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Littérature scientifique sur le sujet « Fantastic Action movie »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Fantastic Action movie"

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Avatara, Bintang, Festi Himatu Karima, Indri Kustantinah, and Andriamihaja Henintsoa Vatsiniaina. "Social Inequality in the Movie Fantastic Mr. Fox." Allure Journal 4, no. 2 (2024): 117–26. http://dx.doi.org/10.26877/allure.v4i2.19291.

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This research examined social inequality and the resulting conflicts in the movie "Fantastic Mr. Fox." The objectives were to identify and analyze the portrayal of social inequality within the film using Max Weber’s theory of social stratification. Using descriptive qualitative method, the study involved detailed analysis of the movie script to uncover these themes. The findings revealed that the farmers, representing the upper class, oppress the animal community, which symbolizes the lower class. This dynamic led to various conflicts, highlighting the struggles and resistance of the underpriv

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KALITAN, DAMIAN. "In Search of the Sorcerer’s Apprentice: between Lucian and Walt Disney." Journal of Education Culture and Society 3, no. 1 (2020): 94–102. http://dx.doi.org/10.15503/jecs20121.94.102.

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At fi rst glance, the movie by Jon Turteltaub entitled The Sorcerer’s Apprentice (2010) seems not to have any connections with Greco-Roman antiquity whatsoever. To fi nd the hidden connection we have to go back to year 1797 when Johann Wolfgang Goethe publi-shed his famous ballad Der Zauberlehrling (The Sorcerer’s Apprentice)Almost a century later, this work inspired a French composer Paul Dukas to write his masterpiece, the sympho-nic scherzo L’apprenti sorcier. Dukas’ music became the leitmotif of both Disney’s movies: Fantasia (1940) and Fantasia2000 (1999) whose action is based on Goethe’s

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Kazarina, Tatyana V. "Samara the fantastic." Semiotic studies 2, no. 4 (2022): 66–72. http://dx.doi.org/10.18287/2782-2966-2022-2-4-66-72.

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The article discusses three novels, where events take place in Samara (Kuibyshev). These are "Metro-2033: Bezymyanka [Underground-2033: Bezymyanka] (2010) by Sergey Paliy, "Bezymyanlag" (2016) by Andrey Olekh and "Pischeblock [Food Unit] (2018) by Alexey Ivanov. The work reveals the reasons for this localization of events that is identical for all the authors. In all the three cases, the location plays an important narrative role, which is explained in the article by both the authors' hope to get the Samara readers sympathetic attention, and the need to have specific recognizable details that

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Junguitu Dronda, Maitane. "Ipar Haizearen Erronka: A boat trip from the Basque Country to Newfoundland." Mutual Images Journal, no. 10 (December 20, 2021): 251–70. http://dx.doi.org/10.32926/2021.10.jun.iparh.

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The nature of animated cinema involves the creation of any realistic or fantastical characters, places, and situations. Animation can be used to take characters far from their hometowns on believable journeys without big budgets used on location shooting. The Basque animated feature film Ipar Haizearen Erronka (The Challenge of the North Wind), directed in 1992 by Juanba Berasategi, illustrates how animation can represent a journey and a historic reality in a plausible way. The movie depicts a Basque whale hunting vessel travelling to the wild coast of Newfoundland, Canada in the sixteenth cen

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Mandapuram, Mounika. "Visual Effects in Movies: Bridging the Imagination-Reality Divide." Asian Journal of Humanity, Art and Literature 9, no. 2 (2022): 41–52. http://dx.doi.org/10.18034/ajhal.v9i1.709.

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Visual effects, or VFX, have become essential to contemporary filmmaking. With the use of VFX, directors can take viewers to magical realms, recreate historical epochs, and give life to the wildest of their audiences' imaginations. VFX has revolutionized filmmaking, enabling directors to push the boundaries of storytelling. From otherworldly creatures to breathtaking landscapes, VFX artists bridge the gap between what the mind conceives and what the camera captures. This bridge connects the limitless realm of human imagination with the physical reality of cinematic storytelling. In this articl

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Piepiórka, Michał. "Spaces of difference. Narration in animation/liveaction hybrid films." Panoptikum, no. 26 (October 19, 2021): 189–215. http://dx.doi.org/10.26881/pan.2021.26.09.

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The aim of this paper is to focus on the ways of using animation as well as its function in live-action/ animation hybrid films. The usage of animation in narratives of such type of movies can vary. However, what connects them is the way of telling the story, based on the juxtaposition of two different realities that interact in a number of ways. The ways of combining the two worlds can be very different: animation may symbolize what is fantastic, as in pioneer McCay’s ‘Gertie the Dinosaur’, but also what is imagined, felt, thought out, once lived, dreamed of, alternative. The article describe

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Zonn, I. S. "Arctic cinema: from horror through dramas and thrillers To Action movies and fiction (Part I)." Post-Soviet Issues 10, no. 2 (2023): 185–210. http://dx.doi.org/10.24975/2313-8920-2023-10-2-185-210.

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The article considers a number of genres of Arctic films in the world cinema. Among them, some of the most common are horror films (horror), thrillers (part I), dramas, science fiction and action films (part II). The socio-political climate of the times determined the evolution of genres and influenced their semantic content and structure. Their formation and production flow has a calendar milestone. In the second half of the twentieth century, after the end of the Great Patriotic War, a cold war began between two blocs of states with different socio-economic systems led by the USSR and the US

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O.V., Halchuk. "MYTHOLOGICAL PARAMETERS OF THE BOXER PROTAGINIST ROCKY BALBOA." South archive (philological sciences), no. 84 (December 23, 2020): 152–57. http://dx.doi.org/10.32999/ksu2663-2691/2020-84-23.

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The purpose of this study is to characterize the image of the protagonist of the saga of the boxer Rocky through the prism of mythopoetics as a type of new cultural hero in the field of sports. Research methods are historical and cultural, mythopoetic, and comparative. Its application allows to outline the genetic connection of the image of the hero-boxer with the literary tradition; identify its main parameters as a mythohero; allocate the points of intersection of the author's myth with the myth of the American dream; consider the acquisition of the mytheme of Rocky the beginnings of the ide

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Cahyaningtyas, Ardelia Elvina, Ardita Wahyu Safitri, Andriani Ika Saputri, and Siti Komsiyah Yuliana. "Shareloc: An Analysis of Isekai Elements Across Different Genre and Cinematic Cultures." Radiant 6, no. 2 (2025): 82–98. https://doi.org/10.52187/rdt.v6i2.312.

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The Isekai genre stories where characters are transported from their familiar world to a fantastical or parallel reality has gained significant popularity across various media. However, its presence in films from different cultural contexts has received less scholarly attention. The objective of this research is to explore the Isekai elements found in ‘Along with the Gods: The Two Worlds’, ‘Saranjana Kota Ghaib’, ‘Spirited Away’, and ‘Jumanji: Welcome to the Jungle’. This study aims to analyze how the movie genres aligned with the Isekai elements through the characters journey. This research e

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Antsyferova, Olga Yu. "Cinematic Mirages of Theodor Dreiser." Literature of the Americas, no. 11 (2021): 248–70. http://dx.doi.org/10.22455/2541-7894-2021-11-248-270.

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The article examines the history of cinematic versions (film adaptations) of T. Dreiserʼs novel An American Tragedy, the key concept of the analysis being that of a mirage (phantasm). It is the unattainable and unconscious desire for the mirage of wealth and luxury that guides Clyde Griffiths in the novel (not accidentally one of its early titles was “Mirage”). The plotline of Dreiser’s attempts to film the novel during his lifetime is marked by the same illusory, fantasmatic character: the script by Sergei Eisenstein, approved by the author, was rejected by Hollywood, the movie by Joseph von

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Plus de sources

Livres sur le sujet "Fantastic Action movie"

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Isaacson, Mike. Fantastic 4. Meredith Books, 2005.

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Isaacson, Mike. Fantastic 4. Meredith Books, 2005.

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Lawrence, Kasanoff, Wexler Joshua, Tobias John 1927-, and Copyright Paperback Collection (Library of Congress), eds. Mortal Kombat: Annihilation : a novel. Tom Doherty Associates, 1997.

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Мартин Сьюард или рояль в кустах. Zelluloza, 2014.

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Lewis, C. S. Prince Caspian Movie Tie-In CD. HarperChildrensAudio, 2008.

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Friedman, Brent V., Bryce Zabel, Lawrence Kasanoff, and Joshua Wexler. Mortal Kombat: Annihilation. Torkids, 1997.

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Lewis, C. S. The Chronicles of Narnia Movie Tie-in Edition Prince Caspian. HarperEntertainment, 2008.

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Lewis, C. S. Prince Caspian Movie Tie-in Edition (digest): The Return to Narnia. HarperEntertainment, 2008.

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Lewis, C. S. Prince Caspian Movie Tie-in Edition (rack): The Return to Narnia. HarperEntertainment, 2008.

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Actes de conférences sur le sujet "Fantastic Action movie"

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Nikolić, Andrijana A. "MOTIVI FANTASTIKE U ROMANU „NA PUTU ZA DARDEL“ SLOBODANA ZORANA OBRADOVIĆA I U PRIPOVJEDNOJ PROZI „ZAPISI IZ HODNIKA VREMENA“ ALEKSANDRA OBRADOVIĆA." In KNjIŽEVNOST ZA DECU U NAUCI I NASTAVI. University of Kragujevac, Faculty of Education in Jagodina, 2022. http://dx.doi.org/10.46793/kdnn21.113n.

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Slobodan and Aleksandar Obradović (father and son) from Bijelo Polje are authors whose fiction abounds in fantastic motifs ‒ characters’ actions, their ability to travel through time zones, their mythological features and the mission they are devoted to accomplish. Capable inventors, fliers, beings who transcendentally move from place to place require critical judgment ‒ whether contemporary children’s literature is truly in accordance with their age and whether and to what extent a child can identify with or distance from the characters. By combining symbols and fiction, both writers encourag

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Nan, Emanuela. "Rinaturactivazione: nuove strategie di sviluppo sostenibile dai centri storici mediterranei: Genova città-laboratorio." In International Conference Virtual City and Territory. Centre de Política de Sòl i Valoracions, 2014. http://dx.doi.org/10.5821/ctv.7984.

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I territori sono oggi utilizzati come un “menu” all’interno del quale ci si sposta sempre più liberamente secondo le proprie necessità. Le città, già da tempo, hanno assunto l’accezione di sistemi integrati, apparendo sempre più simili a una miscellanea, composita e variabile, alla cui definizione concorrono molteplici dispositivi e la cui comprensione e gestione operativa sembra trovarsi non più nella perimetrazione di registri e contesti formali, ma nell’individuazione di regole e tattiche capaci di guidare e prevedere gli esiti e le evoluzioni delle differenti

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