Bibliographies thématiques / Criminalité au cinéma

Sommaire

Articles de revues
Thèses
Livres
Chapitres de livres

Littérature scientifique sur le sujet « Criminalité au cinéma »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

Créez une référence correcte selon les styles APA, MLA, Chicago, Harvard et plusieurs autres

Choisissez une source :

Consultez les listes thématiques d’articles de revues, de livres, de thèses, de rapports de conférences et d’autres sources académiques sur le sujet « Criminalité au cinéma ».

À côté de chaque source dans la liste de références il y a un bouton « Ajouter à la bibliographie ». Cliquez sur ce bouton, et nous générerons automatiquement la référence bibliographique pour la source choisie selon votre style de citation préféré : APA, MLA, Harvard, Vancouver, Chicago, etc.

Vous pouvez aussi télécharger le texte intégral de la publication scolaire au format pdf et consulter son résumé en ligne lorsque ces informations sont inclues dans les métadonnées.

Articles de revues sur le sujet "Criminalité au cinéma"

Larchet, Keltoume, and Aurélien Langlade. "La criminalité féminine : un objet criminologique." Cahiers de la sécurité et de la justice N° 59, no. 3 (2024): 112–22. https://doi.org/10.3917/csj.059.0112.

Texte intégral

Résumé :

La violence féminine est couramment minimisée et euphémisée [Cardi, Pruvost, 2011]. Certains parlent même de « tabou social » [Pegina, 2011]. Pourtant, selon une perspective historique, « les femmes apparaissent aussi comme des actrices de la violence » [Roussel, 2011]. Lorsque des actes criminels commis par des femmes sont envisagés, c’est le plus souvent sur le registre de la personnification, à travers la mobilisation de figures spécifiques, entre mythification et diabolisation. Si cela est particulièrement notable dans le domaine artistique (littérature, cinéma), on l’observe également dan

Styles APA, Harvard, Vancouver, ISO, etc.

HARDWICK, JOE. "What We Do in the Shadows: The Representation of Cruising in Three French Films." Australian Journal of French Studies 61, no. 4 (2024): 357–70. https://doi.org/10.3828/ajfs.2024.31.

Texte intégral

Résumé :

Sexual cruising—a practice often associated with men who have sex with other men in public spaces—has been written about from a number of disciplinary perspectives, including literature, literary and cultural studies, queer theory, geography and sociology. However, its representation in cinema is restricted to a small number of films and rarely has cruising in cinema been a focus of critical attention in its own right. This article will look at the changing functions of cruising in French cinema from the 1980s to the 2010s with a particular focus on three films: Patrice Chereau’s L’Homme bless

Styles APA, Harvard, Vancouver, ISO, etc.

Bauman, Rebecca. "‘Now you are one of us’: Mafia fashion on-screen." Film, Fashion & Consumption 11, no. 2 (2022): 155–68. http://dx.doi.org/10.1386/ffc_00045_1.

Texte intégral

Résumé :

This article examines the role popular media have played in disseminating images of mafia fashion. Through the representation of criminal apparel on-screen spectators are encouraged to identify with the societal transgressions of the mafioso, engendering an abiding fascination with mafia style. By looking at Italian and Italian American productions from early silent cinema through contemporary television crime series, menswear becomes a primary means of harnessing spectatorial desire and identification that embraces enduring associations that link southern Italian identity with criminality and

Styles APA, Harvard, Vancouver, ISO, etc.

Mututa, Addamms Songe. "Reductionism and post-apartheid culture: A critique of building hijacking in Gangsters Paradise: Jerusalema." Journal of African Cinemas 15, no. 1 (2023): 37–55. http://dx.doi.org/10.1386/jac_00088_1.

Texte intégral

Résumé :

Incidences of residential building hijacking which characterize post-apartheid Johannesburg have drawn debates from diverse fields of scholarship: anthropological, legal, social, literary and even cinema. Do they instantiate outright criminality, incomplete adjustment into the city, strategies for socio-economic restitution or acts of inverse racism? This article, an interdisciplinary probe into the representation of building hijacking in Ralph Ziman’s Gangsters Paradise: Jerusalema (2008), uses reductionism philosophy to theorize the practice as an actuation of eccentric post-apartheid cultur

Styles APA, Harvard, Vancouver, ISO, etc.

Boyce, Benjamin. "Lessons from Shawshank: Outlaws, Lawmen and the Spectacle of Punishment." Humanities 12, no. 1 (2023): 10. http://dx.doi.org/10.3390/h12010010.

Texte intégral

Résumé :

For more than a century, cinema has offered a rich source of images and narratives about crime and punishment. Unfortunately, the restricted nature of correctional environments and the social stigma surrounding incarceration leave most viewers reliant on media representations for the majority of their knowledge about correctional spaces. In most media representations of crime and punishment, outlaws and lawmen are reduced to stereotypical archetypes, and incarcerated characters are some of the evilest villains one will ever encounter. Moreover, the prison environment is painted as a playground

Styles APA, Harvard, Vancouver, ISO, etc.

Robinson, Amy. "Chucho el Roto in Mexico’s Post-1968 Cinema: Banditry, State-Sponsored Violence, and the Alternative National Family." Mexican Studies/Estudios Mexicanos 30, no. 2 (2014): 446–78. http://dx.doi.org/10.1525/msem.2014.30.2.446.

Texte intégral

Résumé :

Legendary bandit Chucho el Roto was portrayed by renowned actor Manuel López Ochoa in a film series made and released in the wake of violent repression of Mexico’s student movement. The four films provide entertainment with their charismatic leading man, melodrama, romance and comedy. Yet, the series also allegorizes and critiques Dirty War tactics employed in Mexico by portraying how the powerful abuse their authority to criminalize, imprison, torture and murder young idealists with an alternative vision for society. The popular figure of the bandit thus constituted a timely vehicle for criti

Styles APA, Harvard, Vancouver, ISO, etc.

Bonjour, Mini Mark. "Thuggee and Sati Revisited." Artha - Journal of Social Sciences 15, no. 3 (2016): 21. http://dx.doi.org/10.12724/ajss.38.2.

Texte intégral

Résumé :

Films on Indian themes made by western filmmakers have often been ridden with stereotypes and clichés. The wave of Raj films that came out of British and American production companies in the years since India‟s independence have largely been nostalgia-driven, and they almost invariably end up exoticising the region. However, with regard to films made by the nonHollywood film company named Merchant-Ivory Productions, audiences had come to expect more sophisticated and nuanced treatments of themes drawn from Indian history. This paper examines one of their films, The Deceivers, which deals with

Styles APA, Harvard, Vancouver, ISO, etc.

Kuznetsova, Yulia A., and Nadezhda A. Kalmazova. "Representation of the concept 'thief' in the modern mass media." Verhnevolzhski Philological Bulletin 1, no. 24 (2021): 74–80. http://dx.doi.org/10.20323/2499-9679-2021-1-24-74-80.

Texte intégral

Résumé :

The main purpose of the article was to study the representation of the concept 'thief' in the language of Russian mass media. This concept is important for both national and scientific legal concept spheres. The appeal to journalistic texts is due to the fact that they quickly reflect the main characteristics of the current state of mass consciousness and manifest its key stereotypes. The analysis was carried out in accordance with the main task of the study: to identify the key features of the concept represented in the media. In the course of the study, information from the newspaper subcorp

Styles APA, Harvard, Vancouver, ISO, etc.

LEVET, Natacha. "Urban Space in Sorogoyen cinema: a Political Deframing of the Gaze." Les espaces urbains dans les fictions criminelles espagnoles : (dé)cadrer la ville à l’écran et en bande dessinée, no. 4 (January 5, 2024). http://dx.doi.org/10.25965/flamme.1202.

Texte intégral

Résumé :

La production de Rodrigo Sorogoyen investit l’espace urbain madrilène dans un cinéma de genre – le néo-noir espagnol – qui en fait non seulement un terrain d’exploration de la criminalité contemporaine mais aussi une métonymie des dysfonctionnements sociaux et politiques de l’Espagne. Le réalisateur use de la tension entre cadrages et décadrages pour déplacer l’attention du spectateur, et charger l’intrigue criminelle de ses films d’une analyse politique, les deux se rejoignant finalement dans le cadre urbain de la caméra. Trois films ou séries seront le support de cette étude : Que Dios nos p

Styles APA, Harvard, Vancouver, ISO, etc.

"The death penalty in American cinema: criminality and retribution in Hollywood film." Choice Reviews Online 52, no. 03 (2014): 52–1315. http://dx.doi.org/10.5860/choice.186086.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Plus de sources

Thèses sur le sujet "Criminalité au cinéma"

Boni, Marta. "De l'intertextualité au transmédial : pratiques de réécriture autour de "Romanzo criminale"." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030124/document.

Texte intégral

Résumé :

Tout en se présentant comme la relecture d’un fait divers de l’histoire italienne récente, Romanzo Criminale est un récit qui se déploie par le biais de différents médias : un livre, un film, une série télévisée, ainsi qu’un certain nombre de produits dérivés. On trouve également, dans les espaces en ligne Internet, des déclinaisons de ces produits générées par les utilisateurs eux-mêmes. Les pratiques de transformation ou de remix mises en œuvre par ces derniers, les hommages et autres parodies dilatent l’univers de départ en proposant des lectures alternatives au sein de communautés différen

Styles APA, Harvard, Vancouver, ISO, etc.

Carvalho, Luciana de [UNESP]. "Uma leitura de Cidade de Deus, de Paulo Lins." Universidade Estadual Paulista (UNESP), 2007. http://hdl.handle.net/11449/91606.

Texte intégral

Résumé :

Made available in DSpace on 2014-06-11T19:25:25Z (GMT). No. of bitstreams: 0 Previous issue date: 2007-03-26Bitstream added on 2014-06-13T20:47:41Z : No. of bitstreams: 1 carvalho_l_me_arafcl.pdf: 501785 bytes, checksum: 2377ea446136e5c7b74a44ed5235002a (MD5)<br>O trabalho consiste no estudo e análise do romance Cidade de Deus, de Paulo Lins, relançado em 2002. Tal análise tem como objetivo verificar como esse texto contemporâneo articula sua escrita, sua produção, a partir de uma expectativa de leitura do leitor contemporâneo. O estudo também busca observar os mecanismos discursivos e textu

Styles APA, Harvard, Vancouver, ISO, etc.

Carvalho, Luciana de. "Uma leitura de Cidade de Deus, de Paulo Lins /." Araraquara : [s.n.], 2007. http://hdl.handle.net/11449/91606.

Texte intégral

Résumé :

Orientador: Arnaldo Cortina<br>Banca: Maria Lúcia Outeiro Fernandes<br>Banca: Tieko Yamaguchi Miyazaki<br>Resumo: O trabalho consiste no estudo e análise do romance Cidade de Deus, de Paulo Lins, relançado em 2002. Tal análise tem como objetivo verificar como esse texto contemporâneo articula sua escrita, sua produção, a partir de uma expectativa de leitura do leitor contemporâneo. O estudo também busca observar os mecanismos discursivos e textuais presentes na constituição da obra em questão, sem deixar de considerar o contexto sóciohistórico em que o romance está inserido. Procura explorar a

Styles APA, Harvard, Vancouver, ISO, etc.

Melani, Tommaso. "La rappresentazione della 'mala' romana nel contesto della serialità televisiva italiana. Il caso Cattleya." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022.

Trouver le texte intégral

Résumé :

Obiettivo di questo contributo sarà quello di considerare il caso di Cattleya, casa di produzione indipendente fondata nel 1997 da Riccardo Tozzi, per comprendere il ruolo della stessa all’interno dell’industria televisiva negli ultimi vent’anni, e di come questa abbia contribuito alla crescita del settore, anche in relazione ad una rivalutazione del prodotto originale italiano all’estero Si analizzerà, nello specifico, quel che riguarda due prodotti di Cattleya in particolare, entrambi legati al contesto della ‘mala’ romana: Romanzo Criminale – La Serie (Sky Cinema, 2008) e Suburra – La Ser

Styles APA, Harvard, Vancouver, ISO, etc.

Hamel, Louis-Philippe. "«Cool crime films» : tendance cool de la représentation de la criminalité dans le cinéma des années quatre-vingt-dix." Thèse, 2017. http://hdl.handle.net/1866/20169.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Livres sur le sujet "Criminalité au cinéma"

Yi, Su-jŏng. Yi Su-jŏng Yi Ta-hye ŭi pŏmjoe yŏnghwa p'ŭrop'ail. Minŭmsa, 2020.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Koslovsky-Golan, Yvonne. Death Penalty in American Cinema: Criminality and Retribution in Hollywood Film. I. B. Tauris & Company, Limited, 2014.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Aristodemou, Maria, Fiona Macmillan, and Patricia Tuitt. Crime Fiction and the Law. Taylor & Francis Group, 2016.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Aristodemou, Maria, Fiona Macmillan, and Patricia Tuitt. Crime Fiction and the Law. Taylor & Francis Group, 2016.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Crime Fiction and the Law. Taylor & Francis Group, 2016.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Green-Simms, Lindsey B. Queer African Cinemas. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478022633.

Texte intégral

Résumé :

In Queer African Cinemas, Lindsey B. Green-Simms examines films produced by and about queer Africans in the first two decades of the twenty-first century in an environment of increasing antiqueer violence, efforts to criminalize homosexuality, and other state-sanctioned homophobia. Green-Simms argues that these films not only record the fear, anxiety, and vulnerability many queer Africans experience; they highlight how queer African cinematic practices contribute to imagining new hopes and possibilities. Examining globally circulating international art films as well as popular melodramas made

Styles APA, Harvard, Vancouver, ISO, etc.

Lehnen, Jeremy. Neo-Authoritarian Masculinity in Brazilian Crime Film. University Press of Florida, 2022. http://dx.doi.org/10.5744/florida/9781683402541.001.0001.

Texte intégral

Résumé :

An incisive analysis of contemporary crime film in Brazil, this book focuses on how movies in this genre represent masculinity and how their messages connect to twenty-first-century sociopolitical issues. Jeremy Lehnen argues that these films promote an agenda in support of the nation’s recent swing toward authoritarianism that culminated in the 2018 election of far-right president Jair Bolsonaro. Lehnen examines the integral role of masculinity in several archetypal crime films, most of which foreground urban violence, including Cidade de Deus, Quase Dois Irmãos, Tropa de Elite, O Homem do An

Styles APA, Harvard, Vancouver, ISO, etc.

Tsika, Noah. Screening the Police. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197577721.001.0001.

Texte intégral

Résumé :

American police departments have presided over the business of motion pictures since the end of the nineteenth century. Their influence is evident not only on the screen but also in the ways movies are made, promoted, and viewed in the United States. Screening the Police explores the history of film’s entwinement with law enforcement, showing the role that state power has played in the creation and expansion of a popular medium. For the New Jersey State Police in the 1930s, film offered a method of visualizing criminality and of circulating urgent information about escaped convicts. For the Ne

Styles APA, Harvard, Vancouver, ISO, etc.

Chapitres de livres sur le sujet "Criminalité au cinéma"

Weiser, Frans. "Performing Criminality: Immigration and Integration in Foreign Land and Fado Blues." In Migration in Lusophone Cinema. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137408921_6.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Cairns, Lucille. "Bad Girls: Criminality." In Sapphism on ScreenLesbian Desire in French and Francophone Cinema. Edinburgh University Press, 2006. http://dx.doi.org/10.3366/edinburgh/9780748621651.003.0002.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Hext, Kate. "Oscar Wilde, Hollywood Rebel." In Wilde in the Dream Factory. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780191987335.003.0008.

Texte intégral

Résumé :

Abstract This brief conclusion draws together the main points that the book makes on (1) how Wilde shaped Hollywood cinema (and the limitation of our understanding of this) and (2) how seeing Wilde through Hollywood can reshape how we read him. In the first case it discusses how Wilde and the ‘Wilde-ish’ helped to define the aesthetics of American cinema up to the early 1950s. In the second, it suggests that film-makers were able to make his works and, in consequence, Wilde himself the figure that they wanted him to be and so this Conclusion discusses how their version of Wilde can shift our p

Styles APA, Harvard, Vancouver, ISO, etc.

Phillis, Philip E., and Philip E. Phillis. "Neither ‘Good’ nor ‘Bad’: Reinventing Albanian Identities in Eduart and Mirupafshim." In Greek Cinema and Migration, 1991-2016. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474437035.003.0005.

Texte intégral

Résumé :

Taking Eduart as its departure point, this chapter looks into discourses of criminality and exclusion that targeted almost exclusively Albanian immigrants in the early 1990s and 2000s. The chapter thus addresses the historical rivalry between Greece and Albania which underlies Albanian-targeted racism. Alongside Eduart, Mirupafshim is also included for an original evocation of Albanian identities as indeed both films move beyond clichés of either ‘bad’ (illegal immigrants and presumably criminals) or ‘good’ Albanians (submissive victims of racist violence) which featured strongly in the media.

Styles APA, Harvard, Vancouver, ISO, etc.

Moss, Eloise. "Introduction." In Night Raiders. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198840381.003.0010.

Texte intégral

Résumé :

Until 1968, burglary was defined both legally and culturally as an extraordinary form of theft occurring between the ‘night-time’ hours of nine p.m. and six a.m., entwining the crime with visions of a shadowy, nightmarish nocturnal cityscape. Juxtaposing the horror of victims with the glamorous, sexy breed of ‘gentleman’ burglar gracing international cinema screens in phenomenally successful films such as Raffles (1939), the Introduction explores the vastly contradictory responses to the crime during the period 1860 and 1968. Encompassing not only fear-mongering accounts of the crime, but also

Styles APA, Harvard, Vancouver, ISO, etc.

Moss, Eloise. "A. J. Raffles." In Night Raiders. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198840381.003.0002.

Texte intégral

Résumé :

Arthur J. Raffles, fictional ‘cracksman’ by night and England cricketing star by day, burst onto the literary scene in 1898. Created by Ernest William Hornung, brother-in-law of Sherlock Holmes’ author Sir Arthur Conan Doyle, Raffles was Holmes’ antithesis: the fun-loving master thief. Embodying the ‘pleasure culture’ surrounding the burglar, Raffles’ physical attractiveness and athleticism blurred the lines between moral virtue and romantic allure. As the original novels were continually remade in theatre and film and their characters reincarnated in those media, newspapers began to label rea

Styles APA, Harvard, Vancouver, ISO, etc.

Nous offrons des réductions sur tous les plans premium pour les auteurs dont les œuvres sont incluses dans des sélections littéraires thématiques. Contactez-nous pour obtenir un code promo unique!