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Littérature scientifique sur le sujet « Curator »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 25 juillet 2025

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Articles de revues sur le sujet "Curator"

He, Wanrong, Mitchell L. Gordon, Lindsay Popowski, and Michael S. Bernstein. "Cura: Curation at Social Media Scale." Proceedings of the ACM on Human-Computer Interaction 7, CSCW2 (2023): 1–33. http://dx.doi.org/10.1145/3610186.

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How can online communities execute a focused vision for their space? Curation offers one approach, where community leaders manually select content to share with the community. Curation enables leaders to shape a space that matches their taste, norms, and values, but the practice is often intractable at social media scale: curators cannot realistically sift through hundreds or thousands of submissions daily. In this paper, we contribute algorithmic and interface foundations enabling curation at scale, and manifest these foundations in a system called Cura. Our approach draws on the observation

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Yuhelson, Yuhelson, and Muhamad Adystia Sunggara. "The Curator Responsibility of the Loss of Wealth Bankrupt Limited Company." Proceeding of Community Development 2 (February 21, 2019): 37. http://dx.doi.org/10.30874/comdev.2018.74.

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Curators can be personally liable if they make a mistake or negligence outside the provisions of the Bankruptcy Act and PKPU which causes losses to bankrupt assets. If the curator has carried out his duties in accordance with the provisions of the Bankruptcy Act and PKPU, then if a loss arises from bankruptcy, he does not have to be personally liable and the loss will be charged to the bankrupt assets. In connection with the personal responsibility of the curator, in addition to being able to be held accountable civilly it is possible for the curator's actions to be held criminally accountable

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Tahlina, Yuliia S., and Oleksandra S. Kutenko. "THE ROLE OF THE PRINCIPLE OF CURATION IN THE CONTEMPORARY CULTURE." Journal of V. N. Karazin Kharkiv National University, Series "The Theory of Culture and Philosophy of Science", no. 63 (May 31, 2021): 68–76. http://dx.doi.org/10.26565/2306-6687-2021-63-08.

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The article analyzes phenomenon of the «principle of curation» in historical and philosophical development. In the modern world, overloaded with large volumes of information, it is not just access to information that becomes important, but the ability to navigate it. Problems of critical reflection, choice, interpretation in the information space are gaining in importance. That is exactly why the use of the principle of curation is proposed to implement these processes. The authors consider history of the emergence of the concepts of «curator» and «curatorship», delineation of the features of

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Anam, Khoirul, Lono P. Simatupang, and Suwarno Wisetrotomo. "Different Types of Curators Based on Field of Work and Responsibilities in OHD Museum." Lekesan: Interdisciplinary Journal of Asia Pacific Arts 5, no. 2 (2022): 72–81. http://dx.doi.org/10.31091/lekesan.v5i2.1821.

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The development of curatorial work practices will be very important for the development of museums, arts, and culture. However, it is undeniable that studies and understanding of the development of curatorial work practices are still not optimal in Indonesia. Awareness of the realm and responsibility of the curator is also sometimes poorly understood by the public and the practitioners of curatorial work practices themselves. This vacancy becomes an obstacle in the development of the profession of independent curator and museum curator. Where the curator profession is no longer seen only as a

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Wyse Jackson, P. N. "Silver Pages: 25 years of the Newsletter of the Geological Curators' Group and The Geological Curator." Geological Curator 7, no. 3 (2000): 95–99. http://dx.doi.org/10.55468/gc436.

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Soon after its inception in 1974 the Geological Curator's Group established the publication Newsletter of the Geological Curators' Group. In the following years it has undergone several changes not only in style, but also most notably in name to The Geological Curator. This reflected an evolution of an original newsletter-style into a journal-style publication. In 1980 the newsletter Coprolite was first published. The publications of the Geological Curators' Group have aided the development of professionalisation amongst geological curators.

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Dupuis, Chris. "Dance curation as choreographic practice." Dance Articulated 6, no. 1 (2020): 89–110. http://dx.doi.org/10.5324/da.v6i1.3640.

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Dance curators (or programmers, as they are often called) have a significant impact on the dance field throughtheir selection processes: elevating certain works, practices, and artists, while effectively excluding others. Through this, they have a considerable hand in shaping what kinds of dance pieces a local audience has access to,effectively writing dance history over time. But their working processes remain poorly understood, and there have been limited attempts to theorize their practice. This article begins with an exploration of the etymology of the term curator and the historical emerg

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Meehitiya, Luanne. "Be A Curator: Developing a new Geological Curators' Group activity to engage the public with geological curation." Geological Curator 10, no. 6 (2016): 259–61. http://dx.doi.org/10.55468/gc17.

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A new outreach activity developed by the author for GCG is briefly described. The Be A Curator activity is aimed at use in FossilFestivals and similar events, and for loan by curators for local use. The activity is based around a range of labels on a magnetic board and introduces people to the idea of curation.

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Cachia, Amanda. "Reflections on Access: Disability in Curatorial Practice." Canadian Journal of Disability Studies 8, no. 1 (2019): 98–117. http://dx.doi.org/10.15353/cjds.v8i1.472.

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Access is a vital tool to deploy within a critical disability curatorial practice and can embody both conceptual and physical possibilities, whereby the very idea of access can be discovered in an artist’s work, and, at the same time, be productively curated into both gallery spaces and the exhibition of the artwork. This essay reflects on the author’s critical disability curatorial practice with the exhibitions Marking Blind (2015) and Sweet Gongs Vibrating (2016). Through the curation of works by Raphaëlle de Groot and Carmen Papalia, and through the artist curator relationship between the a

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Nenastina, T., K. Berezhna, and S. Bugaevskyi. "Curator's work during the adaptation period of students at the Kharkiv National Automobile and Road University." New Collegium 1, no. 110 (2023): 59–64. http://dx.doi.org/10.30837/nc.2023.1-2.59.

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Due to the transition to the new generation of educational standards and the increase in hours for independent work, there is a need to train a creative, active person who can independently choose his own life path. The educational process in the life of the university is planned and organized along with studies and scientific activities. The curator of the academic group is usually assigned an experimental teacher, since this position includes responsible and thorough work, which should take into account the profile of training of specialists and the specifics of the faculty. Students' proble

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Li, Yuanyuan. "The Role Positioning and Survival Status of “Contractor” Style Curators in Contemporary China." International Education Forum 2, no. 11 (2024): 17–22. https://doi.org/10.26689/ief.v2i11.9118.

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In the context of the thriving development of contemporary art, the curators’ authority in exhibitions is increasingly strengthened, leading to a growing demand for professionals in art curation. The number of curators continues to rise, and their status and role within the art ecosystem are widely acknowledged. However, the working environment and conditions for contemporary art curators in China are not optimistic. Their development has not been as ideal as expected, with both subjective and objective issues and contradictions present. In light of the various problems and contradictions faci

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Thèses sur le sujet "Curator"

O'Neill, Rebecca. "The rise of the citizen curator : participation as curation on the web." Thesis, University of Hull, 2017. http://hydra.hull.ac.uk/resources/hull:16449.

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From jazz clubs to cheese plates, the term curation has become a signifier of the growing need to organise and prioritise the seemingly endless possibilities of the digital sphere. The issue addressed here is in the associated meanings of the word curation and what it means to be a curator by examining the experience of the curatorial within a discrete context: the Irish curatorial landscape. The word curation comes from the Latin curare, to care for, and has long been associated with the professional duties of those selected as custodians for objects and knowledge deemed to be important to co

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Meier, Dominicus M. "Der Curator im kanonischen Prozeßrecht /." Essen : Ludgerus-Verl, 1998. http://www.gbv.de/dms/spk/sbb/recht/toc/274215608.pdf.

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Marinaki, Irini. "Nicolas Calas : critic and curator." Thesis, Birkbeck (University of London), 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600386.

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Black, Sarah. "Mother as curator : performance, family and ethics." Thesis, Middlesex University, 2018. http://eprints.mdx.ac.uk/25913/.

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This thesis attends to the mother-artist developing a performance-based practice with her family in the home. This is a practice-as-research exploration which integrates areas of maternal ethics and the mother-artist, family and narrative enquiry, the home and sited practices. It consists of a written dissertation, three full (larger) scale installations set within the family home, Trace (2013), Reclaiming the Ritual (2014), 31 Days Old (2016), and a series of smaller works Bed Bound (2014) and Children's Practice (2014-17), plus digital documentation. The main argument focuses on the role of

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Wilkinson, Judith. "Uncovering the legacy : Samuel Beckett : artist + curator." Thesis, Goldsmiths College (University of London), 2012. http://research.gold.ac.uk/7408/.

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Ostling, Susan. "The Defining and Shaping of the Contemporary Art Curator." Thesis, Griffith University, 2013. http://hdl.handle.net/10072/368133.

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Curators have come to figure quite prominently in the cultural landscape of late, such that the concept of a curator is now applied in a wide variety of contexts from art to shopping. It is said curators are now far more linked to the internet and social networks, than to the interiors of museums; and most accounts see the contemporary art curator as caught in the flux of global cultural economies. Why should this be? It is in this volatile terrain I have situated my research on the contemporary art curator. I ask how has the role of the curator been shaped, defined and constrained by competin

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Steierhoffer, Eszter. "The rise of the curator and architecture on display." Thesis, Royal College of Art, 2016. http://researchonline.rca.ac.uk/1815/.

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This thesis constitutes a new approach to contemporary exhibition studies, a field of research that has until now dedicated little attention to connections between exhibitions of contemporary art and those of architecture. The late 1970s saw a 'historical turn' in the architectural discourse, which alluded to the rediscovery of history, after its abandonment by all the Modern masters, and developed in close alignment with architecture’s project of autonomy. This thesis proposes a reading of this period in relation to the formative moment for contemporary curatorial practices that brought art a

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Ekman, Jan. "Gränser och passager : En analys av de curatoriska och konstnärliga subfälten." Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-15375.

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I have, with a point of departure in two case studies; the artist, curator and scientist Andreas Gedin and Maria Lind, curator and director of Tensta konsthall, contextualized with a couple of respondents; the freelance curator, writer and editor Power Ekroth and the freelance curator and artist Carl Michael von Hausswolff, conducted a field analysis on curatorial and artistic practices. I have applied key concepts in order to conduct the analysis. Furthermore, the case studies and the respondents have been placed in a contemporary artworld. These components have been related to a contemporary

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Beignon, Anaëlle. "Participatory Design Fiction Curator – Providing inspiration from Participatory Design fiction Research." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23284.

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Designers take inspiration about the future in order to shape values for their design practice, especially whennew technologies are involved. Participatory design fiction is an approach that enables designers to reflectupon futures are created by non-designers. These narratives about technologies that come from nondesignersare valuable for designers in the industry as inspirational material. Nonetheless, the distancebetween the academic research and designers in the industry makes difficult the spreading of design fictionsproduced by non-designers.This thesis project explore the following: How

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McCartney, Laura Lee. "Unpacking Self in Clutter and Cloth: Curator as Artist/Researcher/Teacher." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849713/.

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This a/r/tographic dissertation offers opportunities to interrogate curator identity and curator ways of being in both public and private spaces. Instead of an authoritative or prescriptive look at the curatorial, this dissertation as catalogue allows for uncertainty, for messiness, for vulnerable spaces where readers are invited into an exhibition of disorderly living. Stitched throughout the study are stories of mothering and the difficulties that accompanied the extremely early birth of my daughter. Becoming a mother provoked my curating in unexpected ways and allowed me to reconsider th

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Livres sur le sujet "Curator"

Priglinger, Sabine. The curator as ... Schlebrügge.Editor, 2018.

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M. A. L. M. Willems. Faillietverklaring, curator en r-c. Kluwer, 2005.

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(Gallery), Daimler Contemporary, ed. Duchamp als Kurator: Duchamp as curator. Snoeck, 2017.

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Watson, Fleur. The New Curator: Exhibiting Architecture & Design. Routledge, 2021. http://dx.doi.org/10.4324/9781351029827.

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Speyer, A. James. A. James Speyer: Architect, curator, exhibition designer. Distributed by the University of Chicago Press, 1997.

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Han, Mi-ae. K'yureit'ŏ, kŭrigo misulgwan: Curator & museum of art. Chŏngju, 2001.

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Róna, Péter, László Zsolnai, and Agnieszka Wincewicz-Price, eds. Homo Curator: Towards the Ethics of Consumption. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-51700-6.

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Vazquez, Julia Maria. The Artist as Curator: Diego Velázquez, 1623-1660. [publisher not identified], 2020.

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Davis, Steffon. The Rise of the Curator Class. ABC-CLIO, LLC, 2019. http://dx.doi.org/10.5040/9798216009214.

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Pairing "big ideas" in marketing with the popular activity of content curation, The Rise of the Curator Class positions curation as a "humanization" movement that is restructuring the internet. Curation is set to overturn the $2.2 trillion global creative industry, revolutionizing how we create, market, and discover content. In the era of content overload and fake news, in which everything to buy, listen to, read, or watch is available online, there is one group of people who have learned to thrive in this climate of superabundance: the curator class, whose influence and power grows as more pe

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Curator. Hodder & Stoughton, 2023.

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Chapitres de livres sur le sujet "Curator"

Benyehudah, Kemuel. "The establishment of the Black curatorial lineage." In The Black Curator. Routledge, 2025. https://doi.org/10.4324/9781003227984-1.

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Benyehudah, Kemuel. "Fourth wave Black curatorial emergence during the Black Lives Matter era." In The Black Curator. Routledge, 2025. https://doi.org/10.4324/9781003227984-5.

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Benyehudah, Kemuel. "William H. Sheppard, re-imagining African artifacts at Hampton Museum." In The Black Curator. Routledge, 2025. https://doi.org/10.4324/9781003227984-2.

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Benyehudah, Kemuel. "Henri Ghent, integration of Black Art at the Brooklyn Museum." In The Black Curator. Routledge, 2025. https://doi.org/10.4324/9781003227984-3.

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Benyehudah, Kemuel. "Tukufu Zuberi, decolonization of the Penn Museum's Africa Gallery." In The Black Curator. Routledge, 2025. https://doi.org/10.4324/9781003227984-4.

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Theisohn, Philipp. "»Carsten Curator« (1878)." In Storm-Handbuch. J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05447-0_59.

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Hassal, Arthur. "Curator of Common Room." In Lewis Carroll. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-08724-2_23.

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Mukhtar, Yousra, and Uma Shankar. "Taxonomist and Museum Curator." In Skill Development and Start-Ups in Entomology. CRC Press, 2024. http://dx.doi.org/10.1201/9781003532545-10.

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"Historian/Curator." In Curating the American Past. University of Arkansas Press, 2022. http://dx.doi.org/10.2307/j.ctv25wxbf7.5.

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"The curator." In The Philosophy of Curatorial Practice. Bloomsbury Academic, 2020. http://dx.doi.org/10.5040/9781350115361.0007.

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Actes de conférences sur le sujet "Curator"

Naik, Ved, Khushi Tejwani, Aanya Lari, and Ishani Saha. "Culinary Curator: An AI-Powered Recipe Assistant." In 2024 International Conference on Intelligent Systems and Advanced Applications (ICISAA). IEEE, 2024. https://doi.org/10.1109/icisaa62385.2024.10828847.

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Sprengart, Benjamin, Anthony Collins, and Judy Kay. "Curator." In the ACM International Conference. ACM Press, 2009. http://dx.doi.org/10.1145/1731903.1731946.

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Walsh, Greg, and Jennifer Golbeck. "Curator." In the 28th international conference. ACM Press, 2010. http://dx.doi.org/10.1145/1753326.1753643.

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Porcheron, Martin, Andrés Lucero, and Joel E. Fischer. "Co-curator." In AcademicMindtrek'16: Academic Mindtrek Conference 2016. ACM, 2016. http://dx.doi.org/10.1145/2994310.2994350.

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Chun Wai, Wilson Yeung, and Estefanía Salas Llopis. "THE SPACE BETWEEN US." In INNODOCT 2020. Editorial Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/inn2020.2020.11901.

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This article explores how to integrate the collective creation of contemporary art exhibitions, and how to transform exhibition works into contemporary language and novel visual art materials, thereby generating cultural exchange between Australia and Spain. The Space Between Us (2017- ), co-curated by Australian artist-curator Wilson Yeung and Spanish artist Estefanía Salas Llopis, resolve these questions by examining the contemporary art exhibition. This paper also asks how to transform art exhibitions into laboratories, how artists and curators work together in a collective innovation envir

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Trielli, Daniel, and Nicholas Diakopoulos. "Search as News Curator." In CHI '19: CHI Conference on Human Factors in Computing Systems. ACM, 2019. http://dx.doi.org/10.1145/3290605.3300683.

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Vladetić, Srđan. "FRONTINOV OSVRT NA POLOŽAJ STARATELjA RIMSKOG VODOVODA (CURATOR AQUARUM)." In XV Majsko savetovanje: Sloboda pružanja usluga i pravna sigurnost. University of Kragujevac, Faculty of Law, 2019. http://dx.doi.org/10.46793/xvmajsko.469v.

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After the Agrippa’s death (12 B.C.) and encouraged with his achievements August has established permanent service for maintenance of water supply. That service has been governed by the curator aqaurummentioned by the Frontinus on the several occasions in his peace “De aquaeductuurbisRomae”. Having in mind position of the curator aquarum, particularly the fact that he was entitled for issuing the licenses for using of water to the private individuals, their biographies, criteria they have to meet to be on that position, their social status and duration of their mandate in this work the actual p

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Stach, Christoph, and Bernhard Mitschang. "Curator --- a secure shared object store." In SAC 2018: Symposium on Applied Computing. ACM, 2018. http://dx.doi.org/10.1145/3167132.3167190.

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Kitaya, Koki, Hung-Hsuan Huang, and Kyoji Kawagoe. "Music curator recommendations using linked data." In 2012 Second International Conference on Innovative Computing Technology (INTECH). IEEE, 2012. http://dx.doi.org/10.1109/intech.2012.6457799.

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Sainik, Lavanya, and Dheeraj Khajuria. "Fault tolerant data flow using curator — Storm." In 2014 5th IEEE International Conference on Software Engineering and Service Science (ICSESS). IEEE, 2014. http://dx.doi.org/10.1109/icsess.2014.6933608.

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Rapports d'organisations sur le sujet "Curator"

Lämmli, Dominique. Review of Marquard Smith (ed.), "Research: Practitioner, Curator, Educator". Jar-online.net, 2020. http://dx.doi.org/10.22501/jarnet.0028.

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Yonemura, Ann. Art in Context: Aesthetics, Environment and Function in the Arts of Japan. Inter-American Development Bank, 1995. http://dx.doi.org/10.18235/0007915.

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Hasty, Ashley. From Teacher to Curator: The Power of Intrinsic Motivation in Students. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1526.

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Rossi, Rory. Diving into the Depths of Paleontology. Montana State University, 2025. https://doi.org/10.15788/1751923311.

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Paleontology, the study of ancient life, has always drawn me in—the pull of the past and the need to understand the Earth beneath my feet are irresistible. Imagining the life back in the ancient bones, the stories those fossils could tell is truly awe-inspiring. Prior to coming to Montana, I volunteered at the Morrison Natural History Museum in Colorado with Curator Matthew Mossbrucker, who took me under his wing and introduced me to the wonders of the ancient world.

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McKittrick, Susan. HiveFire’s Curata Platform for B2B Content Curation. Patricia Seybold Group, 2011. http://dx.doi.org/10.1571/pr05-05-11cc.

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Soenen, Karen, Danie Kinkade, Adam Shepherd, et al. Fitting square pegs into a round hole. Curating heterogeneous oceanographic data at BCO-DMO. Woods Hole Oceanographic Institution, 2024. http://dx.doi.org/10.1575/1912/67676.

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BCO-DMO is a domain-specific repository containing 18 years of curated, heterogeneous oceanographic data. Data managers are at the core of the repository, applying the F.A.I.R. principles to every dataset coming in. This talk steers the audience through such a curated dataset, covering the advancements and challenges that comes with domain curation.

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Hudson Vitale, Cynthia, Hannah Hadley, Briana Wham, et al. CURATE(D) Fundamentals Workshop. University of Minnesota Libraries, 2024. http://dx.doi.org/10.24926/2024.265916.

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Slides developed for the CURATE(D) Fundamentals workshops. These materials only include the lecture slides and have removed associated exercises and institutional examples used in synchronous trainings. See the CURATE(D) modules [https://datacurationnetwork.github.io/CURATED/] for exercises to work through the CURATE(D) steps or contact the DCN to discuss partnering on a in-person workshop.

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Kupfer, Monica E. Perceptive Strokes: Women Artists of Panama. Inter-American Development Bank, 2013. http://dx.doi.org/10.18235/0006215.

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The IDB Cultural Center is proud to host this exhibit honoring the Republic of Panama, host country of the IDB Annual Meeting, which will take place from March 14¿20, 2013. The exhibition highlights the history of modern and contemporary art by Panamanian women and will include paintings, photographs, sculptures, and video art from the 1920s to the present. The 22 artworks, selected by Panamanian curator Dr. Monica E. Kupfer, reveal the ways in which a varied group of female artists have experienced and represented significant geopolitical events in the nation¿s history. Their interpretations

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Cooper, Talya, Greg Janée, Kay P. Maye, Nick Ruhs, and Seth Erickson. Code Curation Curriculum. University of Minnesota Libraries, 2024. http://dx.doi.org/10.24926/2024.265764.

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A collection of materials used to instruct individuals how to curate code data generated as part of the Data Curation Network Institute of Museum and Library Science (IMLS) grant “Developing Specialized Data Curation Training to Address Needed Expertise in Focused Areas" and taught at a pilot workshop in October 2023. This is primarily targeted towards data stewards, but can be used by any and all when instructing on code data curation concerns. Copies of files are also available in GitHub [https://github.com/DataCurationNetwork/curation-curriculum/tree/main/Specialized%20Data%20Types], which

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Wynholds, L., Heather Shimon, Fernando Rios, Girmaye Misgna, and Wanda Marsolek. Simulations Curation Curriculum. University of Minnesota Libraries, 2024. http://dx.doi.org/10.24926/2024.265765.

Texte intégral

Résumé :

A collection of materials used to instruct individuals how to curate simulation data. This is primarily targeted towards data stewards, but can be used by any and all when instructing on simulation data curation.

Styles APA, Harvard, Vancouver, ISO, etc.

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