Bibliographies thématiques / Czech fiction, history and criticism

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Littérature scientifique sur le sujet « Czech fiction, history and criticism »

Auteur : Grafiati
Publié le 25 juillet 2024
Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Czech fiction, history and criticism"

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Motornyi, Andrii. "CZECH WRITER ALEXEJ PLUDEK IN LETTERS TO UKRAJINIAN SCHOLAR VOLODYMYR MOTORNYI." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 12(80) (2021): 109–12. http://dx.doi.org/10.25264/2519-2558-2021-12(80)-109-112.

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Personal letters of the Czech writer, of the middle of the second half of the twentieth century Alexej Pludek (1923–2002) to the Ukrainian scholar-slavist, literary scholar, professor of Lviv University Volodymyr Motornyi (1929-2015) are presented in this work. The issues, given in the letters are considered on the background of the specifics of the development of the literary process in Czechoslovakia in so-called “normalization period”. There are also issues related to the creation of individual works by the Czech writer and further evaluation of them by Czechoslovak and foreign literary cri
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Gerlach, Neil, and Sheryl N. Hamilton. "Introduction: A History of Social Science Fiction." Science Fiction Studies 30, Part 2 (2003): 161–73. https://doi.org/10.1525/sfs.30.2.0161.

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The intellectual encounter between the social sciences and science fiction has been rich and varied. This Introduction examines how sf literature, sf criticism, and social science theory and practice have intersected and influenced each other. We suggest a four-part typology, analyzing how the social sciences have employed sf, how sf has dealt with the social, how sf criticism has addressed social theory, and how science fiction has itself emerged as a social science methodology. The interdisciplinary conversation between the social sciences and sf literature and criticism recognizes the deep
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Tymoshchuk, N. ""They Did not Know How to Build Their Own State, so They Were in Someone Else's Hands": Artistic Concept of the Liberation Struggle of the Ukrainian People in the Leonid Poltava Novel "Above the Blue Black Sea"." Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, no. 1(87) (May 13, 2018): 158–61. http://dx.doi.org/10.35433/philology.1(87).2018.158-161.

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The peculiarities of the artistic modeling of historical reality of 1917–1920 by Leonid Poltava in the novel "Above the blue Black Sea" are considered in the article, the specificity of the artistic text is also clarified by the researcher. The novel "Above the blue Black Sea" Leonid Poltava is unfairly left out of contemporary literary criticism in the scientific Ukrainian space. The main plot is the events of the Civil War period in Ukraine, Turkey, Bulgaria and the Czech Republic.
 Leonid Poltava has systematically analyzed the causes of the failure of the Central Council and its allie
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Westfahl, Gary, Arthur B. Evans, Donald M. Hassler, and Veronica Hollinger. "Introduction: Towards a History of Science Fiction Criticism." Science Fiction Studies 26, Part 2 (1999): 161–62. https://doi.org/10.1525/sfs.26.2.0161.

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Gimadeev, Timur. "The feedback on the Slavophile theory of the Hussite movement in the Czech non-fiction historical literature (before 1918)." Slavic Almanac, no. 1-2 (2019): 46–58. http://dx.doi.org/10.31168/2073-5731.2019.1-2.1.03.

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This article deals with the reflection of Czech historians and political writers on the works of Russian Slavophilehistorians about the Hussite movement. The apologists of the Slavophile concept (such as P. Novikov and A. Th. Hilferding) defended the idea of the succession between Orthodoxy and the Hussite movement, supposing that Orthodoxy was brought to Czechia by Cyril and Methodius. This conception remained highly unpopular among the Czech authors. The professional Czech historians, such as J. Kalousek and J. Goll indicated that the information on such continuity is first found in the sour
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Roberts, R. "American Science Fiction and Contemporary Criticism." American Literary History 22, no. 1 (2009): 207–17. http://dx.doi.org/10.1093/alh/ajp048.

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Dobiáš, Dalibor. "Josef Jungmann: literární kritik jako národní filolog." Acta Musei Nationalis Pragae – Historia litterarum 69, no. 1-2 (2024): 40–49. http://dx.doi.org/10.37520/amnpsc.2024.005.

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Josef Jungmann (1773–1847) is traditionally considered to be the founder of Czech literary criticism (in the sense of Literaturkritik), although he did not, with a few exceptions, write the actual reviews of fiction, which were crucial for the development of the discussion of literature in the public sphere. The study is a reaction to the difficulties with Jungmann’s classification in earlier research and ranks him as a Czech type of national philological critic (cf. M.-G. Dehrmann’s notion of ‘poeta philologus’) who defines the roles of modern Czech authors and their freedom in dialogue with
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Forsdick, C. "Postcolonial Criticism: History, Theory, and the Work of Fiction." Comparative Literature 58, no. 3 (2006): 263–65. http://dx.doi.org/10.1215/-58-3-263.

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Syrotinski, Michael. "Postcolonial Criticism: History, Theory and the Work of Fiction." French Studies 60, no. 3 (2006): 418–19. http://dx.doi.org/10.1093/fs/knl067.

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DESIREE ROBERT, JENNA. "POSTCOLONIAL CRITICISM IN SABAH: A REVIEW." BORNEO AKADEMIKA 5, no. 1 (2021): 34–40. http://dx.doi.org/10.24191/ba/v5i1/49882.

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Sabah, formerly known as North Borneo during the period of British colonisation from 1888- 1963 produced many texts about the British presence and their activities on the island. This review highlights that the post-war studies especially Sabah’s colonial literature is the missing link to its alternative history. Colonial literature has left its legacy in the form of history, anthropology and art but also in the textual and literary representations of Sabah through a western lens. The critique of colonial fiction and non-fiction texts in former colonies in Malaya and Sarawak have paved the way
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Thèses sur le sujet "Czech fiction, history and criticism"

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Duggan, Lucy. "Reading the city : Prague in Czech and Czech-German narrative fiction since 1989." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:3827cf9c-fa91-4fb5-aa7e-8942de885729.

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In the course of its history, Prague has been the site of many significant cultural confrontations and conversations. From the medieval chronicle of Cosmas to the work of contemporary writers, the city has taken shape in literature as a multivalent space where identities are constructed and questioned. The evolution of Prague's literary significance has taken place in an intercultural context: both Czech-speaking and German-speaking writers have engaged with the city and its past, and their texts have interacted with each other. The city has played a central part in many collective narratives
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King, Edward Carlos Richard. "Mapping the control society : science fiction tropes and digital technologies in contemporary Argentine and Brazilian narrative." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610135.

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Shishkin, Timur. "Marginalized Characters in Contemporary American Short Fiction." PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/297.

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The focus of the present research work is the contemporary American short stories that bring up issues of compulsory norm and the conflict between marginalized characters and their environment. This research was based on those short stories that seemed to represent the idea of being "different" in the most complex and multilayered way, and its goal was to unfold new aspects of the conflict between "normal" and "abnormal"/"different". Variations of norm as well as diversity within the marginalized raise a number of questions about the reasons for their inability to coexist peacefully. The close
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Chan, Wai-ying, and 陳惠英. "Chinese lyrical fiction in the period 1919-1989." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31212864.

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Su, Ping, and 苏娉. "Word into image : cinematic elements in Caryl Phillips's fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/197091.

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Caryl Phillips, best known as a novelist, is a versatile writer who has also written for theater, radio, television and film. His experience in writing screenplays has made a considerable impact on the texture, style, technique and structure of his novels, which display either explicitly or implicitly many visual and formal features that resemble the narrative strategies of cinema. This study explores the many ways in which the cinematic art has influenced Phillips’s writing, focusing specifically on his four major novels: The Final Passage, The Nature of Blood, Dancing in the Dark, and In
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Ryan, Matthew. "Self, nation and novel in contemporary Irish writing." Monash University, Centre for Comparative Literature and Cultural Studies, 2004. http://arrow.monash.edu.au/hdl/1959.1/5421.

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Zheng, Baoxuan, and 鄭寶璇. "The theme of alienation in modern Chinese and Anglo-American fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1985. http://hub.hku.hk/bib/B31206803.

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Ko, Trudy Hoi Yun. "The involution of print and prose fiction in early modern England." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609098.

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DeAngelis, Angelica Maria. "History and fiction as narrative in the novels of Salman Rushdie." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22394.

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This work examines the fiction of Salman Rushdie--Grimus, Midnight's Children, Shame and The Satanic Verses, and its complex narrative structure. Fictional narrative is discussed in terms of structuralist theory using studies by Mieke Bal, Seymour Chatman and Gerald Prince. Historical narrative is analyzed through the writings of the philosophers of history, Hayden White, Louis O. Mink and Paul Ricoeur. These theories are applied to the fiction of Salman Rushdie in order to investigate his use of narrative. It is concluded that he uses a combination of historical and fictional narrative in ord
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李仕芬 and Shi-fan Lee. "Love and marriage." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31208721.

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Livres sur le sujet "Czech fiction, history and criticism"

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Štoll, Martin. Hundred years of Czech documentary film, 1898-1998: A brief history of Czech non-fiction film. Malá Skála, 2000.

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Steiner, Peter. The deserts of Bohemia: Czech fiction and its social context. Cornell University Press, 2000.

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Dokoupil, Blahoslav. Český historický román, 1945-1965. Československý spisovatel, 1987.

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Krolak, Joanna. Hus na trybunie: Tradycje narodowe w czeskiej powiesci historycznej okresu realizmu socjalistycznego. Instytut Slawistyki Zachodniej i Poludniowej Uniwersytetu Warszawskiego, 2004.

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Dokoupil, Blahoslav. Český historický román, 1945-1965. Československý spisovatel, 1987.

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Dokoupil, Blahoslav. Čas člověka, čas dějin: Poznámky k vývoji české historické prózy, 1966-1986. Československý spisovatel, 1988.

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Jungmann, Milan. Cesty a rozcestí: Kritické stati z let 1982-87. Rozmluvy, 1988.

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Jungmann, Milan. Cesty a rozcestí: Kritické stati z let 1982-1985. [s.n.], 1986.

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Neff, Ondřej. Tři eseje o české sci-fi. Československý spisovatel, 1985.

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Dostál, Vladimír. Zrcadla podél cesty: K české próze, 1969-1974. Československý spisovatel, 1987.

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Chapitres de livres sur le sujet "Czech fiction, history and criticism"

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Guangwei, Cheng. "The Intention of Fiction Criticism." In A Critical History of Contemporary Chinese Fiction. Routledge, 2024. https://doi.org/10.4324/9781003565031-3.

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Guangwei, Cheng. "Fiction Criticism during the Cultural Revolution." In A Critical History of Contemporary Chinese Fiction. Routledge, 2024. https://doi.org/10.4324/9781003565031-9.

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Guangwei, Cheng. "Fiction Criticism during the New Period." In A Critical History of Contemporary Chinese Fiction. Routledge, 2024. https://doi.org/10.4324/9781003565031-11.

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Guangwei, Cheng. "Literary Criticism in the 1990s." In A Critical History of Contemporary Chinese Fiction. Routledge, 2024. https://doi.org/10.4324/9781003565031-15.

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Guangwei, Cheng. "Criticism on Full-Length Novels." In A Critical History of Contemporary Chinese Fiction. Routledge, 2024. https://doi.org/10.4324/9781003565031-16.

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Höglund, Anna. "The Wild Boar Never Strikes Without Cause: Monstrous Hybrids, National Identity, and Gender in the Horror Movie Chawu." In History and Speculative Fiction. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42235-5_10.

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AbstractThe wild boar has found its own unique space in the genre animal horror. The story of the monstrous wild boar describes conflicts between nature and culture, animal and human, and the criticism of civilization is a prominent theme. The place that produced the monstrous boar is important in the genre and it describes monstrous places where something has gone horribly wrong. The landscapes where the wild boar causes destruction are horrid liminal spaces between past and present. This chapter explores themes connected to South Korea’s dark history of colonial oppression and civil wars in
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Guangwei, Cheng. "Fiction Criticism since the Start of the 21st Century." In A Critical History of Contemporary Chinese Fiction. Routledge, 2024. https://doi.org/10.4324/9781003565031-17.

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Guangwei, Cheng. "Fiction Criticism during the Social Transformations in the 1990s." In A Critical History of Contemporary Chinese Fiction. Routledge, 2024. https://doi.org/10.4324/9781003565031-14.

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Guangwei, Cheng. "The Rise and Fall of the Criticism on Zhao Shuli." In A Critical History of Contemporary Chinese Fiction. Routledge, 2024. https://doi.org/10.4324/9781003565031-4.

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Iser, Wolfgang. "Fiction—The Filter of History: A Study of Sir Walter Scott's Waverley." In New Perspectives in German Literary Criticism: A Collection of Essays. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400866984-005.

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Actes de conférences sur le sujet "Czech fiction, history and criticism"

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Slamova, Karolina. "THE SEARCH FOR AN APPROACH TO CZECH LITERARY HISTORY IN IGOR HAJEK�S CONCEPT." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.22.

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This paper focuses on the field of literary history in order to show what approach to the historiography of Czech literature was taken by the representative of Czech exile literary criticism, Igor Hajek. The context which Hajek entered during his study stays in the USA and Great Britain, and later in exile, was the reception horizon of the late 1960s, when the events of the �Prague Spring� attracted the attention of the West and turned attention to the Czech liberalisation movement, in which literature played a significant role. Hajek assumed the role of a mediator of the fundamental values of
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