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Littérature scientifique sur le sujet « Dynasty Warriors »

Auteur : Grafiati
Publié le 4 juin 2021
Mis à jour le 26 avril 2022

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Articles de revues sur le sujet "Dynasty Warriors"

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Mubing, Qiu. « Statues of Warriors and War Horses of the Han Dynasty ». Scientific and analytical journal Burganov House. The space of culture 15, no 4 (10 décembre 2019) : 63–81. http://dx.doi.org/10.36340/2071-6818-2019-15-4-63-81.

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Terracotta statues of warriors and war horses represent a type of sculpture from ancient burials. They are an important part of the system of objects buried together with the deceased during the Han dynasty (the so-called Mintsi). Yun, the most characteristic funeral figurines which archaeologists find especially in the region of the Chu kingdom of the pre-Qin period, began to appear during the Chunqiu and the Warring States periods. The burial of statues of soldiers together with the deceased carried an authentic meaning connected with the burial of living warriors during the Shang dynasty. Terracotta statues of warriors and war horses in the tomb of Qin Shi Huang were completed in a very short time and mainly reproduced the figures of people and soldiers on high alert before the start of a military campaign. Despite the fact that the Han Dynasty succeeded the Qin Dynasty in the administrative system, it also drew some lessons, to varying degrees, regarding martial arts, as evidenced by the location combinations of the terracotta statues and horses. In 1965, a large burial place of the ancestor of Liu Bang, the first emperor of the Han dynasty, was discovered in the Shaanxi province north of Xianyang in Yangjiawan village. In history, it was known as Zhoushitsuy or Mound of Zhou Ancestors. The size and Ill. 1. National architectural monument. Han Dynasty. Mausoleum Han Yang Ling. Ill. 2. Grave pits in the Hanyangling Museum depth of the pits are not the same, the number of ceramic statues found is also various and of different shapes and sizes; however, most of the statues have a bright colour and a perfectly regular shape. These excavations of the Han terracotta statues have historical significance due to the fact that this is the first finding of terracotta statues of the Han period since the founding of New China.
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Kaziev, Eduard V. « Materials of the Chinese official chronicles of the imperial dynasties Song and Yuan on the time of the massacre of the Alan warriors during the Mongol conquest of Southern China ». Vestnik of North-Ossetian State University, no 4(2020) (25 décembre 2020) : 31–38. http://dx.doi.org/10.29025/1994-7720-2020-4-31-38.

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Based on the information presented in the official chronicles of the Chinese imperial dynasties Song and Yuan, the author discusses the issue of the time of the massacre of the Alan warriors in Mongol service, that occurred during their occupation of the southern Chinese city of Zhenchao. The study of this issue seems relevant, since the information of the mentioned Chinese official chronicles, in the same way conveying the general plot of this event, diverges in the designation of its time, attributing it to different reign years of the first emperor of the Yuan dynasty Kublai (Shi-zu) and to one of the years of the sixteenth emperor of the Song Dynasty Zhao Xian (Gong of Song). The materials for the study were the original texts of the official “History of Song [Dynasty]” and the “History of Yuan [Dynasty]” as well as some other Chinese written sources. The study introduces new information from sources about this event, which have not previously been translated into Russian. A brief historiographic review of this issue is given. The purpose of the study is to definite the time of the massacre of Alan warriors in Southern China. In the course of the study the inductive method, the method of comparative historical analysis, systemic chronological and retrospective analytical methods were applied. It was found that the information about the time of the event in question contained in various sections of the “History of the Yuan [Dynasty]” is erroneous, while the similar information about the time of the event in question contained in the “History of Song [Dynasty]” is correct, as it was indicated by P. Pelliot. The translation of the latter information into the modern chronology system allows to determine the time of this historical episode on April 28, 1275.
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Kaziev, Eduard V. « Materials of the Chinese official chronicles of the imperial dynasties Song and Yuan on the time of the massacre of the Alan warriors during the Mongol conquest of Southern China ». Vestnik of North-Ossetian State University, no 4(2020) (25 décembre 2020) : 31–38. http://dx.doi.org/10.29025/1994-7720-2020-4-31-38.

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Based on the information presented in the official chronicles of the Chinese imperial dynasties Song and Yuan, the author discusses the issue of the time of the massacre of the Alan warriors in Mongol service, that occurred during their occupation of the southern Chinese city of Zhenchao. The study of this issue seems relevant, since the information of the mentioned Chinese official chronicles, in the same way conveying the general plot of this event, diverges in the designation of its time, attributing it to different reign years of the first emperor of the Yuan dynasty Kublai (Shi-zu) and to one of the years of the sixteenth emperor of the Song Dynasty Zhao Xian (Gong of Song). The materials for the study were the original texts of the official “History of Song [Dynasty]” and the “History of Yuan [Dynasty]” as well as some other Chinese written sources. The study introduces new information from sources about this event, which have not previously been translated into Russian. A brief historiographic review of this issue is given. The purpose of the study is to definite the time of the massacre of Alan warriors in Southern China. In the course of the study the inductive method, the method of comparative historical analysis, systemic chronological and retrospective analytical methods were applied. It was found that the information about the time of the event in question contained in various sections of the “History of the Yuan [Dynasty]” is erroneous, while the similar information about the time of the event in question contained in the “History of Song [Dynasty]” is correct, as it was indicated by P. Pelliot. The translation of the latter information into the modern chronology system allows to determine the time of this historical episode on April 28, 1275.
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Florek, Marek. « Osadnictwo obcoplemienne i obcoetniczne w okolicach Opatowa i Sandomierza we wcześniejszym średniowieczu w świetle źródeł archeologicznych i toponomastycznych ». Slavia Antiqua. Rocznik poświęcony starożytnościom słowiańskim, no 59 (20 février 2019) : 281–312. http://dx.doi.org/10.14746/sa.2018.59.13.

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By the end of the 10th century, the area of Opatów and Sandomierz was probably inhabited by a small tribe whose name has not been recorded in written sources. The establishment of a gord in Zawichost Podgórze before the end of the 9th century coupled with the emergence of a local cluster of pyre kurgan grave fields may be evidence of the arrival of new settlers from an area east of the Vistula. Inclusion of the Sandomierz area into the domain of the Wielkopolska Polans in the late 10th century resulted in disappearance of the existing tribal settlement structures which were replaced by new ones. This was related to the arrival to this area of individuals and groups representing the new Piast dynasty rule who came from other parts of the country or even from abroad. They included warriors from the ducal team, craftsmen, merchants as well as settlers relocated voluntarily or by force, possibly captives. As they represented different cultural traditions, their appearance has been well documented in archaeological sources. It also seems to be confirmed in toponymy. On top of the biggest number of Wielkopolska newcomers from the heart of the Piast dynasty domain, in the vicinity of Sandomierz and Opatów there could have also operated merchants related to the broadly defined Scandinavian and Russian culture as well as nomadic tribes, most probably Hungarians. The latter could have arrived as warriors, members of the ducal team, merchants or captives.
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Ivanov, Paola. « Cannibals, Warriors, Conquerors, and Colonizers : Western Perceptions and Azande Historiography ». History in Africa 29 (2002) : 89–217. http://dx.doi.org/10.2307/3172160.

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Mainly as a result of the work of E. E. Evans-Pritchard, the Azande are among the best-known African peoples. In anthropological theory they have become indissolubly associated with the study of religion and magic. Also remarkable is their expansion under the leadership of the dynasties of the Avungara and the originally Ngbandi-speaking Abandia. Starting from a small core area in the basin of the lower Mbomu, where the ancestors of the Avungara and Abandia had established themselves as rulers over parts of the resident, mainly Zande-speaking, population around the middle of the eighteenth century, the Abandia extended their rule into the region of the lower Mbomu and lower Uele, while the Avungara and their Azande followers swept eastward in a vast movement and in less than one hundred years conquered a huge area reaching as far as the upper Sue and upper Uele, integrating the population into their system of rule.One of the reasons for the speed of this expansion is that individual members of the Avungara dynasty (who all claimed descent from Ngura, the first historical ruler in the lower Mbomu area) repeatedly founded principalities of their own in new territories. This led to the existence of a varying number of polities under numerous, more or less, powerful rulers who descended from several dynastic branches, thereby preventing the formation of a single kingdom, stable in time and place. Through the integration of numerous groups of different linguistic and ethnic origins, the population cluster was formed for which the collective name Azande has become established. The history of Azande expansion thus provides a very interesting example of a society being created through political processes, which raises questions concerning the origin, acceptance, and characteristics of centralized political organizations, as well as assimilation and acculturation processes (besides the Mangbetu in the Uele-Bomokandi area, the Azande were the only group in the region to develop centralized political structures on a wide scale).
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GUANGYONG, QIN, PAN XIANJIA et LI SHI. « MÖSSBAUER FIRING STUDY OF TERRACOTTA WARRIORS AND HORSES OF THE QIN DYNASTY (221 B.C.) ». Archaeometry 31, no 1 (février 1989) : 3–12. http://dx.doi.org/10.1111/j.1475-4754.1989.tb01051.x.

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Ershova, Elena S. « ICONOGRAPHY OF THE REWARDING SCENE FROM THE ANCIENT EGYPTIAN PRIVATE TOMBS OF THE XIX DYNASTY ». Articult, no 4 (2020) : 37–42. http://dx.doi.org/10.28995/2227-6165-2020-4-37-42.

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The phenomenon of the king’s rewarding of the court officials and warriors for the loyal service reached the peak of its development during the New Kingdom Era, which is confirmed by lots of historical sources, as well as the scenes depicting the king’s rewarding the noble people which first appeared in private tombs during the reign of Thutmose IV and went on appearing during the whole New Kingdom Era. This article deals with the rewarding scenes which can be seen in private tombs in Thebes and which are dating back to Dynasty XIX period. Painting of private tombs of Dynasty XIX is characterized by fewer number of scenes depicting services and daily life of officials, and, to the contrary, larger amount of scenes related to the posthumous existence of the tomb owner. There are only three rewarding scenes in the private tombs dated back to the period in question, and these scenes can be found in the burials of Paser, the mayor of Thebes (TT 106), Apy the sculptor (TT 217) as well as in the burial of Thai who was a royal scribe. The composition of these scenes is based on scenes dated back to the period of Dynasty XVIII reign, however, they are smaller in scale.
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Earley, Caitlin C. « “A PLACE SO FAR REMOVED” : DYNASTY AND RITUAL IN MONUMENTS FROM CHINKULTIC, CHIAPAS, MEXICO ». Ancient Mesoamerica 31, no 2 (15 mai 2019) : 287–307. http://dx.doi.org/10.1017/s0956536118000469.

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AbstractThe site of Chinkultic in Chiapas, Mexico, remains largely absent from discussions of Classic Maya history and culture, despite a long history of excavation and a substantial corpus of monumental sculpture. This paper explores two groups of sculptures from Chinkultic, photographed using raking-light photographic techniques in 2011 and 2013. Sculptures in the first group depict royal accession and suggest that the rulers of Chinkultic acceded the throne as warriors. The second group of monuments demonstrates a ritual tradition involving rulers and subordinate individuals. Based on analysis of these groups, I argue that Chinkultic was home to consistent artistic programming that performed an elite identity based on warfare and control over surrounding people and places. Combined, these sculptures demonstrate artistic connections between Chinkultic and the Usumacinta region, provide a new window into the sociopolitical history of the Comitán valley, and reflect the innovative artistic programs of frontier places in ancient Mesoamerica.
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Qin, Guangyong, et Shi Li. « Mössbauer study of fired Lishan clay and terra-cotta warriors and horses of Qin dynasty (221 B.C.) ». Hyperfine Interactions 70, no 1-4 (avril 1992) : 1045–48. http://dx.doi.org/10.1007/bf02397508.

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Kaminski, Johannes. « Toward a Maoist Dream of the Red Chamber : Or, How Baoyu and Daiyu Became Rebels Against Feudalism ». Journal of Chinese Humanities 3, no 2 (25 juillet 2017) : 177–202. http://dx.doi.org/10.1163/23521341-12340049.

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Mao Zedong’s views on literature were enigmatic: although he coerced writers into “learning the language of the masses,” he made no secret of his own enthusiasm forDream of the Red Chamber, a novel written during the Qing dynasty. In 1954 this paradox appeared to be resolved when Li Xifan and Lan Ling presented an interpretation that saw the tragic love story as a manifestation of class struggle. Ever since, the conception of Baoyu and Daiyu as class warriors has become a powerful and unquestioned cliché of Chinese literary criticism. Endowing aristocratic protagonists with revolutionary grandeur, however, violates a basic principle of Marxist orthodoxy. This article examines the reasons behind this position: on the one hand, Mao’s support for Li and Lan’s approach acts as a reminder of his early journalistic agitation against arranged marriage and the social ills it engenders. On the other hand, it offers evidence of Mao’s increasingly ambiguous conception of class.
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Thèses sur le sujet "Dynasty Warriors"

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Chen, Ying, et 陳瑛. « A Study of The Image of Heavenly King (Tianwang 天王) and Vajrapānibalin(Warriors) Found in the Dunhuang Grottoe in Tang dynasty ». Thesis, 2009. http://ndltd.ncl.edu.tw/handle/44114684114344592881.

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碩士
中國文化大學
史學研究所
97
The world famous Mogao Caves began construction in 366 A.D. Through expansions in the successive dynasties, over 1,000 caves had been completed up to the Eighth Century Tang Dynasty. In Tang Dynasty, the development of murals and sculptures came to maturity and the grandeur of the Tang style was fully manifested in the arts. The main sculptures in the caves consist of icons of the Buddha, Bodhisattvas, Buddha’s disciples, and devas, while the Vajrapānibalin (worriers) are often the frontline figures lining up in front of the caves. They serve as dharma protectors and are ranked only lower than Buddha and the Bodhisattvas, yet their lower rank allows them to be faithfully reflected as sentient beings in the true world. Among the several hundred surviving Tang caves, Vajrapānibalin in Cave No 380, 313, 322, 194, 264, 113, 45, 46, 445, 66, 319, 320, 159, 205, 231, 202, 92, 18, 12, 285, 427, 209, 384, 154, 15, 237, 196, 254, 435, 437, 257, 206 and 112 contain fine sculptures of high artistic skills, featuring dominating expressions of masculinity and highly expressive muscle structures. They represent the summit of Tang Dynasty’s artistic achievements. This thesis aims to trace the origins of the forms, themes, and styles of the sculptures in Mogao Caves and the artistic achievements they represent. The second chapter contains an analysis of the religious and artistic achievements represented by the Vajrapānibalin sculptures in Mogao Caves. The third chapter explores the origin of Vajrapānibalin in Buddhist sutras with examples of the Yaksa reliefs found in the Bharhut and Sanchi Pergolas in India. Chapter four explores the styles of Marshall Vajrapānibalin found in the tombs of Han and Wei Dynasties. Chapter five contains a comparison on the murals and sculptures found in the period between the fourth and sixth century in the Kizil Caves (Xinjiang), Gandhara (Central Asia), the Yungang Caves (Datong, China), and the Longmen Caves (Luoyang, China), including a comparison on the styles and exploration on the mutual influences and religious representations.
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Lee, Pei-jung, et 李佩蓉. « The study of the imagination flows from state to family in the novels of family of warriors for Tang Dynasty (說唐家將小說), and its inheritance ». Thesis, 2009. http://ndltd.ncl.edu.tw/handle/92460779687714433869.

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碩士
國立政治大學
中國文學研究所
97
The “Novels about family of warriors in Tang dynasty”(說唐家將小說) include “Shou Tang Hou Zhuan”(說唐後傳), ”Shuo Tang San Zhuan”(說唐三傳), “Fan Tang Yian Yi”(反唐演義), “Fen Zhuang Lou”(粉妝樓). Although those novels were combined with folk tales, they were also based on history facts. Thus, there are some opposite views in those novels, such as official vision verses folk culture, reality faces unreality. They inherit the “Novels about Tang dynasty”(說唐系列小說), but the subject matter transforms from the emperor to the family warriors, which reflects the theme transformation flow in history-based-novels. It leaves state and get closer to home. Related texts before the novels have been composed were collated in chapter 2. We can see those stories appeared in folk art “Quyi” (曲藝) were deeply effected by official history story. History vision still remains. At the same time, some Chinese operas have formed the basic structure of these novels, which is “leaving family/ coming home proudly”. Chinese opera and Quyi are two important sources of those novels we referred. Relationship and space arrangement are discussed in chapter 3 and chapter 4 to analyze the imagination of state and of family in the novels. In the study of chapter 3, it seems that conflicts in the novels happen under a stable requirement of ethic. However, code of ethics are shown only in appearance. In chapter 4, we will find out that war spaces are almost overstated, while space of home and state are ignored. Three case studies are put in Chapter 5. They have one thing in common: they are three modern works of art which inherits the series of novels. In Chapter 5, the study focus on how those novels has been revised to adapt nowadays culture. The essay is trying to achieve the following statement from the ” Novels of family warriors in Tang Dynasty”(說唐家將小說): further study to the heritage of tradition Chinese novels; further understanding of the imagination of family and state; revaluate the position of these novels in the history of Chinese traditional novels.
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Livres sur le sujet "Dynasty Warriors"

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Anthony, James. Dynasty Warriors : Official game secrets. Rocklin, Calif : Prima Pub., 1997.

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Off, Greg. Dynasty warriors 5 : Prima official game guide. Roseville, CA : Prima Games, 2005.

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The Terracotta warriors. London : British Museum, 2007.

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Terra cotta warriors. Washington, D.C : National Geographic, 2008.

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Cotterell, Arthur. Guide : The official guide to the Emperor's terracotta warriors and horses from the Qin Dynasty. London : Emperor's Warriors Exhibition, 1987.

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Genealogies of fiction : Women warriors and the dynastic imagination in the Orlando furioso. New York : Fordham University Press, 2012.

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Meston, Zach. Unofficial Playstation Ultimate Strategy Guide. Alameda, CA : Sybex Inc, 1997.

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Warriors of the Han dynasty : dynasty warriors : The battle of the three kingdoms. philippines : cj, 2010.

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Authors, Prima Temp, et Tyrone Rodriguez. Dynasty Warriors 2 : Prima's Official Strategy Guide. Prima Games, 2000.

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Strauss, Ethan Sherwood. Victory Machine : The Making and Unmaking of the Warriors Dynasty. PublicAffairs, 2020.

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Chapitres de livres sur le sujet "Dynasty Warriors"

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Alsancakli, Sacha. « Warriors, Kings, and Caliphs : Questions of Origins and Dynastic Culture in Sixteenth and Seventeenth-Century Kurdistan ». Dans Miroir de l'Orient Musulman, 89–109. Turnhout, Belgium : Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.mom-eb.5.122932.

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« Madam Yang, warrior, Tang dynasty ». Dans Notable Women of China, 252–53. Routledge, 2016. http://dx.doi.org/10.4324/9781315702063-70.

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Ortiz de Montellano, Bernard R. « 11. « Black warrior dynasts » ». Dans Afrocentrismes, 253. Editions Karthala, 2010. http://dx.doi.org/10.3917/kart.chre.2010.01.0253.

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Rodgers, Helen, et Stephen Cavendish. « The Zirid Dynasty ». Dans City of Illusions, 11–32. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197619414.003.0002.

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This chapter tells of how Granada became a major city of al-Andalus in the eleventh century as the Caliphate of Cordoba went into decline and al-Andalus divided into small city states known as taifas. The Berber warrior Zawi ibn Ziri chose the Albaicin hill, where Granada now stands, as a better defended location for the people of the nearby city of Elvira in those unstable times. For eighty years, Zirid Granada was a city of culture, home to a large Jewish community and led, for a time, by the Jewish vizier, philosopher and poet Samuel ibn Naghrila. Major infrastructure was built to supply Granada with water, including its aljibes and acequias. The history of this period is well-recorded thanks to the memoir written by the final Zirid king, Abdullah ibn Buluggin.
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Haour, Anne. « Sahelian frameworks ». Dans Rulers, Warriors, Traders, Clerics. British Academy, 2007. http://dx.doi.org/10.5871/bacad/9780197264119.003.0002.

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This chapter provides an overview of the current state of archaeological research in the central Sahel. Archaeological research on the central Sahel is still in its infancy while historical research is a little better advanced, focusing on the local dynastic lists and on their critique. Most of the published archaeological work about Sahel is still descriptive in nature rather than synthetic, highlighting the need for further research. This chapter describes some key areas in central Sahel based on available data including Darfur, Kanem-Borno, and southern Niger.
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Stoppino, Eleonora. « Marriage by Duel : Genealogies of the Warrior Woman ». Dans Genealogies of FictionWomen Warriors and the Dynastic Imagination in the Orlando Furioso, 18–57. Fordham University Press, 2011. http://dx.doi.org/10.5422/fordham/9780823240371.003.0002.

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Stoppino, Eleonora. « Introduction ». Dans Genealogies of FictionWomen Warriors and the Dynastic Imagination in the Orlando Furioso, 1–17. Fordham University Press, 2011. http://dx.doi.org/10.5422/fordham/9780823240371.003.0001.

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Stoppino, Eleonora. « An Amazonian Past : Female Rule and the Threat of Illegitimacy ». Dans Genealogies of FictionWomen Warriors and the Dynastic Imagination in the Orlando Furioso, 58–87. Fordham University Press, 2011. http://dx.doi.org/10.5422/fordham/9780823240371.003.0003.

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Stoppino, Eleonora. « The Paradox of Helen : Genealogies and Textual Hierarchies in Orlando furioso, Canto XXXIV ». Dans Genealogies of FictionWomen Warriors and the Dynastic Imagination in the Orlando Furioso, 88–115. Fordham University Press, 2011. http://dx.doi.org/10.5422/fordham/9780823240371.003.0004.

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Stoppino, Eleonora. « The Poem as a Prophecy : Gendered Gifts in the Orlando furioso ». Dans Genealogies of FictionWomen Warriors and the Dynastic Imagination in the Orlando Furioso, 116–48. Fordham University Press, 2011. http://dx.doi.org/10.5422/fordham/9780823240371.003.0005.

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Actes de conférences sur le sujet "Dynasty Warriors"

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Loboda, M., et L. Litvinova. « RICHARD THE LIONHEART, THE ENGLISH KING ». Dans Manager of the Year. FSBE Institution of Higher Education Voronezh State University of Forestry and Technologies named after G.F. Morozov, 2022. http://dx.doi.org/10.34220/my2021_140-142.

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The article is dedicated to the English King Richard the Lionheart. The authors explore the reasons for the popularity of this king with the English, they made Richard the hero of countless English medieval ballads and songs. The article provides general biographical information on Richard the Lionheart, examining the dynastic grounds for his ascension to the English throne. Opposite to other English kings, Richard received his second noble name “Lionheart” as a result of the Crusade. His amazing courage and even rage for the Holy Sepulchre struggle, sacrifice, energy, commitment to the holy ideals, the talent of a warrior, human kindness are considered the undoubted positive qualities of the king. As the British think these are the basis for this English king to become famous in the history of the country and in the memory of the people. But some historical sources are rather critical towards well-established opinion about Richard the Lionheart, however, the fact of popular recognition of him as a real king, warrior and defender remains unquestionable.
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