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Livres sur le sujet « E. Hughes (Firm) »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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1

(Firm), huggen berger fries, ed. Huggen berger fries: Adrian Berger, Lukas Huggenberger, Erika Fries. Quart, 2008.

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2

Printing, London College of. BA Film and Video Critical Analysis 1987: The gumboot game and Hughes views. LCP, 1987.

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3

Doherty, P. C. Satan's fire. St. Martin's Press, 1996.

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(Firm), huggen berger fries, ed. Huggenbergerfries: Alter ego. Quart Verlag, 2016.

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5

1971-, McPherson Conor, Hughes Enda, Lefèvre Robin, et al., eds. Beckett on film: Endgame [director: Conor McPherson]; Act without words 2 [director: Enda Hughes]; A piece of monologue [director: Robin Lefèvre]; Play [director: Anthony Minghella]; Rockaby [director: Richard Eyre]. RTE, 2001.

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6

Columbus, Chris, writer of added commentary, ed. John Hughes: A life in film. Race Point Publishing, 2015.

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7

Brown, Kate, and Broeske. Howard Hughes (Film Tie in) B Pbp. Little, Brown Book Group Limited, 2004.

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8

Renzi, Jen. Brayton + Hughes Design Studio: The Art of Interior Architecture. Edizioni Press, 2004.

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9

Jackson, Robert. The Silver Dream Accumulated. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190660178.003.0004.

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Chapter 3 is devoted to the film-related activities of southern literary figures. From nineteenth-century writers including Mark Twain and Harriet Beecher Stowe (not a southerner by birth, but, as author of Uncle Tom’s Cabin, a huge influence on southern literary history) to modern figures like Thomas Dixon, William Faulkner, Lillian Hellman, and the Nashville Agrarians, the southern literary tradition made myriad contributions to film. Faulkner’s screenwriting work provides perhaps the most engaging example. Meanwhile, the efforts of African American writers to make similar contributions were

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Breakfast Club: John Hughes, Hollywood, and the Golden Age of the Teen Film. Taylor & Francis Group, 2019.

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The Hughes-Castell guide to the law firms of China and Hong Kong. Edinburgh Financial Publishing, 1994.

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Breakfast Club: John Hughes, Hollywood, and the Golden Age of the Teen Film. Taylor & Francis Group, 2019.

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13

Hughes, Jon. People on Sunday (Menschen am Sonntag). Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781839027581.

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Directed by Robert Siodmak and Edgar G. Ulmer, and with a script by Billy Wilder,People on Sunday(Menschen am Sonntag) (1930) is now widely recognised as a landmark of Weimar cinema, which influenced Italian Neorealism and the New Wave cinemas of the 1960s, and set the template for ‘indie’ filmmaking as we now know it. This is the first study in English of this multi-faceted film, which not only launched the careers of renowned filmmakers, but which continues to influence contemporary culture, with references to it in popular television (Babylon Berlin), a playful remake, and a new score by ex

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Koss, Jennifer. Passing Stories in Literature and Film in the 20th and 21st Century. Duncan Tucker's Transamerica and Langston Hughes' Passing. GRIN Verlag GmbH, 2016.

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15

Doherty, P. C. Satan's Fire (A Medieval Mystery Featuring Hugh Corbett). Headline Book Publishing, 1996.

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16

Miklitsch, Robert. The Woman on Pier 13. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040689.003.0002.

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Part one of this chapter examines the production history of The Woman on Pier 13 to highlight the ideological mutability of the film’s ostensible, “right-wing” agenda, one endorsed by RKO’s head of production at the time, Howard Hughes. Part two aims to counter the claim that the anticommunist noir is without aesthetic interest by proffering a close textual analysis of a number of noir sequences in The Woman on Pier 13. Part three argues that--as the film’s original title, I Married a Communist, indexes--the political discourse of anticommunism cannot be divorced from questions about genre (me

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Ordeal by Fire. Allison & Busby, Limited, 2017.

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Ordeal by Fire. ReadHowYouWant.com, Limited, 2018.

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19

Longworth, Karina. Seduction: Sex, Lies, and Stardom in Howard Hughes's Hollywood. HarperCollins Publishers, 2018.

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Seduction: Sex, Lies, and Stardom in Howard Hughes's Hollywood. Custom House, 2018.

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Longworth, Karina. Seduction: Sex, Lies, and Stardom in Howard Hughes's Hollywood. HarperCollins Publishers, 2018.

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Longworth, Karina. Seduction: Sex, Lies, and Stardom in Howard Hughes's Hollywood. HarperCollins Publishers, 2019.

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23

Seduction: Sex, Lies, and Stardom in Howard Hughes's Hollywood. HarperCollins and Blackstone Audio, 2018.

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24

Leeson, Miles, ed. Incest in contemporary literature. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526122162.001.0001.

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This is the first edited collection of essays which focuses on the incest taboo and its literary and cultural presentation from the 1950s to the present day; it considers a number of authors rather than a single author from this period. This study discusses the impact of this change in attitudes on literature and literary adaptations in the latter half of the twentieth century, and early years of the twenty-first century. Although primarily concerned with fiction, the collection includes work on television and film. This collection will enhance the growing academic interest in trauma narrative

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Jones, Geoffrey. The Green Team. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198706977.003.0009.

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This chapter examines the greening of large conventional firms since 1980, the acquisition of many green entrepreneurial firms, and the rise of “greenwashing.” While noting that this development appeared to signal the success of green business, and the scaling needed for sustainability to make a real impact, there were also major problems. In particular, there were frequent and large gaps between corporate rhetoric and reality, threatening consumer disillusion and making it harder for more genuinely green firms to make their distinctive case. Corporate environmentalism was also constrained by

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Barnett, Marva, Alain Alain Boublil, and Claude-Michel Schönberg. To Love Is to Act: Les Misérables and Victor Hugo's Vision for Leading Lives of Conscience. Swan Isle Press, 2022.

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27

Plant, Deborah G., ed. “The Inside Light”. ABC-CLIO, LLC, 2010. http://dx.doi.org/10.5040/9798400605024.

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This exploration of Zora Neale Hurston’s life and work draws on a wealth of newly discovered information and manuscripts that bring new dimensions of her writing to light. “The Inside Light”: New Critical Essays on Zora Neale Hurston caps a decade of resurgent popularity and critical interest in Hurston to offer the most insightful critical analysis of her work to date. Encompassing all of Hurston’s writings—fiction, folklore manuscripts, drama, correspondence—it fully reaffirms the legacy of this phenomenal writer, whom The Color Purple's Alice Walker called “A Genius of the South.” "The Insi

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Ordeal by Fire: The Unputdownable Mediaeval Mystery Series. Allison & Busby, Limited, 2016.

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Rice, Christina. Mean...Moody...Magnificent! University Press of Kentucky, 2021. http://dx.doi.org/10.5810/kentucky/9780813181080.001.0001.

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By the early 1950s, Jane Russell (1921-2011) should have been forgotten. Her career was launched on what is arguably the most notorious advertising campaign in cinema history, which invited filmgoers to see Howard Hughes's The Outlaw (1943) and to "tussle with Russell." Throughout the 1940s, she was nicknamed the "motionless picture actress" and had only three films in theaters. With such a slow, inauspicious start, most aspiring actresses would have given up or faded away. Instead, Russell carved out a place for herself in Hollywood and became a memorable and enduring star.Christina Rice offe

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Ramey, Mark. Studying Fight Club. Liverpool University Press, 2012. http://dx.doi.org/10.3828/liverpool/9781906733551.001.0001.

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Fight Club is, on one level, pop-culture phenomena and on another, a deeply philosophical and satirical exploration of modern life. David Fincher's 1999 film (and Chuck Palahniuk's source novel) has had a huge impact on audiences worldwide leading to spoofs, homage, merchandising and numerous Internet fan sites. On initial release the film was met with wide hostility from critics who either failed to appreciate its satirical intent or believed the film failed to deliver on its satirical promise. Early in its DVD afterlife, however, a wider audience began to appreciate the film's significance a

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Muir, Stephanie. Studying City of God. Liverpool University Press, 2008. http://dx.doi.org/10.3828/liverpool/9781903663592.001.0001.

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A leading example of a resurgent Latin American cinema — ‘la buena onda’ — in the early twenty-first century, City of God was a huge international popular and critical success. A combination of intoxicating, Hollywood-style genre film-making and hard-hitting, social-realist subject matter, it was hailed as a masterpiece at Cannes in 2002 and seen by over 3 million people in Brazil, including the Brazilian cabinet. This book considers: The historical and industrial context of City of God — a brief history of Latin American cinema is followed by a more detailed account of film-making in Brazil —

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Wroot, Jonathan. Paths of Zatoichi. Rowman & Littlefield, 2021. https://doi.org/10.5040/9781978734036.

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The Paths of Zatoichi charts the history and influence of the Japanese film and television franchise about Zatoichi the blind swordsman. The franchise is comprised of 29 films and 100 TV episodes (starring the famous Shintaro Katsu, who starred in 26 of the 29 feature films). They all follow the adventures of a blind masseur in medieval Japan, who wanders from village to village and often has to defend himself with his deadly sword skills. The first film was released in 1962 and the most recent in 2010. These dates demonstrate how the franchise can be used as a means of charting Japanese cinem

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Adams, Jade Broughton. F. Scott Fitzgerald's Short Fiction. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474424684.001.0001.

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F. Scott Fitzgerald is remembered primarily as a novelist, but he wrote nearly two hundred short stories for popular magazines such as the widely-read Saturday Evening Post. These stories are vividly infused with the new popular culture of the 1910s, 1920s, and 1930s, from jazz and blues music to motion pictures and performing arts. This book demonstrates how popular culture had a deep impact on Fitzgerald’s work, not just in terms of evoking period detail, but by confirming Fitzgerald as an experimental writer whose popular short stories reflect the serious modernist concerns occupying writer

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Niemi, Robert J. History in the Media. ABC-CLIO, Inc., 2006. http://dx.doi.org/10.5040/9798216972525.

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This convenient, insightful resource on the depiction of historical events in film and on television combines the latest scholarship with reviews of specific works. Can films tweak the facts and still be faithful to history? How much of what they present as true is inaccurate or distorted?History in the Media: Film and Televisionlooks at the growing research exploring these questions. It is the only reference guide that discuss the latest scholarship on history in film and on television and evaluates specific films and programs for quality, accuracy, and ideological biases. Coverage ranges fro

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Kermode, Mark. The Shawshank Redemption. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781839027253.

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How did a low-key prison drama which was considered a box-office flop on its original release become one of the most popular movies of all time? Mark Kermode traces the history of this unexpected audience favourite, from its source in Stephen King's novellaRita Hayworth and Shawshank Redemption, through the icy corridors of Ohio's Mansfield Reformatory (whose imposing gothic architecture dominates the film), to the television and video screens on whichThe Shawshank Redemptionbecame a phenomenon. Kermode's account includes insights from writer/director Frank Darabont and leading players Tim Rob

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Fox, Alistair. An Immigrant Filmmaker Substitutes an Alternative Vision of Adolescence: The Scarecrow (Sam Pillsbury, 1982). Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474429443.003.0005.

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By comparing Sam Pillsbury’s cinematic adaptation of Ronald Hugh Morrieson’s The Scarecrow (1963) with the original, this chapter shows how the filmmaker, who was raised in the USA and immigrated to New Zealand in his teens, empties the source novel of the moral ambiguities and transgressive elements that had made the original a genuinely New Zealand work, in so far as it reflected puritan guilt over transgressive impulses in the face of repression, and thus turned the story into a genre film that that is much more anodyne in its vision.

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Vinther, Janus. Special Effects Make-up. Bloomsbury Publishing Plc, 2002. http://dx.doi.org/10.5040/9781350344594.

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Special effects have become an increasingly important part of both film and theatre production. With storylines becoming more sensational and technology more sophisticated, the market for high-quality special effects is huge. In this book Janus Vinther provides step-by-step guidelines for achieving a wide variety of grotesque and outlandish effects, including bullet holes, body fluids and burns. In addition there is a chapter on specialised character make-up, ranging from Dracula to the Terminator. With detailed explanation of techniques and materials and illustrated throughout, this book cont

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Iheka, Cajetan. African Ecomedia. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478022046.

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In African Ecomedia, Cajetan Iheka examines the ecological footprint of media in Africa alongside the representation of environmental issues in visual culture. Iheka shows how, through visual media such as film, photography, and sculpture, African artists deliver a unique perspective on the socioecological costs of media production, from mineral and oil extraction to the politics of animal conservation. Among other works, he examines Pieter Hugo's photography of electronic waste recycling in Ghana and Idrissou Mora-Kpai's documentary on the deleterious consequences of uranium mining in Niger.

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Waddell, Calum. Cannibal Holocaust. Liverpool University Press, 2016. http://dx.doi.org/10.3828/liverpool/9781911325116.001.0001.

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This book is one of the most controversial horror films ever made. Despite not achieving huge success when it was first released, the Italian production found an audience on home video in the 1980s and became a 'must-see' for connoisseurs of extreme cinema. Indeed, Cannibal Holocaust's foremost legacy is in the United Kingdom, where it obtained its reputation as one of the most harrowing and offensive 'video nasties' — a term used to refer to a group of films deemed to be 'obscene' by the Department of Public Prosecutions. However, as the years have progressed, Cannibal Holocaust has been re-e

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Sturken, Marita. Thelma & Louise. 2nd ed. Bloomsbury Publishing Plc, 2020. https://doi.org/10.5040/9781838719296.

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Thelma & Louise, directed by Ridley Scott and written by Callie Khouri, sparked a remarkable public discussion about feminism, violence, and the representation of women in cinema on its release in 1991. Subject to media vilification for its apparent justification of armed robbery and manslaughter, it was a huge hit with audiences composed largely but not exclusively of women who cheered the fugitive central characters played by Susan Sarandon and Geena Davis. In her study of the film, Marita Sturken examines Thelma & Louise's production and reception history, and goes on to analyze its

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Block, Geoffrey. From Screen to Stage. Edited by Robert Gordon. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195391374.013.0016.

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Stephen Sondheim, in collaboration first with director Hal Prince and librettist Hugh Wheeler and later with director–librettist James Lapine, adapted two films to the musical stage. The first isA Little Night Music(1973), a musical based on Ingmar Bergman’s comic Swedish film masterpieceSmiles of a Summer Night(1955); the second isPassion(1994), described by Sondheim as “the world’s only epistolary musical,” based on the Italian filmPassione d’Amore(1981), adapted by director Ettore Scola from Iginio Ugo Tarchetti’s epistolary novelFosca(1869). InNight MusicSondheim offers a musical counterpa

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Scott, Peter. Britain’s Inter-War Radio Industry. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198783817.003.0006.

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Radio experienced even faster diffusion in Britain than in the United States. The stakes for control over the industry’s profits were thus particularly high. Marconi initially used its monopoly over fundamental payments to extract huge rents from the set makers. Then in the 1930s, when Marconi’s fundamental patents began to expire, the two major producers of radio valves (thermionic tubes) sought to use patents to gain control over the industry—offering packages of radio patents to manufacturers in return for tying the manufacturer to buying their valves. Yet this strategy proved unsuccessful,

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Durham, Clarice. Richard Durham's Destination Freedom. Praeger, 1989. http://dx.doi.org/10.5040/9798216985167.

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The discrimination and stereotyping that black Americans have experienced in the popular arts in the twentieth century is a familiar story to students of popular culture. In literature, music, film, and television the barriers to black characterization and talent created pervasive distortions and stereotypes; yet in no artistic field was the racist pressure against blacks more prevalent than in radio, and into this cultural dimension the least amount of scholarship has been directed. In the light of such discriminatory traditions, the appearance in the late 1940s of the programDestination Free

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Jones, Geoffrey. Poisoned Earth. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198706977.003.0003.

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The chapter examines green business during the 1960s and 1970, decades of new environmental awareness. In organic food natural beauty, a number of commercially viable green businesses and brands began to be built, and distribution channels created. There was significant innovation in wind and solar energy in the wake of the first oil crises although they remained marginal in the energy industry. Green entrepreneurs still faced huge obstacles finding both capital and consumers. In the case of the capital-intensive solar energy business, the main solution was to sell start-ups to cash-rich oil c

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Paxman, Andrew. With Maximino. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190455743.003.0008.

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Jenkins found his most fearsome and effective ally in Maximino Ávila Camacho, brother of future president Manuel Ávila Camacho, who helped him resist President Cárdenas’s plan to expropriate Atencingo. Jenkins largely bankrolled Maximino’s gubernatorial campaign of 1936 and made loans to his administration. In turn, when Doña Lola convinced Cárdenas to confiscate Atencingo, Maximino countered with a plan that gave the land to a peasant cooperative while letting Jenkins retain the mill, the plantation’s profit center. Still, the Cárdenas era was a tricky time for the business elite, so Jenkins

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Sylla, Richard. New York. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198817314.003.0002.

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New York, the epicentre of the 2007–9 Global Financial Crisis, during the ensuing decade regained much of its pre-Crisis stature as a pre-eminent international financial centre. Its advantages going forwards include the huge US Treasury debt market, the dollar as the leading reserve currency, the Federal Reserve System as a de facto world central bank, a stronger US banking system, and the world’s largest securities markets which list and trade leading US-based companies and many corporations based in other countries. Congress’s 2010 Dodd–Frank Act reduced systemic financial risks, but also co

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Bostridge, Mark. In Pursuit of Love. Bloomsbury Publishing Plc, 2024. https://doi.org/10.5040/9781399416047.

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From Normandy to the Caribbean Islands, this innovative biographical pursuit followsAdèleHugo on her reckless journey of unrequited love – and the writer who chased after hermore than 150 yearslater. It’s 1863. The daughter of the most famous writer in the world, Victor Hugo, who has ambitions as a writer and composer, suddenly leaves her family’s home on the Channel Islands bound for Nova Scotia. She is in pursuit of a young British soldier, with whom she is desperately in love, but who has rejected her. Eight years later, after stalking him to the Caribbean, where he’s stationed with the arm

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Lewis, Lionel S. Bernard Madoff and His Accomplices. ABC-CLIO, 2016. http://dx.doi.org/10.5040/9798400617584.

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This is the first detailed study of how Bernard L. Madoff and his accomplices perpetrated a Ponzi scheme of epic proportions—what has been referred to as the “con of the century.” In December 2008, Bernard L. Madoff was arrested for perpetrating a protracted Ponzi scheme of inconceivably huge proportions that defrauded clients of his securities company of nearly $20 billion—and was consequently sentenced to 150 years in jail. How did Madoff pull this off for years, even returning some or all of clients’ money when they asked, while in actuality was financing the lavish lifestyles of himself, h

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Simberloff, Daniel. Invasive Species. Oxford University Press, 2013. http://dx.doi.org/10.1093/wentk/9780199922017.001.0001.

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Invasive species come in all sizes, from plant pathogens like the chestnut blight in eastern North America, to the red imported fire ant that has spread throughout the South, the predatory Indian mongoose now found in the Caribbean and Hawaii, and the huge Burmese python populating the Florida swamps. And while many invasive species are safe and even beneficial, the more harmful varieties cost the world economy billions of dollars annually, devastate agriculture, spread painful and even lethal diseases, and otherwise diminish our quality of life in myriad surprising ways. In Invasive Species:

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Kajitvichyanukul, Puangrat, and Brian D'Arcy, eds. Land Use and Water Quality: The Impacts of Diffuse Pollution. IWA Publishing, 2022. http://dx.doi.org/10.2166/9781789061123.

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Abstract The influence of landscapes – topography, soil, vegetation, geology – on water quality is an inherent part of the global water cycle. Land use has adverse impacts for example when soils are exposed, significant quantities of pollutants are released (including anthropogenic materials added to those naturally present), or pollutants are added directly to the water environment. Those impacts range from industrial development to farming and urbanisation. Whilst inefficient polluting industrial effluents are still tolerated in some countries, and poorly treated sewage globally remains a hu

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