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Articles de revues sur le sujet « Drama – social aspects – history »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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1

Muzaffarova, Asaloy Narzullo qizi, and Lola Jalilova. "ANALYSIS OF GEORGE BERNARD SHAW'S PLAYS." GOLDEN BRAIN 2, no. 1 (2024): 585–91. https://doi.org/10.5281/zenodo.10465682.

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<em>George Bernard Shaw is a noteworthy name in English history who has contributed to the history with his plays and other writings. Drama for Shaw was an activity that could be used as a moral agent as through his dramas, he helped people in terms of solving moral issues. Moreover, he discussed different moral problems in his plays to help the people of society to consider the issue seriously. The issues that he highlighted in his plays are marriage and equal rights for men and women, prostitution and its reasons, relationships and many other social issues. Most of his plays are instructiona

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Muzaffarova, Asaloy Narzullo qizi, and Lola Jalilova. "ANALYSIS OF GEORGE BERNARD SHAW'S PLAYS." GOLDEN BRAIN 2, no. 1 (2024): 547–52. https://doi.org/10.5281/zenodo.10466720.

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<em>George Bernard Shaw is a noteworthy name in English history who has contributed to the history with his plays and other writings. Drama for Shaw was an activity that could be used as a moral agent as through his dramas, he helped people in terms of solving moral issues. Moreover, he discussed different moral problems in his plays to help the people of society to consider the issue seriously. The issues that he highlighted in his plays are marriage and equal rights for men and women, prostitution and its reasons, relationships and many other social issues. Most of his plays are instructiona

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Ahmad Rind, Dr Ayaz, Hafiz Muhammad Fiaz, and Shams Zoha Ali. "URDU-20 The Beginning of Saraiki Drama." Al-Aijaz Research Journal of Islamic Studies & Humanities 5, no. 3 (2021): 219–28. http://dx.doi.org/10.53575/urdu.v5.03(21).219-228.

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Primarily the paper deals with the beginning, origin and evolution of Saraiki Drama. Drama is one of the important tools of expression in the society and it reflects the socio-cultural and political aspects of the society since from the earlier time of the human history. The term drama started from the ancient Greece and it travelled in the entire world. It highlights the different social aspects humanity through a practical role rather than theoretical point of view. In this area of Indus civilization Drama started with the settlement of Ariyans. Saraiki Drama is also an old tradition and we

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Bekbenbetova, Kazyna, Gaukhar Baltabayeva, Ulbossyn Aimbetova, Kulshat Smagulova, and Rauan Kemerbay. "Social and philosophical research structures of drama and folk narratives: the manifestations of embodied world views." XLinguae 15, no. 1 (2022): 14–22. http://dx.doi.org/10.18355/xl.2022.15.01.02.

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The article analyzes the methodological potential of drama in modern socio-philosophical research. It is shown that the theoretical reconstruction of the drama model allows us to talk about the dramatic approach in the study and explanation of society, and the morphological analysis of the structure reveals its methodological potential for studying crises in society. Our focus is on the socio-philosophical study of drama. The subject allowed us to appreciate philosophy’s complex, contradictory nature and history with its gains and losses. It also overcomes simplistic and excessive ideologizati

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Weerakkody, Iranga Samindani. "The Maraa-Ipaddima Ritual Drama in Sri Lanka." ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 9 (June 27, 2022): 65–82. http://dx.doi.org/10.30819/aemr.9-5.

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This article aims to study the ethnomusicological characteristics/expressions of a ritual drama in Sri Lanka that has lacked comprehensive research conducted about it so far; the Maraa-Ipaddima (Killing and Resurrection) ritual drama. This ritual drama is performed in reverence to the Goddess Pattini, who holds a special place in Sri Lankan culture and society for personal and social well-being such as fertility, health, and protection. The study employs a qualitative research method using both primary and secondary sources. The data has been collected through field observations, structured an

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Zhurcheva, Olga V. "“New drama”: Pro et contra." Izvestiya of Saratov University. Philology. Journalism 22, no. 4 (2022): 484–87. http://dx.doi.org/10.18500/1817-7115-2022-22-4-484-487.

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At the end of the 20th – the beginning of the 21st century there were serious changes in the poetics of drama, defining the strategy of artistic forms and features of artistic consciousness. This gives the right to single out the history of the “new drama” in a separate period of the literary and theatrical process. A new book by the Belarusian researcher S.Ya. Goncharova-Grabovskaya “Modern Russian Dramaturgy (late 20th – early 21st century)” is devoted to generalization and comprehension of this period, which is considered and announced in the presented review. The book examines the main tre

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Adhikari, Bishwo Raj. "Sexual Games of Power and Status in Edward Albee’s Who’s Afraid of Virginia Woolf ?" Janapriya Journal of Interdisciplinary Studies 11, no. 1 (2022): 1–9. http://dx.doi.org/10.3126/jjis.v11i1.53905.

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This article explores the use of sexuality as a tool to achieve power and status by the characters in Edward Albee's drama Who's Afraid of Virginia Woolf? In this drama, the characters ignore the values of marriage, love, and sex in order to dominate others or control the situation for their intended goal. Reading Michel Foucault's discursive nature of power based on his work The History of Sexuality, Vol. 1: An Introduction, this study has justified the characters use of trivial sexual games and their motives to obtain power and status in a highly intellectual society. The characters of Albee

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Binder, Werner. "The drama of politics." Thesis Eleven 142, no. 1 (2017): 112–29. http://dx.doi.org/10.1177/0725513617727904.

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The concept of social performance is a major theoretical innovation of the strong program in cultural sociology, championed by Jeffrey C. Alexander. This article offers a critical assessment of Alexander’s last four monographs on political performances with the explicit aim of contributing to the future development of the performance approach. After an outline of Alexander’s theory of performance, I continue to discuss his book-length empirical contributions, highlighting the innovations introduced by each study. Confronting Alexander’s research strategies with his theoretical framework, I pro

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Domingues, Petrônio José. "Elite da Liberdade: a contribution to the history of black clubs in Brazil." Brasiliana: Journal for Brazilian Studies 9, no. 1 (2020): 396–411. http://dx.doi.org/10.25160/bjbs.v9i1.114909.

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This article investigates the trajectory of the Grêmio Dramático, Recreativo e Literário Elite da Liberdade (the Liberdade Elite Guild of Drama, Recreation, and Literature), a black club active in São Paulo, Brazil, from 1919 to 1927. The aim is to reconstruct aspects of the club’s history in light of its educational discourse on civility, which was used as a strategy to promote modern virtues in the black milieu. By appropriating the precepts of civility, Elite da Liberdade helped construct a positive black identity, enabled the creation of bonds of solidarity among its members, and made itse

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Baek, Soyoun. "The Meaning and Limitations of Family in Thirty-nine(2022), a Television Drama." Korean Society of Culture and Convergence 45, no. 12 (2023): 415–27. http://dx.doi.org/10.33645/cnc.2023.12.45.12.415.

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The purpose of this study is to analyze the aspects, meanings, and limitations of the family in the television drama Thirty, Nine. In Korean society, the framework of “normal family” became a standard for discriminating against the forms of family that did not meet this, but recent changes in social perceptions are reflected in the aspects of family in television dramas. Thirty, Nine presents care and intimacy as the standard of a new family. It is emphasized that the family does not consist solely of blood ties by dealing with the issue of adoption. This work divides the good and bad composit

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Delmanto, Ivan. "A dedirrósea aurora: feminismo e totalidade histórica em Vai raiar o sol, de Júlia Lopes de Almeida / The Dawn of Pink Fingers: Feminism and Historical Totality in Vai raiar o sol, by Júlia Lopes de Almeida." O Eixo e a Roda: Revista de Literatura Brasileira 28, no. 3 (2019): 137. http://dx.doi.org/10.17851/2358-9787.28.3.137-162.

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Resumo: A análise de um texto de Júlia Lopes de Almeida, que permaneceu inédito e desconhecido por muito tempo, procura tornar visível o papel desempenhado pelas mulheres na história da dramaturgia brasileira, buscando contribuir não só para recuperar uma parte das inúmeras vozes emudecidas pela historiografia oficial, mas também para mostrar que, a despeito de a organização social da produção teatral ter excluído sistematicamente através dos séculos a participação das mulheres, há contribuições decisivas de dramaturgas brasileiras na história de nossa formação negativa. Mais do que isso, pr

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Ruchira P Dudhrejiya. "A critical analysis of power dynamics in Vijay Tendulkar's theatrical tapestry." Scientific Temper 15, spl-2 (2024): 166–70. https://doi.org/10.58414/scientifictemper.2024.15.spl-2.26.

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Drama stands out from other literary genres because of its immediate appeal, which offers a level of accessibility that poetry and fiction may not always provide. Drama gains great value from this. Theatrical performances have a rich and distinguished history worldwide. In India, they are well-recognized as a popular kind of folk entertainment. When drama is presented on stage, everyone, even the most uneducated person, can understand it and enjoy it. One of the biggest advantages of drama is this. Conversely, the production of Indian plays in English is a very recent development. Dramatists l

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Taghavi, Leila. "Dramatic Elements of “Qanbar’s Elegy” Ritual in Fasa, Iran." Environment Conservation Journal 16, SE (2015): 139–44. http://dx.doi.org/10.36953/ecj.2015.se1615.

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Theory of the origin of ritual theater is still the most credible theory on the development of drama in the world. Rituals in terms of function, construction and even implementation are very close to drama, so that at times they cannot be clearly separated. Now the question is that what are the dramatic elements of the “Qanbar’s Elegy” ritual in Fasa, Iran? The present study answered the question by referring to the history of the world and Iran. The rituals are a form of knowledge and a means of recording events and sanctities. Since the Ta’zieh of Qanbar’s Elegy unites the audience, who are

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Kabilova, Elena S. "THE NATURE OF CONFLICT IN MODERN DRAMATURGY ABOUT TEENAGERS." Челябинский гуманитарий 66, no. 1 (2024): 56–62. http://dx.doi.org/10.47475/1999-5407-2024-66-1-56-62.

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The article considers the nature of conflict in plays about teenagers written between 2013 and 2020 and awarded at various contemporary drama competitions. Article contains a brief historical excursion that provides the history of the development of domestic teenage drama, the audience of which began with children and teenagers and then expanded to an adult audience. The author comes to the conclusion that in the newest play about teenagers the influence of the “new new drama” of the turn of the 20th – 21st centuries is felt in the following aspects: adult themes come into play about children;

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Vizgin, Vladimir P. "Socio-Cultural Aspects of the Standard Model in Elementary Particles Physics and the History of Its Creation." Epistemology & Philosophy of Science 57, no. 3 (2020): 160–75. http://dx.doi.org/10.5840/eps202057348.

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The article соnsiders the socio-cultural aspects of the standard model (SM) in elementary particle physics and history of its creation. SM is a quantum field gauge theory of electromagnetic, weak and strong interactions, which is the basis of the modern theory of elementary particles. The process of its elaboration covers a twenty-year period: from 1954 (the concept of gauge fields by C. Yang and R. Mills) to the early 1970s., when the construction of renormalized quantum chromodynamics and electroweak theory wеre completed. The socio-cultural aspects of SM are explored on the basis of a quasi

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Bratton, Jacky. "Working in the Margin: Women in Theatre History." New Theatre Quarterly 10, no. 38 (1994): 122–31. http://dx.doi.org/10.1017/s0266464x00000294.

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This is the text – appropriately, a ‘performance text’ – of the inaugural lecture delivered at Royal Holloway College, University of London, on 9 March 1993, by Jacky Bratton, following her appointment as Professor of Theatre and Cultural History. Although she holds her chair at a former women's college, Jacky Bratton reflects that the introduction of co-education in such institutions has in practice left them as male-dominated as the rest. Ironically, this continued marginalizing of women in academic life reflects the common view of theatre studies as itself a marginal discipline – almost as

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Jung, Yoonhee. "Aspects of Korean culture-bound lexis translation in the Netflix K-Drama “Squid Game”." Korean Society of Culture and Convergence 45, no. 10 (2023): 65–80. http://dx.doi.org/10.33645/cnc.2023.10.45.10.65.

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The purpose of this paper is to examine the translation of Korean culture-bound lexis into English, identify any translation problems that arise, and discuss the preferred direction for translation. In order to achieve this goal, the focus was placed on <Squid Game>, which is released through Netflix's official channel, and extracted 40 Korean culture-bound lexis for analysis and the translation aspects of these lexis into English were divided into seven strategies. As a result, indirect translation strategies were frequently employed instead of direct translations. In such cases, variou

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Bortnyk, K. V. "Characteristic aspects of teaching the discipline “Dance” to the students of the specialization “Directing of the Drama Theatre”." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 258–73. http://dx.doi.org/10.34064/khnum1-51.15.

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Background. Modern theatre education in Ukraine is carried out through the extensive teaching system, which also includes different aspects of the training of future directors of the drama theatre. Some hours in academic programmes of institutions of higher theatre education are given for plastic training, which is carried out in the lessons of eurhythmics, stage movement, stage fencing, as well as dance. As for the latter, among the whole complex of disciplines connected with moving, the discipline “Dance” has the most significant value, as choreography today is one of the most demanded expre

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Whiteley, Giles. "HENRY LONGUEVILLE MANSEL'S PHONTISTERION (1852)." Victorian Literature and Culture 46, no. 2 (2018): 485–514. http://dx.doi.org/10.1017/s1060150318000104.

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Established in 1859, as a merger of the Whigs, Radicals and Peelites, the British Liberal Party and their ideological forerunners won 15 out of a total of 20 parliamentary elections between 1832–1910. Responsible for passing socially progressive legislation domestically, Victorian liberalism can lay claim to being the most significant political ideology of the period. By bringing together aspects of classical social liberalism and liberal free-market conservatism, this specifically Victorian brand of liberalism enabled Britain to take a place at the center of world affairs. Indeed, by the mid-

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Norwood, Janice. "Picturing Nineteenth-Century Female Theatre Managers: the Iconology of Eliza Vestris and Sara Lane." New Theatre Quarterly 33, no. 1 (2017): 3–21. http://dx.doi.org/10.1017/s0266464x16000592.

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Lucia Elizabeth Vestris (1797–1856) and Sara Lane (1822–99) were two pioneering women in nineteenth-century theatre history. Both were accomplished singers who made their names initially in comic and breeches roles and, during periods when theatrical management was almost exclusively confined to men, both ran successful theatre companies in London. Despite these parallels in their professional activities, there are substantial disparities in the scrutiny to which their personal lives were subjected and in how their contemporaries and posterity have memorialized them. In this article, Janice No

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Vereshchahina-Biliavska, Olena, Irina Mazur, Olesia Cherkashyna, Olena Burska, and Tetiana Hrinchenko. "Semantic aspects of musical language." Convergences - Journal of Research and Arts Education 16, no. 32 (2023): 139–51. http://dx.doi.org/10.53681/c1514225187514391s.32.231.

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Music is a multifaceted phenomenon: it carries the mission of aesthetic education and enlightenment, performs therapeutic functions and is not only a source of information, but also the subject of filling human consciousness with a sense of joy, drama, and a high spiritual beginning. All the above is provided due to the many components that constitute the whole picture of musical art. These include intonation and rhythm, tempo and dynamics, timbre and texture, and more voluminous components: genre and form. Each of its elements represents a certain category, which, in turn, carries a semantic

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Rogan, Eugene L. "Archival Resources and Research Institutions in Jordan." Middle East Studies Association Bulletin 23, no. 2 (1989): 169–79. http://dx.doi.org/10.1017/s0026318400021647.

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To Date, Jordan remains a country largely studied from without. A number of excellent monographs treating diverse aspects of the politics, economy, demography, and history of Jordan have come out in recent years, drawing primarily on the wealth of resources preserved in European, American, and, most recently, Israeli archives. The sources used strongly influence the selection of topics treated. Thus, one resulting bias is that Jordan is seldom studied in its own right; rather, scholars have concentrated on its history under British mandatory rule, or as a player in the Arab-Israeli drama. Cons

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Stroescu, Diana. "Insuportabila versatilitate a modernismului." Swedish Journal of Romanian Studies 5, no. 1 (2022): 23–40. http://dx.doi.org/10.35824/sjrs.v5i1.23875.

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This article aims to investigate the specifics of modernism by identifying several critical moments in intellectual history that are symptoms of significant tendencies in Western literature. In the absence of viable delimitations that would give modernism the status of a literary movement, the specificity of this literary-artistic period can be depicted by dwelling in the field of ideas that shaped a common way of conceiving human existence. The issue of the newness, around which the idea of modernity is built, summarizes a whole socio-cultural process that involves attitudes moving between th

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Liesenberg, Cíntia, and Fernanda Elouise Budag. "Estrutura narrativa, subjetivação e memória social como expressões da crítica de mídia em Tempos de Paz." RuMoRes 17, no. 33 (2023): 177–96. http://dx.doi.org/10.11606/issn.1982-677x.rum.2023.213111.

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Este artigo analisa Tempos de paz (2009), drama histórico brasileiro dirigido por Daniel Filho e baseado na peça teatral de Bosco Brasil. Partindo da temática da migração e da cidadania cultural, a construção narrativa inter-relaciona diferentes esferas de abordagem que, articuladas entre si, permitem a apreensão de sentidos da obra em torno da memória social, dos processos de sujeição e subjetivação, e do entrelaçamento entre os campos estético e político que a constituem; fazendo-nos, ainda, pensar sobre a substância humana. O desfecho é a escolha por um formato narrativo híbrido (em diálogo

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Bird, Kym. "Performing Politics: Propaganda, Parody and a Women's Parliament." Theatre Research in Canada 13, no. 1 (1992): 168–93. http://dx.doi.org/10.3138/tric.13.1.168.

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The initial phase of women's drama in Canada coincides with the first wave of 19th-century Canadian feminism and the Canadian women's reform movement. At the time, a variety of women wrote and staged plays that grew out of their commitment to the political, ideological and social context of the movement. The 'Mock Parliament,' a form of theatrical parody in which men's and women's roles are reversed, was collectively created by different groups of suffragists in Manitoba, Ontario, Alberta and British Columbia. This article attempts to recuperate these works for a history of Canadian feminist t

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Brake, Mark, and Neil Hook. "Aliens and time in the machine age." International Journal of Astrobiology 5, no. 4 (2006): 277–86. http://dx.doi.org/10.1017/s1473550406003351.

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The 19th century saw sweeping changes for the development of astrobiology, both in the constituency of empirical science encroaching upon all aspects of life and in the evolution of ideas, with Lyell's Principles of Geology radically raising expectation of the true age of the Earth and the drama of Darwinism questioning biblically literalist accounts of natural history. This paper considers the popular culture spun on the crackling loom of the emergent aspects of astrobiology of the day: Edward Bulwer-Lytton's The Coming Race (1871), which foretold the race of the future, and satirist Samuel B

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Firtikasari, Melsya, and Syalma Fitri Nur Rahim. "Analysis of Historical Values and Family Dynamics Amidst the 1998 Riots in The Movie “Di Balik 98”." Cinematology: Journal Anthology of Film and Television Studies 4, no. 3 (2024): 139–61. https://doi.org/10.17509/ftv-upi.v4i3.69990.

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The 1998 riots were one of Indonesia's darkest events at the end of the New Order era, the reign of President Soerharto. These riots were caused by the multidimensional crisis around 1997-1998 which culminated in the May 1998 tragedy. The movie "Di Balik 98" dared to raise this riot as the background of a family drama-themed movie. The purpose of this research is to analyze the historical value and family dynamics contained in the film "Di Balik 98". This research uses a qualitative method with a semiotic approach which is described through 3 aspects namely sign, object, and interpretant. The

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Niama, Haidyr Hashim. "IMPACT OF BRITISH LITERATURE ON GLOBAL LITERATURE." American Journal of Social Science and Education Innovations 6, no. 6 (2024): 176–89. http://dx.doi.org/10.37547/tajssei/volume06issue06-24.

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The influence of British literature on global literature is enormous. In so many ways, British literature has influenced world literature. The Anglo-Saxon period established the British literature tradition, which continues to influence world literature today. In this blog post, we will look at various aspects of British literature's influence on global literature. The study of literary works from the United Kingdom and other countries around the world is known as British and world literature. It includes classic and contemporary works, often translated into English, that reflect regional and

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Piretti Brandão, Ramon Taniguchi. "O BRASIL E A CRENÇA NUM FUTURO QUE NUNCA SE REALIZA: reflexões sobre as formas de reconhecimento do sujeito brasileiro." InterEspaço: Revista de Geografia e Interdisciplinaridade 4, no. 13 (2018): 119. http://dx.doi.org/10.18764/2446-6549.v4n13p119-138.

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BRAZIL AND THE BELIEF IN A FUTURE THAT NEVER TAKES PLACE: reflections about the forms of recognition of the Brazilian guyEL BRASIL Y LA CRENZA EN UN FUTURO QUE NUNCA SE REALIZA: reflexiones sobre las formas de reconocimiento del sujeto brasileñoO presente artigo trata das formas de reconhecimento através das quais o sujeito brasileiro se reconhece. Dentre os elementos que compõem essas formas, está a memória e o imaginário nacional. Veremos que, no Brasil, os mitos nacionais não ajudam a organizar, não têm um papel organizador da sociedade (como em outros países), mas, antes, são instrumentos

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Hamrin-Dahl, Tina. "The philosophy of nature as a springboard into social realism: about Ibsen's Emperor and Galilean and a post-secular interpretation of the drama by Hilda Hellwig." Scripta Instituti Donneriani Aboensis 24 (January 1, 2012): 89–110. http://dx.doi.org/10.30674/scripta.67411.

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Friedrich von Schelling was a significant cultural influence when Henrik Ibsen lived in Germany in the 1850s. However, because of Schelling’s Naturphilosophie, which stood out as irreconcilable with the scientific philosophy of the positivists, Schelling came to be more and more neglected after the mid-nineteenth century. His pronounced idealism, belief in God, and metaphysical comments were branded ‘old-fashioned’ soon after his death. Today, Schelling is mentioned in contexts where ideas about ‘mindfulness’ are of importance. In 1979 a clinic for Mindfulness-Based Stress Reduction (MBSR) was

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Shao, Chunbo. "ASPECTS OF IMPLEMENTATION OF CHINESE NATIONAL TRADITIONS IN YIN QING’S OPERA. ON THE EXAMPLE OF THE OPERA THE BALLAD OF THE CANAL." Scientific and analytical journal Burganov House. The space of culture 21, no. 1 (2025): 26–33. https://doi.org/10.36340/2071-6818-2025-21-1-26-33.

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The focus of the study is on the characteristics of implementation of Chinese cultural national traditions in Yin Qing’s opera, The Ballad of the Canal. The importance of the Great Chinese Canal, which played a key role in the economic and social development of the country for many centuries, is expressed in the opera. The composer created the opera during a period of intensive development of academic vocal art in China (2012), which contributed to the embodiment of the national concept in Yin Qing’s work. The opera The Ballad of the Canal is based on the history of the Beijing-Hangzhou Grand

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კვანტალიანი, ეკა. "ჟან რასინის „ესთერის“ პოეტიკის ბიბლიური მოტივები". Literary Researches 44 (27 листопада 2024): 262–75. https://doi.org/10.62119/lr.44.2024.8241.

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The article presents a literary and philosophical analysis of the biblical motifs of the play “Esther” by Jean-Baptiste Racine, a prominent representative of European classicism, an outstanding French playwright of the 17th century. Despite the fact that in the era of classicism, the representation of antiquity was considered the standard and norm, Racine was able to convey biblical passages in his drama "Esther" with high artistic skill and introduced innovative ideas both in terms of content and form. The work discusses the poetic language and vocabulary of Jean Racine, excerpts of biblica

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Alshokhada, Ahmed Kaid Thabet. "Eugene O'Neill's Play ‘The Emperor Jones’: A New Historicist Reading." Arts for Linguistic & Literary Studies 7, no. 1 (2025): 674–93. https://doi.org/10.53286/arts.v7i1.2424.

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This study delves into a critical analysis of Eugene O'Neill's tragic play, "The Emperor Jones," employing perspective of the New Historicist Reading as the major methodology of this current study. This study highlights the cultural aspects, the social circumstances and historical events which affected Eugene O'Neill's entire life and career. In fact, Eugene O'Neill wrote the famous "The Emperor Jones'" play with the goal of illuminating the shocking behaviors of cannibalism and primitivism which are most often associated with the early twentieth century conception of primitive black Africa. T

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Berghaus, Günter. "The Futurist Banquet: Nouvelle Cuisine or Performance Art?" New Theatre Quarterly 17, no. 1 (2001): 3–17. http://dx.doi.org/10.1017/s0266464x00014287.

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The Futurist movement was not only an artistic but also a social and political force for innovation, conceived as a total and permanent revolution encompassing all aspects of human life. One such aspect was food. Banquets had been a highly developed performative art in the Italian Renaissance and were again placed in a theatrical framework by the Futurists after the First World War. They founded three night clubs, where food and drinks were served in Futurist fashion, and opened several restaurants dedicated to a renewal of Italian culinary habits. In the 1930s, the Futurists focused on the cr

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Carneiro, Maria Francisca. "The biography of scientists as a means of communicating science: analogies concerning a hermeneutic or empirical problem." Journal of Science Communication 06, no. 04 (2007): A03. http://dx.doi.org/10.22323/2.06040203.

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Sometimes scientists live real dramas or undergo social and psychological conflicts which have a positive or negative influence on the development and recognition of their research, discoveries and inventions in society, including the way they are recorded in history. This being so, the question is: to what extent can science be communicated to the public at large by the use of scientists' biographies as a motivational strategy? The controversy arises from the fact that usual (classical) science has traditionally argued for the separation (or de-linking) of the research (the object) from the r

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Chow, Rey, and Austin Sarfan. "We “Other Victorians”? Novelistic Remains, Therapeutic Devices, Contemporary Televisual Dramas." Daedalus 150, no. 01 (2020): 118–33. http://dx.doi.org/10.1162/daed_a_01837.

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In reference to the work of Michel Foucault and to residual Victorian novelistic features, this essay explores the biopolitical dimension of contemporary televisual dramas, focusing on the popular crime genre as seen in The Sopranos (1999–2007), Breaking Bad (2008–2013), and The Fall (2013–2016). Emphasizing the confessional context of criminality and policing, we demonstrate how such shows rely on the conventions of modern psychological discourse in depicting criminals, thus foregrounding what Eva Illouz in Saving the Modern Soul (2008) has called the “therapeutic emotional style.” By updatin

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Айларова, С. А. "On the historical concept of Soslan (Vano) Temirkhanov." Вестник Владикавказского научного центра, no. 4 (December 18, 2023): 21–29. http://dx.doi.org/10.46698/vnc.2023.11.87.001.

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Статья посвящена историко-культурной концепции осетинского про- светителя Сослана (Вано) Темирханова, изложенной в его труде «Иры истори» (1913 г.). Форма культурно-исторической идентификации, представленная историком, опи- ралась на определенные стороны этнической традиции, реализовавшиеся в истории осетинского народа. Это интегральные мифологемы культуры (в частности, миф о Прометее), древняя религиозная традиция – иранский монотеизм, определившие логи- ку национальной истории. Самобытное ментальное ядро осетинской культуры дикто- вало в истории формы общественной солидарности и государствен

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Sujito, Sujito. "ANALISIS ASPEK BAHASA DAN NILAI SOSIAL BUDAYA DALAM DRAMA OIDIPUS." LINGUA: Journal of Language, Literature and Teaching 11, no. 1 (2016): 107. http://dx.doi.org/10.30957/lingua.v11i1.33.

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This study describes intrinsic analysis of Drama text written by Sophocles, focusing on general and social aspects of analysis. Content analysis was used in this study to examine the text of the drama. The study concluded that the Legend of Thebes represented in Oidious the King inherently reflected valuable linguistic and social values. Written by a wellknown author, Sophocles, Oidious the King presented setting sensitive aspects of natural characters of human beings. Social values that involved democratic, religious, loyality, living harmoniously in the community were well described in this

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Chilcoat, George W. "Drama in the Social Studies Classroom: A Review of the Literature." Journal of Social Studies Research 20, no. 2 (1996): 3–17. https://doi.org/10.1177/235227981996020002002.

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Although drama as a method appears to have not played a pivotal role in elementary and secondary social studies instruction, there is a history of its inclusion as indicated by several articles and chapters insocial studies literature. This essay provides a review of social studies literature and other related literature of the use of drama as a form of social studies instruction. A pattern emerges throughout this history that suggests there are two dominant themes of drama use: drama as a reproduction of social studies academics and drama as a forum for the study of historical and contemporar

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Rahmadayani Rahmadayani and Nur Kholifah Palaloi. "Kritik Sosial pada Naskah Drama Musikal Calon Arang Karya Dolfry Inda Suri." PUSTAKA: Jurnal Bahasa dan Pendidikan 5, no. 2 (2025): 39–52. https://doi.org/10.56910/pustaka.v5i2.1943.

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This research aims to determine the social criticism contained in the drama script "Musikal Candidate Arang" by Dolfry Indwa Suri. This research uses a qualitative descriptive method with an objective approach as the approach. The stages carried out in preparing this research, the researcher read the drama script "Musikal Calon Arang" by Dolfry Inda Suri first, then the researcher analyzed the intrinsic elements. Then the researcher categorized the parts of the drama script that referred to aspects of social criticism. The results of this research found that there is social criticism in aspect

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Yang, XiaoMing, and XiangMin Hu. "The Social and Cultural Characteristics of Shanxi Ancient Drama Costumes." Asian Social Science 16, no. 3 (2020): 43. http://dx.doi.org/10.5539/ass.v16n3p43.

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The main research subject of this paper is the costume of Shanxi ancient drama, which is used to decorate the role in the form of drama performing art that spread in Ancient Shanxi. Drama costume is a kind of special performance costume which combines decoration, acting and symbolism. It is quite different from the traditional costume in aesthetic and functional aspects. The social and cultural factors that influence the costume of Shanxi ancient drama mainly include the system and rules of Chinese ancient costume, the subtle influence of Buddhist culture and Taoist culture, as well as the pro

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Zhang, Jinsong. "Discussion on Raymond Williams’ Methodology of Drama Criticism." Journal of Contemporary Educational Research 5, no. 10 (2021): 153–57. http://dx.doi.org/10.26689/jcer.v5i10.2635.

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Raymond Williams is one of the representative figures of British cultural Marxism and British cultural research. His cultural research, especially mass culture research, focuses on literary criticism. Among them, drama criticism is one of Williams’ most important forms of cultural criticism methodology. Williams’ drama criticism is based on drama history criticism. Through the historical analysis of drama content and form as well as the synchronic analysis of modern drama in different historical periods, including the ongoing drama history, Williams proposed the notion of “structures of feelin

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IONESOV, V. I. "THING AS A CULTURAL MEDIATOR." Bulletin of Chelyabinsk State University 498, no. 4 (2025): 106–14. https://doi.org/10.47475/1994-2796-2025-498-4-106-114.

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In cultural history, relationships between people and things are based on ontological interdependence, symbolic exchange and complementarity. The cultural process of human interaction with the objective world appears in the form of social drama and the experience of overcoming, which are accompanied by any kinds of tests, manipulations, reincarnations, losses and achievements. The objective world of culture is as diverse as history itself - in it one can discern symbols, signs, hints, narratives, and events. And this is seen as another cognitive significance of the thing as a kind of material

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Bašović, Almir. "Bosnian Drama and Theater: Some Literary and Theatrical Aspects." Društvene i humanističke studije (Online) 6, no. 3(16) (2021): 15–24. http://dx.doi.org/10.51558/2490-3647.2021.6.3.15.

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This text is an introduction to the thematic block of the journal Social Sciences and Humanities Studies on the literary and theatrical aspects of Bosnian drama and theater. It recalls the presence of theatrical and sub-theatrical phenomena on the territory of Bosnia and Herzegovina in antiquity, and then lists the specifics of Bosnian culture in the Middle Ages, from which arises a specific relationship to drama and theater. The attitude of Islamic culture towards theater and drama significantly influenced the status that drama has even after the departure of the Ottoman Empire from Bosnia an

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Kulsum, Lastunna Umi, Putri Amalia Dwi Pitasari, and Dwi Susanto. "Aspek Kehidupan Sosial dalam Drama Korupsi Karya Norbertus Riantiarno: Kajian Sosiologi Sastra." Haluan Sastra Budaya 8, no. 2 (2024): 187. https://doi.org/10.20961/hsb.v8i2.77453.

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<p><em>The purpose of this research is to find the influence of the author's social background and identify the aspects of social life reflected in the drama Korupsi by Norbertus Riantiarno. Descriptive qualitative is the type of research used in this study. The data source used in this research is the drama Korupsi by Norbertus Riantiarno which was uploaded through the YouTube channel of Teater Koma in 2021. The drama Korupsi has a duration of 39 minutes 54 seconds. The data in this study is information (words, phrases, clauses or sentences) related to aspects of social life in th

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Syawaluddin, Fauzan Akbar, Edi Komarudin, and Mawardi Mawardi. "Social Aspects in the Drama Bait Al Asybach (Ian Watt's Sociological Study of Literature)." Riwayat: Educational Journal of History and Humanities 8, no. 1 (2025): 144–50. https://doi.org/10.24815/jr.v8i1.43381.

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The objective of this study is to reveal the social critique embedded in the drama Bait Al Asybach, focusing on the shifts in moral and spiritual values within society. This drama portrays how cemeteries, which should be sacred and peaceful places, have been neglected by humans who prioritize personal and materialistic interests. The study aims to analyze this phenomenon through a sociological literary approach, specifically Ian Watt's theory. The research employs a qualitative approach utilizing sociological literary theory to analyze the social aspects reflected in the drama Bait Al Asybach.

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Luu, Thuy Trung. "Drama in Ho Chi Minh City literature and art life." Science and Technology Development Journal 18, no. 4 (2015): 47–60. http://dx.doi.org/10.32508/stdj.v18i4.960.

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In the history of Vietnamese drama, Saigon was one of the places absorbing Western drama from the early time. Although drama in Saigon-Ho Chi Minh City didn’t develop in a smooth and straight way, it was a continuous and unbroken process. This process brought in strong development of drama in Ho Chi Minh city in two decades of the late 20th century and the early 21st century. However, in recent years, drama in Ho Chi Minh City seems to proceed slowly, which reflects some irrational aspects from drama script, performance art to performance operation. Therefore, it’s high time to review the whol

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Adawiyah, Sa'diyah El, Tria Patrianti, Agus Hermanto, and Rahmanita Ginting. "Theory of cultivation in Korean drama in social media." Interaksi: Jurnal Ilmu Komunikasi 14, no. 1 (2025): 104–17. https://doi.org/10.14710/interaksi.14.1.104-117.

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Social media (paid) as a medium to meet the information needs of Korean entertainment shows which are very limited can be watched through Indonesian television media. Of course, this does not rule out the transmission of foreign cultural values and norms that colour and influence the culture of the society in Indonesia. This research aim is to determine what kind of contribution or affect the transmission of Korean culture includes cognitive, affective and behavioural aspects. The method used in this research is descriptive. The technique of collecting data through interviews with informants u

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ДАРЧИЕВА, С. В. "DEVELOPMENT AND RESULTS OF REVOLUTIONARY EVENTS IN THE TEREK REGION (1917–1921): A REVIEW OF MODERN HISTORIOGRAPHY." Известия СОИГСИ, no. 53(92) (September 16, 2024): 56–65. http://dx.doi.org/10.46698/vnc.2024.92.53.002.

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В статье рассматривается обзор современной историографии, посвященной периоду революции и гражданской войне на Тереке в 1917-1921 гг., особое место уделено основным направлениям изучения. Анализируются отечественные публикации, вышедшие в период с 2000 по 2023 гг. Актуальность темы исследования определяется необходимостью накопления новых исторических знаний, которые помогут восполнить пробелы в истории Северного Кавказа в новейшее время. При написании работы применялся принцип историзма, который предполагает изучение исторических фактов и событий в причинно-следственной связи, последовательно

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Tatum, Lynn. "David's Social Drama. James W. Flanagan." Bulletin of the American Schools of Oriental Research 289 (February 1993): 95. http://dx.doi.org/10.2307/1357367.

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