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Bibliographies thématiques / Copyright Australia / Livres

Pour voir les autres types de publications sur ce sujet consultez le lien suivant : Copyright Australia.

Livres sur le sujet « Copyright Australia »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 26 janvier 2023

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Consultez les 36 meilleurs livres pour votre recherche sur le sujet « Copyright Australia ».

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1

Council, Australian Copyright. Copyright in Australia. Milsons Point, N.S.W: Australian Copyright Council, 1989.

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2

Copyright: Law and practice. Annandale, NSW: Federation Press, 2007.

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3

Australia, National Library of. National Library of Australia copyright guidelines. Canberra: National Library of Australia, 1997.

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4

Affairs, Australia Parliament House of Representatives Standing Committee on Legal and Constitutional. Cracking down on copycats: Enforcement of copyright in Australia. [Canberra]: Parliament of Australia, 2000.

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5

Council, Australian Copyright, ed. Permissions & copyright clearances: A practical guide. Strawberry Hills, N.S.W: Australian Copyright Council, 2008.

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6

Sainsbury, Maree. Moral rights and their application in Australia. Sydney: Federation Press, 2003.

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7

Council, Australian Copyright, ed. Libraries: A copyright guide : a practical guide. [Redfern, N.S.W.]: Australian Copyright Council, 2009.

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8

Australia, National Archives of. A nation's imagination: Australia's copyright records, 1854-1968. Canberra, ACT, Australia: National Archives of Australia, 2003.

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9

Clark, E. Eugene. Cyber law in Australia. Alphen aan den Rijn, The Netherlands: Kluwer Law International, 2010.

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10

Clark, E. Eugene. Cyber law in Australia. Alphen aan den Rijn, The Netherlands: Kluwer Law International, 2010.

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11

Cyber law in Australia. Alphen aan den Rijn, The Netherlands: Kluwer Law International, 2010.

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12

Authors, copyright, and publishing in the digital era. Hershey PA: Information Science Reference, 2014.

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13

Dakin, Helen. Australia-US Free Trade Agreement amendments: A discussion paper. Strawberry Hills, NSW, Australia: Australian Copyright Council, 2005.

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14

Ian, McDonald. Current issues 2002: A discussion paper. Strawberry Hill, N.S.W: Australian Copyright Council, 2002.

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15

Ian, McDonald. Architects & copyright: A practical guide, Australian Copyright Council. Australia, NSW: Australian Copyright Council, 2009.

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16

Ian, McDonald. Architects & copyright: A practical guide, Australian Copyright Council. Australia, NSW: Australian Copyright Council, 2009.

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17

Council, Australian Copyright, ed. Architects & copyright: A practical guide, Australian Copyright Council. Australia, NSW: Australian Copyright Council, 2009.

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18

Reihanah, Safavi-Naini, and Yung Moti, eds. Digital rights management: Technologies, issues, challenges and systems : first international conference, DRMTICS 2005, Sydney, Australia, October 31-November 2, 2005 : revised selected papers. Berlin: Springer, 2006.

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19

Harris, Dorothy. Copyright protection of computer software policy issues for Australian libraries. Perth, Western Australia: [Library and Information Service of Western Australia], 1990.

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20

Johnson, Vivien. Copyrites: Aboriginal art in the age of reproductive technologies : touring exhibition 1996 catalogue. Sydney: N.I.A.A.A. and Macquarie University, 1996.

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21

Drahos, Peter. Indigenous Peoples' Innovation: Intellectual Property Pathways to Development. Canberra: ANU Press, 2012.

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22

A, Reilly, Indo-Pacific Fishery Commission. Working Party on Fish Technology and Marketing., and Food and Agriculture Organization of the United Nations., eds. Spoilage of tropical fish and product development: Proceedings of a symposium held in conjunction with the sixth session of the Indo-Pacific Fishery Commission Working Party on Fish Technology and Marketing : Royal Melbourne Institute of Technology, Melbourne Australia, 23-26 October 1984. Rome: Food and Agriculture Organization of the United Nations, 1985.

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23

Ariyarathna, Lasantha. Streaming and Copyright Law. Taylor & Francis Group, 2022.

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24

Ariyarathna, Lasantha. Streaming and Copyright Law: A Comparative End-User Perspective. Routledge, 2022.

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25

Ian, McDonald, and Australian Copyright Council, eds. Special case exception: education, libraries, collections: A practical guide. Strawberry Hills, N.S.W: Australian Copyright Council, 2007.

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26

Ian, McDonald, and Australian Copyright Council, eds. Special case exception: education, libraries, collections: A practical guide. Strawberry Hills, N.S.W: Australian Copyright Council, 2007.

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27

Chapdelaine, Pascale. Copyright User Rights. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198754794.001.0001.

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This book explores the scope of copyright user rights through the lens of property, copyright, and contract law. It proposes a taxonomy and hierarchy of copyright user rights that makes a distinction between user property, user rights, and user privileges. The book looks at user rights from an international law and multijurisdictional perspective (including the European Union, United States, Canada, United Kingdom, France, and Australia) with a particular focus on Canada, given the significant amount of jurisprudence of the Supreme Court of Canada on copyright user rights. Unlike other works t

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28

Hilty, Reto M., and Kung-Chung Liu. Remuneration of Copyright Owners: Regulatory Challenges of New Business Models. Springer, 2017.

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29

Rozenblit, Katya. Freedom of expression and copyright law in Canada and Australia: Unchartered territory? 2003.

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30

Massov, Alexander. A New Rival State?: Australia in Tsarist Diplomatic Communications. ANU Press, 2018.

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31

Jacques, Sabine. The Parody Exception in Copyright Law. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198806936.001.0001.

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Parodies have been created throughout times and cultures. A glimpse at the judicial latitude generally afforded to parodies, satires, caricatures, and pastiches demonstrates the social and cultural value of this particular form of artistic expression. With the advent of technologies and the evolution of copyright legislation, creative endeavours in the form of parody were rejuvenated but became unlawful. While copyright law grants exclusive rights to right-holders, these rights are not absolute. Legislation includes specific exceptions, which preclude right-holders from exercising their prerog

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32

Geoffrey, Bucknell Duncan, ed. Australian patent law. Chatswood, NSW: LexisNexis Butterworths, 2004.

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33

Weatherall, Kimberlee. The Emergence and Development of Intellectual Property Law in Australia and New Zealand. Edited by Rochelle Dreyfuss and Justine Pila. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198758457.013.17.

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This chapter provides both an overview of the history of intellectual property (IP) laws in Australia and New Zealand, and pathways into existing and emerging scholarship in this area. It discusses convergence and divergence in copyright, patent and trademark legislation and case law between Britain and these two former colonies, from early colonial experimentation to the long period of closely mirroring UK reforms. In the late twentieth century, both countries developed more distinctive IP laws, and diverged on a range of fundamental questions. In the twenty-first century, trade policy—trans-

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34

True History of Copyright: The Australian Experience 1905-2005. BookBaby, 2007.

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35

Mendis, Dinusha, Jane Nielsen, Diane Nicol, and Phoebe Li. The CoExistence of Copyright and Patent Laws to Protect InnovationA Case Study of 3D Printing in UK and Australian Law. Edited by Roger Brownsword, Eloise Scotford, and Karen Yeung. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199680832.013.80.

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The chapter considers the challenges faced by intellectual property (IP) laws, in particular copyright and patent laws, in responding to emerging technologies and innovation like 3D printing and scanning. It provides a brief introduction to 3D printing before moving to detailed analysis of relevant UK and Australian jurisprudence. Through this comparative analysis, the chapter explores whether copyright and patent laws can effectively protect innovation in this emerging technology, including consideration of both subsistence and infringement. The chapter suggests that 3D printing, like most ot

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36

Music Business: A Musician's Guide to the Australian Music Industry by Top Australian Laywer and Dealmaker. Omnibus Press, 2001.

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