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Littérature scientifique sur le sujet « Craft »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 25 juillet 2025

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Articles de revues sur le sujet "Craft"

Väänänen, Niina, and Katja Vilhunen. "Exploratory factor analysis of sustainable craft theory among Finnish craft hobbyists." Craft Research 15, no. 1 (2024): 13–40. http://dx.doi.org/10.1386/crre_00117_1.

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This study explores how Finnish craft hobbyists view their craft practice in a sustainable craft theory context. We collected the data for this study through an online survey in February and March 2021. We analyse the survey questionnaire data (N = 929) using exploratory factor analysis. The findings of the study show detailed information about craft hobbyists’ perceptions towards sustainable craft and reveal how craft hobbyists find sustainable crafts to be well-being-related activities that enhance meaning-making in their leisure time. This study also provides a sustainable craft measure fra

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Makhitha, K. M. "Understanding The Organisational Buyer Behaviour Of Craft Retailers In South Africa." Journal of Applied Business Research (JABR) 31, no. 2 (2015): 501. http://dx.doi.org/10.19030/jabr.v31i2.9149.

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The purpose of the study was to investigate the buyer behaviour of craft retailers in South Africa (SA). Specifically, the study investigated the stages in the buying process craft retailers go through when buying crafts from the craft producers. Craft retailers play a dominant role in the craft industry value chain yet craft producers face difficulties selling to this market. Instead, they resort to selling directly to end consumers and not through craft retailers. An understanding of craft retailer and buyer behaviour is a necessity for craft producers who want to sell their product

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Vartiainen, Leena, and Minna Kaipainen. "TEXTILE CRAFT STUDENTS’ PERCEPTIONS OF SUSTAINABLE CRAFTS." Problems of Education in the 21st Century 43, no. 1 (2012): 131–40. http://dx.doi.org/10.33225/pec/12.43.131.

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Future teachers have an important role in education for sustainable development. This article describes textile craft teacher students’ perceptions of sustainable textile craft. The data derives from a survey of craft teacher students of the University of Eastern Finland (N = 20). The questionnaire included open-ended and multiple choice questions about sustainability of textile craft education and the relevance of sustainability in the students’ lives. The study reveals textile craft teacher students’ conceptions as consumers, craft makers and future textile craft teachers. The open-ended que

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Zhong, Yiming, Shukun Tang, and Mei Lan. "Research on the Inheritance Path and the Branding Inheritance Model of Traditional Crafts." Sustainability 15, no. 7 (2023): 5878. http://dx.doi.org/10.3390/su15075878.

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The inheritance of traditional crafts has contemporary value in the economy and socio-culture and, hence, the development of human civilization. China is well known for its traditional crafts and is the main subject of international traditional craft research; the Chinese government is the first leading force in traditional craft inheritance. This paper employs the grounded theory to analyze the content of 79 national policies on traditional crafts in China from 1960 to February 2022, and induces, compares, refines, and formulates an inheritance path for traditional crafts under the guidance o

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Rausch, Anthony S. "Representing craft as cultural commodity in its cultural economy." Craft Research 15, no. 2 (2024): 247–65. http://dx.doi.org/10.1386/crre_00133_1.

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Defining craft has proven troublesome in craft-related research, with existing definitions either failing to reflect the expanse and variety of crafts or creating artificial boundaries, which constrain the fullest extent of how crafts can be recognized, viewed, interpreted, preserved and promoted. This research presents an examination of a place-based lacquerware craft of rural Japan, which offers an alternative approach to representing craft based on the idea of conceptual and operational space for both craft categories and craft items. Such a combined way of viewing craft – conceptually and

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Jõeste, Kristi, Madis Rennu, Ave Matsin, and Kadri Tüür. "Pärandtehnoloogiline käsitööuurimus: lähenemised ja väljavaated / Craft research and traditional technologies: practices and perspectives." Studia Vernacula 12 (November 5, 2020): 16–45. http://dx.doi.org/10.12697/sv.2020.12.16-45.

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The article provides an overview of the practices and perspectives related to craft research and traditional technologies as studied and taught in the Estonian Native Crafts Department in University of Tartu Viljandi Culture Academy. Academic craft research is discussed in the context of neighbouring disciplines in the humanities, such as ethnology, semiotics, archaeology, art history, and conservation, amongst others. Against this background, the distinctive traits of craft research are foregrounded. The article also aims to position Estonian craft research amongst its peer disciplines. We ho

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Stefanidi, Evropi, Nikolaos Partarakis, Xenophon Zabulis, Ilia Adami, Stavroula Ntoa, and George Papagiannakis. "Transferring Traditional Crafts from the Physical to the Virtual World: An Authoring and Visualization Method and Platform." Journal on Computing and Cultural Heritage 15, no. 2 (2022): 1–24. http://dx.doi.org/10.1145/3484397.

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Visualizing human motion is a topic that has gained increasing attention in the domain of cultural heritage, due to the need for capturing intangible dimensions, existing for example in theatrical performances, dances, and crafts. In this respect, virtual humans are typically employed to re-enact human motion, executing movements reproduced through predefined animations, or physics simulation engines. In the case of traditional crafts, a defining point is how to model the interaction of virtual humans with craft-related objects and how to transfer it from the physical to the digital world. Tow

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Guo, Jingyan, and Byunghak Ahn. "Tacit Knowledge Sharing for Enhancing the Sustainability of Intangible Cultural Heritage (ICH) Crafts: A Perspective from Artisans and Academics under Craft–Design Collaboration." Sustainability 15, no. 20 (2023): 14955. http://dx.doi.org/10.3390/su152014955.

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The tacit nature of craft forms a barrier to the sustainability of intangible cultural heritage (ICH) crafts in craft–design collaboration that makes facilitating knowledge sharing across domains challenging. Hence, the discussion of tacit knowledge becomes a significant topic in university-based craft–design collaboration. However, there is still a lack of a systematic tacit knowledge-sharing structure for guiding academics and artisans in interacting beyond superficial manifestations in collaboration with the consideration of sustainability. This study aims to seek the relationship between c

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Thèses sur le sujet "Craft"

Singleton, Benedict. "On craft and being crafty." Thesis, Northumbria University, 2014. http://nrl.northumbria.ac.uk/21414/.

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This thesis explores how designers might approach human behaviour as a material to be worked on. Unlike politicians, economists, lawyers, philosophers, psychiatrists and many others, designers have few disciplinary resources to draw on in this space. Indeed, it is barely discussed at all. Contemporary designers are, we are told, supposed to treat people and things differently, and ensure that the latter are subservient to the agendas of the former - calls that become all the more insistent when designers are looking for ways to incorporate the design of services and organisations into their pr

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Modrei, Karen. "Craft Fiction." Thesis, Konstfack, Textil, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7814.

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In this paper I introduce and explain the construct of ‘Craft Fiction’ as a setting for my own artistic work. Within a fictional framework, I am mediating between the field of craft and the contemporary environment of relocated materialities and digital worlds I find myself in. Using the vehicle of language and analyzing those dialogue that are ongoing in craft processes, I am assessing the intimate relationships between maker and its tools/machines, in order to discuss hierarchies and purpose of crafting.

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Seay, Laina. "Craft Cyborg." VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/2426.

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By merging the ancient associations that clay has with the human form and prosthetic science I question the relevancy and role of the human body in the future. As prosthetics heighten the awareness of the body through absence these additive limbs further this relevancy by presence. With greater advances in genetic engineering and plastic surgery biology will no longer dominate and these ridged clay extensions could become flesh.

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Sollevi, Anna. "Craft Reality." Thesis, Konstfack, Textil, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5835.

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CRAFT REALITY Handicra vs. Digital technology A mashup with the aim to unify and to expand. A research of the possibilities that appear when I allow textile cra to get a ected by and to interact with digi- tal manipulation and the aesthetic of the world wide web. A study in contemporary and underground art forms, developed by them young or A method of working with techniques and material, once taught by those today seen as them old: Maybe it can be both.

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Golsteijn, Connie. "Hybrid craft : towards an integrated physical-digital craft practice." Thesis, University of Surrey, 2014. http://epubs.surrey.ac.uk/805669/.

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Nowadays, people engage in a diverse range of craft practices in their everyday lives, which take place in physical and digital realms, such as creating decorations for their homes, modifying IKEA furniture, making digital photo collages, or creating their own personal websites. Within this increasingly hybrid age, in which people engage with physical and digital artefacts alongside each other and simultaneously, the research presented in this thesis poses that there are opportunities for new forms of making and creativity at the intersection of physical and digital realms. In other words, it

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Joe, Hyunsik. "Sensor Craft Control Using Drone Craft with Coulomb Propulsion System." Thesis, Virginia Tech, 2005. http://hdl.handle.net/10919/42781.

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The Coulomb propulsion system has no exhaust plume impingement problem with neighboring spacecraft and does not contaminate their sensors because it requires essentially no propellant. It is suitable to close formation control on the order of dozens of meters. The Coulomb forces are internal forces of the formation and they influence all charged spacecraft at the same time. Highly nonlinear and strongly coupled equations of motion of Coulomb formation makes creating a Coulomb control method a challenging task. Instead of positioning all spacecraft, this study investigates having a sensor craft

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Hansson, Henrik. "Craft Physics Interface." Thesis, Linköping University, Department of Computer and Information Science, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-8497.

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This is a masters thesis (20p) in computer science at the University of Linköping. This thesis will give an introduction to what a physics engine is and what it consist of. It will put some engines under the magnifying glass and test them in a couple of runtime tests. Two cutting edge commercial physics engines have been examined, trying to predict the future of physics engines. From the research and test results, an interface for physics engine independency has been implemented for a company called Craft Animations in Gothenburg, Sweden.

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Pitts, Bradley McGilvary 1978. "Spacesuit: space craft." Thesis, Massachusetts Institute of Technology, 2003. http://hdl.handle.net/1721.1/82796.

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Kao, Hsin-Liu (Hsin-Liu Cindy). "Hybrid body craft." Thesis, Massachusetts Institute of Technology, 2018. http://hdl.handle.net/1721.1/120684.

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Thesis: Ph. D., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2018. Cataloged from PDF version of thesis. Includes bibliographical references (pages 209-223). Sensor device miniaturization and breakthroughs in novel materials are allowing for the placement of technology increasingly close to our physical bodies. However, unlike all other media, the human body is not simply another surface for enhancement - it is the substance of life, one that encompasses the complexity of individual and social identity. The human body

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Harper, Joshua Matthew. "Intersections of Craft." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1275071801.

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Livres sur le sujet "Craft"

Davis, Andrew. Craft craft. Lumen Books, 2000.

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Gray, Madelaine. Selling your crafts at craft shows. Storey, 1996.

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1940-, John Brian, and Pembrokeshire Craft Markets, eds. Pembrokeshire crafts: And cottage craft producers. Greencroft for Pembrokeshire Craft Markets, 1986.

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Simon, Watney, Key Joan, Richard Salmon, and Kettle's Yard Gallery, eds. Craft. Edward Square Studios, 1997.

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McAlister, Diane L. Native American crafts directory: A guide for locating craft shops and craft suppliers. Book Pub. Co., 1996.

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Craft Craft Transforming Traditional Crafts. O'Reilly Media, 2007.

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Craft Workshop: Felt Crafts (Craft Workshop). Southwater, 2005.

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Craft Volume 10 Craft Transforming Traditional Crafts. O'Reilly Media, 2009.

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Hayes, Fiona. Crafty Makes: Nature Craft. Quarto Publishing Group UK, 2018.

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Crafty Makes: Nature Craft. QEB Publishing Inc., 2018.

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Chapitres de livres sur le sujet "Craft"

Mainstone-Cotton, Sonia. "Craft." In Creativity and Wellbeing in the Early Years. Routledge, 2023. http://dx.doi.org/10.4324/9781003312710-5.

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Glăveanu, Vlad Petre. "Craft." In Creativity — A New Vocabulary. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-41907-2_5.

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Glăveanu, Vlad Petre. "Craft." In Creativity — A New Vocabulary. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137511805_4.

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Nicklin, Hannah. "Craft." In Writing for Games. CRC Press, 2022. http://dx.doi.org/10.1201/9781003182832-2.

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Bose, Chandan. "Craft-Through-Relatedness; Relatedness-Through-Craft." In Perspectives on Work, Home, and Identity From Artisans in Telangana. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12516-5_5.

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Yun, Liang, and Alan Bliault. "Hydrofoil Craft." In High Performance Marine Vessels. Springer US, 2012. http://dx.doi.org/10.1007/978-1-4614-0869-7_5.

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Warren, Robert H. "Craft Labor." In Motivation and Productivity in the Construction Industry. Springer US, 1989. http://dx.doi.org/10.1007/978-1-4684-8827-2_3.

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Dolejší, David. "Craft Guilds." In Encyclopedia of Law and Economics. Springer New York, 2019. http://dx.doi.org/10.1007/978-1-4614-7753-2_642.

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Dolejší, David. "Craft Guilds." In Encyclopedia of Law and Economics. Springer New York, 2017. http://dx.doi.org/10.1007/978-1-4614-7883-6_642-1.

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Blauer, Ettagale. "Craft Shows." In Contemporary American Jewelry Design. Springer US, 1991. http://dx.doi.org/10.1007/978-1-4757-4854-3_2.

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Actes de conférences sur le sujet "Craft"

Suresh Kumar, M., Moorthi M, Gokulprasath R, and Ragul P. "Virtual Drive Craft." In 2025 International Conference on Computing and Communication Technologies (ICCCT). IEEE, 2025. https://doi.org/10.1109/iccct63501.2025.11019981.

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Kim, Dongho, Jerry T. Chiang, Yih-Chun Hu, Adrian Perrig, and P. R. Kumar. "CRAFT." In the 17th ACM conference. ACM Press, 2010. http://dx.doi.org/10.1145/1866307.1866404.

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MAZUR-WŁODARCZYK, Katarzyna. "Active learning as a tool for promoting craftsmanship – examples from Poland." In "Valorificarea neuroştiinţelor în dezvoltarea personală", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.7-8-11-2024.p183-198.

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The article presents the issues related to the promotion of crafts and craft professions, as well as examples of using active learning to promote crafts. It indicates the various activities promoting crafts in Poland, which engage participants through interaction at fairs and festivals, craft competitions and educational games. Due to the lack of literature on this topic, desk research was conducted, which indicates that active learning is also a tool for promoting crafts in Poland.

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Alford, Grant. "Arts & Crafts (and iPads): Digital Craft and Political Economy." In 109th ACSA Annual Meeting. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.am.109.20.

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In discussions of craft since the digital revolution in architecture of the past twenty years it is common for an author to situate their position relative to the Arts and Crafts movement of the late 19th and early 20th centuries. Scholars have repeatedly and rightly noticed striking parallels between reactions in design thinking to the industrial revolution and reactions to the digital revolution in architecture. Proponents of various digital schools invoke the likes of William Morris and John Ruskin as historical theoretical foils to visions of craft in the digital age. There is, however, a

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Zoran, Amit. "Hybrid craft." In ACM SIGGRAPH Art Gallery. ACM Press, 2015. http://dx.doi.org/10.1145/2810185.2810187.

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Wang, Yu-Shin, Yuan-Yao Hsu, Wei-Lin Chen, Han Chen, and Rung-Huei Liang. "Craft Consciousness." In CHI '15: CHI Conference on Human Factors in Computing Systems. ACM, 2015. http://dx.doi.org/10.1145/2702613.2732803.

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Bonanni, Leonardo, Amanda Parkes, and Hiroshi Ishii. "Future craft." In Proceeding of the twenty-sixth annual CHI conference extended abstracts. ACM Press, 2008. http://dx.doi.org/10.1145/1358628.1358712.

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Sheth, Urvi A. "Digital Craft." In CAADRIA 2014: Rethinking Comprehensive Design: Speculative Counterculture. CAADRIA, 2014. http://dx.doi.org/10.52842/conf.caadria.2014.947.

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Chhajlani, Avani. "Sustainable Design through Up-Cycling Crafts in the Mainstream Fashion Industry of India." In 8TH SUSTAINABLE DEVELOPMENT CONFERENCE. Tomorrow People Organization, 2021. http://dx.doi.org/10.52987/sdc.2021.006.

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Abstract Fashion is considered to be the most destructive industry, second only to the oil rigging industry, which has a greater impact on the environment. While fashion today, banks upon fast fashion to generate higher turnover of designs and patterns in apparel and relate accessories, crafts push us towards a more slow and thoughtful approach with culturally identifiably unique work and slow community centred production. Despite this strong link between indigenous crafts and sustainability, it has not been extensively researched and explored upon. In the forthcoming years, the fashion indust

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Sawatani, Yuriko, and Nobuo Kanai. "New human engagement-first governance approach in craft startups." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003108.

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The research finds a new relationship with customers through crowdfunding in the case of BrewDog, a craft startup. Originally, the concept of craft was regarded as a primitive form of manufacturing that was passing away. However, the Arts and Crafts Movement, started by Morris and others (1892) against the Industrial Revolution, was an attempt to rediscover the potential of human beings themselves. By rethinking the purpose of life as an anti-capitalist movement and analyzing craft startups, where symbolism, aesthetic qualities, and entrepreneurial identity are important elements, we found a c

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Rapports d'organisations sur le sujet "Craft"

Marks, Cynthia, Chance Phelps, Justin Ryan, and Paul Sorensen. Transformation Craft (T-Craft) Concept Study. Defense Technical Information Center, 2007. http://dx.doi.org/10.21236/ada487273.

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Ohrn-McDaniel, Linda. Business or Craft. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-587.

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Smith, Adam, and Michelle Berkebile. LANL Craft: Timecard Modernization Initiative. Office of Scientific and Technical Information (OSTI), 2020. http://dx.doi.org/10.2172/1645039.

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Hodges, Casey, Rebecca Silver, Jakob Wieser, and Andrew Adelsen. SES T-Craft Model Testing. Defense Technical Information Center, 2009. http://dx.doi.org/10.21236/ada512793.

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Abdelsalam, Amir, III Luder, Shen Alton, Wohlenhaus Andrea, and Doug. Heavy Lift Army Landing Craft. Defense Technical Information Center, 2010. http://dx.doi.org/10.21236/ada554333.

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Vecchioni, Matilde. Unregulated Production: Examining Craft-Produced Weapons from a Global Perspective. UNIDIR, 2024. http://dx.doi.org/10.37559/caap/24/pacav/08.

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Craft production of small arms and light weapons (SALW) is a global and long-standing phenomenon. While manufacturing techniques – both traditional and emerging – evolve at a fast pace, knowledge on craft production remains localized and fragmented. This is compounded by a lack of a universally agreed definition of craft production. In June 2023, UNIDIR initiated research examining craft production of small arms and light weapons (SALW). The objective of this research is to increase knowledge and understanding of craft-produced SALW and raise awareness of the challenges for preventing and addr

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Marshall, N. H., and E. S. Marwil. Cross Reference Analysis of Fortran (CRAFT). Office of Scientific and Technical Information (OSTI), 1991. http://dx.doi.org/10.2172/6376659.

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Nasr, Navil, Michael Thurston, and Timothy Murtaugh. LEEDS Decision Tools for E-Craft. Defense Technical Information Center, 2011. http://dx.doi.org/10.21236/ada538600.

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Pickar, Charles K. Blitzkrieg: Operational Art or Tactical Craft. Defense Technical Information Center, 1992. http://dx.doi.org/10.21236/ada253540.

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Dougan, A., D. Trombino, W. Dunlop, and A. Bordetsky. Maritime Interdiction Operations Small Craft Detection. Office of Scientific and Technical Information (OSTI), 2010. http://dx.doi.org/10.2172/972414.

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