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Articles de revues sur le sujet « Edo Meiji »

Auteur : Grafiati

Publié le 7 juin 2025

Mis à jour le 2 août 2025

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1

Gongsu Na. "About 「Syoten」 and 「Ryoujin」 in Edo･Meiji." Japanese Modern Association of Korea ll, no. 51 (2016): 7–36. http://dx.doi.org/10.16979/jmak..51.201602.7.

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Zhao, Suyan. "Study on the Infancy Characteristics of Meiji Capitalism in Takekurabe under the Semiotic Square Theory." Studies in Linguistics and Literature 5, no. 2 (2021): p34. http://dx.doi.org/10.22158/sll.v5n2p34.

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Takekurabe (Child’s Play) is one of the masterpieces of Ichiy? Higuchi, a Japanese female writer, during the Meiji (Note 1) period. Setting in the context of Yoshiwara, a famous red-light district in Edo (Note 2)period, the novella depicts the absurd and wild growth experience of a group of youths who were deeply influenced by the feudal dross culture. From the perspective of structuralism, this paper leverages Greimas’s semiotic square theory to explore the meaning structure beneath the ostensible narratives of the work. It is found that the contradictions and entanglement among teenagers are

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Funada, Kyoko. "PENDIDIKAN BAHASA INDONESIA/MELAYU PADA AWAL DAN PERTENGAHAN TAHUN 1900AN DI JEPANG." LINGUA : JURNAL ILMIAH 19, no. 01 (2023): 78–91. http://dx.doi.org/10.35962/lingua.v19i01.213.

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Penelitian ini membahas tentang sejarah pendidikan bahasa Indonesia/Melayu di Jepang. Dimulai dari daftar kosa kata sederhana bahasa Indonesia/ Melayu oleh Aiko di zaman Edo, orang Jepang diperkenalkan bahasa ini. Keinginan untuk mempelajari bahasa Indonesia/ Melayu semakin meningkat ketika pintu negara dibuka yang menandai bahwa ada keterbukaan dalam politik perdagangan Jepang. Masa ini dikenal dengan restorasi Meiji. Seiring dengan itu, perkembangan pembelajaran bahasa Indonesia/Melayu juga terkena dampak yang positif dengan meningkatnya kontak dengan orang-orang Melayu. Jepang membuka usaha

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M, Aslam Alam. "Juxtaposing Bangladesh to Meiji Japan: A Study on Initial Conditions for Development." Development Review 9 & 10, no. 1 & 2 (1998): 23–36. https://doi.org/10.5281/zenodo.4972570.

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Japan is the economic superpower in the present day world with the most developed economy and society. The pre-war economic development starting from 'Meiji Restoration' was the most contributing factor to the post-war development. On the other hand. Bangladesh is one of the Least Developed Countries in the World. Macroeconomic and social development indicators suggest that Bangladesh has yet to go a long way, to achieve economic emancipation. In this paper, an attempt has been made to juxtapose 'Independent Bangladesh' (1972) to 'Meiji Japan' (1868) in order to as

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Gongsu Na. "About the Chinese designation of “Ah~” Words in EDO･MEIJI." Japanese Modern Association of Korea ll, no. 55 (2017): 7–38. http://dx.doi.org/10.16979/jmak..55.201702.7.

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IKEYA, Kazunobu. "Zenmai Production from Edo Era to the Early Meiji Era." Annals of The Tohoku Geographycal Asocciation 40, no. 4 (1988): 287–89. http://dx.doi.org/10.5190/tga1948.40.287.

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Na, Gong-Su. "As for the Meaning Usage of “Hyouchi” in Edo · Meiji." Korean Journal of Japanese Language and Literature 73 (June 30, 2017): 31–62. http://dx.doi.org/10.18704/kjjll.2017.06.73.31.

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Castiglioni, Andrea. "Reframing the Human-Fish in the Edo and Meiji Periods." Journal of Religion in Japan 12, no. 1 (2023): 33–71. http://dx.doi.org/10.1163/22118349-01201003.

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Abstract This article explores the history of a marine zoo-anthropomorphic hybrid, the human-fish (ningyo), within the socioreligious mindscape of Japan from the second half of the seventeenth to the end of the nineteenth century. Because of the interspecific anatomy attributed to them, ningyo have always been addressed from heterogeneous perspectives (religious, literary, political, erotic, scientific) and have thus been subject to continuous hermeneutic oscillations between the fringes and the centers of human/nonhuman networks. Focusing on this bidirectional process, the present study aims

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Mutel, Jacques. "Edo et Tôkyô : Les continuités du pouvoir." European Journal of Sociology 28, no. 2 (1987): 192–216. http://dx.doi.org/10.1017/s0003975600005476.

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À propos de Tôkyô, pour une fois tout le monde est d'accord : c'est une ville incompréhensible. Pour comprendre, il faut avoir recours à l'histoire, comme c'est souvent le cas en matièe de paysages, phénomènes de longue durée qui s'adaptent en persistant, et, ce faisant, on pénètre au cœur du système des symboles qui fondent l'originalitè japonaise. Avant Meiji la ville s'appelait Edo, « l'orée de la baie ». C'était un petit château au Moyen Âge, et les shôgun en firent leur place forte et le siège de leur pouvoir à partir du XVIIe siècle. On ne saurait pourtant parler de capitale, car seule K

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Kawata, Atsuko. "The effect of Guizot’s thought on Japan in the end of Edo period ‐ how his essay on civilization had come to Japan globally." Impact 2025, no. 1 (2025): 21–23. https://doi.org/10.21820/23987073.2025.1.21.

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Professor Atsuko Kawata, Faculty of Contemporary Life Sciences, Tokyo Kasei Gakuin University, Japan, is exploring the nation’s (public) power impacts of different individuals on a country’s citizens, including how they affect societal structures and gender roles, especially through educational system. During her PhD studies, Kawata discovered Naito Masu; a pioneer of women’s education in Yamanashi Prefecture in the Meiji period. A woman occupying a leading role in education was unusual for the time, which fascinated Kawata. Masu challenged the beliefs of the time, which were that Japanese wom

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Gongsu Na. "About the Acceptance of “~哥･~姐” of Words in Edo･Meiji". Japanese Modern Association of Korea ll, № 53 (2016): 7–36. http://dx.doi.org/10.16979/jmak..53.201608.7.

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Heong, Eyrique Goh Boay. "A walk down memory lane on JAPANESE Medical revolution & history of ancient Japan in the late Edo & early Meiji period." Ulus Medical Journal 3, no. 1 (2025): 1–8. https://doi.org/10.5281/zenodo.15319323.

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Abstract The late Edo and early Meiji periods were a time of significant transformation for Japan’s medical landscape, characterized by the blending of traditional practices and Western medical innovations. This paper examines the profound shifts in Japanese medicine during this era, and on introduction of Western style medical knowledge during Japan’s opening to the West in the 19th century reshaped existing paradigms of health and disease. Traditional Japanese medicine, including Kampo (herbal medicine) and acupuncture, coexisted with Western medical practices, particularly

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Oh, Youn-Jung. "Art and Nation Building in Meiji Japan : The Works and Ethos of Takamura Kōun." Korean Association For Japanese History 58 (August 31, 2022): 103–41. http://dx.doi.org/10.24939/kjh.2022.8.58.103.

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With the Meiji Restoration, Takamura Kōun(1852∼1934), a craftsman specializing in carving Buddhist icons, lost his traditional job and got new ones. Instead of Buddhist icon commissions, which decreased because of Haibutsu kishaku(literally “abolish Buddhism and destroy Shākyamuni”), Kōun produced crafts for export and monuments of historical heroes. “Old Monkey,” the first Meiji wooden work designated as an important cultural property, was carved by Kōun to submit it to the World’s Columbian Exposition in 1893 in Chicago and the two most famous modern Japanese monuments, the “Kusunoki Masashi

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Silli, Stefani. "Nastanak umjetničkih institucija i umjetničke terminologije u Japanu za vrijeme razdoblja Meiji." Tabula, no. 18 (November 24, 2021): 51–68. http://dx.doi.org/10.32728/tab.18.2021.5.

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Između razdoblja Edo (1600. – 1868.) i Meiji (1868. – 1912.) dogodile su se brojne promjene u svijetu umjetnosti koje su utjecale na temelje osnovnih društvenih i političkih struktura u Japanu. Rad daje jezgrovit i sadržajan pregled nastanka umjetničkih institucija i relevantne umjetničke terminologije u Japanu u prijelomnom razdoblju japanske povijesti, tj. u vrijeme razdoblja Meiji, s posebnim naglaskom na lijepoj umjetnosti, tj. konceptu bijutsu. Cilj je rada prikazati i analizirati mehanizme utjecaja kulturnih, političkih, društvenih i ekonomskih okolnosti razdoblja Meiji na donošenje i pr

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Subrahmanyam, Sanjay. "Connected Histories: Notes towards a Reconfiguration of Early Modern Eurasia." Modern Asian Studies 31, no. 3 (1997): 735–62. http://dx.doi.org/10.1017/s0026749x00017133.

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The majority of Japanese even today believe that the politico-cultural universe of the Edo period was fundamentally determined by the closure of the country. They also think that the opening of Japan can be reduced to the development of exchanges with the West, following the birth of the Meiji regime. It is hard for them to imagine that Japan developed in relation with other Asian countries, since they are hardly used to appreciating Asian cultures.

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Noma, Takeshi. "Creation and analysis of a GIS land-use map for the end of the Edo period in Tokyo." Abstracts of the ICA 1 (July 15, 2019): 1–2. http://dx.doi.org/10.5194/ica-abs-1-273-2019.

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<p><strong>Abstract.</strong> The Meiji Restoration marks its 150th anniversary in 2018. This historical event memorializes the transition between the Tokugawa shogunate system and the Meiji government, a turning point in the modernization of Tokyo. In such an anniversary year, it is important to look back on the history of Tokyo, a city of global significance.</p><p>Urban development in Tokyo has been commented on from various perspectives by Jinnai (1992), Maki (1980), Okamoto (2017), and others. However, few studies have followed quantitative changes to the cit

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Matsuyama, S., K. Ishii, H. Yamazaki, et al. "NO DETERIORATION ELEMENTAL ANALYSIS WITH IN-AIR SUBMILLI-PIXE CAMERA." International Journal of PIXE 09, no. 01n02 (1999): 57–61. http://dx.doi.org/10.1142/s0129083599000103.

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Elemental images of rice leaves with lesion parts were taken with an in-air submilli-PIXE camera at Tohoku University. The rice leaves were analyzed in vivo and it resulted that the elements of Ca and Mn are accumulated in the lesion parts. It was confirmed by checking the intactness of cells that the living leaves were not seriously damaged. The surface of japan bowls (the Edo period), Japanese vessels (Shigaraki wares, the Edo period) and wooden tablets (the Meiji period) were directly surveyed by submilli-beams (3 MeV protons). Japanese vessels and wooden tablets were not discolored by the

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Groemer, Gerald. "Singing The News: Yomiuri in Japan During The Edo and Meiji Periods." Harvard Journal of Asiatic Studies 54, no. 1 (1994): 233. http://dx.doi.org/10.2307/2719392.

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ONODERA, Hideki. "S202022 Mechanical Difference of Watermill Driven Blower in Edo and Meiji era." Proceedings of Mechanical Engineering Congress, Japan 2013 (2013): _S202022–1—_S202022–4. http://dx.doi.org/10.1299/jsmemecj.2013._s202022-1.

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Marceau, Lawrence Edward. "The Tokaido Road: Traveling and Representation in Edo and Meiji Japan (review)." Monumenta Nipponica 60, no. 2 (2005): 263–64. http://dx.doi.org/10.1353/mni.2005.0022.

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Isomae, Jun’ichi. "The Conceptual Formation of the Category “Religion” in Modern Japan: Religion, State, Shintō." Journal of Religion in Japan 1, no. 3 (2012): 226–45. http://dx.doi.org/10.1163/22118349-12341236.

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Abstract The Japanese word shūkyō was originally a coined word occurring in Chinese Buddhist dictionaries, but it became used as the translation for the English word “religion” when the English word was transmitted to Japan from the West after the opening of the country at the end of the nineteenth century. At that time, a new kind of Japanese language treating Shintō and Buddhism as ‘religions’ was born, with Christianity forming the axis, but while still intertwined with Buddhism and Shintō. Bearing in mind the Protestant influence on acculturation processes in Japan at the beginning of the

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Klautau, Orion. "The Politics of Essence: Towards a History of the Public Study of Buddhism in 1880s Japan." Japanese Journal of Religious Studies 51, no. 2 (2025): 197–220. https://doi.org/10.18874/jjrs.51.2.2024.197-220.

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This article examines the early institutionalization of Buddhist studies in Meiji Japan, focusing on the University of Tokyo’s establishment of Buddhism as an academic discipline between the late 1870s and the 1880s. By centering on key figures such as the Sōtō Zen priest Hara Tanzan and the Shin Buddhist cleric Yoshitani Kakuju, it explores how the emerging discipline was shaped by both domestic imperatives, such as reasserting Mahayana Buddhism’s legitimacy against Edo-period critiques, and new pressures from Western scholarship, which often dismissed Mahayana as a later development in Buddh

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Lundell, Peter N., and Peter N. Lundell. "Behind Japan's Resistant Web: Understanding the Problem of Nihonkyo." Missiology: An International Review 23, no. 4 (1995): 401–12. http://dx.doi.org/10.1177/009182969502300402.

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When facing the persistent conundrum of evangelical missions in Japan, one pervasive, though largely hidden, factor emerges in the resistance of the Japanese to the gospel: the web-like interconnection of worldview assumptions collectively known as Nihonkyo (“Japanism“), as distinct from Japanese culture per se. Developing sociologically in the Edo Period and ideologically in the Meiji Period, the fabrication of Nihonkyo changed attitudes toward cultural elements such that a nation once very open to the gospel has become very closed. Principles of the problem and its discernment are widely app

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KATAGIRI, Ryo, Yasushi AGATA, and Makoto YOKOHARI. "Trnasformation Processes of Green Open Spaces in Edo/Tokyo from the Late Edo Era to the Early Meiji Era." Journal of The Japanese Institute of Landscape Architecture 71, no. 5 (2008): 479–82. http://dx.doi.org/10.5632/jila.71.479.

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Fukuzawa, Naomi Charlotte. "Autoexotic Literary Encounters between Meiji Japan and the West: Sōseki Natsume's “The Tower of London” (1905) and Lafcadio Hearn's Kwaidan (1904)." PMLA/Publications of the Modern Language Association of America 132, no. 2 (2017): 447–54. http://dx.doi.org/10.1632/pmla.2017.132.2.447.

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As Roland Barthes's epoch-making essay Empire of Signs suggests, in a slightly orientalist tone itself, modern japanese culture is a fascinating kaleidoscope of Eastern and Western cultures, but at the same time a strong purism is inherent in its aestheticized nationalism. In this essay, I offer a comparative literary analysis of select travel writings that emerge out of Japanese-European encounters in the Meiji era (1868–1912) to show the cultural dynamism of the time, after the Edo period (1603–1852), when Japan first opened its borders to the West. My analysis of Japan of that time as an Ea

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Gongsu Na. "Acceptance and Meaningful Usage of the Chinese suffix “~ 家” in Edo-Meiji Period". Japanese Modern Association of Korea ll, № 59 (2018): 7–42. http://dx.doi.org/10.16979/jmak..59.201802.7.

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Shiihara, Akiko, Naoto Tejima, and Kanefusa Masuda. "Historical Town Structure From Edo-Meiji Period and Environmental Factors for Local Familiarity." Journal of the City Planning Institute of Japan 35 (2000): 799–804. http://dx.doi.org/10.11361/journalcpij.35.799.

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Budicin Munišević, Marta, Sandra Juranić, Danijela Ratkajec, and Domagoj Mudronja. "Pristup restauriranju japanskih predmeta od papira." Portal, no. 13 (December 30, 2022): 61–78. http://dx.doi.org/10.17018/portal.2022.4.

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Svrha ovog članka predstavljanje je konzervatorsko-restauratorskih radova izvedenih na dvama japanskim ukiyo-e drvorezima iz razdoblja Edo (1603. – 1867.) te dvama oslikanim listovima lepeza iz razdoblja Meiji (1868. – 1912.), kao i predstavljanje rezultata mikroskopskih i mikrokemijskih ispitivanja te analiza pigmenata. Riječ je o drvorezima Ljubavnici Kitagawe Utamara i Tsuki (Mjesec) Suzukija Harunobua te o dvama oslikanim listovima lepeza na papirnatom nosiocu inv. br. MGR-EW-161 i MGR-EW-170, atribuiranim slikaru Kawakamiju Togaiju. Restaurirane umjetnine specifičnih karakteristika i slož

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Li, Youjia. "The Flowing Chō : Cart Transportation and the Redefinition of Japan's Early Modern Urban Space." Journal of Japanese Studies 50, no. 1 (2024): 3–36. http://dx.doi.org/10.1353/jjs.2024.a918581.

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Abstract: This article proposes a reinterpretation of the meaning and function of the basic sociospatial unit of the early modern Japanese city, the chō . It argues that chō is best understood not as a fixed unit of space but as a conception that could expand, change, and even move. Takanawa-chō, a peripheral area south of Edo, was transformed into the gateway to the city by its association with the transportation industry. The dynamic movement of this particular "flowing chō " not only reflected but also drove the socioeconomic transformation of the city throughout the Tokugawa period and int

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Bastos Calazans, Erika Louise. "A construção do Direito Internacional como disciplina jurídica no Japão sob a influência eurocêntrica: da era Edo (1603-1868) à era Showa (1926-1989)." Seqüência: Estudos Jurídicos e Políticos 38, no. 77 (2017): 89–120. http://dx.doi.org/10.5007/2177-7055.2017v38n77p89.

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O presente ensaio tem por escopo apresentar um estudo panorâmico acerca dos matizes teóricos que construíram a ciência do direito internacional ao longo do processo de formação do Estado do Japão. O recorte temporal da pesquisa vai de Edo a Showa e divide-se em duas partes. Na primeira, esboça em linhas gerais a introdução da disciplina no país, ainda no período feudal (Era Edo), com seu rápido crescimento no período seguinte. Na Era Meiji, o Japão sustentou ter alcançado o status de “nação civilizada” alegando ter realizado o estrito cumprimento do direito internacional em suas relações estra

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Kawata, Atsuko, and Tokio Kato. "Life history of Naito Masu: a female pioneer of women’s education in Yamanashi Prefecture in the early Meiji Period." Revista Brasileira de Pesquisa (Auto)biográfica 4, no. 12 (2019): 879–92. http://dx.doi.org/10.31892/rbpab2525-426x.2019.v4.n12.p879-892.

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Naito Masu (1823~1901) was the first woman who advocated publicly the necessity of education for women; she did so in early Meiji period (1870’s) in Yamanashi Prefecture. In the Edo period, it was said that women did not need to study for a long time; therefore her achievement of founding a women’s private school and publishing a textbook regarding moral education for women were epoch making activities in the women’s education in Japan. This paper presents Masu’s life history and the process of development, because she is considered a woman who was sensitive to the gap between the education fo

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Mitsuhira, Yuki. "Shūzō Kure’s essay on psychotherapy including music in twentieth-century Japan (1916)." History of Psychiatry 33, no. 3 (2022): 364–73. http://dx.doi.org/10.1177/0957154x221098517.

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This study offers a historical introduction to psychiatry and music therapy in Japan in the late nineteenth and early twentieth centuries, followed by English translations of related excerpts from Shūzō Kure’s Psychotherapy (1916). Music was used as preventive healthcare during the Edo period (1603–1867). This continued into the Meiji period (1868–1912), when European music was also employed by psychiatrists alongside traditional Japanese songs. Kure (1865–1932) is known as the father of Japanese psychiatry and his work best illustrates the links between music and psychiatry in Japan at the tu

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Aoki, Haruo. "A Study on the maintenance of the Tatumi channel during Edo and Meiji eras." HISTORICAL STUDIES IN CIVIL ENGINEERING 10 (1990): 85–91. http://dx.doi.org/10.2208/journalhs1990.10.85.

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TSUKAMOTO, AKIRA. "2. Characteristics of shima local Ama fishery in the Edo period and Meiji period." NIPPON SUISAN GAKKAISHI 80, no. 2 (2014): 260. http://dx.doi.org/10.2331/suisan.80.260.

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Guth, Christine M. E. "Cultivating Femininity: Women and Tea Culture in Edo and Meiji Japan by Rebecca Corbett." Journal of Japanese Studies 46, no. 1 (2020): 276–79. http://dx.doi.org/10.1353/jjs.2020.0037.

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SHIMOMURA, Akio. "Study on Space-Structure of the Hot-spring Resort in Edo and Meiji Era." Journal of the Japanese Institute of Landscape Architects 52, no. 5 (1988): 223–28. http://dx.doi.org/10.5632/jila1934.52.5_223.

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Barbara Ambros. "Clerical Demographics in the Edo-Meiji Transition: Shingon and Tōzanha Shugendō in Western Sagami." Monumenta Nipponica 64, no. 1 (2009): 83–125. http://dx.doi.org/10.1353/mni.0.0049.

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Hellyer, Robert. "Cultivating Femininity: Women and Tea Culture in Edo and Meiji Japan by Rebecca Corbett." Monumenta Nipponica 75, no. 1 (2020): 135–37. http://dx.doi.org/10.1353/mni.2020.0006.

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ORBACH, Danny. "Pure Spirits: Imperial Japanese Justice and Right-Wing Terrorists, 1878–1936." Asian Studies 6, no. 2 (2018): 129–56. http://dx.doi.org/10.4312/as.2018.6.2.129-156.

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Why was the legal system in 1930s Japan so friendly to right-wing offenders, even when they tried to assassinate leading statesmen and generals? The answer is intertwined with a cultural narrative defined here as “subjectivism”, that assigned vital importance to a criminal’s subjective state of mind when evaluating his or her transgressions. Though influenced by Western thought, this narrative was indigenous to Japan. It originated in the late Edo period, shortly prior to the establishment of the Meiji State in 1868, under specific historical circumstances and was later reinforced by the polic

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Tsukahara, Yasuko. "State Ceremony and Music in Meiji-era Japan." Nineteenth-Century Music Review 10, no. 2 (2013): 223–38. http://dx.doi.org/10.1017/s1479409813000244.

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The music culture of Japan following the Meiji Restoration of 1868 is characterized by the coexistence and interdependent development of three types of music: (1) traditional music passed down from the Edo period (1603–1867) as exemplified by gagaku (court music); (2) the Western music that entered the country and became established after it was opened to the outside world; and (3) modern songs that were the first to be created in East Asia, such as shōka and gunka (school and military songs). These three types of music each played the role required of them by the Meiji state, and they became

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Itoh, Takashi, Katsuhiro Magaribuchi, and Kazuo Mitsui. "A Study on Slnice: Wooden Sluices in Edo Era and Brick Sluices in Meiji Era." HISTORICAL STUDIES IN CIVIL ENGINEERING 16 (1996): 507–16. http://dx.doi.org/10.2208/journalhs1990.16.507.

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Prischmann-Voldseth, Deirdre A. "Fireflies in Art: Emphasis on Japanese Woodblock Prints from the Edo, Meiji, and Taishō Periods." Insects 13, no. 9 (2022): 775. http://dx.doi.org/10.3390/insects13090775.

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Examining how insects are represented in artwork can provide insight into people’s perceptions and attitudes towards arthropods, as well as document human–insect interactions and how they change through time. Fireflies are well-known bioluminescent beetles (Coleoptera: Lampyridae) of great cultural significance, especially in Japan. A selection of online museum collections, art databases, and dealer websites were used to find artwork featuring fireflies, with an emphasis on Japanese ukiyo-e wood block prints from the Edo, Meiji, and Taishō time periods (1600–1926). Quotes from early twentieth

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TERASHIMA, Keiichi, and Nobuo EBINA. "A Note on the Typical Attitude to the Electroplating in the Late Edo-Meiji Period." Journal of the Surface Finishing Society of Japan 45, no. 5 (1994): 554–60. http://dx.doi.org/10.4139/sfj.45.554.

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KAMBAYASHI, Midori, Mamoru AMEMIYA, Makoto YOKOHARI, and Masaki FUJIKAWA. "The Use of Temple Gardens in Edo Era and Their Transformation Processes During Meiji Era." Journal of The Japanese Institute of Landscape Architecture 71, no. 5 (2008): 463–68. http://dx.doi.org/10.5632/jila.71.463.

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NOMA, Takeshi, and Naoto YABE. "Creating land use maps of Tokyo in the late Edo, early Meiji, and Taisho periods." Theory and Applications of GIS 30, no. 1 (2022): 19–26. http://dx.doi.org/10.5638/thagis.30.19.

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Avdakov, Igor Yu. "ROADS IN JAPAN OF TOKUGAWA AND MEIJI PERIODS." Journal of the Institute of Oriental Studies RAS, no. 1 (19) (2022): 113–18. http://dx.doi.org/10.31696/2618-7302-2022-1-113-118.

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The article covers socio-economic and cultural-domestic peculiarities of land transport routs functioning in Japan for more than three hundred years. In ancient times the development features of Japanese railroads were determined primarily by natural geographic factors. Early feudal period roads were used to transmit information, to deliver taxes, to transport people and goods, as well as for the transportation of troops purposes. Pilgrimage to holy places and annual trips of big feudal lords, accompanied by servants and cargo and heading to the supreme ruler in Edo added to these functions in

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Alessio, Lorena. "Public open space design in Tokyo urban environment: a historical overview." TERRITORIO, no. 91 (June 2020): 138–47. http://dx.doi.org/10.3280/tr2019-091014.

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This article questions how the making of public open space have been changing in Tokyo. It identifies specificities of urban fabric and open spaces in Edo, the former Tokyo. It questions how the making of public open space was influenced by Western style and approach in Meiji period (1868-1912). And, how in 1990s Privately Owned Public Spaces (pops) changed public open space design in its scale, quantities and qualities. Specifically, the paper looks at: (a) gathering spaces in Tokyo traditional urban fabric; (b) how first parks were inspired by Western landscape design; (c) when plazas starte

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Pons, Philippe. "Ordre marginal dans le Japon moderne (17e-20e siècle). Les voyous canalisateurs de l'errance." Annales. Histoire, Sciences Sociales 51, no. 5 (1996): 1155–78. http://dx.doi.org/10.3406/ahess.1996.410909.

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L'histoire moderne du Japon illustre des tentatives de maîtrise des espaces sociaux liminaires par des dispositifs indirects de contrôle complétant les pratiques plus courantes de surveillance, répression et enfermement. Les autorités délèguent de facto le maintien de l'ordre social marginal à certains éléments des basses couches de la société, investissant en particulier la « voyouterie » d'une mission d'encadrement extra-légal d'une population flottante dans laquelle le misérable côtoie le vagabond ou le bandit, plus tard le chômeur ou le laissé-pour-compte du monde moderne. De tels mécanism

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Cordaro, Madalena Natsuko Hashimoto. "Uma Leitura Erótica de Sôseki." Estudos Japoneses, no. 38 (August 9, 2017): 9–24. http://dx.doi.org/10.11606/issn.2447-7125.v0i38p9-24.

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Pensar numa leitura das obras literárias de Sôseki que explore aspectos eróticos parece, num primeiro sentido, um contrasenso, já que em nenhum aspecto se revelam as punções claramente assim expressadas, ao contrário do que ocorre na escrita de seu contemporâneo Mori Ôgai (especialmente em Vita sexualis). De fato, a nova ordem social do período Meiji coloca no ostracismo as formas abertas dos relacionamentos da paixão que haviam sido até então sobejamente cultivados, seja no conceito de irogonomi do período Heian (794-1192), seja em sua retomada paródica como kôshoku centrada em Edo (1603-1878

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Xiang, Wei. "Shaka Goichidaiki Zue: Vernacularization and Visualization of Buddha’s Biography in Nineteenth-Century Japan." Religions 15, no. 1 (2024): 99. http://dx.doi.org/10.3390/rel15010099.

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Since the appearance of Buddha, texts and images depicting his life have circulated across Eurasia, serving as significant mediums for disseminating Buddhist ideology. Japan has historically been influenced by the canon of Chinese Buddhism while concurrently striving to promote the indigenization of Buddhism. This endeavor reached its peak during the Edo period, notably exemplified in the Shaka goichidaiki zue, illustrated by the world-renowned artist Hokusai Katsushika. Originating from Buddhist believers, it presents an adaptation based on the socio-historical context of pre-modern Japan, pa

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