Bibliographies thématiques / Criticism and interpretationhaneke, michael , 1942-

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Littérature scientifique sur le sujet « Criticism and interpretationhaneke, michael , 1942- »

Auteur : Grafiati
Publié le 25 juillet 2024
Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Criticism and interpretationhaneke, michael , 1942-"

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Jaaniste, Luke Oliver. "The Ambience of Ambience." M/C Journal 13, no. 2 (2010). http://dx.doi.org/10.5204/mcj.238.

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Well, you couldn't control the situation to that extent. The world just comes in on top of you. It creeps under the door. It falls out of the sky. It's all around. (Leunig) Like the world that cartoonist Michael Leunig describes, ambience is all around. Everywhere you go. You cannot get away from it. You cannot hide from it. You cannot be without it. For ambience is that which surrounds us, that which pervades. Always-on. Always by-your-side. Always already. Here, there and everywhere. Super-surround-sound. Immersive. Networked and cloudy. Ubiquitous. Although you cannot avoid ambience, you ma
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Danaher, Pauline. "From Escoffier to Adria: Tracking Culinary Textbooks at the Dublin Institute of Technology 1941–2013." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.642.

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IntroductionCulinary education in Ireland has long been influenced by culinary education being delivered in catering colleges in the United Kingdom (UK). Institutionalised culinary education started in Britain through the sponsorship of guild conglomerates (Lawson and Silver). The City & Guilds of London Institute for the Advancement of Technical Education opened its central institution in 1884. Culinary education in Ireland began in Kevin Street Technical School in the late 1880s. This consisted of evening courses in plain cookery. Dublin’s leading chefs and waiters of the time participat
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West, Patrick Leslie. "Towards a Politics and Art of the Land: Gothic Cinema of the Australian New Wave and Its Reception by American Film Critics." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.847.

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Many films of the Australian New Wave (or Australian film renaissance) of the 1970s and 1980s can be defined as gothic, especially following Jonathan Rayner’s suggestion that “Instead of a genre, Australian Gothic represents a mode, a stance and an atmosphere, after the fashion of American Film Noir, with the appellation suggesting the inclusion of horrific and fantastic materials comparable to those of Gothic literature” (25). The American comparison is revealing. The 400 or so film productions of the Australian New Wave emerged, not in a vacuum, but in an increasingly connected and inter-mix
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Killeen, Padraic. "Ecology, Materialism, and Transfiguration." M/C Journal 28, no. 2 (2025). https://doi.org/10.5204/mcj.3173.

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Introduction An ecologically responsive parable about biological mutation in a post-apocalyptic environment, David Cronenberg’s Crimes of the Future (2022) was hailed on release as a “dream-noir” (Ehrlich), a “sci-fi noir” (Oller), and a “body-noir” (“Crimes”). The use of the term ‘noir’ here is enigmatic. As is often the case, the term is deployed to address a quality that otherwise resists easy identification. Noir has, of course, acquired a multitude of connotations and aesthetic legacies over the years. As I have observed elsewhere, one of those legacies is a concern with the physicality o
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Brabon, Katherine. "Wandering in and out of Place: Modes of Searching for the Past in Paris, Moscow, and St Petersburg." M/C Journal 22, no. 4 (2019). http://dx.doi.org/10.5204/mcj.1547.

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IntroductionThe wandering narrator is a familiar figure in contemporary literature. This narrator is often searching for something abstract or ill-defined connected to the past and the traces it leaves behind. The works of the German writer W.G. Sebald inspired a number of theories on the various ways a writer might intersect place, memory, and representation through seemingly aimless wandering. This article expands on the scholarship around Sebald’s themes to identify two modes of investigative wandering: (1) wandering “in place”, through a city where a past trauma has occurred, and (2) wande
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Thèses sur le sujet "Criticism and interpretationhaneke, michael , 1942-"

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Jamieson, Ian H. "Sex and the Sydney context of Michael Wilding's early fiction." Thesis, 2009. http://handle.uws.edu.au:8081/1959.7/496899.

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Since his arrival in Australia in 1963 Michael Wilding has been extremely active in academia, publishing and the writing of fiction. He has been industrious and prolific in all spheres. During the 1960s and 1970s he held a central position in the intellectual and cultural life of Sydney. He was a significant figure who produced a significant body of work. He is still very active in publishing and the writing of fiction. Despite this, Michael Wilding is a figure who has been marginalized and largely ignored. This thesis strives to redress this situation, focusing on the context, content and imp
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Livres sur le sujet "Criticism and interpretationhaneke, michael , 1942-"

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Funny frames: The filmic concepts of Michael Haneke. Continuum, 2010.

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Funny Frames: The Filmic Concepts of Michael Haneke. Bloomsbury Publishing Plc, 2010.

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Funny Frames: The Filmic Concepts of Michael Haneke. Bloomsbury Publishing Plc, 2010.

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Caché. Palgrave Macmillan, 2011.

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Chapitres de livres sur le sujet "Criticism and interpretationhaneke, michael , 1942-"

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Bond, Brian. "Alanbrooke and Britain’s Mediterranean Strategy, 1942—1944." In War, Strategy, And International Politics. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198222927.003.0010.

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Abstract Alanbrooke’s reputation as one of Britain’s outstanding military leaders of the Second World War is not in question.* General Ismay, whose personal experience went back to the Earl of Cavan in the early 1920s, rated Alanbrooke as ‘certainly the best Chief of the Imperial General Staff under whom I served at close quarters’; while Montgomery, though admittedly countering American criticism, stated publicly in 1959 that he regarded Alanbrooke as ‘the best soldier produced by any nation during Hitler’s war’. Sir David Fraser’s impressive biography Alanbrooke (1982) provides conclusive ev
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