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Bibliographies thématiques / Decoration and ornament, Byzantine

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Littérature scientifique sur le sujet « Decoration and ornament, Byzantine »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 1 février 2022

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Articles de revues sur le sujet "Decoration and ornament, Byzantine"

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Volodarets-Urbanovich, Ia V. "ABOUT ONE TYPE OF JEWELRY OF THE HEAD OF THE SLAVS: ON THE MATERIALS OF MALYI RZHAVETS AND MARTYNIVKA TREASURES." Archaeology and Early History of Ukraine 30, no. 1 (2019): 201–17. http://dx.doi.org/10.37445/adiu.2019.01.16.

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The article analyses «bobo-similar» plates jewelry from Malyi Rzhavets and Martynivka — four specimens. In 1889 near the village Malyi Rzhavets was found a small treasure of women’s jewelry. In 1907, in the village Martynivka was found another treasure that included the women’s and men’s jewelry and Byzantine wares. Both complexes belong to the treasure of «Martynivka» type or the first chronological hoard-group by O. A. Shcheglova. One can assume the interpretation of these products as large temple ornament or decoration of scythe. Quite similar (though not entirely similar) bronze ware — lam

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Cvetković, Branislav. "Zaglavlje Dekaloga u Hvalovom zborniku: prilog semantici srednjovjekovne iluminacije." Ars Adriatica, no. 4 (January 1, 2014): 155. http://dx.doi.org/10.15291/ars.493.

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This article is dedicated to the interpretation of the header before the text of the Ten Commandments on fol. 150 of the Hval Codex. The author is drawing attention to a gloss in the margin to the left of the banner which has not been addressed in the earlier scholarly literature nor recorded in the facsimile transcription of 1986. The rectangular banner consists of a lozenge net filled with gold lilies while three gold interlace crosses of a complex shape are placed on top of the banner. The gloss next to it was written in blue ink as an abbreviated word under a line. It is a rather common ab

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Endoltseva, E. Yu. "The Lashkendar Church and the Alan-Abkhazian Cultural Contacts: Prospects of Studying." Observatory of Culture 15, no. 3 (2018): 298–308. http://dx.doi.org/10.25281/2072-3156-2018-15-3-298-308.

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The article studies the Alan-Abkhazian cultural contacts by analyzing architectural decorations of these peoples. Actuality of the study is determined by considering the architectural decorations as a cultural marker of Abkhazians and Alans in the period of the 8th—10th centuries. This point of consideration is primarily important for studying the material culture of the ethnic groups living in close proximity to the route of the Silk Road, which is regarded as a powerful catalyst for cultural exchange between the numerous tribes and peoples each having its own unique and diverse artistic skil

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Mesterházy, Károly. "Pántkarperecek a magyar honfoglalás korából." Kaposvári Rippl-Rónai Múzeum Közleményei, no. 6 (2018): 187–230. http://dx.doi.org/10.26080/krrmkozl.2018.6.187.

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The author collected the material of ca. 250 find places by types. He examined the material, manufacturing technique, and chronology of the bracelets, as well as their distribution by social layers and gender, and their direct analogies in Russia and the Balkans. The ancient Hungarians of the Conquest period appeared in the Carpathian Basin with a new archaeological culture in the turn of the 9th and the 10th centuries. Band bracelets were characteristic pieces of this material culture. Today they are represented by three main types: 1. band with rounded terminals, 2. band with coiled terminal

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Cross, Christopher. "Urban Design: Ornament and Decoration." URBAN DESIGN International 1, no. 2 (1996): 192. http://dx.doi.org/10.1057/udi.1996.26.

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Delafons, John. "Urban design: Ornament and decoration." Cities 13, no. 3 (1996): 235. http://dx.doi.org/10.1016/0264-2751(96)88703-8.

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Ahani, Fatemeh, Iraj Etessam, and Seyed Gholamreza Islami. "The Distinction of Ornament and Decoration in Architecture." Journal of Arts and Humanities 6, no. 6 (2017): 25. http://dx.doi.org/10.18533/journal.v6i5.1188.

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<p>Ornament has been present throughout the recorded history, revealing human's aspirations, reflections and imaginations. Correspondingly, the discussion of ornament has almost uninterruptedly been a major topic for architectural discourses; one which has led to the publication of several significant texts in which ornamental practices has been addressed from a variety of perspectives. An investigation into the key architectural texts however, reveals that the absence of a certain definition of ornament and its functions in architecture as well as the interchangeable use of the terms 'd

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Goodwin, Amy. "Signwriting: Ornament as visual language ‐ communicative decoration." Journal of Illustration 6, no. 1 (2019): 119–36. http://dx.doi.org/10.1386/jill_00007_1.

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This article argues for the use of decorative signwriting as both ornamental and communicative. This examination will be twofold: first, a series of images of twentieth century signwriting in the fairground industry will be offered to this argument: all signwriting is purposefully applied, as decoration, in order to communicate, but unpicking the visual styles will unveil the hidden meanings, expanding the communicative intentions. Secondly, works of signwriting produced and installed as an archive as illustrated space will be dissected to expand on the argument being made. The archive as illu

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Gligorijevic-Maksimovic, Mirjana. "Classical elements in the endowments of Serbian XIII century donors." Zbornik radova Vizantoloskog instituta, no. 46 (2009): 255–64. http://dx.doi.org/10.2298/zrvi0946255g.

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In Byzantine painting, starting from the XIII and particularly during the XIV century, there was a visible return to models from the period of Antiquity. The influences of ancient, ostensibly, Hellenistic heritage were reflected in the shapes, in the content of the compositions, as well as in the drawing, modellation and colours. In the art that came into being in the course of the XIII century, in the endowments of the Serbian donors numerous elements emerged that had existed in ancient art. In the frescoes in the Church of the Mother of God in Studenica, the endowment of Stefan Nemanja and h

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Sharapov, I. A. "Discourse of Ornament in Twentieth-Century Architecture." Art & Culture Studies, no. 2 (June 2021): 60–87. http://dx.doi.org/10.51678/2226-0072-2021-2-60-87.

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The article provides an overview of the ornament in the architecture of the twentieth century, indicating the points that form the direction of the axial trajectories of the development of the ornamental form in the context of architecture. The research is based on the method of analytical description of ornament positions extracted from the the practice and textual corpus of architect’s statements. Utterances synthesize the discursive range of ornament in the field of architecture. The body of the ornament covers the subject aspects of human life and is present in the spatial form of the arch

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Thèses sur le sujet "Decoration and ornament, Byzantine"

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Teteriatnikov, Natalia. "The liturgical planning of Byzantine churches in Cappadocia." Roma : Pontificio Istituto Orientale, 1996. http://books.google.com/books?id=W1xhAAAAMAAJ.

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Kellaris, Georgios. "The iconography of sanctuary doors from Patmos and its place in the iconographic program of the Byzantine iconostasis." Thesis, McGill University, 1991. http://books.google.com/books?id=4OjVAAAAMAAJ.

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Thesis (M.A.)--McGill University, 1991.<br>Contains an English abstract and a French résumé. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 83-87).

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Sinkević, Ida. "The Church of St. Panteleimon at Nerezi architecture, programme, patronage /." Wiesbaden : Reichert, 2000. http://catalogue.bnf.fr/ark:/12148/cb39168651h.

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Tomasztczuk, Daria Olana. "Theodoric the Great's palace church of Christ the Redeemer at Ravenna, the later Sant' Apollinare Nuovo." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98588.

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This thesis is an overview of the historical context in which the church of Christ the Redeemer (Sant'Apollinare Nuovo) in Ravenna, Italy, was erected. It explores the forces responsible for shaping the church at the time of its construction and decoration in the sixth century. The basilica had gained popularity of usage as a model for the Christian Church in the West by this time. This thesis further explores the conclusions put forth by scholars that the basilica was the forum in which the transition of architectural imperial symbolism from the pagan empire to the new Christian Church took p

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Dürfeld, Michael. "Das Ornamentale und die architektonische Form : systemtheoretische Irritationen /." Bielefeld : Transcript, 2008. http://www.loc.gov/catdir/toc/fy0804/2008423180.html.

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FARRELL, GAVIN R. "ORNAMENT: SEMANTICS AND TECTONICS IN CONTEMPORARY URBAN ARCHITECTURE." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1115929765.

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Pleasant, Elizabeth A. "Ornamentation, representation, and experimental drawing." Thesis, Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/21606.

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Prickett, Douglas B. "Ornamentalism /." Online version of thesis, 1990. http://hdl.handle.net/1850/10938.

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Wong, Chun-ming. "Cantonese opera on the temple ridge conservation of Shek Wan ceramic figurines on the ridge of the Hung Shing Temple at Apleichau /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B4218874X.

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Papagiannaki, Anthousa. "The production of middle Byzantine ivory, bone and wooden caskets with secular decoration." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.439289.

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Livres sur le sujet "Decoration and ornament, Byzantine"

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Architectural decoration in Byzantine Shivta, Negev Desert, Israel. B.A.R., 1988.

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Grigorʹevich, Gagarin Grigoriĭ. A collection of Byzantine and early Russian ornament. Continent, 1993.

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La sculpture architecturale byzantine dans le thème de Nikopolis du Xe au début du XIIIe siècle: Épire, Étolie-Acaranie et Sud de l'Albanie. École française d'Athènes, 2005.

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Treasury of Byzantine ornament: 255 motifs from St. Mark's and Ravenna. Dover Publications, 2005.

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Filipova, Snežana. Arhitektonska dekorativna skulptura vo Makedonija, 5-6 i 11-12 vek =: Architectural decorative sculpture in Macedonia, v-vi & xi-xii c. MM, 1997.

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Russia) Konferent︠s︡ii︠a︡ "Putem ornamenta: Issledovanii︠a︡ po iskusstvu Vizantiĭskogo mira" (2nd 2011 Moscow. Putem ornamenta: Issledovanii︠a︡ po iskusstvu Vizantiĭskogo mira : Sbornik stateĭ. MAKS Press, 2013.

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Orlova, M. A. Ornament v monumentalʹnoĭ zhivopisi Drevneĭ Rusi: Konet︠s︡ XIII-nachalo XVI v. Severnyĭ palomnik, 2004.

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Approaches to Byzantine architecture and its decoration: Studies in honor of Slobodan Ćurčić. Ashgate, 2011.

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Byzantinischer Schmuck des 9. bis frühen 13. Jahrhunderts: Untersuchungen zum metallenen dekorativen Körperschmuck der mittelbyzantinischen Zeit anhand datierter Funde. Reichert Verlag, 2011.

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The medallion style: A study in the origins of Byzantine taste. Garland Pub., 1985.

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Chapitres de livres sur le sujet "Decoration and ornament, Byzantine"

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RICCARDI, Lorenzo. "Uniform, Incomplete and Partly Lost. On the Mosaic and Sculptural Decoration of the Paregoretissa Church in Arta." In Studies in Byzantine History and Civilization. Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.sbhc-eb.5.121921.

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Harboe, Julie. "Remembering or Forgetting the Meaning of an Ornament? Trails of Antiquity in Early Byzantine Ornamentation." In Memory & Oblivion. Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-011-4006-5_88.

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"Byzantine Ornament." In The Grammar of Ornament. Princeton University Press, 2016. http://dx.doi.org/10.2307/j.ctvc77mhw.12.

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Massey, Jonathan. "Ornament and Decoration." In The Handbook of Interior Architecture and Design. BLOOMSBURY VISUAL ARTS, 2013. http://dx.doi.org/10.5040/9781474294096.ch-035.

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"Chapter VII. Byzantine Ornament." In The Grammar of Ornament. Princeton University Press, 2016. http://dx.doi.org/10.1515/9781400882717-010.

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Aristova, Maria-Anna. "Decoration in the Desert:." In Ornament and Monstrosity in Early Modern Art. Amsterdam University Press, 2019. http://dx.doi.org/10.2307/j.ctvxkn5n8.9.

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"The City Floor." In Urban Design: Ornament and Decoration. Routledge, 2007. http://dx.doi.org/10.4324/9780080521657-10.

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"Landmarks, Sculpture and Furniture." In Urban Design: Ornament and Decoration. Routledge, 2007. http://dx.doi.org/10.4324/9780080521657-11.

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"Colour in the City." In Urban Design: Ornament and Decoration. Routledge, 2007. http://dx.doi.org/10.4324/9780080521657-12.

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"Conclusion – The City of Today and Tomorrow: Ornament and Decoration." In Urban Design: Ornament and Decoration. Routledge, 2007. http://dx.doi.org/10.4324/9780080521657-13.

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Actes de conférences sur le sujet "Decoration and ornament, Byzantine"

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Yu, Tao, Hao Shen, Qianchao Chai, Fei Chen, Ledan Qian, and Yi Li. "Flexible Ornament Selection System for VR Decoration Exhibition." In 2018 International Conference on Virtual Reality and Visualization (ICVRV). IEEE, 2018. http://dx.doi.org/10.1109/icvrv.2018.00039.

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