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Articles de revues sur le sujet « Chuvash Songs »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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1

Ismagilova, Ekaterina I. "Folk song poetry of the Chuvash people of the Krasnoyarsk Krai." Sibirskiy filologicheskiy zhurnal, no. 4 (2022): 49–62. http://dx.doi.org/10.17223/18137083/81/4.

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To create an adequate picture of the existence of the oral folk art of the Chuvash settlers, it is necessary to characterize individual microlocal traditions. Such traditions include song samples recorded from the Chuvash of the Krasnoyarsk Territory in the Bolshemurtinsky (1981 year of recording) and Kazachinsky (2009 year of recording) regions. Genre-style composition of songs is heterogeneous. The calendar layer of folklore is represented by Maslenitsa and round dance songs. Life cycle patterns include wedding and recruiting songs. Untimed lyrics includes guest and traditional lyric songs,

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Mankov, Andrey V. "MUSICAL LIFE OF CHUVASHIA IN THE EARLY 1930s." Historical Search 1, no. 3 (2020): 98–105. http://dx.doi.org/10.47026/2712-9454-2020-1-3-98-105.

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The article studies the main directions of musical life of Chuvashia at the beginning of the Cultural Revolution in the USSR in the 1930s. The issues of the journal “Soviet music” were used as a historic source. The article, in particular, tells about the achievements of the Republic in creating the national culture within the framework of the Cultural Revolution which were demonstrated in the days of celebrating in 1935 the 15th anniversary of the Chuvash autonomous region formation. At this, the author pays special attention to the role of Cheboksary music college in forming the musical arts

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Egorova, Olga Nikolaevna. "Ethnographic Notes of N. V. Nikolsky on the Chuvash People of the Village of Apanasovo-Temyashi." Ethnic Culture 4, no. 2 (2022): 6–12. http://dx.doi.org/10.31483/r-101502.

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The work is devoted to the analysis of ethnographic records of the doctor of historical sciences, professor N. V. Nikolsky about the Chuvashs of the village of Apanasovo-Temyashi, Yalchik district of the Chuvash Republic, stored in the scientific archive of the Chuvash State Institute of the Humanities. The materials of the scientist are valuable historical sources that describe the general picture of the everyday life of the Chuvash village at the turn of the 19th-20th centuries. The collection of ethnographic material was carried out by the researcher through participant observation as part

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Bushueva, Lyubov Ivanovna. "Composer A. A. Egorov in the History of the Musical Culture of Chuvashia." Ethnic Culture 4, no. 4 (2022): 8–14. http://dx.doi.org/10.31483/r-103771.

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The article is devoted to the creative connections of the famous Soviet conductor and composer A.A. Egorov with the musical culture of Chuvashia in the 1930s. The purpose of the work is to recreate the historical picture of these connections, to determine his contribution to the Chuvash art and to identify the characteristic features of the interpretation of the national song folklore. The material of the study was musical texts of works by A.A. Egorov (first of all, the author’s collection «Folk Songs Arranged for Mixed Choir by A. Egorov»), as well as his theoretical and methodological work

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Iagafova, Ekaterina A. "Representation of Chuvash ethnicity in cyberspace." Samara Journal of Science 12, no. 3 (2023): 222–27. http://dx.doi.org/10.55355/snv2023123214.

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The article examines the forms, methods and mechanisms of representation of Chuvash ethnicity in cyberspace, characterizes the space of ethnic history and culture of the Chuvash on the Internet, describes the forms and ways of representing the ethnic image of the Chuvash in the Internet space, analyzes the structure of Chuvash cyberspace; characterizes the degree of activity and motivation of participants in virtual communities in the process of representation of ethnicity. The research is based on the study of the content of the «Chuvash» Internet: online platforms, Internet services, resourc

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Fedotova, E. V. "Defining the concept of “homeland” in Chuvash recruitment songs from Siberia and the Volga region." Languages and Folklore of Indigenous Peoples of Siberia, no. 52 (2024): 149–61. https://doi.org/10.25205/2312-6337-2024-4-149-161.

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Recruitment songs, sung at the departure of conscripts for military service or war, are classified within the realm of family and everyday music. The compilation of Chuvash recruitment songs commenced in the 19th century, initiated by Chuvash educators. Data collection focused on the Volga region, the ancestral territory. Also, recordings were made in Siberia, where the Chuvash migrant ethnic group preserved its traditions into the 1980s. Some traditions, such as seeing off recruits to the army, are still in use today. However, the topic of defining the boundaries of the homeland in recruitmen

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Ismagilova, Ekaterina I., and Elena V. Fedotova. "The Theme of Separation in the Song Folklore of the Chuvash Settlers of the Kemerovo Region." Critique and Semiotics 10, no. 2 (2022): 241–57. http://dx.doi.org/10.25205/2307-1737-2022-2-241-257.

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This paper examines the embodiment of the theme of separation in the song texts recorded in 1951 and 2007 from the Chuvash settlers of the Kemerovo region. This theme is present in guest and recruit songs, in the songs of immigrants created in the process of forced resettlement of the Chuvash to new lands. In aphoristic short-plot songs, the theme of separation often manifests itself in the form of separate words and verbal turns – “signs” that point to it. In guest songs, the theme of separation is conveyed most often through images of memories, distant distances, abandonment, sadness. “Signs

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Ильина, Галина Геннадьевна, and Алексей Анатольевич Александров. "FOLKLORE TRADITIONS OF KANASHSKY, YANTIKOVSKY AND URMARSKY DISTRICTS OF THE CHUVASH REPUBLIC: GENRE COMPOSITION." Bulletin of the Chuvash State Pedagogical University named after I Y Yakovlev, no. 2(107) (July 30, 2020): 41–50. http://dx.doi.org/10.37972/chgpu.2020.107.2.006.

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В статье рассматривается жанровое разнообразие песен некоторых деревень Канашского, Янтиковского и Урмарского районов Чувашской Республики. Рассмотрение выбранных нами автохтонных локальных традиций продиктовано тем, что именно из этих районов в разное время произошло переселение чувашей в Сибирь. Нами планируется сравнительное изучение фольклора переселенцев на новых территориях, которое будет проведено позже. Изучение локальных традиций позволит нам провести дальнейшее исследование. Фольклор рассматриваемых районов чрезвычайно богат и сложен. В ходе работы выявлены песни, исполняемые в этих

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Kutsaeva, Marina Vasilevna. "“The song helps us to build and to live”: the role and functions of the ethnic song in Moscow Chuvash and Mari diasporic groups." Ethnic Culture 5, no. 4 (2023): 40–48. http://dx.doi.org/10.31483/r-107989.

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The paper studies the role and functions of songs in an ethnic language in the life of representatives of the internal diaspora. The article is based on the results of sociolinguistic surveys conducted in Chuvash and Mari diasporas of the Moscow region in 2014–2017 and 2019–2021, respectively. The researcher employed the following sociolinguistic methods: direct observation, participant observation, structured interviews of respondents, documentary recording of responses, statistical data analysis. One of the blocks in the sociolinguistic questionnaire included such aspects as the language – i

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Petrov, Igor G. "POSTHUMOUS WEDDING IN TRADITIONAL IDEAS AND RITUAL PRACTICE OF THE CHUVASHS IN SOUTHERN URAL." Vestnik Chuvashskogo universiteta, no. 1 (March 30, 2023): 50–63. http://dx.doi.org/10.47026/1810-1909-2023-1-50-63.

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The article considers the funeral and memorial customs and rites of the Chuvashs living in the Southern Urals, mainly the Ttans-Ik and Trans-Belaya basins of the Republic of Bashkortostan. The choice of the study range is due to the fact that the funeral and memorial customs and rites of the Chuvash of this region have not been studied sufficiently in historical and ethnological terms, and the available studies are generalized or fragmentary in nature. The purpose of the study is to show the phenomenon of the so-called posthumous wedding and its local variants, which have been preserved and ex

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Leontiev, Alexey P. "PETER PAZUKHIN: TEACHER, FOLKLORIST, OFFICER, PATRIOT." Historical Search 5, no. 3 (2024): 82–95. http://dx.doi.org/10.47026/2712-9454-2024-5-3-82-95.

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The relevance of the study is due to the fact that in April 2024, 135 years passed since the birth of the teacher, collector of folklore, compiler of one of the first collections of Chuvash folk songs, officer of the Tsarist army P.V. Pazukhin. His life and work during the Soviet period are covered in many publications, but in some of them there are many obvious mistakes, myths (or legends) in favor of ideological leanings. There were no objective studies in the post-Soviet period. The purpose of the study is to trace some stages in life path made by P.V. Pazukhin based on reliable documents.

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Ильина, Галина Геннадьевна, Алексей Анатольевич Александров, and Екатерина Игоревна Исмагилова. "FOLKLORE TRADITION OF THE VILLAGE OF YAMANOVO AND THE VILLAGE OF TOBURDANOVO OF THE KANASH DISTRICT OF THE REPUBLIC OF CHUVASHIA AND ITS EXISTENCE AMONG THE CHUVASH SETTLERS OF THE NORTHERN DISTRICT OF THE NOVOSIBIRSK REGION." Bulletin of the Chuvash State Pedagogical University named after I Y Yakovlev, no. 2(111) (July 7, 2021): 65–78. http://dx.doi.org/10.37972/chgpu.2021.111.2.008.

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В настоящей статье в сравнительном аспекте рассматривается песенный фольклор д. Яманово и с. Тобурданово Канашского района Чувашской Республики и бытование этой микролокальной традиции у потомков чувашских переселенцев из этих населенных пунктов в Новосибирскую область. Были использованы современные, архивные и опубликованные материалы (1933-2020 гг.), записанные на материковой территории традиции и в ее сибирской диаспоре. Системы фольклорных жанров поволжской и сибирской традиций во многом совпадают. Некоторые жанры, относящиеся к обрядовому фольклору, в Сибири оказались утраченными. В фольк

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Kutsaeva, Marina V. "Keeper of intangible cultural heritage: the role of grandmothers in the transmission of ethnic language and culture (a case study of sociolinguistic surveys in the Chuvash and Mari diasporas in the Moscow region)." Sibirskiy filologicheskiy zhurnal, no. 2 (2024): 240–53. http://dx.doi.org/10.17223/18137083/87/19.

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An essential mechanism for transmitting ethnic language within families involves the transfer from older to younger generations, with grandmothers playing a prominent role in this process. The paper presents the findings of the field research conducted within the Chuvash and Mari internal diasporas of the Moscow region. The study subjects were the first-generation natives of the diaspora urban environment and the second-generation representatives. The findings indicate that intergenerational language transmission is notably weak, mainly because Russian is omnipresent in urban environments and

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14

Галиева, Фарида Габдулхаевна. "TRADITIONS OF HOME BREWING AND BEER CONSUMPTION ON THE EXAMPLE OF MODERN CHUVASH PEOPLE OF BASHKORTOSTAN." Tomsk Journal of Linguistics and Anthropology, no. 3(37) (December 30, 2022): 110–16. http://dx.doi.org/10.23951/2307-6119-2022-3-110-116.

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Рассматривается домашнее пиво – традиционный напиток многих народов в разные времена. Ставится цель – изучить степень сохранности этнической традиции в повседневной жизни и обрядовой культуре чувашей Башкортостана, выявить изменения в рецептах пивоварения, обусловленные местными природными условиями, развитием технологий и промышленности, полиэтническим окружением. В качестве источников для исследования использованы ранее опубликованные работы историков, этнографов и фольклористов, интернет-ресурсы, полевые материалы автора. Методом сравнительно-исторического анализа установлено, что рецепты п

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Salmin, Anton K. "RECOGNITION AS A PHENOMENON OF ETHNIC IDENTITY." Vestnik Chuvashskogo universiteta, no. 2 (June 25, 2021): 181–88. http://dx.doi.org/10.47026/1810-1909-2021-2-181-188.

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The relevance of the study is explained by a weak exploration maturity of the stated topic and the lack of development based on the materials of specific ethnic groups. At the same time, the desire to be recognized is present in all individuals and peoples. The article considers both positive and negative nuances of this phenomenon. The novelty of the study consists in applying the theoretical views of the leading researchers in the analysis of ethnic, in this case – Chuvash, material from the field of ethnography, traditional rituals and beliefs, as well as folklore. In the first part of the

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AKHMADIEVA, N. V. "THE HISTORY OF THE DEVELOPMENT OF THE MUSICAL CULTURE OF BASHKIRIA IN THE 1950S - MID-1980S." Izvestia Ufimskogo Nauchnogo Tsentra RAN, no. 4 (December 13, 2021): 75–82. http://dx.doi.org/10.31040/2222-8349-2021-0-4-75-82.

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In the 1950s-1980s. the musical culture of Bashkiria was further developed, acquiring specific forms. As a result of the influence of various musical cultures, forms of professional art that were not inherent in traditional national culture were actively developing in the republic. Historically, the artistic and aesthetic experience of Bashkiria was limited to monodic forms of folk music (monophonic songs and instrumental tunes). The problem of overcoming the predominance of traditional monody in professional musical culture was urgent. Having adopted and creatively using the best traditions o

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Bierzeņš, Aņss Ataols. "„f“ AND „h“ LETTERS' PROBLEM IN LATGALIAN LANGUAGE." Via Latgalica, no. 3 (December 31, 2010): 51. http://dx.doi.org/10.17770/latg2010.3.1671.

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<p>In the article is told about the problem of letters’ (and sounds’) f and h in Latgalian language. These sounds have never been in any Latgalian dialect, in foreign words speakers always have been replaced them with other sounds. At the same time letters f and h have been used in written Latgalian at all times: from the first known book „Evangelia toto anno“ to the present day. What to do in this situation: to keep the way of the still alive traditional spoken language, or to yield to the pressure of other languages?</p><p>The author analyzes a variety of sources: tells abo

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Светлана Георгиевна, Соколова,, and Григорьева, Стелла Георгиевна. "MODELS FOR FOSTERING AESTHETIC CULTURE AMONG PRIMARY SCHOOL PUPILS THROUGH FOLK ART IN EXTRACURRICULAR ACTIVITIES." Bulletin of the Chuvash State Pedagogical University named after I Y Yakovlev, no. 4(117) (December 30, 2022): 153–60. http://dx.doi.org/10.37972/chgpu.2022.117.4.020.

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В статье раскрыты сущность и содержание понятия «эстетическая культура». Названы функции (научная, мировоззренческая, образовательная, воспитательная, деятельностная, аксиологическая) и формы проявления эстетической культуры (индивидуальная, семейная, групповая, общественная, национальная и т. д.). Показана суть внеурочной деятельности учащихся, обозначены документы, определяющие место и роль внеурочной деятельности в начальных классах по формированию эстетической культуры средствами народного искусства. Показано значение народного искусства в процессе формирования эстетической культуры, назва

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Alzheykina, Galina Vladimirovna. "CHUVASH STATE SONG AND DANCE ENSEMBLE OF THE GREAT PATRIOTIC WAR." V mire nauchnykh otkrytiy, no. 7 (November 22, 2014): 160. http://dx.doi.org/10.12731/wsd-2014-7-11.

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Rodionov, Vitaliy G. "ABOUT ONE PRA-TURKIC MAGIC FORMULA, WHICH BECAME THE REASON FOR THE FORMATION OF THE GENRE «SONG» IN RITUAL FOLKLORE." Vestnik Chuvashskogo universiteta, no. 2 (June 25, 2021): 171–80. http://dx.doi.org/10.47026/1810-1909-2021-2-171-180.

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Historical reconstruction problems of traditional rituals, worldview, language and poetics of folklore, folk art require an integrated approach from a modern researcher of the ethnos spiritual culture. The latter takes into account the achievements of modern related sciences, primarily ethnocultural studies and ethnolinguistics, archeology and folklore studies, comparative and typological ethnology. Using this method, the history of the archaic formula found in a number of genres of Chuvash ritual poetry is successfully restored, and its archaic semantics is also restored. In the Altai and pra

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Agakova, Alisa Leonidovna. "Song «Fly, Fly, Cuckoo» as a Phenomenon of Musical and Poetic Work of the Chuvash People." Ethnic Culture, no. 4 (5) (December 25, 2020): 6–10. http://dx.doi.org/10.31483/r-97474.

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The article examines the semantic and axiological foundations of «Fly, fly, cuckoo» – the most popular work of Chuvash song folklore. The purpose of the work is to establish the history of the song from the moment of the first recording and analyze its professional processing. The author practices a short generalized description of the most characteristic features of each artistic treatment. This approach allows to clearly feel the individual handwriting of each composer. The research results are based on comparison and generalization methods. The melody of this song inspired the Chuvash and R

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Ilyina, Galina Gennadievna, Alexey Anatolievich Alexandrov, and Ekaterina Igorevna Ismagilova. "Song Folklore of the Chuvash People from Yanshikhovo-Norvashi Village of the Yantikovskiy District of the Chuvash Republic in Autochthonous and Siberian Existence." Filologičeskie nauki. Voprosy teorii i praktiki, no. 5 (May 2022): 1381–87. http://dx.doi.org/10.30853/phil20220285.

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Ismagilova, E. I. "The present state of the song folklore of the Chuvashes of Siberia." Sibirskiy filologicheskiy zhurnal, no. 2 (March 1, 2017): 16–27. http://dx.doi.org/10.17223/18137083/59/2.

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Kasper, Kátia Maria, and Andre Pietsch Lima. "TRAVESSIAS." Revista Observatório 4, no. 1 (2018): 167. http://dx.doi.org/10.20873/uft.2447-4266.2018v4n1p167.

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Uma pena flana. Plana. Atravessa a cidade. Pena eufórica entre umidades e temperaturas. Biografa suspensões, delírios. Seu olho não vê. Primitiva, pena extraordinária. Risco entre esmeraldas limbo e papéis, pena que biografa uma perturbação atmosférica. Ventos entre folhas. Ventos entre janelas. Pena que vagueia entre buzinas, ambulantes, sonhos da cidade. Pena diuturna. Risca a chuva sobre a chuva. Sonha com a cidade em grafias e chiados. Sonha com as gentes de rua, as ruas de gente. Grafa tiquetaques (de relógios barométricos). Clica com semáforos. Ouve latidos, tráfego. Murmúrios, burburinh

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"AN INTEGRATED APPROACH TO THE STUDY OF THE POEM OF N. IZHENDEY “THE VOICE OF THE UNBORN CHILD”." IJASOS- International E-journal of Advances in Social Sciences 6, no. 17 (2020): 658–64. http://dx.doi.org/10.18769/ijasos.789461.

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In modern education, methods of an integrated approach to learning are actively used. When studying literature, knowledge from the field of related sciences is acceptable: folklore, mythology, history, psychology, social science. This makes it possible to expand students' knowledge about the art world of a work, the national picture of the world of an ethnos, and socio-historical reality. The purpose of this work is to outline the role of the poem by N. Izhendey “The Voice of the Unborn Child” in the moral and aesthetic education of the younger generation, since the poem is included in the reg

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