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Thèses sur le sujet « Elizabeth Poets »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 7 février 2022

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1

Marshall, Christine. "Elizabeth Bishop's revisionary eye /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1420938.

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2

Dowd, Ann Karen. "Elizabeth Bishop: her Nova Scotian origins and the portable culture of home." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31238427.

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3

Swyderski, Ann. "Emily Dickinson and Elizabeth Barrett Browning : 'the outer - from the inner/derives its magnitude'." Thesis, University of Exeter, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323984.

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4

Olsen, Elena Brit. ""Alone I climb the craggy steep" : literary ambition and metaphysical identity in eighteenth-century women's poetry /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/9337.

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5

Yegenoglu, Dilara. "Elizabeth Barrett Browning: Quest for the Father." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279212/.

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This dissertation explores Elizabeth Barrett's dependency on the archetypal Victorian patriarch. Chapter I focuses on the psychological effects of this father-daughter relationship on Elizabeth Barrett. Chapter II addresses Barrett's acceptance of the conventional female role, which is suggested by the nature and the situation of the women she chooses to depict. These women are placed in situations where they can reveal their devotion to family, their capacity for passive endurance, and their wish to resist. Almost always, they choose death as an alternative to life where a powerful father fig

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6

Baldock, Sophie. ""A correspondence is a poetry enlarged" : Robert Duncan, Elizabeth Bishop, Amy Clampitt and post-War poets' letters." Thesis, University of Sheffield, 2016. http://etheses.whiterose.ac.uk/16716/.

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This thesis explores the work of three post-war American poets—Robert Duncan, Elizabeth Bishop and Amy Clampitt—for whom the practice of letter writing was already a disappearing art. In placing these poets and their letters side-by-side, the thesis makes connections between poets who have previously been seen as inhabiting different and largely discrete poetic spheres. The thesis intervenes in the growing field of epistolary scholarship, extending and amending the findings of previous critics who have observed the close relationship between letters and poems. It challenges a recent critical e

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7

Blackmore, Sabine. "In soft Complaints no longer ease I find." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät II, 2015. http://dx.doi.org/10.18452/17176.

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Diese Dissertation untersucht die verschiedenen Konstruktionen poetischer Selbstrepräsentationen durch Melancholie in Gedichten englischer Autorinnen des frühen 18. Jahrhunderts (ca. 1680-1750). Die vielfältigen Gedichte stammen von repräsentativen lyrischer Autorinnen dieser Epoche, z.B. Anne Wharton, Anne Finch, Elizabeth Singer Rowe, Henrietta Knight, Elizabeth Carter, Mary Leapor, Mary Chudleigh, Mehetabel Wright und Elizabeth Boyd. Vor einem ausführlichen medizinhistorischen Hintergrund, der die Ablösung der Humoralpathologie durch die Nerven und die daraus resultierende Neupositionierung

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8

Soalt, Jennifer. "A New Topography: Elizabeth Bishop's Late Poems." Oberlin College Honors Theses / OhioLINK, 1985. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1396537622.

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9

Londry, Michael. "The poems of Elizabeth Tollet : a critical edition." Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.417609.

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10

Woodworth, Elizabeth Deloris. "Poems before Congress by Elizabeth Barrett Browning a critical edition /." Fort Worth, Tex. : Texas Christian University, 2007. http://etd.tcu.edu/etdfiles/available/etd-04272007-155039/unrestricted/woodworth.pdf.

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11

fazlollahi, Afag S. "Elizabeth Carter's Legacy: Friendship and Ethics." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_diss/69.

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"Elizabeth Carter's Legacy: Friendship and Ethics" examines the written evidence about the relationships between Elizabeth Carter and her father, Dr. Nocolas Carte; Catherine Talbot; Sir William Pulteney (Lord Bath); and Samuel Johnson to explain how intellectual and personal relationships may become the principal ethical sdource of human happiness. Based on their own set of moral values, such as intellectual and individual liberty and equality, the relationships between Carter and her friends challenged eighteenth-century traditional norms of human relationships. The primary source of this st

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12

Wörn, Alexandra Margret Belinda. "Woman-poet as theological : a study of Elizabeth Barrett Browning." Thesis, University of Cambridge, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.614368.

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13

Woolley, Anne. "Dualisms and balances of power : contextualizing the poems of Elizabeth Siddal." Thesis, Keele University, 2014. http://eprints.keele.ac.uk/383/.

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Existing studies of Elizabeth Siddal are largely biographical and this has coloured the presently limited analysis of her poetry, and to a lesser extent, her art. Where poetic and artistic commentary has been published, it tends to be used as a means of exploring her persona, her work merely forming an illustrative adjunct to a faintly scandalous narrative. This dissertation separates Siddal’s verse from her physical presence and considers it in the contemporary critical context of the ongoing retrieval and re-evaluation of nineteenth- century women’s poetry. More significantly, it considers t

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14

Vezile, Cikizwa Aretha. "Performance management at transnet national ports authority Port Elizabeth: the role of human resources." Thesis, Nelson Mandela Metropolitan University, 2010. http://hdl.handle.net/10948/1105.

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At Transnet National Ports Authority (TNPA), disagreement existed in terms of the role of human resources in performance management, which resulted in different role expectations and perceptions, often leading to conflict. An overview of existing literature reviewed that performance management was mostly presented from the view of line management, and that the role of human resources was not well defined. The purpose of this study was therefore to clarify the role of human resources in performance management, and with specific application at Transnet National Ports Authority. The purpose of pe

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15

Clucas, S. "Giodano Bruno's 'Degli Eroici Furori' and Elizabethan poets in the context of sixteenth-century Italian Petrarch-commentaries." Thesis, University of Kent, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.380613.

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16

Scarsi, Selene. "Translating women : female figures in Elizabethan versions of three Italian Renaissance epic poems." Thesis, University of Hull, 2007. http://hydra.hull.ac.uk/resources/hull:16868.

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17

Mbunge, Sindiswa Marcia. "A critical analysis of organizational communication in South African Port Operations, Port Elizabeth Division." Thesis, Nelson Mandela Metropolitan University, 2007. http://hdl.handle.net/10948/562.

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The study is set out to analyze organizational communication at South African Port Operations (SAPO), Port Elizabeth. The analysis was based on the four formal flows of communication in an organization, which are upward communication, downward communication, horizontal communication and diagonal communication. The study was also meant to provide suggestions on how to improve communication at SAPO, Port Elizabeth especially with regard to the above mentioned flows. The literature review looked at the four different flows of communication which occurs in the organization. From the review, one ca

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18

Lyne, Raphael. "Studies in English translation and imitation of Ovid, 1567-1609." Thesis, University of Cambridge, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368503.

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19

Rowe, Martha L. 1953. "A poet revealed: Elizabeth Barrett Browning as portrayed in Libby Larsen's "Sonnets from the Portuguese" and Dominick Argento's "Casa Guidi"." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/290604.

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Composers Libby Larsen and Dominick Argento have each written song cycles based on the texts of Elizabeth Barrett Browning. Larsen's Sonnets from the Portuguese, for soprano and chamber orchestra, is a setting of six of the forty-four poems from Browning's amatory sequence of the same name. Argento's Casa Guidi, for mezzo-soprano and orchestra, is a setting of excerpts from letters written by Browning, primarily to her sister Henrietta, during her years in Florence. This study examines the two composers' images of Browning, and how those images are portrayed through choice of text and musical

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20

Lied, Justina Inês Faccini. "Emily Dickinson in her private bubble : poems, letters and the condition of presence." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2008. http://hdl.handle.net/10183/15307.

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The aim of this thesis is to show that Emily Dickinson was not concerned with the publication of her poems and she herself decided to withdraw from the outside world, a decisive event which contributed to the original production of her almost eighteen hundred poems and over eleven hundred letters. Emily Dickinson withdrew into her untouched private world – which here is called “the bubble” – and developed the contemplation process based on the approach of apprehending perceptions which resulted in the instant captions that have enchanted readers. Since her withdrawal was as a result of her own

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21

MacFarlane, Samantha. ""Poem[s] of a new class": women poets and the late Victorian verse novel." Thesis, 2019. http://hdl.handle.net/1828/10807.

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Because of its importance in the history of the verse novel and the history of women’s writing, Elizabeth Barrett Browning’s Aurora Leigh (1856) has overshadowed the works of other female verse novelists in Victorian studies scholarship. By focusing on non-canonical works by four understudied women poets writing in the late nineteenth century— Augusta Webster’s “Lota” (1867), Violet Fane’s Denzil Place: A Story in Verse (1875), Emily Pfeiffer’s The Rhyme of the Lady of the Rock, and How It Grew (1884), and Emily Hickey’s “Michael Villiers, Idealist” (1891)—this dissertation expands our underst

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22

Schutte, Susanna Elizabeth. "Uitbeelding van die dood in die digkuns van Elizabeth Eybers, Olga Kirsch en Eveleen Castelyn." Thesis, 2004. http://hdl.handle.net/10500/1871.

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Since earliest times death has been an important and always actual theme in the arts. The point of departure of this thesis is to examine the portrayal of the ”discourse of and about death” in the poems of three women poets, namely Elisabeth Eybers, Olga Kirsch and Eveleen Castelyn. Various aspects of death thematics are considered and, from a formal perspective, the presence and absence of traditional forms concerning death, such as the ”obituary poem”, the ”elegy”, the ”dirge” and the ”threnody” are investigated. The research plan and the development of the study are dealt with in chapt

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23

Fazlollahi, Afag S. "Elizabeth Carter's Legacy: Friendship and Ethics." 2011. http://scholarworks.gsu.edu/english_diss/69.

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"Elizabeth Carter's Legacy: Friendship and Ethics" examines the written evidence about the relationships between Elizabeth Carter and her father, Dr. Nocolas Carte; Catherine Talbot; Sir William Pulteney (Lord Bath); and Samuel Johnson to explain how intellectual and personal relationships may become the principal ethical sdource of human happiness. Based on their own set of moral values, such as intellectual and individual liberty and equality, the relationships between Carter and her friends challenged eighteenth-century traditional norms of human relationships. The primary source of this st

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24

Chi-Kang, Jian. "The Subversive Strategy of Transgression in Elizabeth Bishop's poems." 2005. http://www.cetd.com.tw/ec/thesisdetail.aspx?etdun=U0021-2004200716361841.

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25

Jian, Chi-Kang, and 簡志剛. "The Subversive Strategy of Transgression in Elizabeth Bishop's poems." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/34020095896928484598.

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碩士<br>國立臺灣師範大學<br>英國語文學系<br>94<br>This thesis focuses on the analysis and exploration of the prominent American poet, Elizabeth Bishop’s works. Intriguingly, Bishop has been overwhelmingly obsessed with the power of subversion as a poet as we witness how she regards her poetics as a locus of transgressive power. In fact, we can hardly find any poet whose works have been so prevalent with the theme of transgression in both poetic and intellectual endeavors. Moreover, Bishop’s own life can be viewed as a representation of transgression in herself as well. In this sense, the poet’s own life topog

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26

"Poems Before Congress By Elizabeth Barrett Browning: A Critical Edition." Texas Christian University, 2007. http://etd.tcu.edu/etdfiles/available/etd-04272007-155039/.

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27

Yin-Hsin, Chang, and 張尹馨. "Poems and Interpretation of Dominick Argento’s Six Elizabethan Songs." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/65742477268398172405.

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碩士<br>國立臺灣師範大學<br>表演藝術研究所<br>102<br>Dominick Argento (b. 1927) is one of the most distinguished vocal composers in America in the twentieth-century. His song cycle “Six Elizabethan Songs” was commissioned by tenor Nicholas Di Virgilio and written for high voice and piano in 1958. Argento selected six lyric poems from five Elizabethan poets’ works, and used diverse compositional methods to express the text. This set of songs continues to be one of his most popular vocal works. This paper will discuss the following topics: an overview of American art song in the twentieth-century, the biography

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28

Kearns, Judith. "Poet and lover : rhetorical stance in the Elizabethan sonnet sequence." 1987. http://hdl.handle.net/1993/28807.

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29

Yang, Shu-lan, and 楊淑蘭. "If It Be an Embroidered Nature, a Tapestried Landscape: The Mimesis and its Limits in Elizabeth Bishop's Nature Poems." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/67682255911618341948.

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碩士<br>國立臺灣大學<br>外國語文學系研究所<br>90<br>-Abstract- The purpose of the thesis is to reexamine Elizabeth Bishop’s treatment of nature in the context of her tradition so as to testify her renovations of this ancient subject matter. Though the poet used to position herself along the line of Romanticism and American Transcendentalism, a revolt of poetic language is implicitly launched in her artistic practice. The subversion is essentially motivated by her doubt over the limits of human perception in connecting the reality and representation. Following the Western epistemology to view nat

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30

Cellon, Cheryl Denyse Hoekman Timothy Harbison John Harbison John Harbison John. "A performance guide to selected song cycles of John Harbison North and south (six poems of Elizabeth Bishop), Simple daylight, and Flashes and illuminations /." Diss., 2006. http://etd.lib.fsu.edu/theses/available/etd-11132006-230310/.

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Treatise (D.M.A.) Florida State University, 2006.<br>Advisor: Timothy Hoekman, Florida State University, College of Music. Title and description from dissertation home page (viewed 7-17-07). Document formatted into pages; contains 81 pages. Includes biographical sketch. Includes bibliographical references.

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