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Littérature scientifique sur le sujet « Criminal investigation – Fiction »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 27 juillet 2025

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Articles de revues sur le sujet "Criminal investigation – Fiction"

Chekalov, Kirill A. "Early French detective fiction: self-identification paths." Vestnik of Kostroma State University 29, no. 2 (2023): 79–86. http://dx.doi.org/10.34216/1998-0817-2023-29-2-79-86.

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This article focuses on the early period of French detective fiction (1860s), when the “roman policier” notion has not yet been formulated (In use was the notions “courtroom novel”, i.e. “roman judiciaire”). Émile Gaboriau acted as the founder of this genre through his series of novels about Monsieur Lecoq [starting with the novel – “The Lerouge Case” (“L’Affaire Lerouge”, 1865)]. His novels incorporate the criminal narrative features and social, psychological, historical, and political constructs. The author of the article analyses little-known literary works of the similar theme, written in

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Machado, Meanda Juliana, and Diana da Silva Rodrigues. "Detetives transculturais: rompendo fronteiras na ficção criminal." Caderno de Letras da UFF 35, no. 68 (2024): 76–97. https://doi.org/10.5281/zenodo.13366747.

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Abstract: This article analyzes Lucha Corpi’s <em>Eulogy for a Brown Angel</em> (1992) and T. E. Wilson’s <em>Mezcalero</em> (2015). We seek to understand how their detectives, Gloria Damasco and Ernesto Sánchez, respectively, raise questions of identity, especially in relation to gender and ethnicity, and also bring multiculturalism and subalternity into their contexts. Corpi was born in Mexico and lives in the United States, while Wilson was born in Canada and lives in Mexico, and both write their detective fiction in English. The writing of these authors is a space of cul

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Leitch, Thomas. "The Many Pasts of Detective Fiction." Crime Fiction Studies 1, no. 2 (2020): 157–72. http://dx.doi.org/10.3366/cfs.2020.0018.

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Building on Tzvetan Todorov's observation that the detective novel ‘contains not one but two stories: the story of the crime and the story of the investigation’, this essay argues that detective novels display a remarkably wide range of attitudes toward the several pasts they represent: the pasts of the crime, the community, the criminal, the detective, and public history. It traces a series of defining shifts in these attitudes through the evolution of five distinct subgenres of detective fiction: exploits of a Great Detective like Sherlock Holmes, Golden Age whodunits that pose as intellectu

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Khitarova, Tatyana Alexandrovna, and Yelena Georgievna Khitarova. "“The journalistic criminal novel” “In Cold Blood” by Truman Garcia Capote in the context of “new journalism” problem." Vestnik of Kostroma State University 27, no. 3 (2021): 194–201. http://dx.doi.org/10.34216/1998-0817-2021-27-3-194-201.

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The success of the ‟new journalism” in the United States in the 60s of the last century had an impact on the literary process. Truman Garcia Capote's novel ‟In Cold Blood” is an attempt to create a new form of fiction and nonfiction novel, which combines the features of nonfiction and journalism. So there is a genre of ‟criminal journalistic novel”. The author is involved in the investigation of a criminal case. The analysis reveals common typological features of a crime novel. Capote's approaches to the text are investigated, which are similar to journalistic professional methods – interview,

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Smolin, Jonathan. "DIDACTIC ENTERTAINMENT: THE MOROCCAN POLICE JOURNAL AND THE ORIGINS OF THE ARABIC POLICE PROCEDURAL." International Journal of Middle East Studies 45, no. 4 (2013): 695–714. http://dx.doi.org/10.1017/s002074381300086x.

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AbstractThis article traces the ways that the Moroccan Police Journal, a state-produced periodical that first appeared in 1961, constructed and disseminated an aspirational identity for the Moroccan police, one that was radically distinct from the image of the brutal security forces of the Protectorate period. Unlike other state-produced periodicals in Morocco or the Middle East at the time, Police Journal included fictional short stories written in the form of a police procedural, a genre that places a real-world criminal detective in the center of a narrative depicting a believable police in

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Patronnikova, Yulia S. "Emilio De Marchi’s Novel “The Priest’s Hat”: the Origins of Italian Giallo." Studia Litterarum 7, no. 1 (2022): 146–69. http://dx.doi.org/10.22455/2500-4247-2022-7-1-146-169.

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The paper examines Emilio De Marchi’s novel “The priest’s hat” (1888) as a precursor of detective fiction in Italy. Influenced by Dostoevsky and the French tradition (Gaborio) with its attention to characters’ psychology, De Marchi tells the story of “crime and punishment” that contains crucial elements of detective fiction. The plot revolves around the priest’s murder. The only evidence, his hat, determines how the detective story unfolds — it introduces the mystery, hints at the crime, and sparks the investigation. The case is officially led by the investigating judge. The story also contain

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Pereira Cavalheiro, Alesson. "MOLECULAR BIOLOGY APPLIED TO THE FORENSIC AREA." Journal of Interdisciplinary Debates 5, no. 01 (2024): 30–44. http://dx.doi.org/10.51249/jid.v5i01.1892.

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The analysis of DNA samples to solve crimes is something widely oberved in films and fiction series, however, does this really happen in everyday life? The present work consists of a bibliographical review, the objective of which is to provide a historical review of the development of Molecular Biology, its use in the forensic field and the main techniques used by it. In this sense, it is noted that the development of this science, as well as the techniques and methodologies it carries out, accompany the technological development and tools available to it. The use of DNA, which once began with

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Angulo López, Geofredo. "The Prohibition of Torture from a Human Rights Perspective: Fiction or Reality in the Current Rule of Law." Age of Human Rights Journal, no. 21 (October 9, 2023): e7987. http://dx.doi.org/10.17561/tahrj.v21.7987.

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This article discusses the problem of torture in Mexico and its impact on the legitimacy of the State and the protection of human rights. Despite the normative advances in the configuration of the notion of torture, there are problems of effectiveness in the mechanisms with which the State operates to comply with its obligation of due diligence in the prevention, investigation, registration and prosecution of torture cases. The author emphasizes that torture is a symptom of the weakness of the rule of law, which produces a social delegitimization due to the disappointment of society’s expectat

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Kim, Sue Ahn. "A Study on the Storytelling Strategy of Criminal Cases on SBS’s “The Unanswered”: Focusing on the Correlation between TV and YouTube." Korean Association for Literacy 13, no. 5 (2022): 445–80. http://dx.doi.org/10.37736/kjlr.2022.10.13.5.15.

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Today, real criminal cases have entered a phase, wherein they are disseminated as socio-cultural content. The purpose of this article is to examine the mass media’s content production strategy for sharing and consuming criminal cases. This article focuses on the strategies by analyzing the 1314th episode of “The Raincoat Killer on Stage” and focusing on the characteristics of different platforms such as TV and YouTube, as well as their correlations with each other. In the episode of “Raincoat Killer on Stage,”a third party (character), distinguished from the host, appeared and positioned the d

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Ventura, Daniela. "La logique de l’enquête chez Noël Vindry." Studi Francesi 202 (LXVIII | I) (2024): 75–87. http://dx.doi.org/10.4000/11wi0.

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The primary aim of this paper is to bring out of oblivion Noël Vindry, one of the greatest French Detective writers of the “Golden Age” mysteries who has nothing to envy John Dikson Carr, an American master of the so-called “locked room mystery”. We will particularly highlight the interest of La Cinquième cartouche from an inferential point of view, by focusing our attention on the modus cogitandi of the detective in charge of the criminal investigation. It is from contingent facts that he arrives, through reasoning, at the rational explanation of an enigmatic fact by reconstituting, backwards

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Thèses sur le sujet "Criminal investigation – Fiction"

Mahy, Fanny. "Le fait divers criminel dans la littérature contemporaine française (1990-2012). : enquête au cœur du Rouge, Mémorial au vif du Noir." Thesis, Lille 3, 2013. http://www.theses.fr/2013LIL30040.

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Notre représentation collective du fait divers a considérablement évolué au tournant des années 80 ; ainsi que le signale Marine M’sili, « si unanimement décrié, fustigé, condamné, [il] voit son statut se modifier jusqu’à prendre une valeur positive », y compris chez l’élite intellectuelle. Dans ce même tournant des années 80, la littérature évolue, selon Dominique Viart, vers la « transitivité », c’est-à-dire qu’elle ne se suffit plus à elle-même et nécessite un complément d’objet direct, le monde. Ce double « tournant » favorise la fréquence et le renouvellement des modalités de rencontres e

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Greiwe, Teresa. "Do We Mistake Fiction for Fact? : Investigating Whether the Consumption of Fictional Crime-related Media May Help to Explain the Criminal Profiling Illusion." Thesis, Malmö universitet, Malmö högskola, Institutionen för kriminologi (KR), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-43630.

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The disparity between the ongoing use, the overall positive attitudes towards criminal profiling and the lack of empirical evidence for its validity is also referred to as criminal profiling illusion. Associated risks for society range from misled police investigations, hindered apprehensions of the actual offender(s), and wrongful convictions of innocent citizens to mistrust in the police and their methods. Research on potential explanations to the Criminal Profiling Illusion is still in its infancy but assumes that people receive and adopt incorrect messages favouring the accuracy and utilit

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Kleffner, Katherine. "Seething Cauldron of Crime: Criminals and Detectives in Historical and Fictional London." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1429017193.

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Livres sur le sujet "Criminal investigation – Fiction"

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Flint, Shamini. Criminal minds. Heliconia Press, 2008.

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McArdle, Phil. Fatal fascination: Where fact meets fiction in police work. Houghton Mifflin, 1988.

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Schwartz, Tomer. Pashuṭ pelili: Simply criminal. Kerikhah, sokhnut le-sofrim, 2018.

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Andersen, Jessica S. Mountain investigation. Harlequin, 2009.

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Andersen, Jessica S. Mountain investigation. Harlequin, 2009.

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Vaĭner, Georgiĭ. Райский сад дьявола. Умножающий печаль. АСТ, 2003.

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Collins, Max Allan. Criminal Minds. Penguin Group USA, Inc., 2008.

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Ashford, Jeffrey. Criminal innocence. Severn House, 2010.

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Neznanskiĭ, Fridrikh. Vosemʹ trupov pod kilem. Astrelʹ, 2011.

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Chapitres de livres sur le sujet "Criminal investigation – Fiction"

Gates, Philippa. "Criminal Investigation on Film." In A Companion to Crime Fiction. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444317916.ch27.

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Pepper, Andrew. "Secrecy and Transparency in Hideo Yokoyama’s Six Four." In Criminal Moves. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620580.003.0009.

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This chapter analyses Hideo Yokoyama’s Six Four (2012), drawing on Clare Birchall’s theory of transparency and secrecy to complicate the classic understanding of crime fiction in terms of a progressive uncovering of the truth. For Pepper, Yokoyama’s novel evokes instead a world where transparency is only ever partial, where secrecy is used tactically or as a mode of resistance within bureaucratic units as they engage in territorial struggles against other units, and where the investigation inevitably leaves a residue of what is ‘unknowable’. If these manoeuvres challenge the value placed on tr

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Ageyev, Аlexander I. "Nikolai Kondratieff: In the Millstones of History." In Kondratieff Waves: Kondratieff's Theoretical Legacy: Perspectives from Modern Times. Uchitel’ Publishing House, 2023. https://doi.org/10.30884/978-5-7057-6273-6_06.

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The article examines the reasons for the arrest, strategy and tactics of the investigation, as well as the evolution of N. D. Kondratieff's behaviour and views. It also raises the question of the correlation between fiction and reality in his criminal case.

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Zava, Alberto. "Lungo i futuri possibili del poliziesco." In La detection della critica. Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-455-4/017.

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In its rigorous and highly normative framework, the detective story often allows productive analyses on the functioning of its mechanisms and on the role of its elements when it is subjected to structural infringements in order to obtain specific narrative effects. The Minority Report (1956), science fiction story by Philip K. Dick, represents a particular case of ‘science fiction detective story’, a cross between science fiction and the context of the detective investigation, in which the knowability itself of reality and criminal actions change radically, thus providing the starting point fo

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Gulddal, Jesper. "Foggy Muddle." In Criminal Moves. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620580.003.0007.

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This chapter on Dashiell Hammett’s The Dain Curse takes a narratively unmotivated car accident as the starting point for a discussion of genre negation as a force of innovation in Hammett’s writing. As a violent interruption of preestablished modes of operation, the accident embodies the way in which the novel relates to the conventions of popular fiction only to wreck and overturn them. Thus, the linearity of the investigative process is replaced with a circular structure; the purity of genre is replaced with references to a catalogue of popular fiction templates, none of which are fully exec

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Tillier, Mathieu. "Judicial Investigations in Classical Islam." In Le récit criminel arabe / Arabic Crime Fiction. Harrassowitz Verlag, 2021. http://dx.doi.org/10.2307/j.ctv1h9djpf.4.

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Dasgupta, Ushashi. "‘Is This an Hotel? Are There Thieves in the House?’." In Charles Dickens and the Properties of Fiction. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198859116.003.0006.

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This chapter suggests that tenancy plays a major role in nineteenth-century detective fiction, an emerging genre that counted Dickens, Wilkie Collins, and Charles Warren Adams as enthusiastic early practitioners. The chapter starts by investigating the relationship between geography, class, and morality in contemporary social discourses, focusing on the ‘low’ or ‘common’ lodging house in London. Low lodging houses were widely associated with criminal behaviour, and Dickens and Collins were interested in the function they could perform in their fiction. The chapter moves on to examine the murde

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Hansen, Laura Pinto. "The Spy Who Never Has to Go Out Into the Cold." In Encyclopedia of Criminal Activities and the Deep Web. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-5225-9715-5.ch017.

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At the height of the Cold War, spies were more likely to be required to live secret lives in deep undercover. The same held true for corporate and industry spies. Even though government and industry spies may still be required to go out in the field, the digital and big data ages have offered the relative comfort of executing spy operations within one's home or office, offering challenges to detecting, investigating, and controlling espionage. Due to various network means, spies never have to “go out into the cold” – code for going deep undercover. Some of the network conduits discussed are th

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Dorsey, Bruce. "Camp Meetings." In Murder in a Mill Town. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197633090.003.0029.

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Abstract Author Catharine Williams writes one of the earliest known true crime stories in American popular culture, Fall River: An Authentic Narrative, joining the voices of those who are outraged by the injustice of Avery’s acquittal. A combination of investigative journalism, opinion, and fiction, Williams’s tale is designed to lead readers to a deeper understanding of the murderer and murder victim: what brought him to his evil deed and her to a calamitous fate. Williams’s narrative depicts all the powerful men in Cornell’s life, especially Avery, as scoundrels, rakes, and violent criminals

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