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Articles de revues sur le sujet « Empressses »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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1

Johnson, Scott. "EASTERN EMPRESSES." Classical Review 53, no. 1 (2003): 186–87. http://dx.doi.org/10.1093/cr/53.1.186.

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KUMANDAŞ, Hacer. "İmparatoriçe Tasvirli Roma Sikkeleri Işığında, İmparatoriçelerin Saç ve Takı Tasarımı." International Journal of Social Sciences 7, no. 31 (2023): 196–232. http://dx.doi.org/10.52096/usbd.7.31.11.

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The function of the empress depictions on the coins is to both introduce the empress and show the power of the empire with her magnificent clothes, jewelry and hair designs. Every empress, who have a unique style, reflects the prestige and weight of their position with their hair and jewelry designs. There are also empresses who prefer a very simple hairstyle. The depictions in the portraits of the empresses used on the face of these coins are first-hand sources that provide information about the hairdo models, diadems and jewelry of the empresses. The coins in question in this study are tried

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Kim, Yong Hwan. "A Study on the Background of Russian Empresses in the 18th Century." East European and Balkan Institute 46, no. 4 (2022): 3–26. http://dx.doi.org/10.19170/eebs.2022.46.4.3.

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The purpose of this article is to investigate the background that many women became empresses in Russia in the 18th century. The most important motive of empresses’ appearances after Peter I’s death might be ‘the decree on the succession of the throne’ announced in 1722. The essences of this decree were to discard the custom of power succession according to the existing rank of immediate male family and to prescribe that monarch could appoint the successor regardless of the rank or gender upon his own determination. However, Peter I died without execution of the emperor’s right that this law d

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Mellette, Justin. "Of Empresses and Indians." F. Scott Fitzgerald Review 12, no. 1 (2014): 108–23. http://dx.doi.org/10.5325/fscotfitzrevi.12.1.108.

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Mellette. "Of Empresses and Indians." F. Scott Fitzgerald Review 12, no. 1 (2014): 108. http://dx.doi.org/10.5325/fscotfitzrevi.12.1.0108.

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Xiaojie, Li. "A Study on the Translation of the Subtitles of Empresses in the Palace." MODERN VECTORS OF SCIENCE AND EDUCATION DEVELOPMENT IN CHINA AND UKRAINE, no. 10 (October 2024): 145–52. https://doi.org/10.24195/2414-4746-2024-10-15.

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Film and television works are one of the ways of cultural dissemination. In recent years, Chinese costume films and dramas have been imported into foreign countries, bringing characteristic Chinese culture to foreign audiences. Among these works, Empresses in the Palace not only has a rich storyline, but also its lines full of literary color and traditional culture are extremely impressive. Foreign film and television producers have rewritten Empresses in the Palace and reduced it to six episodes, which successfully went to the North American market. In the process of dissemination, the transl

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Rowan, Clare. "THE PUBLIC IMAGE OF THE SEVERAN WOMEN." Papers of the British School at Rome 79 (October 31, 2011): 241–73. http://dx.doi.org/10.1017/s0068246211000031.

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Coinage remains one of the best resources from which to gain an insight into the public image of empresses in the Roman Empire. This article employs a quantitative approach to the coinage of the Severan women, utilizing coin hoards to gain an idea of the frequency of particular coin types. The result offers a nuanced and contextual assessment of the differing public images of the Severan empresses and their role within wider Severan ideology. Evidence is presented to suggest that in this period there was one workshop at the mint dedicated to striking coins for the empresses. The Severan women

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Xie, Ying. "A descriptive study on Chinese-English subtitling of extralinguistic culture-bound references in Empresses in the Palace." FORUM / Revue internationale d’interprétation et de traduction / International Journal of Interpretation and Translation 19, no. 2 (2021): 181–210. http://dx.doi.org/10.1075/forum.20022.xie.

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Abstract The American version of Empresses in the Palace (《甄嬛传》) can be seen as a representative example of Chinese-to-English subtitled ancient costume drama, and an effective source of study as to how Extralinguistic Culture-bound References (ECRs) (Pedersen, 2005, 2011) in the source-language subtitles can emphasize and embody the essence of ancient Chinese culture. Based on Pedersen’s (2005, 2011) theory of the Transculturality level of ECRs and through statistical as well as textual analysis, this paper aims to conduct a descriptive study of extralinguistic culture-bound references (ECRs)

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Peers, Glenn. "Empresses and power in early Byzantium." Byzantine and Modern Greek Studies 28, no. 1 (2004): 166–69. http://dx.doi.org/10.1179/byz.2004.28.1.166.

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10

Chepurov, A. A. "Theatre and Spectacles Under Russian Empresses." Problems of the theatre, no. 3-4 (2024): 206–11. https://doi.org/10.51678/0507-3952-2024-3-4-206-211.

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Review of the book by L.M. Starikova Theatrical Life in Russia: A Documentary Chronicle. 1730–1761, which consists of 3 volumes and was published in Moscow (1996–2023). The author draws attention to the (without exaggeration!) act of heroism in theatre studies, accomplished by Lyudmila Starikova in her research, as she published and analysed documents from the history of Russian theatre of the 18th century. The author of the article, reviewing the book, considers it in the broad context of the tradition of theatre understanding in Russia and theatre studies, concluding that the titanic work in

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11

Lipich, Vasiliy, and Olga Gudova. "Gender aspect authorities on the example of the independent management Russian empresses." SHS Web of Conferences 72 (2019): 03015. http://dx.doi.org/10.1051/shsconf/20197203015.

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The article deals gender aspect authorities on the example of the independent management Russian empresses. They rule almost throughout eighteenth century. It was unusual for the Russian Empire. The man has always been at the head of the state. Woman led a private lifestyle. Self-expression was possible only in a religious orientation. Women's rule has not changed the general position of women in power. The position of women in society is changed slightly. One of the achievements of the reign of empress becomes the development of culture. Architecture and music are undergoing development. Impe

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12

Smith, R. R. R. "Roman Portraits: Honours, Empresses, and Late Emperors." Journal of Roman Studies 75 (November 1985): 209–21. http://dx.doi.org/10.2307/300662.

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13

Lepekhova, Elena. "Two Asian Empresses and Their Influence on the History and Religion in Tang China and Nara Japan (VII-VIII cc.)." Studies in Asian Social Science 4, no. 2 (2017): 20. http://dx.doi.org/10.5430/sass.v4n2p20.

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The main issue of this paper is the role of two empresses: Chinese Wu Zhao (624-705) and Japanese Koken (Shotoku,718-770) in the history and religion in China and Japan. Both female rulers took Buddhist percepts and patronized theBuddhist Sangha in order to legitimate their power. As the female rulers in the mostly patriarchal society, both WuZhao and Koken had numerous enemies among the formidable court officials and influential families who opposedtheir rule. Therefore, they both used various auspicious signs and omens as the calculated political tools to secure theirposition. In various doc

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14

Su, Jinze. "Research on Analysis and Optimization Strategies of Empresses in the Palace." Highlights in Business, Economics and Management 28 (April 9, 2024): 89–97. http://dx.doi.org/10.54097/7jpd3162.

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This research delves into the intricacies of marketing strategies employed for the Chinese historical drama series “Empresses in the Palace." This study reveals vital insights through a comprehensive analysis of the existing marketing approaches and the unique challenges the historical drama genre poses. The “Empresses in the Palace” marketing strategies demonstrated innovation and creativity against intense competition within the historical drama landscape. Bridging the historical-contemporary gap and sustaining viewer engagement emerged as prominent challenges. This research has proposed var

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15

Ebrey, Patricia. "Empresses, Art, and Agency in Song Dynasty China." Harvard Journal of Asiatic Studies 71, no. 2 (2011): 404–9. http://dx.doi.org/10.1353/jas.2011.0020.

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16

Sivan, Hagith. "Representations of Early Byzantine Empresses: Image and Empire." History: Reviews of New Books 31, no. 3 (2003): 122. http://dx.doi.org/10.1080/03612759.2003.10527603.

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Borowiak, Tim, Marilyn T. Liwag, Deborah McFarland, and Jeanne Roelant. "Permanent Charge Nurses: Empresses of Time and Space." Journal of PeriAnesthesia Nursing 28, no. 3 (2013): e6-e7. http://dx.doi.org/10.1016/j.jopan.2013.04.019.

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18

de Pee, Christian. "Empresses, Art, and Agency in Song Dynasty China." NAN NÜ 13, no. 2 (2011): 348–51. http://dx.doi.org/10.1163/156852611x602656.

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19

Holum, Kenneth G. "Empresses and Power in Early Byzantium. Liz James." Speculum 78, no. 4 (2003): 1324–26. http://dx.doi.org/10.1017/s0038713400100983.

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20

LÓPEZ GÓMEZ, Helena. "Las últimas emperatrices julio-claudias: estudio de sus imágenes públicas." STUDIA ANTIQUA ET ARCHAEOLOGICA 28, no. 2 (2022): 354–84. http://dx.doi.org/10.47743/saa-2022-28-2-7.

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Despite the importance they had in their time, many of the women of the Roman imperial families share a bad image that continues to this day. The pejorative description, present in the accounts of ancient historians, has made these female characters largely unintelligible and it is practically impossible to reach an objective conclusion about their true role in history. The present article aims to offer an analysis of the images of the last empresses of the Julio-Claudian dynasty. We will focus on the wives of Caligula, Claudius and Nero by analyzing the literary evidence we possess about them

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21

Yuhang, Li, and Harriet T. Zurndorfer. "Rethinking Empress Dowager Cixi through the Production of Art." Nan Nü 14, no. 1 (2012): 1–20. http://dx.doi.org/10.1163/156853212x651960.

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This essay commences with an overview of recent revisionist scholarship about Empress Dowager Cixi (1835-1908) who in her lifetime and thereafter gained a reputation as a formidable opponent of the modernization process in late Qing China. It reviews both past and present studies about the Empress’s political behavior, considers her changing image in more recent historical writing in and outside China, and then focuses on her interest in art and material culture. Discussion of the Empress’s involvement in drama, garden and palace decoration, fashion, and photography introduces the four article

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22

Lincoln, W. Bruce, and Donald J. Raleigh. "The Emperors and Empresses of Russia: Rediscovering the Romanovs." Russian Review 56, no. 4 (1997): 597. http://dx.doi.org/10.2307/131575.

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23

Dawson, Ruth P. "Five Empresses: Court Life in Eighteenth-Century Russia (review)." Biography 29, no. 3 (2006): 497–500. http://dx.doi.org/10.1353/bio.2006.0055.

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24

Padoan, Amanda. "Gendering the Traces." International Journal of Student Research in Archaeology 3 (June 9, 2017): 68–74. https://doi.org/10.5281/zenodo.836229.

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About thirty years ago, archeologists began examining the archeological record through the lens of modern gender theory. Evolving symbiotically with feminism, the emerging discipline went on to generate innovative analysis. At the same time, gender archeology was playfully derided as “a new racket for the girls” and ridiculed for “the empresses’ lack of clothes” (Bahn, 1992:321).  The silence of the grave had never been more contentious.

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25

Image, Isabella. "“Hard to find another woman like her”: Constantine’s Empress Fausta." Classical World 117, no. 3 (2024): 309–38. http://dx.doi.org/10.1353/clw.2024.a928926.

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ABSTRACT: Discussion of the Empress Fausta, wife of Constantine, has in the past concentrated largely on theories about her death. This article follows current trends on Late Antique empresses by examining the clues about her life and activities. It demonstrates her role in helping Constantine assert his imperial legitimacy, and suggests an involvement in church affairs and patronage of buildings. In all, she had more visibility in the public sphere than she is often credited with.

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26

Williams, Anna. "Byzantine Empresses, Women and Power in Byzantium, AD 527–1204." Byzantine and Modern Greek Studies 24, no. 1 (2000): 290–91. http://dx.doi.org/10.1179/byz.2000.24.1.290.

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27

Brubaker, Leslie, and Helen Tobler. "The Gender of Money: Byzantine Empresses on Coins (324-802)." Gender History 12, no. 3 (2000): 572–94. http://dx.doi.org/10.1111/1468-0424.00201.

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28

Keller, Katrin. "Gender and Ritual: Crowning Empresses in the Holy Roman Empire*." German History 37, no. 2 (2018): 172–85. http://dx.doi.org/10.1093/gerhis/ghy097.

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娜, 非沙·伊拉木. "An Analysis of Untranslatability in the “Empresses in the Palace”." Modern Linguistics 12, no. 09 (2024): 567–72. http://dx.doi.org/10.12677/ml.2024.129826.

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Brubaker, Leslie. "Byzantine empresses: women and power in byzantium, AD 527–1204." Women's History Review 9, no. 1 (2000): 161–84. http://dx.doi.org/10.1080/09612020000200487.

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31

Ingrao, Charles W., and Andrew L. Thomas. "Piety and Patronage: The Empresses-Consort of the High Baroque." German History 20, no. 1 (2002): 20–43. http://dx.doi.org/10.1191/0266355402gh241oa.

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32

Dawson, Robert. "The Empress's Nose: A Parable, After Feynman." Journal of Humanistic Mathematics 10, no. 1 (2020): 544. http://dx.doi.org/10.5642/jhummath.202001.32.

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33

Petkovic, Sofija, Milica Tapavicki-Ilic, and Jelena Andjelkovic-Grasar. "A portrait oil lamp from Pontes: Possible interpretations and meanings within early Byzantine visual culture." Starinar, no. 65 (2015): 79–89. http://dx.doi.org/10.2298/sta1565079p.

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The subject of this paper is a fragmented oil-lamp, discovered at Pontes (east Serbia) dated to the 6th century, whose handle ending is shaped as a woman?s head. The question posed in this paper is whether the image of this woman could be identified as a portrait of some particular person or if it is just as a pictorial sign with some complicated symbolic meaning. The suggested identification alludes to the image of some of the empresses from the second half of the 6th century.

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34

DAI, Xiangxiang. "The translation of culture-loaded words in the subtitles of empresses in the palace: a Skopostheorie approach." Region - Educational Research and Reviews 6, no. 3 (2024): 248. http://dx.doi.org/10.32629/rerr.v6i3.1942.

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The main purpose of this paper is to explore the translation method of culture-loaded words in the subtitles of Empresses in the Palace from the perspective of Skopostheorie. In the translation of culture-loaded words in subtitles, the nature of the text should be taken into account first, and the characteristics and requirements of film and television subtitles should be satisfied. While translating, appropriate translation methods should be selected according to the translation purpose, such as transliteration, free translation, amplification and other translation methods.

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Balbuza, Katarzyna. "The Role of Imperial Women in the Monetary Distributions (Liberalitas) in Rome in the Light of Numismatic Sources." Studia Historiae Oeconomicae 37, no. 1 (2019): 5–24. http://dx.doi.org/10.2478/sho-2019-0002.

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Abstract Liberalitas was one of the most important forms of social activities of the Roman emperors. In quantitative terms, it is also one of the five most important imperial virtues. It appeared on coins as Liberalitas Augusti, which gave this virtue an additional, divine dimension. The first Empress to depict the idea of imperial generosity on the coins issued on her behalf was Julia Domna. In this respect, her liberalitas coins mark a breakthrough in the exposition of this imperial virtue. The well-known female liberalitas coin issues, or imperial issues with empresses’ portraits, date back

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36

Vladimirova-Aladzhova, Dochka. "THE CHARITY OF THE EMPRESSES FROM THE FIFTH CENTURY ACCORDING TO DATA FROM BULGARIA." Ukrainian Numismatic Annual, no. 6 (December 30, 2022): 169–80. http://dx.doi.org/10.31470/2616-6275-2022-6-169-180.

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The sources speak eloquently about the extreme charity of the empresses from 5th century. They built temples, orphanages and supported their work. Their mission was spread all over the empire, which is proved by the discovered coins of theirs. The golden coins which they donated not only supported the church financially, but also helped their activity in disseminating and establishing the Christian religion. The signs of Christ complement and in separate cases prevail over their pragmatic properties. The difference about the view about the role of the monetary units of the empresses is that th

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37

Tao, Ping, and Jie Qiong Hu. "Research on the External Characteristics & Binding Mechanism of the Environment Project." Applied Mechanics and Materials 268-270 (December 2012): 2058–61. http://dx.doi.org/10.4028/www.scientific.net/amm.268-270.2058.

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This paper analyses the problems of the positive externality and effects that externality has on resource configure efficiency. It deeply analyses externality problems from economics view that related to the sewage and garbage disposing projects. It suggests setting up restricting mechanism from both of the incentive mechanism and policy mechanism. It empresses the validity of policy restricting mechanism and environment protection governance policy and the governance policy of non-environment-protect-behavior, so as to establish an effective investment and financing economic policy and to abs

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Campbell, Sheila, and Lynda Garland. "Byzantine Empresses: Women and Power in Byzantium A. D. 527-1204." Phoenix 54, no. 3/4 (2000): 385. http://dx.doi.org/10.2307/1089084.

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Hwang, Kun, and Seong Kyung Yoo. "Eyebrow Shapes of Chinese Empresses of the Ming and Qing Dynasties." Journal of Craniofacial Surgery 29, no. 5 (2018): 1370–75. http://dx.doi.org/10.1097/scs.0000000000004498.

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40

Hillner, Julia. "Empresses, Queens, and Letters: Finding a ‘Female Voice’ in Late Antiquity?" Gender & History 31, no. 2 (2019): 353–82. http://dx.doi.org/10.1111/1468-0424.12427.

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Chen, Anne Hunnell. "Omitted Empresses: The (Non-)Role of Imperial Women in Tetrarchic Propaganda." Journal of Late Antiquity 11, no. 1 (2018): 42–82. http://dx.doi.org/10.1353/jla.2018.0012.

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Lee, De-nin D. "Empresses, Art, and Agency in Song Dynasty China (review)." China Review International 17, no. 2 (2010): 259–63. http://dx.doi.org/10.1353/cri.2010.0039.

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43

Li, Anqi, Yu Xie, and Xiaoyun Zhang. "The Female Tragedy in the TV Version "Empresses in the Palace"." Communications in Humanities Research 6, no. 1 (2023): 95–102. http://dx.doi.org/10.54254/2753-7064/6/20230123.

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The television drama 'Empresses in the Palace', which is adapted from the novel of the same name, has been popular since it was broadcast in 2012 and is the peak of the television drama about the struggle in ancient China's harem. Therefore, this essay makes a deep study of the tragedy embodied in this TV drama based on the text analysis. Starting with the main character Zhen Huan, this essay analyzes the story of the process that Zhen Huan gradually loses her friendship, love and kinship, and the tragedy caused by the failure of the struggle from a female perspective, after that, analyzing th

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Al-Rawahneh, Musallam R., and Vagner Carvalheiro Porto. "Roman Empresses’ Coins from a Private Collection: A Descriptive Archaeological Study." Archaeological Discovery 11, no. 02 (2023): 153–70. http://dx.doi.org/10.4236/ad.2023.112007.

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Kozlova, Anna A. "RELIGIOUS POLICY OF THE RUSSIAN EMPRESSES ANNA IOANNOVNA AND ELIZABETH PETROVNA." Prepodavatel XXI vek, no. 1-2 (2023): 244–53. http://dx.doi.org/10.31862/2073-9613-2022-4-244-253.

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Makhanko, Maria. "Veneration of the Holy Emperors and Empresses of Byzantium in Muscovite Rus’ According to the Attachments and Epigraphy of the Reliquaries of the 16th and 17th Centuries." ISTORIYA 12, no. 5 (103) (2021): 0. http://dx.doi.org/10.18254/s207987840015766-1.

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Old Russian reliquaries of the 16th and the 17th centuries, i. e. the Late Medieval era of emerging autocracy, are valuable historical sources and masterpieces of art. The appearance of certain relics is associated with the external contacts of medieval states and churches, reflecting various aspects of spiritual life of the time. Among the attachments to reliquaries, either preserved up to now or known from written sources, parts of relics of saint Emperors and Empresses of the 4th to the 10th centuries Byzantium are of special interest. The article attempts to collect information about such

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Yermolenko, Galina. "Roxolana: "The Greatest Empresse of the East"." Muslim World 95, no. 2 (2005): 231–48. http://dx.doi.org/10.1111/j.1478-1913.2005.00088.x.

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Charlotte Rosenthal. "The Emperors and Empresses of Russia: Rediscovering the Romanovs (review)." Biography 20, no. 3 (1997): 353–56. http://dx.doi.org/10.1353/bio.2010.0108.

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ULANOV, MERGEN S. "WOMEN IN THE HISTORY OF BUDDHIST CULTURE OF MEDIEVAL JAPAN." CASPIAN REGION: Politics, Economics, Culture 65, no. 4 (2020): 97–103. http://dx.doi.org/10.21672/1818-510x-2020-65-4-097-103.

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The article is devoted to the consideration of the role of women in the history of Buddhist culture in medieval Japan. The article examines the formation of the first female Buddhist monastic community in Japan. It is noted that the formation of the first Buddhist monastic community here was associated with women of Korean origin. A significant role in the institutionalization of Buddhism in Japan and its transformation into the dominant ideology was played by the Japanese empresses, who were impressed by the Buddhist approach to the religious status of women. The Japanese empresses actively s

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Liventsev, D. V. "Awards of Northern Europe in the State-legal Status of the Russian Ruling Dynasty." LENINGRAD LEGAL JOURNAL 1, no. 79 (2025): 100–112. https://doi.org/10.35231/18136230_2025_1_100.

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At various historical stages, pre-revolutionary Russia and the countries of Northern Europe were linked by complex foreign policy relations. However, the awarding of the highest insignia of Sweden, Denmark and Norway was an integral part of the state and legal status of the rulers of the Russian Empire. It should be noted that the awarding of the Orders of Northern Europe to Russian emperors and empresses confirmed the role of the Russian state in world politics as one of the leading world powers. The author identifies and characterizes the patterns of awarding Swedish, Danish and Norwegian hi

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