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Articles de revues sur le sujet « Czech fiction, history and criticism »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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1

Motornyi, Andrii. "CZECH WRITER ALEXEJ PLUDEK IN LETTERS TO UKRAJINIAN SCHOLAR VOLODYMYR MOTORNYI." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 12(80) (2021): 109–12. http://dx.doi.org/10.25264/2519-2558-2021-12(80)-109-112.

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Personal letters of the Czech writer, of the middle of the second half of the twentieth century Alexej Pludek (1923–2002) to the Ukrainian scholar-slavist, literary scholar, professor of Lviv University Volodymyr Motornyi (1929-2015) are presented in this work. The issues, given in the letters are considered on the background of the specifics of the development of the literary process in Czechoslovakia in so-called “normalization period”. There are also issues related to the creation of individual works by the Czech writer and further evaluation of them by Czechoslovak and foreign literary cri

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Gerlach, Neil, and Sheryl N. Hamilton. "Introduction: A History of Social Science Fiction." Science Fiction Studies 30, Part 2 (2003): 161–73. https://doi.org/10.1525/sfs.30.2.0161.

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The intellectual encounter between the social sciences and science fiction has been rich and varied. This Introduction examines how sf literature, sf criticism, and social science theory and practice have intersected and influenced each other. We suggest a four-part typology, analyzing how the social sciences have employed sf, how sf has dealt with the social, how sf criticism has addressed social theory, and how science fiction has itself emerged as a social science methodology. The interdisciplinary conversation between the social sciences and sf literature and criticism recognizes the deep

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Tymoshchuk, N. ""They Did not Know How to Build Their Own State, so They Were in Someone Else's Hands": Artistic Concept of the Liberation Struggle of the Ukrainian People in the Leonid Poltava Novel "Above the Blue Black Sea"." Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, no. 1(87) (May 13, 2018): 158–61. http://dx.doi.org/10.35433/philology.1(87).2018.158-161.

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The peculiarities of the artistic modeling of historical reality of 1917–1920 by Leonid Poltava in the novel "Above the blue Black Sea" are considered in the article, the specificity of the artistic text is also clarified by the researcher. The novel "Above the blue Black Sea" Leonid Poltava is unfairly left out of contemporary literary criticism in the scientific Ukrainian space. The main plot is the events of the Civil War period in Ukraine, Turkey, Bulgaria and the Czech Republic. Leonid Poltava has systematically analyzed the causes of the failure of the Central Council and its allie

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Westfahl, Gary, Arthur B. Evans, Donald M. Hassler, and Veronica Hollinger. "Introduction: Towards a History of Science Fiction Criticism." Science Fiction Studies 26, Part 2 (1999): 161–62. https://doi.org/10.1525/sfs.26.2.0161.

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Gimadeev, Timur. "The feedback on the Slavophile theory of the Hussite movement in the Czech non-fiction historical literature (before 1918)." Slavic Almanac, no. 1-2 (2019): 46–58. http://dx.doi.org/10.31168/2073-5731.2019.1-2.1.03.

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This article deals with the reflection of Czech historians and political writers on the works of Russian Slavophilehistorians about the Hussite movement. The apologists of the Slavophile concept (such as P. Novikov and A. Th. Hilferding) defended the idea of the succession between Orthodoxy and the Hussite movement, supposing that Orthodoxy was brought to Czechia by Cyril and Methodius. This conception remained highly unpopular among the Czech authors. The professional Czech historians, such as J. Kalousek and J. Goll indicated that the information on such continuity is first found in the sour

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Roberts, R. "American Science Fiction and Contemporary Criticism." American Literary History 22, no. 1 (2009): 207–17. http://dx.doi.org/10.1093/alh/ajp048.

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Dobiáš, Dalibor. "Josef Jungmann: literární kritik jako národní filolog." Acta Musei Nationalis Pragae – Historia litterarum 69, no. 1-2 (2024): 40–49. http://dx.doi.org/10.37520/amnpsc.2024.005.

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Josef Jungmann (1773–1847) is traditionally considered to be the founder of Czech literary criticism (in the sense of Literaturkritik), although he did not, with a few exceptions, write the actual reviews of fiction, which were crucial for the development of the discussion of literature in the public sphere. The study is a reaction to the difficulties with Jungmann’s classification in earlier research and ranks him as a Czech type of national philological critic (cf. M.-G. Dehrmann’s notion of ‘poeta philologus’) who defines the roles of modern Czech authors and their freedom in dialogue with

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Forsdick, C. "Postcolonial Criticism: History, Theory, and the Work of Fiction." Comparative Literature 58, no. 3 (2006): 263–65. http://dx.doi.org/10.1215/-58-3-263.

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Syrotinski, Michael. "Postcolonial Criticism: History, Theory and the Work of Fiction." French Studies 60, no. 3 (2006): 418–19. http://dx.doi.org/10.1093/fs/knl067.

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DESIREE ROBERT, JENNA. "POSTCOLONIAL CRITICISM IN SABAH: A REVIEW." BORNEO AKADEMIKA 5, no. 1 (2021): 34–40. http://dx.doi.org/10.24191/ba/v5i1/49882.

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Sabah, formerly known as North Borneo during the period of British colonisation from 1888- 1963 produced many texts about the British presence and their activities on the island. This review highlights that the post-war studies especially Sabah’s colonial literature is the missing link to its alternative history. Colonial literature has left its legacy in the form of history, anthropology and art but also in the textual and literary representations of Sabah through a western lens. The critique of colonial fiction and non-fiction texts in former colonies in Malaya and Sarawak have paved the way

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Green, Alison. "‘A Supreme Fiction’: Michael Fried and Art Criticism." Journal of Visual Culture 16, no. 1 (2017): 89–102. http://dx.doi.org/10.1177/1470412917700931.

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One of the striking aspects of the trenchant legacy of Michael Fried’s ‘Art and Objecthood’ is its status as a piece of art criticism. Widely perceived as difficult and personal, philosophical and explicatory, doxa or sermon, the essay stands out. To explore its singularity, this article compares Fried’s conception of the period criticism of 18th-century French painting in his book Absorption and Theatricality: Painting and Beholder in the Age of Diderot (1980) and the method of criticism enacted in ‘Art and Objecthood’ (1967) which he saw as connected. The author pursues this and other crossi

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Desyatnychuk, Ihor. "THOMAS MASARYK AND THE QUESTION OF CZECH-GERMAN UNDERSTANDING IN THE FIRST HALF OF THE 90S OF THE 19TH CENTURY." Naukovì zapiski Nacìonalʹnogo unìversitetu "Ostrozʹka akademìâ". Serìâ Ìstoričnì nauki 1, no. 36 (2025): 121–28. https://doi.org/10.25264/2409-6806-2025-36-121-128.

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The article has analyzed the evolution of Tomas Masaryk's views on the problem of Czech-German settlement in the first half of the 90s of the 19th century. The beginning is highlighted of the scientist's socio-political activity. The principles of political realism presented by T. Masaryk and his criticism of the traditional policy of the Old Czech party are analyzed. At the same time, T. Masaryk's desire for a peaceful settlement of Czech-German contradictions and his criticism of the nationalist rhetoric of the Young Czechs are highlighted. The political views of the national figure during h

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Charypar, Michal. "Conceptualizing Literary History: A Survey of Poetics in Czech Fiction 1860–1910. Part Two." Bohemistyka 24, no. 2 (2024): 154–73. http://dx.doi.org/10.14746/bo.2024.2.2.

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The article provides an innovative model of poetics (or isms, styles, etc.) in Czech prose in the latter half of the long 19th century. It gives an overview of seven individualized and mutually distinct poetics, including ideal, analytical, and psychological realisms, Parnassism, naturalism, impressionism, and decadence. The individual poetics do not represent periods, but exist in parallel, allowing confrontations and intersections either within the author’s work or in a specific text, as in the model of Czech literature developed by Dalibor Tureček in the past decade. They are always set in

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Charypar, Michal. "Conceptualizing Literary History: A Survey of Poetics in Czech Fiction 1860–1910 (Part One)." Bohemistyka 23, no. 3 (2023): 394–408. http://dx.doi.org/10.14746/bo.2023.3.15.

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The article provides an innovative model of poetics (or isms, styles, etc.) in Czech prose in the latter half of the long 19th century. It gives an overview of seven individualized and mutually distinct poetics, including ideal, analytical, and psychological realisms, Parnassism, naturalism, impressionism, and decadence. The individual poetics do not represent periods, but exist in parallel, allowing confrontations and intersections either within the author's work or in a specific text, as in the model of Czech literature developed by Dalibor Tureček in the past decade. They are always set in

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Burger, Willie. "Historiese korrektheid en historiese fiksie: ’n respons." Tydskrif vir Letterkunde 52, no. 2 (2015): 78. http://dx.doi.org/10.4314/tvl.v52i2.6.

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Historical correctness and historical fiction: a responseIn this article the relationship between history and fiction is examined in response to the historian, Fransjohan Pretorius’s criticism of recent Afrikaans fiction about the Anglo-Boer War in Tydskrif vir Letterkunde 52.2 (2015). The intricate relationship between history and fiction is examined by pointing, on the one hand to the problematic of the relationship between history and the past and on the one hand, to the difference between fiction and history. The function of aesthetic illusion, verisimilitude and conceptions of reference i

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David, Jaroslav, and Tereza Klemensová. "Still having a conflict potential? German and Hungarian toponyms in the Czech and Slovak national corpora texts." Miscellanea Geographica 23, no. 3 (2019): 158–62. http://dx.doi.org/10.2478/mgrsd-2019-0005.

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Abstract The paper focuses on German forms of place names in Czechia and Slovakia, and Hungarian forms of place names in Slovakia, especially on their revitalization and perception after 1989. This concerns their thematization, which is illustrated on the Czech National Corpus and the Slovak National Corpus materials, and on the 1990s discussions about their restoration. German place-name forms are not considered to be a crucial political topic these days; however, Hungarian forms still represent a conflict potential. German forms in Czechia are only thematized in poetry and fiction books, in

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Zimra, Clarisse. "Postcolonial Criticism: History, Theory and the Work of Fiction (review)." MFS Modern Fiction Studies 50, no. 3 (2004): 798–99. http://dx.doi.org/10.1353/mfs.2004.0093.

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Van Dongen, Richard. "Non-fiction, History, and Literary Criticism in the Fifth Grade." Children's Literature Association Quarterly 12, no. 4 (1987): 189–90. http://dx.doi.org/10.1353/chq.0.0343.

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Pynsent, Robert B. "Václav Havel: A Heart in the Right Place." East European Politics and Societies: and Cultures 32, no. 2 (2018): 334–52. http://dx.doi.org/10.1177/0888325417752252.

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The author looks at Havel’s The Power of the Powerless in the context of Czech twentieth-century political fiction and the criticism that his writing and political activity has received. He also introduces other works, essays and plays, by the author that aid the assessment of statements made in The Power of the Powerless. The last quarter of the article discusses Havel and New Age ideas and endeavors to look at The Power of the Powerless in that light, but also to understand how a person who argued most of his life against the elements of ochlocracy in his own country could in spiritual matte

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León, Angelo, and Fernanda Badilla. "After Hegel: A postmodern genealogy of historical fiction." Filozofija i drustvo 35, no. 2 (2024): 299–316. http://dx.doi.org/10.2298/fid2402299n.

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In this article, we analyze a possible form of the relationship between modernity and postmodernity by examining the transformation of the place of enunciation of criticism as a philosophical narrative and using it as a historical and philosophical criterion. To achieve this, we first focus on key moments in the critical discourse of modernity, and then analyze the role of Kantian criticism in the formation of a postmodern imaginary associated with the notions of useful fiction and linguistification. Finally, from a Hegelian perspective, we consider the validity of the idea of universal histor

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MacKenzie, Robin. "Approaches to Teaching Proust's Fiction and Criticism." French Studies 59, no. 4 (2005): 567–68. http://dx.doi.org/10.1093/fs/kni242.

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Qingyue, Zheng. "Climate Fiction: Literary Ripples in the Climate Crisis." International Journal of English Language, Education and Literature Studies (IJEEL) 3, no. 5 (2024): 22–32. http://dx.doi.org/10.22161/ijeel.3.5.3.

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Since the Anthropocene, there has been a significant increase in human-caused climate crises such as severe weather events, natural disasters and climate change around the globe. Climate fiction, which conveys the unique environmental experience of the Anthropocene, comes into being in this context. Research and criticism of climate fiction also followed. The representative works of contemporary climate fiction and their key critical concepts not only outline a broad spectrum of cultural analysis, but also depict a lasting mode of world existence and a broad prospect of the Anthropocene, provi

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Zhang, Zhehui. "A Post-Colonial Approach to The Man Who Ended History: A Documentary." English Language and Literature Studies 10, no. 2 (2020): 53. http://dx.doi.org/10.5539/ells.v10n2p53.

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The Man Who Ended History: A Documentary is a science fiction by Chinese American science fiction writer Ken Liu (1976-). Based on the theory of Post-Colonial Criticism, this paper makes a concrete analysis of the text from the perspectives of three eminent contemporary theorists, aiming at the readers&rsquo; better understanding of the work, and eliminating ethnocentrism, racism, unilateralism and hegemony; keeping history in mind and justifying the names of innocent humans who have been persecuted; safeguarding world peace, and building a community with a shared future for mankind.

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O’Malley, Maria. "Taking the Domestic View in Hawthorne’s Fiction." New England Quarterly 88, no. 4 (2015): 657–80. http://dx.doi.org/10.1162/tneq_a_00494.

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Shifting the emphasis within feminist criticism from the act of speech to the act of hearing, this article argues that, in The Scarlet Letter, The House of the Seven Gables, and Blithedale Romance, Nathaniel Hawthorne reveals how the public sphere depends on the voices of dispossessed women even as it attempts to silence them.

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Cooper, David L. "Competing Languages of Czech Nation-Building: Jan Kollár and the Melodiousness of Czech." Slavic Review 67, no. 2 (2008): 301–20. http://dx.doi.org/10.1017/s0037677900023548.

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In the modern era, the institution of literature is being reconceived across Europe as a national institution. But the new paradigm of national literatures requires a remaking of literary discourse, including the transformation of critical terminology, and this results in literary discourse becoming politicized. By analyzing the history of the term libozvučnost (melodiousness) in the Czech national literary revival, David L. Cooper demonstrates how this seemingly innocent literary term became a political lightening rod for friends pursuing the same national program. This strongly suggests that

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Naveed Akhtar та Dr Muhammad Imtiaz. "پنڈت برج نارائن چکبست کی سرشارشناسی". Taṣdīq 6, № 2 (2025): 109–28. https://doi.org/10.56276/1cvprh83.

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Pandit Brij Narayan Chakbast was a renowned poet, exceptional prose writer, and esteemed critic in Urdu literature. His notable critical work, which earned him fame, is the essay on Gulzar-e-Naseem (Masnavi). Most of his critical writings focused on poetry criticism, but he also explored Urdu novels as a subject of discourse. A prime example of his critical acumen is his essay on Pandit Ratan Nath Dar Sarshar, published in the May 1940 issue of DARPAN magazine. Although the article employs an argumentative and defensive style, Chakbast maintained moderation and balance throughout. This pioneer

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Ksenofontova, Alexandra. "Towards an Interdisciplinary Approach to Time in Fiction." KronoScope 23, no. 1 (2023): 86–103. http://dx.doi.org/10.1163/15685241-bja10008.

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Abstract The paper surveys five major perspectives on studying time in fiction: narratology, history of temporal regimes, temporal pluralism, aesthetics of time, and politics of time. It argues that these approaches have so far remained largely unintegrated, leading to a separation between areas of literary criticism that are in reality closely linked. In particular, some approaches separate time as subject from time as the principal element of narratives. Some approaches disregard the transhistorical plurality of temporal experiences, while others turn a blind eye to larger historical changes

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Kambon, Ọbádélé Bakari, and Lwanga Songsore. "Fiction vs. Evidence: A Critical Review of Ataa Ayi Kwei Armah’s Wat Nt Shemsw and the Eurasian Rhetorical Ethic." African and Asian Studies 20, no. 1-2 (2021): 124–53. http://dx.doi.org/10.1163/15692108-12341486.

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Abstract At the 2018 Outstanding African Thinkers Conference on Nna Chinweizu, attendees – the first author included – took a pledge that “In all branches of our lives, we must be capable of criticizing and of accepting criticism. But criticism, proof of the willingness of others to help us or of our willingness to help others, must be complemented by self-criticism – proof of our own willingness to help ourselves to improve our thoughts and our actions. This is a sacred principle and it is my sacred duty to apply and defend it at all costs” (Chinweizu 2018). In response to that call to action

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Zehnalová, Jitka. "Digital Data for the Sociology of Translation and the History of Translation." AUC PHILOLOGICA 2023, no. 2 (2024): 55–71. http://dx.doi.org/10.14712/24646830.2023.23.

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The study explores the interconnected topics of interdisciplinarity and the use of digital data in research on (literary) translation. Interdisciplinarity is conceived as cooperation between translation studies and other fields of study, specifically with sociology, history and digital humanities, i.e. as an “import” to translation studies, pointing simultaneously to its potential for research in other fields, i.e. an “export” from translation studies. The main goal is to demonstrate the use of digital data (data obtained from online, publicly available, bibliographic databases on national and

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Piotrowiak-Junkiert, Kinga. "Wielogłos. Polskie, czeskie i słowackie teksty o Zagładzie." Poznańskie Studia Slawistyczne, no. 24 (September 30, 2023): 357–67. http://dx.doi.org/10.14746/pss.2023.24.16.

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Handbook of Polish, Czech, and Slovak Holocaust Fiction. Eds. Elisa-Maria Hiemer, Jiří Holý, Agata Firlej, Hana Nichtburgerová. Berlin: De Gruyter. 2021, 514 s. DOI: https://doi.org/10.1515/9783110671056

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Penier, Izabella. "Modernity, (Post)modernism and New Horizons of Postcolonial Studies. The Role and Direction of Caribbean Writing and Criticism in the Twenty-first Century." International Studies. Interdisciplinary Political and Cultural Journal 14, no. 1 (2012): 23–38. http://dx.doi.org/10.2478/v10223-012-0052-2.

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My article will take issue with some of the scholarship on current and prospective configurations of the Caribbean and, in more general terms, postcolonial literary criticism. It will give an account of the turn-of-the century debates about literary value and critical practice and analyze how contemporary fiction by Caribbean female writers responds to the socioeconomic reality that came into being with the rise of globalization and neo-liberalism. I will use David Scott’s thought provoking study-Refashioning Futures: Criticism after Postcoloniality (1999)-to outline the history of the Caribbe

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Drozdova, Daria N. "Francis Bacon, Between Myth and History." Epistemology & Philosophy of Science 58, no. 3 (2021): 6–21. http://dx.doi.org/10.5840/eps202158339.

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Over the last 400 years, attitudes toward Francis Bacon's philosophy have changed considerably: the 17-century interest and the 18-century enthusiasm have been replaced by the 20-century criticism and reevaluation. However, both the praise and the rejection of the Lord Chancellor’s philosophical ideas often originate from the isolation and absolutization of particular features of his philosophy that can sometimes be in opposition to each other. These partial readings are justified by the fact that the reference to Bacon’s methodological and epistemological legacy has a symbolic meaning and is

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Shaytanov, I. O. "History of Russian translations of fiction in 1800–1825." Voprosy literatury, no. 6 (December 8, 2023): 174–79. http://dx.doi.org/10.31425/0042-8795-2023-6-174-179.

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The research is presented in the form close to a fundamentally annotated bibliography demonstrating how European literary experience was advanced in the first quarter of the 19th c. in Russia at the time when contemporary Russian literature was being shaped. Six parts are devoted successively to French, German, English, Italian, Spanish, and classical literatures. The major aspects of research are outlined in an extensive foreword (E. Dmitrieva, M. Koreneva). Highlights include: Comparative analysis of the international contacts of Russian literature; a new interest in the novel, the genre tha

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Collinge, James T. "‘With envious eyes’: Rabbit-poaching and class conflict in H. G. Wells’s The Time Machine and The Island of Doctor Moreau." Literature & History 26, no. 1 (2017): 39–55. http://dx.doi.org/10.1177/0306197317695082.

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Allusions to rabbits and poaching recur throughout H. G. Wells's work. In spite of the frequency with which they appear, these motifs remain overlooked within scholarly criticism. This article, by analysing Wells's representations of rabbit-poaching, first considers how nineteenth-century histories of industrialisation and game-crime shape his science fiction. It then explores the contradictory nature of these representations, which both demonise and sympathise with the figure of the rabbit-poacher, providing further insight into the class confusion that recent criticism perceives to character

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Ge, Liangyan. "The Mythic Stone inHonglou mengand an Intertext of Ming-Qing Fiction Criticism." Journal of Asian Studies 61, no. 1 (2002): 57–82. http://dx.doi.org/10.2307/2700189.

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Until very recently, much of the literary scholarship on the eighteenth-century Chinese novelHonglou meng(The Story of the StoneorDream of the Red Chamber) was centered on what was seen as the autobiographical nature of the work. Critics of the novel, especially those in China, tended to focus their attention on the life of the author, Cao Xueqin (d. 1763), believing the interpretation of the novel to be—to a large extent—hinged on a successful reconstruction of Cao Xueqin's familial relationships, especially with those members of the Cao clan such as Red Inkstone (Zhiyanzhai) who were the ori

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Drobek, Katarzyna, and Tetyana Kashchenko. "Dialogue between history and modernity in the preservation of historical ruins: The case of Helfštýn Castle." Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych 20, no. 2 (2024): 73–88. https://doi.org/10.35784/teka.7113.

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The article examines contemporary architectural interventions at Helfštýn Castle in the Czech Republic, which illustrate an attempt to balance the preservation of historical heritage with the requirements of modernity. The castle, one of the largest in Central Europe, underwent a comprehensive restoration by the Czech architectural studio Atelier-r between 2017 and 2020. The work included structural stabilization, masonry repair, sandblasted glass roofing, and the introduction of modern architectural elements such as viewing platforms and pathways. The project was recognized for its creative a

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Grasko, Anna V. "The Soviet World of the 1930s in Czech Literature: Jiřн Weil and His Novel Moscow — the Border". Izvestia of the Ural federal university. Series 2. Humanities and Arts 24, № 3 (2022): 168–82. http://dx.doi.org/10.15826/izv2.2022.24.3.051.

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This article considers the work of the Czech writer J. Weil (1900–1959) and, in particular, his novel Moscow — the Border (1937) in a broad cultural and historical context. Weil’s fate and work were closely connected with Soviet Russia. Like other leftist Czech intellectuals, Weil was attracted by communist ideas and interested in the new Soviet Russia which claimed to rebuild the world. Weil’s relationship with the Soviet state was not easy — having gone to work in Moscow in 1934, he was already repressed in early 1935 during Stalin’s purges, and at the end of 1935 miraculously returned to Pr

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So, Richard Jean, and Edwin Roland. "Race and Distant Reading." PMLA/Publications of the Modern Language Association of America 135, no. 1 (2020): 59–73. http://dx.doi.org/10.1632/pmla.2020.135.1.59.

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This essay brings together two methods of cultural‐literary analysis that have yet to be fully integrated: distant reading and the critique of race and racial difference. It constructs a reflexive and critical version of distant reading—one attuned to the arguments and methods of critical race studies—while still providing data‐driven insights useful to the writing of literary history and criticism, especially to the history and criticism of postwar African American fiction, in particular James Baldwin's Giovanni's Room. Because race is socially constructed, it poses unique challenges for a co

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Fekete, John. "Science Fiction in Hungary." Science Fiction Studies 16, Part 2 (1989): 191–200. https://doi.org/10.1525/sfs.16.2.191.

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In the past 15 years, there has developed in Hungary the basic skeleton of a serious infrastructure for SF production in terms of an organized subculture of writers, readers, publishers, journals, other accessible media of communication, and international relations. This subculture can draw strength from a strong indigenous minority literary tradition of fantastic writing whose contributors include some of the most important Hungarian prose writers of the 20th century—among them, Mihály Babits, Frigyes Karinthy, and Tibor Déri. Writing at an international level of literary merit continues to b

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Громова, П. С. "LITERARY CRITICISM OF THE L. N. GUMILYOV’S LEGACY." Вестник Тверского государственного университета. Серия: Филология, no. 1(76) (April 17, 2023): 39–46. http://dx.doi.org/10.26456/vtfilol/2023.1.039.

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В статье сопоставляются характерные черты романтического героя и пассионарной личности, как ее понимал Л.Н. Гумилев. Делается вывод о том, что теория пассионарности может быть применена при анализе художественной литературы, поскольку позволяет уточнить и углубить понимание данного литературного феномена. The article compares the characteristic features of a romantic hero and a passionate personality, as understood by L.N. Gumilev. It is concluded that the theory of passionarity can be applied in the analysis of fiction, since it allows clarifying and deepening the understanding of this litera

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Pospíšil, Ivo. "The Genre on the Boundary: Innovative Features of the Czech Enigmatic Prose." Pitannâ lìteraturoznavstva, no. 110 (December 31, 2024): 318–41. https://doi.org/10.31861/pytlit2024.110.318.

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The author of the present contribution deals with the development of the Czech enigmatic prose since the 1960s which arose from a specific branch of classical science fiction by means of the gradual transition to the problem of enigma expressing the cinviction of the extraterrestrial origin of humankind which might radically change the whole concept of history of the Earth and our notion of the rise and fall of cosmos.This type of nonfiction has often an artistic character of belles lettres (fiction) which absolved of the responsibility for strict rationalism and the only right views shared by

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Kantoříková, Jana. "Melancholy, Hanuš Jelínek and Miloš Marten." Acta Musei Nationalis Pragae – Historia litterarum 61, no. 1-2 (2016): 77–82. http://dx.doi.org/10.1515/amnpsc-2017-0022.

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The aim of this article is to present the roles of Miloš Marten (1883–1917) in the Czech–French cultural events of the first decade of the 20th century in the background of his contacts with Hanuš Jelínek (1878–1944). The first part of the article deals with Marten’s artistic and life experience during his stays in Paris (1907–1908). The consequences of those two stays to the artist’s life and work will be accentuated. The second part takes a close look at Miloš Marten’s critique of Hanuš Jelínek’s doctoral thesis Melancholics. Studies from the History of Sensibility in French Literature. To i

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Yulia, Nasrul Latifi. "Nawāl al-Sa'dāwī's Criticism on the Discourse of Masculine God." International Journal of Arts and Social Science 2, no. 3 (2023): 58–67. https://doi.org/10.5281/zenodo.7714503.

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Nawāl al-Sa'dāwī has criticised sharply the discourse of masculine God in her works, either fiction or non-fiction. The phenomena is interesting to be analyzed since there are no many feminists who have courageoulsy discuss the problem. By paying attention on her works, this paper is aimed to answer the question: What are the forms of Nawāl al-Sa'dāwī's criticism on the masculinity in the discourse on God? What is the positionisation of the criticism in the meaning of discourse on divinity and why did Nawāl Al-Sa'dāwī criticise? The paper gives meaning to the reading on the dec

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Heise-von der Lippe, Anya. "Histories of Futures Past: Dystopian Fiction and the Historical Impulse." Zeitschrift für Anglistik und Amerikanistik 66, no. 4 (2018): 411–25. http://dx.doi.org/10.1515/zaa-2018-0035.

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Abstract This article traces the historical impulse in two intertextually connected dystopian texts – George Orwell’s 1984 (1949) and Margaret Atwood’s The Handmaid’s Tale (1985) – by reading the two novels in the context of the construction of historical narrative after the proclaimed ‘end of history’ in the twentieth century. It considers their representation of history within the framework of literary criticism of the historical novel (György Lukács), critical dystopias (Tom Moylan), and memory as an active, mediated engagement with the past (Astrid Erll and Ann Rigney). It looks, more spec

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Cheira, Alexandra. "Cultural Memory in Contemporary Fiction: F. R. Leavis’s and Matthew Arnold’s Intellectual Presence in A. S. Byatt’s Work." English Language, Literature & Culture 9, no. 4 (2024): 97–107. http://dx.doi.org/10.11648/j.ellc.20240904.11.

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The concept of “cultural memory” serves as the foundation for this article, which explains the complex relationships between two prominent figures in the history of English letters, Matthew Arnold and F. R. Leavis, as well as how A. S. Byatt’s own work was influenced by their combined, though occasionally diametrically opposed, approaches to literature, culture, and criticism. As a result, this article begins with a discussion of the conflictual continuity and/or sustained ambivalence in Byatt’s critique of Leavisite criticism. It does this by first looking into Leavis’s position within the la

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Korzun, Valentina. "A. V. Florovsky and Mark Block: Some Details to the Fate of the Historian in Exile." ISTORIYA 13, no. 7 (117) (2022): 0. http://dx.doi.org/10.18254/s207987840022266-1.

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The article analyzes the letter-review “Quelques observations sur l&apos;histoire des relation commercial entre l&apos;Europe et des pays de l&apos;Erope Orientale” by M. Block (founded by the authors in the Slavic Library in Prague) on the article sent to the “Annales” in November 1933 by A. V. Florovsky. A. V. Florovsky summarized his ten-year search in the problematic field of Czech-Russian relations in the X—XVIII centuries and it caused serious criticism from M. Bloсk. The text of the letter allows authors to highlight the main directions of this criticism, which was directed

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Lähteenmäki, Ilkka. "Possible Worlds of History." Journal of the Philosophy of History 12, no. 1 (2018): 164–82. http://dx.doi.org/10.1163/18722636-12341354.

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Abstract The theory of possible worlds has been minimally employed in the field of theory and philosophy of history, even though it has found a place as a tool in other areas of philosophy. Discussion has mostly focused on arguments concerning counterfactual history’s status as either useful or harmful. The theory of possible worlds can, however be used also to analyze historical writing. The concept of textual possible worlds offers an interesting framework to work with for analyzing a historical text’s characteristics and features. However, one of the challenges is that the literary theory’s

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Lišková, Kateřina, and Andrea Bělehradová. "‘We Won’t Ban Castrating Pervs Despite What Europe Might Think!’: Czech Medical Sexology and the Practice of Therapeutic Castration." Medical History 63, no. 3 (2019): 330–51. http://dx.doi.org/10.1017/mdh.2019.30.

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The Czech Republic holds one of the highest numbers of men labelled as sexual delinquents worldwide who have undergone the irreversible process of surgical castration – a policy that has elicited strong international criticism. Nevertheless, Czech sexology has not changed its attitude towards ‘therapeutic castration’, which remains widely accepted and practised. In this paper, we analyse the negotiation of expertise supporting castration and demonstrate how the changes in institutional matrices and networks of experts (Eyal 2013) have impacted the categorisation of patients and the methods of

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Ivačić, Matija. "Dušan Karpatský a česko-chorvatské literární vztahy." Przekłady Literatur Słowiańskich 13 (August 17, 2023): 1–14. http://dx.doi.org/10.31261/pls.2023.13.12.

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This paper deals with the contribution of Dušan Karpatský (1935—2017) to the reception of Croatian literature in the Czech Republic, and Czech literature in Croatia since the 1960s until the present day. In his numerous translations, Karpatský worked tirelessly to introduce Czech readers to the achievements of Croatian (and Yugoslav) literature, and vice versa. By selecting texts for his translations that were as current as possible, and by meeting high aesthetic criteria, made him influential in both cultural milieus where he played the role of an intermediary. His work in lexicography, bibli

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Andreev, Sergey, and Michal Místecký. "Activity in Czech and Russian Nineteenth-century Sonnets: A Contrastive Study." Glottotheory 9, no. 1 (2018): 89–104. http://dx.doi.org/10.1515/glot-2018-0004.

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Abstract The article focuses on analysing activity in the selected sonnets of the Czech and Russian nineteenth-century literatures (100 poems per each). Busemann Coefficient (Q) is counted for the samples, and the individual authors are tested on statistical significance by means of the nonparametric Mann–Whitney–Wilcoxon test. Another product of the research is a scatter plot, where the counts of the significant MWW test values for the poets and their average Q’s are compared; these figures are clustered according to the k-means method, and interpretations are formulated on the basis of the g

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