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Littérature scientifique sur le sujet « English Detectives »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 30 juillet 2024

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Articles de revues sur le sujet "English Detectives"

1

Suárez Lafuente, Socorro. "DESARROLLO DE LAS DETECTIVES EN LA LITERATURA CONTEMPORÁNEA." RAUDEM. Revista de Estudios de las Mujeres 1 (May 22, 2017): 167. http://dx.doi.org/10.25115/raudem.v1i0.572.

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ResumenLa novela de detectives es el marco idóneo para las características arquetípicas de las mujeres. Tradicionalmente las mujeres han sido culpadas por su curiosidad, atentas siempre a la vida de los demás; se les desea silenciosas y capaces de aguantar sin perder la calma los rigores de confinamientos prolongados. Paciencia, quietud y curiosidad construyen la perfecta detective, capaz de observar en las circunstancias más adversas a los sospechosos. En Inglaterra, donde surgieron las primeras detectives literarias, éstas han nacido prácticamente con el propio género policiaco. Se analiza s

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KOSOVETS, Marharyta V. "COMMUNICATIVE TACTICS MANIFESTING SELF-PRESENTATION STRATEGY IN ENGLISH DETECTIVE DISCOURSE." Мова, no. 37 (July 13, 2022): 89–94. http://dx.doi.org/10.18524/2307-4558.2022.37.261457.

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The present article reports on the study of the communicative strategy of self-presentation and the communicative tactics that manifest it in detective discourse. The analysis is based on the data from English detective novels. The object of the study is the characters’ speech: the detective’s interrogation of witnesses and suspects. The scope of the study is the communicative tactics of self-presentation as the means of influencing the suspect in order to obtain the necessary information to solve the crime. The purpose is cognitive and pragmatic analysis of the communicative tactics applied b

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Narayan, Niketa G. "THE PERSISTENCE OF THE BRAHMIN PRIESTS IN WILKIE COLLINS'STHE MOONSTONE." Victorian Literature and Culture 45, no. 4 (2017): 783–800. http://dx.doi.org/10.1017/s1060150317000213.

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When T. S. Eliotfamously called Wilkie Collins's 1868 novelThe Moonstone“the first, the longest, and the best of modern English detective novels” (The Moonstone1966, v), the implication, presumably, was that the “detectives” are the hero Franklin Blake and other English characters who carry out the detective function, such as the family lawyer, Mr. Bruff. In addition to a detective story, the novel has been read variously as imperialist, anti-imperialist, a narrative invested with economic undertones, and as an exploration of gift theory, among others. In all these iterations, however, the und

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Knight, Stephen. "Detection and Gender in Early Crime Fiction: Mrs Bucket to Lady Molly." Crime Fiction Studies 3, no. 2 (2022): 89–105. http://dx.doi.org/10.3366/cfs.2022.0068.

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Crime fiction is often mistakenly held to be based on books and male detection. In fact, in the nineteenth century periodicals were a major mode of publication and from the mid-century on women inquirers played a recurring role in the developing genre, while most early male detectives were, by later standards, distinctly under-gendered. Chambers’s Edinburgh Journal was a major early source; by the 1860s, female detectives were being created by male writers and in Bleak House (1852–53), Dickens gave Inspector Bucket’s wife distinct inquiring capacities. The major Australian author Mary Fortune

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Bennett, Kirsty. "The media as an investigative resource: reflections from English cold-case units." Journal of Criminal Psychology 10, no. 2 (2020): 145–66. http://dx.doi.org/10.1108/jcp-02-2020-0009.

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Purpose The use of the media in live cases has been explored in terms of its use and value to an investigation. However, it is unclear as to whether engaging with the media in cold-case investigations results in a positive or negative reception, and what impact this can have on a case’s possibility for progression. Because of the passage of time and a lack of, or a failed, prosecution means that the approach to media use needs to be different. The purpose of this paper is to explore how the media could be used as an investigative resource for cold cases. Design/methodology/approach This study

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Steere, Elizabeth. "“The mystery of the Myrtle Room”: Reading Wilkie Collins’ The Dead Secret as an Early Female Detective Novel." Victorian Popular Fictions Journal 5, no. 1 (2023): 58–72. http://dx.doi.org/10.46911/yrrl8350.

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While Wilkie Collins’ novels The Moonstone (1868) and The Woman in White (1859-60) have long been accepted as part of the early mystery canon, Collins’ earlier novel The Dead Secret (1857) is rarely included. The Dead Secret is here reconsidered as one of the earliest English female detective novels, revealing its heretofore unrecognised significance to the genre of detective fiction and the evolution of the literary female detective. The Dead Secret’s protagonist, Rosamond, is almost Holmesian in her methodical collection of evidence and tactical lines of questioning to arrive at the solution

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Devdiuk, Ivanna, and Tetiana Huliak. "TRANSFORMATION OF THE FEMALE DETECTIVE IMAGE IN THE19thAND 20thCENTURIES ENGLISH FEMALE DETECTIVE PROSE." Fìlologìčnì traktati 14, no. 1 (2022): 27–34. http://dx.doi.org/10.21272/ftrk.2022.14(1)-3.

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The article deals with the peculiarities of the image of the female detective in the English female detective prose of the 19thand 20thcenturies. We have traced the changes in theportrayal of the female detective in English literature and singled out the factors which influenced them. First of all, every writer’s experience and life conditions make an impact on the construction of their images. It is obvious that S.Hopley couldn’t but work secretly as her creator C.Crowe wrote detective using the other name. It was the trend of the nineteenth century. In the first part of the twentieth century

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Sidorova, Elizaveta Nikolaevna. "The explication of the notional part of the concept "gardening" in the British detectives of the XIX century." Litera, no. 5 (May 2023): 240–48. http://dx.doi.org/10.25136/2409-8698.2023.5.40815.

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Within the framework of this article, the author examines in detail the structure of the hyperconcept "Englishness", paying special attention to the concept of "gardening" included in it, which is most widely represented in British detectives of the XIX century. Using the continuous sampling method, its conceptual component was analyzed. The selected examples are classified according to the representation of the "garden" frame, which is verbalized using such hyperonyms as "flowers", "trees", as well as through the lexemes "grass", "plants". A special role in the detectives of the XIX century i

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Nefedov, Dmitry B. "Home and family in teenage foreign detectives of German and English speaking writers." Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 29, no. 4 (2023): 98–112. http://dx.doi.org/10.15826/izv1.2023.29.4.069.

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Within the framework of this study, the task of this article was to analyze and compare the image of Home and Family in teenage detective novels from the point of view of similarities and differences written by German (E. Kestner, A. Steinhöfel, A. Schlüter, J. Steinleitner) and English speaking writers (M. Blyton, R. Stevens, A. Bradley and S. Cleverly). The relevance of the task is determined by the fact that the characters of these novels have a significant impact on the formation of the life values of a teenage reader, including the attitude to crime and the punishment. The object of consi

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Miller, Elizabeth Carolyn. "TROUBLE WITH SHE-DICKS: PRIVATE EYES AND PUBLIC WOMEN INTHE ADVENTURES OF LOVEDAY BROOKE, LADY DETECTIVE." Victorian Literature and Culture 33, no. 1 (2005): 47–65. http://dx.doi.org/10.1017/s1060150305000720.

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C. L. (CATHERINE LOUISA)PIRKIS'S“The Murder at Troyte's Hill,” second in her series of stories about Detective Loveday Brooke, begins with Brooke's boss debriefing her on a case: “Griffiths, of the Newcastle Constabulary, has the case in hand…. Those Newcastle men are keen-witted, shrewd fellows, and very jealous of outside interference. They only sent to me under protest, as it were, because they wanted your sharp wits at work inside the house” (528). This is a typical beginning for one of Brooke's adventures, which were published in the London magazineLudgate Monthlyin 1893 and 1894. As one

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