx.doi.org/10.3390/systems11040175.

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Recently, the craze of K-POP contents is promoting the development of Korea’s cultural and artistic industries. In particular, with the development of various K-POP contents, including dance, as well as the popularity of K-POP online due to the non-face-to-face social phenomenon of the Coronavirus Disease 2019 (COVID-19) era, interest in Korean dance and song has increased. Research on dance Artificial Intelligent (AI), such as artificial intelligence in a virtual environment, deepfake AI that transforms dancers into other people, and creative choreography AI that creates new dances by combini

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Poutanen, Olli, Salu Ylirisku, and Petri Hoppu. "Technology Choreography: Studying Interactions in Microsoft's Future Visoins Through Dance." Human Technology 13, no. 1 (2017): 10–31. http://dx.doi.org/10.17011/ht/urn.201705272516.

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Lv, Li. "Research on Aerobics Movement Choreography Based on Embedded Network Technology." Applied Mechanics and Materials 556-562 (May 2014): 5685–89. http://dx.doi.org/10.4028/www.scientific.net/amm.556-562.5685.

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Embedded Internet has preset functions and strong adaptability, which can be used in household appliances, medical equipment, and industrial machinery and so on. Through the method of embedded network, it completely changed the way of people live. In this paper we use clustering algorithm to improve the embedded network system, and use JSP technology to enhance the real-time and interactive of system, develop the aerobics visualization movement system, which realizes the interactive action between teachers and students. In order to test the performance of the system, we use AMBE-2000 as commun

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Oh, Han-Seung. "K-Pop Choreography and Cover Dance in the Perspective of Self-stylization." Korean Society of Culture and Convergence 45, no. 5 (2023): 959–69. http://dx.doi.org/10.33645/cnc.2023.05.45.05.959.

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In this paper, based on the style theory of Schusterman, a researcher of pragmatic aesthetics, the style of K-POP choreography and the self-styling of cover dance performed by fans were examined. Among the factors that have contributed to K-POP's global popularity and lasting influence, the choreography style of the detailed emotions and inherent impulses expressed by K-POP choreography is the most important, and global K-POP fans are fascinated by this choreography style and feel the desire to express it with my own body. This desire is triggered by kinesthetic empathy and mirrors K-pop chore

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Sicchio, Kate. "Hacking Choreography: Dance and Live Coding." Computer Music Journal 38, no. 1 (2014): 31–39. http://dx.doi.org/10.1162/comj_a_00218.

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This article explores the intersection of live coding and choreography, discussing the “practice as research” project Hacking Choreography. It examines the use of computer programming languages within dance scores, the creation of scores in real time, and the transparency of these scores to the audience during performance. Four pieces created by the author are discussed in terms of these elements and compared to live-coding practices for computer music. Through this, not only does live coding emerge as a performance practice related to sound or visuals, but it also continues its trajectory as

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Meng, Huo. "Analysis and Evaluation on the Harmfulness of Sports Dance Based on Intelligent Computing." Wireless Communications and Mobile Computing 2022 (April 23, 2022): 1–8. http://dx.doi.org/10.1155/2022/7371366.

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With the rapid development of motion analysis and editing technology, more and more animation technologies based on real human motion analysis are widely used in games, medicine, film and television, sports, and other fields. The role of this technology in the teaching system of sports dance arrangement cannot be ignored. This paper studies the application of intelligent algorithm in injury analysis of sports dance choreography and puts forward a smooth and natural motion editing method which is more in line with the characteristics of human motion. The square spherical surface intelligent alg

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SHANKINA, Svetlana Viktorovna, Olga Alekseevna DOROZHKINA, and Larisa Aleksandrovna ROMANINA. "ORGANIZATION OF INDIVIDUALLY-ORIENTED TEACHING PRESCHOOL-AGE CHILDREN IN THE FIELD OF CHOREOGRAPHIC ART." Tambov University Review. Series: Humanities, no. 176 (2018): 98–107. http://dx.doi.org/10.20310/1810-0201-2018-23-176-98-107.

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We consider the organization of individually-oriented teaching of preschool children in the field of choreographic art. The continuously developing concept of education, including the concept of teaching preschool children, the active introduction of innovative technologies, increasing the requirements that apply to the modern teacher, allow to make the section of preschool pedagogy regularly modernized science, the key goal of which is to introduce innovative techniques that are adaptively suitable to the psycho-physiological level of development of the modern child. It is shown that within t

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BERRY, ANDREW, and ZORAN MILOSEVIC. "EXTENDING CHOREOGRAPHY WITH BUSINESS CONTRACT CONSTRAINTS." International Journal of Cooperative Information Systems 14, no. 02n03 (2005): 131–79. http://dx.doi.org/10.1142/s0218843005001109.

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Business contracts play a central role in governing commercial interactions between organizations. It is increasingly recognized that business contract conditions need to be closely linked to internal and external business processes, both to reduce the risk of contract violations and to ensure compliance with legislative regimes. Recent research has proposed contract languages allowing the specification of obligations, permissions and prohibitions in business contracts. Business processes that cross-organizational boundaries can be specified in choreography and coordination languages but these

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Mozgalova, Nataliia, Iryna Baranovska, Tetiana Zuziak, Anna Martyniuk, and Olena Luchenko. "PROFESSIONAL TRAINING OF MUSIC AND CHOREOGRAPHY TEACHERS: ARTISTIC-COMMUNICATIVE CONTEXT." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 1 (May 19, 2022): 194–204. http://dx.doi.org/10.17770/sie2022vol1.6889.

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The article highlights the importance of artistic communication in the process of professional training of teachers of music and choreography. The purpose of the article is to analyze the artistic and communicative context of professional training of music and choreography teachers. The study used theoretical methods: analysis of psychological and pedagogical literature, synthesis, comparison, generalization of research results; diagnostic methods: interviews, questionnaires, surveys, observations; methods of processing experimental data for quantitative and qualitative analysis of the results

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Cole, Kyle H., Katrina Mogannam, and Andrej Lupták. "Choreography of a self-splicing ribozyme." Nature Catalysis 6, no. 4 (2023): 291–93. http://dx.doi.org/10.1038/s41929-023-00948-x.

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Hedemyr, Marika. "A Choreographic Approach to Mixed Reality: Archival Materials as Site-Specific Situations in Kvarnbyn." Nordic Journal of Dance 15, no. 1 (2024): 20–27. http://dx.doi.org/10.2478/njd-2024-0003.

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Abstract This article explores a choreographic approach to the creation of mobile mixed-reality (MR) experiences in public space, with specific attention to how archival material in a cultural heritage context can be turned into a repertoire of site-specific situations. This approach can be described as a montage technique that triangulates the embodied audience member, the digital media via a mobile device, and the site with the aim of evoking somatic and kinaesthetic responses, making the experience felt in the body. To demonstrate this, the creation process of ENTER Mölndal – Kvarnbyn, a si

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Fernandes, Carla, and Stephan Jürgens. "Video annotation in the TKB project: Linguistics meets choreography meets technology." International Journal of Performance Arts & Digital Media 9, no. 1 (2013): 115–34. http://dx.doi.org/10.1386/padm.9.1.115_1.

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Soboleva, Elena V., Svetlana S. Bykova, Elena V. Levkina, and Ella G. Patrikeeva. "Developing emotional intelligence of future choreography teachers in the practice of creating multimedia stories." Perspectives of Science and Education 69, no. 3 (2024): 225–40. http://dx.doi.org/10.32744/pse.2024.3.14.

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Problem and goal. Modernization of higher education opens up new prospects for the use of digital technologies to improve the quality of training choreography teachers. The use of services that support multimedia content (PowerPoint, Piktochart, Tilda, etc.) satisfies both the requirements for training programs for specialists engaged in choreography and the requirements for the level of the developed skills that form the basis of the personal emotional intelligence. The authors investigate the problem of substantiating the effectiveness of including digital storytelling in choreographic educa

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Liu, Meixi. "AIGC Enabling the Transformation and Upgrading of Theatre Arts Designs." Frontiers in Computing and Intelligent Systems 9, no. 2 (2024): 14–17. http://dx.doi.org/10.54097/nf0ghh44.

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This paper discusses the innovative application and far-reaching impact of AIGC technology in the field of stage art design, which focuses on how AIGC can be the core driving force to accelerate the transformation of stage art design from traditional paradigm to intelligent and interactive. Through the comprehensive literature review, in-depth analysis of technology, and typical case studies, this paper comprehensively comprehends the core concepts and types of AIGC technology, as well as its latest application progress in stage art design. Through the in-depth excavation of AIGC technology to

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Xu, Zhi. "Choreography of Sonic Chopsticks and Intervention of Digital Technology with Dancing Bodies." Body, Space & Technology 19, no. 1 (2020): 56. http://dx.doi.org/10.16995/bst.331.

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Das, Joanna Dee, and Ryan Donovan. "Special Issue: Dance in musical theatre." Studies in Musical Theatre 13, no. 1 (2019): 3–7. http://dx.doi.org/10.1386/smt.13.1.3_2.

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This special issue of Studies in Musical Theatre examines the role of dance in musical theatre from a variety of perspectives. Given the scholarly turn from textual analysis to performance analysis, even studying musicals without extensive dance per se can benefit from understanding how movement shapes meaning. The introduction below explains some key themes that have emerged in the six articles that follow. One is the question of genre: what exactly is musical theatre dance? Another is auteurship: what is the role of the choreographer in shaping musicals? A third is technology, which reminds

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Corradini, Flavio, Alessandro Marcelletti, Andrea Morichetta, Andrea Polini, Barbara Re, and Francesco Tiezzi. "Engineering Trustable and Auditable Choreography-based Systems Using Blockchain." ACM Transactions on Management Information Systems 13, no. 3 (2022): 1–53. http://dx.doi.org/10.1145/3505225.

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A key challenge in engineering distributed systems consists in the integration into their development of a decentralised infrastructure allowing the system participants to trust each other. In this article, we face such a challenge by proposing a model-driven methodology and a related framework to support the engineering of trustable and auditable systems. The approach is based on choreography diagrams specified in the Business Process Model and Notation standard, describing the interactions that should occur among the distributed components of systems. We support the whole lifecycle of choreo

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DEMIRKAN, HALUK, and MICHAEL GOUL. "SERVICE ORIENTED TECHNOLOGY MANAGEMENT TO IMPROVE ORGANIZATIONAL AGILITY." International Journal of Innovation and Technology Management 06, no. 01 (2009): 1–16. http://dx.doi.org/10.1142/s0219877009001509.

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The service orientation — coupled with dynamic choreography of business processes, service oriented architectures and service oriented infrastructures — is a developing structure that carries with it the potential to improve agility in today's complex business environments. But because of the newness of the concept and the limited number of large-scale organizations ready or willing to be "early adopters," it is difficult to predict the organizational and technical impacts, understand the critical issues, or perform rigorous research on services computing. So, how should a company begin assess

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Carbinatto, Michele Viviene, and Lorena Nabanete Reis Furtado. "CHOREOGRAPHIC PROCESS IN GYMNASTICS FOR ALL." Science of Gymnastics Journal 11, no. 3 (2019): 343–53. http://dx.doi.org/10.52165/sgj.11.3.343-353.

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To transcend the idea of objectifying the body and its movements in gymnastics and its technique-based sessions and/or classes, we propose some reflection on the artistic and aesthetic aspects of gymnastics for the Gymnastics for All (GfA) program. Officially guided by FIG (Féderation Internationale de Gymnastique), it is common that GfA composition includes group performances in festivals, whether they are competitive or not. This article describes the journeys of two GfA teams that developed practitioner-centered, not coach-centered choreographies supported by the stages of creativity propos

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Е. Б., Юнусова, Клыкова Л. А. та Чурашов А. Г. "ФОРМИРОВАНИЕ ГЕНДЕРНОЙ КУЛЬТУРЫ У ДЕТЕЙ СТАРШЕГО ДОШКОЛЬНОГО ВОЗРАСТА СРЕДСТВАМИ ХОРЕОГРАФИИ КАК ПЕРСПЕКТИВНОЕ НАПРАВЛЕНИЕ ДОПОЛНИТЕЛЬНОГО ОБРАЗОВАНИЯ". Журнал "Вестник Челябинского государственного педагогического университета", № 6 (19 жовтня 2018): 190–202. https://doi.org/10.25588/cspu.2018.85..6..014.

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Введение. В статье обоснована актуальность использования хореографии как эффективного средства развития гендерной культуры ребенка в системе дополнительного образования. Целью исследования являлось выявление, научное обоснование возможности реализации гендерно-кластерной методики как инновационной педагогической технологии развития гендерной культуры ребенка средствами хореографического искусства. Материалы и методы. Методы исследования: теоретические - анализ философской, психолого-педагогической литературы, литературы, посвященной гендерной культуре, хореографии, материалов и публикаций по т

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QI, Tianyu, and Biya XU. "Research on the status and development pathways of artificial intelligence technology in dance education." Region - Educational Research and Reviews 6, no. 9 (2024): 28. https://doi.org/10.32629/rerr.v6i9.2622.

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This paper primarily explores the current status and development pathways of artificial intelligence (AI) technology in dance education. The research methodology is based on literature analysis. The study suggests that AI has great potential in areas such as dance movement analysis, choreography, and dance education equipment. The paper proposes three areas for reform and innovation in the future integration of AI with dance education: first, optimizing and upgrading dance teaching software and equipment; second, utilizing AI to promote students' autonomous learning; and third, integrating AI

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Chen, Feier. "Innovation and Development of Small and Medium-sized Traditional Banking Industry Based on Service Choreography Technology." BCP Business & Management 24 (August 10, 2022): 370–74. http://dx.doi.org/10.54691/bcpbm.v24i.1522.

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In the financial services, under the tide of digital and traditional part of the small and medium-sized commercial Banks due to staff shortages, backward organization management system, such as weak information processing ability problem have to flinch, but transformation is the only way to the bank, so the small and medium-sized Banks is an urgent need to use the appropriate financial technology to complete the core business is the transformation of deposits, bank of distributed systems. The vigorous development of innovative technologies such as agency and service choreography can provide ne

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