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Articles de revues sur le sujet "Feature films – united states"

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McManus, Emily J. "The Tango in Translation: Intertextuality, Filmic Representation, and Performing Argentine Tango in the United States." TranscUlturAl: A Journal of Translation and Cultural Studies 5, no. 1-2 (2014): 194. http://dx.doi.org/10.21992/t9w34w.

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This article analyzes representations of the Argentine tango by the U.S. media utilizing Farzaneh Farahzad’s theory of “translation as intertextual practice” and Lawrence Venuti’s theory of translated “adaptations.” I argue that the juxtaposition of Latin American and European cultural stereotypes within filmic representations of the tango has created and reinforced a highly racialized master discourse (Said Faiq) that continues to influence how the Argentine tango is perceived in the United States today. Because cultural translation occurs between a hegemonic culture and a marginalized cultur
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Sheppard, W. Anthony. "An Exotic Enemy: Anti-Japanese Musical Propaganda in World War II Hollywood." Journal of the American Musicological Society 54, no. 2 (2001): 303–57. http://dx.doi.org/10.1525/jams.2001.54.2.303.

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Abstract The cinema was the most effective medium for anti-Japanese propaganda in the United States during World War II and was the site of music's most important wartime role. From shortly after Pearl Harbor to the end of the U.S. occupation of Japan in 1952, Hollywood produced a large number of films offering negative depictions of the Japanese. Music assumed multiple roles in these anti-Japanese feature films and U.S. government documentaries. Never had Orientalist and racial politics been more clearly evident in music heard by so many as in these productions. These films marshaled preexist
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Vétu, Guillaume. "Animist influence and immutable corporeality: Repositioning the significance of Japanese cinematic zombies." East Asian Journal of Popular Culture 7, no. 1 (2021): 115–34. http://dx.doi.org/10.1386/eapc_00042_1.

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In terms of zombie film output, Japan’s is perhaps the second largest in the world after the United States and above the United Kingdom. Yet only a relatively small number of these films have received academic attention. Having sourced and verified an exhaustive catalogue of over 160 feature-length Japanese zombie films produced between 1959 and 2018, and through recent field work in Japan, including personal interviews with local film, media and folklore scholars and professionals, this article constructs a clearer overview of this uncharted corpus. It presents some of the most predominant cu
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Auwen, Aurora, Mark Emmons, and Walter Dehority. "Portrayal of Immunization in American Cinema: 1925 to 2016." Clinical Pediatrics 59, no. 4-5 (2020): 360–68. http://dx.doi.org/10.1177/0009922819901004.

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The American media often disseminates antivaccination messages. Cinema in particular reaches many individuals and influences attitudes regarding high-risk behaviors such as smoking and alcohol use. We hypothesized that negative cinematic portrayals of immunization have increased over the last 3 decades. Films released in the United States featuring immunization through 2016 were identified on IMDb and viewed in their entirety by 2 reviewers. Themes were recorded, and the portrayal of immunization (positive, negative, or mixed) across each decade was assessed in a logistic regression model. Cul
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Shrock, Joel. "Desperate Deeds, Desperate Men: Gender, Race, and Rape in Silent Feature Films, 1915–1927." Journal of Men’s Studies 6, no. 1 (1997): 69–89. http://dx.doi.org/10.1177/106082659700600104.

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Many of the top-grossing feature films spanning from 1915–1927 utilized rape as a device for defining manhood and thereby establishing power relationships. The images of rape in these silent films idealized the power of respectable white men over the men and women of other classes and races and subordinated the women from their own social station. These movies constructed white men as heroes and guardians of morality and civilization, white women as frail but morally superior figures, and African-American and immigrant men and women as uncontrollable sexual deviants who threatened civilization
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Moore, Cornelius. "African Cinema in the American Video Market." Issue: A Journal of Opinion 20, no. 2 (1992): 38–41. http://dx.doi.org/10.1017/s004716070050153x.

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There are probably a billion videocassettes in the United States. Yet few, probably under a thousand, are African films. I want to ask why this is and describe a strategy to change it.How can one of the least known and most under-funded cinemas in the world, African cinema, find a place in the most lavishly promoted and capitalized media marketplaces on earth, the U.S. feature film market?
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Naiara, Leonardo Araújo, and dos Santos Costa Júnior José. "A connected history of the Indian image in movies between Brazil and the United States." International Journal of Arts and Social Science 4, no. 5 (2023): 30–38. https://doi.org/10.5281/zenodo.7743672.

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The text analyzed the conditions of historical emergence of the image of indigenous characters from the perspective of a connected history between Brazil and the United States. We resorted to a series comprised of movies such as Jivaro (1954), by Edward Ludwig; Raoni (1976), by Jean-Pierre Dutilleux and Luiz Saldanha; and Iracema, the Virgin with Honey Lips (1979), by Carlos Coimbra. The discussion was organized as follows: first, the problem of media culture from the perspective of a connected history between countries, mapping the interferences and asymmetry in the movie industry; second, a
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Klenotic, Jeffrey. "‘Big’ and ‘little’ Quo Vadis? in the United States, 1913–1916: Using GIS to map rival modes of feature cinema during the transitional era." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 32, no. 41 (2023): 5–25. http://dx.doi.org/10.14746/i.2022.41.01.

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 This article emanates from a geospatial database of over 600 premieres of the Cines company’s Quo Vadis? (1913), an eight-reel film distributed by George Kleine, and nearly 250 premieres of the Quo Vadis Film Company’s Quo Vadis? (1913), a three-reel film of ambiguous origins distributed by Paul De Outo. By mapping local premieres of both films across the United States from 1913 through 1916, the data show with spatiotemporal precision the spread of Quo Vadis? as one of cinema’s early blockbuster titles. Yet within this national phenomenon, the two films’ footprints reveal
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Porst. "United States v. Twentieth Century-Fox, et al. and Hollywood's Feature Films on Early Television." Film History 25, no. 4 (2013): 114. http://dx.doi.org/10.2979/filmhistory.25.4.114.

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Miranda-Barreiro, David. "‘Little Spain’ or ‘Little Galicia’?" Journal of Romance Studies 20, no. 3 (2020): 489–512. http://dx.doi.org/10.3828/jrs.2020.26.

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This article studies three cinematic representations of the Galician migrant community in the United States: the documentaries Os 15000 de Newark (2007) and Little Spain (2014), and the feature-length film Little Galicia (2015). The analysis of these films focuses especially on the influence of their chosen framing on the migrants’ performance of their cultural identity. By assessing the performative aspect of identity, this article also examines the possibility of considering Galicianness as a transnational positioning, globally or glocally performed, rather than a geographically fixed essenc
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Thèses sur le sujet "Feature films – united states"

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Ford, Conny (Conny M. ). "Differences in Marketing Mainstream and Independent Feature Films in the United States (1990-1995)." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278064/.

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The purpose of this study is (1) to examine mainstream studio films and their marketing (2) to examine independent films and their marketing (3) to explore the marketing challenges of independent films (4) to explore new developments in independent film and the emergence of crossover films (5) to explore the benefits of alliances between the major studios and independent film distributors (6) to examine the diminishing differences between major studio films and independent films.
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Frykholm, Joel. "Framing the Feature Film : Multi-Reel Feature Film and American Film Culture in the 1910s." Doctoral thesis, Stockholm : Acta Universitatis Stockholmiensis : eddy.se [distributör], 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-29742.

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Borglin, John. "The Birth of Two Nations : En analys av ras och sexualitet i två filmatiseringar från 1915 och 2016." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-85685.

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The following study aims, through a narratological and discourse analysis, to discuss and make visable, how two films, both named The Birth of a Nation, directed by G.W. Griffith and Nate Parker respectively depict violence and sexuality in relation to race. The theoretical framework, consists of postcolonialism, race, violence, masculinity and sexuality. However, the different parts of the theoretical framework are intertwined as race, sexuality and violence are interlinked and dependent on each other. These theories were chosen in accordance to the feature films’ narratives as well as their
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Russell, Diane. "Du storyboard au storyboardeur : étude comparative d'une activité cinématographique en France et aux États-Unis." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030067.

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Ce travail a pour point de départ une analyse quantitative de l’objet »storyboard » faite sur un large corpus. La taxinomie ainsi établie, croisée avec une approche qualitative, nous permet de mettre en lumière des codes de communication et des invariants inhérents à ce dispositif de pré-production. Cela aboutit, dans un premier temps, à la définition de l’outil storyboard parmi les autres dessins de préparation cinématographique. Le classement des données en fonction de leur période apporte ensuite une perspective nouvelle à l’analyse : c’est par l’objet, trace de sa propre histoire et vecteu
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Bhatia, Parul. "India Vaale in the United States." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc935597/.

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This documentary reveals the thoughts and feelings of seven Indian students at the University of North Texas, Denton, Texas. It portrays that better material comforts in the U.S. condition the decision of Indian students in not returning to India even after the completion of their studies. It also shows their feelings of nostalgia for the social and cultural milieu of their home country, India. For this project 18 Indian students at the University of North Texas were interviewed and seven of them became part of the final documentary.
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Cavallero, Jonathan J. "Italian/American filmmakers in American motion pictures : the films of Capra, Scorsese, Savoca, Coppola, and Tarantino /." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3301350.

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Thesis (Ph.D.)--Indiana University, Depts. of Communication and Culture and American Studies, 2007.<br>Title from dissertation home page (viewed Sept. 26, 2008). Source: Dissertation Abstracts International, Volume: 69-02, Section: A, page: 0413. Adviser: James Naremore.
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Roy, André 1963. "Une lecture politique de Star trek /." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61800.

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Yeung, Yuk-ngan, and 楊玉顔. "Gender representation in films." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31953773.

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Zwarich, Jennifer. "Federal Films| Bureaucratic Activism and the U.S. Government Motion Picture Initiative, 1901-1941." Thesis, New York University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3635322.

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<p> This dissertation describes the emergence and expansion of U.S. government motion picture work over the first four decades of the twentieth century. It situates the early history of federal filmmaking within the long progressive drive to reshape representative government into a more active proponent of the welfare of its citizenry and argues that despite reigning critiques to the contrary, institutional sponsorship actually gave social meaning and efficacy to this mode of social documentary. Indeed, I argue that U.S. government film production can be understood as a kind of social activism
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Dean, Adam T. "The Paradox of Creativity and Business in Feature Hollywood Filmmaking: The Relationship Between Motion Picture Production and Budgeting." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4885/.

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This study examines the relationship between movie budgeting and the creative process in Hollywood filmmaking. To understand the effects of this relationship on the creative product, several films are analyzed within the production process where conflicts between the investors and creators are observed. A case study approach is guided by theories of the production of culture, which state that creative products manufactured in the cultural industry must be analyzed in relation to their surrounds society. Findings suggest previous indicators of box office success are becoming primary influenc
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Livres sur le sujet "Feature films – united states"

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Fetrow, Alan G. Feature films, 1940-1949: A United States filmography. McFarland, 1994.

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King, Hanson Patricia, Gevinson Alan, and American Film Institute, eds. The American Film Institute film catalog of motion pictures produced in the United States: Feature films, 1911-1920. University of California Press, 1988.

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King, Hanson Patricia, Gevinson Alan, and American Film Institute, eds. The American Film Institute catalog of motion pictures produced in the United States: Feature films 1931-1940. University of California Press, 1993.

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Lentz, Harris M. Feature films, 1960-1969: A filmography of English-language and major foreign-language United States releases. McFarland & Co., 2010.

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Cocchi, John. Second feature: The best of the Bs. Carol Publishing Group, 1991.

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Neibaur, James L. The RKO features: A complete filmography of the feature films released or produced by RKO Radio Pictures, 1929-1960. McFarland, 1994.

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Galbraith, Stuart. Japanese science fiction, fantasy, and horror films: A critical analysis of 103 features released in the United States, 1950-1992. McFarland, 1994.

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Galbraith, Stuart. Japanese science fiction, fantasy, and horror films: A critical analysis and filmography of 103 features released in the United States, 1950-1992. McFarland, 1994.

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Cones, John W. The feature film distribution deal: A critical analysis of the single most important film industry agreement. Southern Illinois University Press, 1997.

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Haldenby, Michael R. D. An investigation of the characterisations of schools and schooling in a selection of feature films made in Britain and the United States of America since 1939. typescript, 1988.

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Chapitres de livres sur le sujet "Feature films – united states"

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Dixon, Shane M., and Tim Gawley. "Screening Workplace Disaster: The Case of Only the Brave (2017)." In Visualising Safety, an Exploration. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-33786-4_12.

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AbstractMedia influence how we define and engage with our world, shaping our interpretations, attitudes, behaviours. Feature films in which work-related injuries, deaths, and disasters are the storylines can convey occupational safety messages to large, diverse audiences. Films can entertain, act as “powerful” and “poignant” memorials to workers, heighten peoples’ awareness of events, and even deepen their understanding of the causes of workplace disasters. However, it is unclear how films actually represent the complexities of workplace injury and industrial disaster. We examined the film Onl
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Rubenfeld, Sheldon, and Daniel P. Sulmasy. "Physician-Assisted Suicide, Euthanasia, and Bioethics in Nazi and Contemporary Cinema." In The International Library of Bioethics. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-01987-6_10.

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AbstractToday, physician-assisted suicide and/or euthanasia are legal in several European countries, Canada, several jurisdictions in the United States and Australia, and may soon become legal in many more jurisdictions. While traditional Hippocratic and religious medical ethics have long opposed these practices, contemporary culture and politics have slowly weakened opposition to physician-assisted suicide and euthanasia. Our chapter examines how assisted suicide and euthanasia have been presented in cinema, one of the most powerful influences on culture, by Nazi propagandists during the Germ
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Kathleen Gallagher, B., Amy Aughinbaugh, and Zannie G. Voss. "Beyond the “Studio System”: Public Support for Films in the United States." In Handbook of State Aid for Film. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71716-6_26.

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Sun, Yi. "Defining Hong Kong Cinema Through Distribution: Milkyway Films in the United States." In Milkyway Image. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-6578-0_6.

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Wright, Ewan, Qiang Hao, Khaled Rasheed, and Yan Liu. "Feature Selection of Post-graduation Income of College Students in the United States." In Social, Cultural, and Behavioral Modeling. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93372-6_4.

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Ghanoui, Saniya Lee. "From Home to School: Menstrual Education Films of the 1950s." In The Palgrave Handbook of Critical Menstruation Studies. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0614-7_67.

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Abstract In this essay, Ghanoui examines two menstrual education films of the 1950s widely used in the United States: Molly Grows Up (1953) and As Boys Grow (1957). Ghanoui discusses how the films portrayed the menstrual cycle and how educational literature received the films. She argues that the films became popular because they eased the teaching responsibilities of school instructors without taking away their authority—the films supplemented traditional menstrual education in schools while teachers maintained jurisdiction in their classrooms.
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Crowell, Amber R., and Mark A. Fossett. "Measurement and Study Design." In Racial and Ethnic Residential Segregation Across the United States. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-38371-7_2.

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AbstractA major feature of our study is that we use new methods for measuring residential segregation that make it possible for us to assess levels and trends in segregation with consistent accuracy and across a wider range of measurement circumstances. This includes combinations of group comparisons and community settings where trustworthy measurements of segregation previously have not been possible. More specifically, we measure the dimension of segregation known as evenness using refined versions of two familiar and widely used measures, the dissimilarity index (D) and the separation index
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Long, Derek. "Franchising as a Strategy of National Feature Distribution in the 1910s." In The Oxford Handbook of Silent Cinema. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780190496692.013.46.

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Abstract This chapter examines a hybrid form of national feature-film distribution used in the United States from the mid-1910s until at least the early 1920s: the franchise system. This system constituted a transitional model of film distribution that combined the features of the state rights system typically used for multi-reel features and the centralized release program used for short films. By combining the income and circulation benefits of state rights with the coordination, pricing, and branding advantages of program booking, franchising enabled feature distributors to build a national
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Lovejoy, Alice. "“A Treacherous Tightrope”." In Cinema's Military Industrial Complex. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520291508.003.0017.

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This chapter, by Alice Lovejoy, chronicles the United States Office of War Information’s plans to distribute forty Hollywood feature films in liberated Europe under the auspices of the Supreme Headquarters Allied Expeditionary Force’s Psychological Warfare Division (PWD-SHAEF). From the comparative perspectives of OWI and the Allied countries for which the films were destined (Belgium, the Netherlands, Norway, and Czechoslovakia, its central case study), it examines the economic, ideological, and pragmatic questions that intersected in these films’ selection and distribution, focusing on the t
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Moore, Paul S. "Paramount Pictures, National Advertising Agencies, and the Conspicuous Distribution of First-Run Feature Films in the United States." In The Oxford Handbook of Silent Cinema. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780190496692.013.31.

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Abstract Paramount Pictures was created in 1914 as a “marketing combine” of distributors for three early feature-film companies. Central to Paramount’s initial set-up was a plan to advertise on a national scale, taking advantage of pooled publicity. For the rest of the silent era, Paramount stood out among Hollywood studios for its extensive use of standardized advertising, designed and managed by publicity experts, the H. E. Lesan Agency and Hanff-Metzger, Inc. In the nascent studio system for Hollywood movies, national advertising transformed the deep pockets of Paramount studios into symbol
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Actes de conférences sur le sujet "Feature films – united states"

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Durbin, Michael C., Patrick Ward, and Kristin Ruth. "How Design Features Unique to AP1000 Nuclear Power Plants Affect Coating System Design Requirements." In SSPC 2013 Greencoat. SSPC, 2013. https://doi.org/10.5006/s2013-00017.

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Nuclear power provides a heat source for steam-electric generation that does not pollute the atmosphere. Heat is produced in a nuclear reactor by the neutron radiation emitted by the steady-state fusion of enriched or natural uranium. The nuclear renaissance that is emerging in the United States will be based on new power plant designs from a variety of U.S. and international sources. The emerging designs have been designated as “Generation III” reactors. The most significant feature of Generation III reactor designs is that many incorporate passive or intrinsic safety features that, in the ev
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Tsaprailis, Haralampos, Jiajun Liang, and Mike Hill. "Impact of Maintenance Activities on Future Integrity of Transmission Pipelines." In CONFERENCE 2022. AMPP, 2022. https://doi.org/10.5006/c2022-17504.

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Abstract Transmission pipeline operators regularly inspect their assets using in-line inspection (ILI) tools to monitor for potential internal and external threats to the system. When these tools identify features that meet excavation criteria, the operators will complete mitigation activities to reduce or remove the threat. Typically, these mitigation activities include excavation of the pipeline, removal of the coating, and non-destructive examination at the targeted feature. Upon completion of the maintenance activities, the pipeline is then re-coated and the backfill restored. During the m
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Minder, Jonny. "Robotic Crawler ILI of Unpiggable 10” Natural Gas Pipeline in an Urban Area." In CORROSION 2018. NACE International, 2018. https://doi.org/10.5006/c2018-11259.

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Abstract Diakont Advanced Technologies was commissioned to assess the integrity of a natural gas pipeline that was partially buried under an urban area on a major North American pipeline. The company used a reduced size robotic crawler to successfully navigate a 10 in. pipe. The size of this pipe has previously been a limitation, making it ‘unpiggable’ using other ILI methods. Designated as a high consequence area (HCA) due to being located in a densely populated area, this section of pipeline had never been inspected. Low flow, its narrow 10 in. internal diameter (ID), and its characteristics
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Monti, Joseph, James Stewart, David Damm, and Remi Dingreville. "Phase-Field Modeling of Aging of Energetic Thin Films." In APS SCCM - Chicago, Illinois, United States of America - June - 2023. US DOE, 2023. http://dx.doi.org/10.2172/2432014.

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Sakano, Michael, David Kittell, Robert Knepper, and Alexander Tappan. "Hydrocode Modeling of Detonation Failure in Vapor-Deposited Explosive Films with Explicit 3D Interfacial Roughness." In SCCM23 - Chicago, Illinois, United States of America - June - 2023. US DOE, 2023. http://dx.doi.org/10.2172/2431382.

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Peterson, Matthew, Meredith Brown, Irina Tezaur, and Diana Bull. "Pathway Detection using Random Forest Regressor Feature Importances." In CIS ERB - Albuquerque, New Mexico, United States of America - March - 2023. US DOE, 2023. http://dx.doi.org/10.2172/2431730.

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Grewal, Simranjit, Calen Leverant, Laura Merrill, Kyle Klavetter, and Michael Siegal. "Electrodeposition of nanoscale halide thin films." In ACS Spring 2023 Crossroads of Chemistry - Indianapolis, Indiana, United States of America - March - 2023. US DOE, 2023. http://dx.doi.org/10.2172/2431678.

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Low, Maxwell. "Use-Case Examples of Feature-Based Geospatial Change Detection." In CoDA - Santa Fe, New Mexico, United States of America - March - 2023. US DOE, 2023. http://dx.doi.org/10.2172/2431845.

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Minh Pham, Andrew, Marisol Koslowski, Joseph Monti, Remi Dingreville, and David Damm. "Phase Field Simulations of Thermal Aging of PETN Thin Films." In TMS Annual Meeting & Exhibition - Orlando, Florida, United States of America - March - 2024. US DOE, 2024. https://doi.org/10.2172/2540339.

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Monti, Joseph, James Stewart, David Damm, and Remi Dingreville. "Phase-Field Modeling of Aging of Energetic Thin Films." In APS Shock Compression of Condensed Matter - Chicago, Alabama, United States of America - June - 2023. US DOE, 2023. http://dx.doi.org/10.2172/2430957.

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Rapports d'organisations sur le sujet "Feature films – united states"

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Wilkins, Justin, Andrew McQueen, Joshua LeMonte, and Burton Suedel. Initial survey of microplastics in bottom sediments from United States waterways. Engineer Research and Development Center (U.S.), 2021. http://dx.doi.org/10.21079/11681/42021.

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Given the reported extent of microplastics in the aquatic environment, environmentally relevant exposure information for sediments dredged by the US Army Corps of Engineers will lend context to the risks posed by this contaminant during dredging. We measured the occurrence, abundance, and polymer composition of microplastics in sediments collected from nine dredged waterways and two non-dredged reference areas. The number of particles in sediment samples ranged from 162 to 6110 particles/kg dry wt., with a mean of 1636 particles/kg dry wt. Fragments were the most prevalent shape observed among
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Shinde, Victor, G. Asok Kumar, Dheeraj Joshi, and Nikita Madan. Healthy Urban Rivers as a Panacea to Pandemic-Related Stress: How to Manage Urban Rivers. Asian Development Bank Institute, 2022. http://dx.doi.org/10.56506/vyqu8666.

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During the lockdown imposed due to the first wave of the coronavirus disease (COVID-19) pandemic, there were several media reports of citizens flouting the lockdown rules in the United States. Upon closer investigation it was found that the rules were flouted mostly so that people could spend time outdoors in natural environments. This exemplifies the role of the natural environment as a panacea to the mental stress created by pandemics. River ecosystems are perhaps the greatest natural feature of any city. Efficient management of urban rivers, therefore, is strongly correlated to crisis manag
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Doty, Pamela. Cash and Counseling: Self-directed home and community long-term care. Inter-American Development Bank, 2023. http://dx.doi.org/10.18235/0004857.

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Cash and counseling provides an allowance that recipients can use to purchase home- and community-based long-term care services instead of receiving them from an agency. This scheme gives beneficiaries the choice and independence to self-direct the implementation of their preferred long-term care plan, using an assigned budget, under the supervision of a counselor. One feature of this program is that recipients can choose between hiring a professional or a family member as a caregiver. The objective of this document is to explore how cash and counseling works, with examples of interventions in
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Raju, Nivedita, and Laura Grego. The Space–Nuclear Nexus in European Security. Stockholm International Peace Research Institute, 2025. https://doi.org/10.55163/gepv2578.

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The space–nuclear nexus is prominent in today’s European security environment, amid shifting alliance dynamics and developments in Russia’s war in Ukraine. This paper compares dependencies, priorities and strategic cultures of various actors in the space and nuclear domains, beginning with the North Atlantic Treaty Organization (NATO), the European Union (EU) and their three nuclear-armed states: France, the United Kingdom and the United States. These actors feature centrally in Russian threat perceptions and converge on their sources of threats—primarily Russia, and to a lesser degree China,
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Kelsey, Tom. When Missions Fail: Lessons in ‘High Technology’ From Post-War Britain. Blavatnik School of Government, 2023. http://dx.doi.org/10.35489/bsg-wp_2023/056.

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The idea that national security and economic prosperity stem from being at the technological frontier (‘techno-nationalism’) is once again a dominant feature of global politics. The post-war United States has emerged as the key model in these discussions, with the ‘moonshot’ seen as an outstanding example of how to direct state resources towards technological breakthroughs, while the capacity of the American government is praised more generally for its ability to sponsor ground-breaking technology. This paper, however, suggests that the United States was the exception, not the rule, and that t
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Lalisse, Matthias. Measuring the Impact of Campaign Finance on Congressional Voting: A Machine Learning Approach. Institute for New Economic Thinking Working Paper Series, 2022. http://dx.doi.org/10.36687/inetwp178.

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How much does money drive legislative outcomes in the United States? In this article, we use aggregated campaign finance data as well as a Transformer based text embedding model to predict roll call votes for legislation in the US Congress with more than 90% accuracy. In a series of model comparisons in which the input feature sets are varied, we investigate the extent to which campaign finance is predictive of voting behavior in comparison with variables like partisan affiliation. We find that the financial interests backing a legislator’s campaigns are independently predictive in both chambe
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Meardon, Stephen. A Tale of Two Tariff Commissions and One Dubious ¿Globalization Backlash? Inter-American Development Bank, 2006. http://dx.doi.org/10.18235/0010964.

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During much of the previous era of globalization, from the 1860s until the First World War, U.S. tariffs were surprisingly high. Present-day economic historians have suggested that U.S. protection as the result of a backlash against globalization that was the beginning of its decline. They have also argued that the backlash holds a lesson for the present: specifically, that we must attend to the distributive inequities that globalization engenders, or else globalization will again plant the seeds of its own destruction. I show that U.S. tariffs were not the product of backlash. A history of ec
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Babenko, Oksana. Ідеї екуменізму в публіцистиці митрополита Андрея Шептицького: сучасне прочитання. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11717.

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Subject of the article’s study – ecumenism of Metropolitan Andrei Sheptytskyi and reflection of this phenomenon in the works of scientists and modern Ukrainian media. Main objective of the study: analyze what Ukrainian scientists, journalists and different media are writing about Sheptytkyi’s ecumenism. Methodology: We used a bibliographic method to accumulate factual material, a qualitative content analysis to isolate the ideas of ecumenism from the journalism of Metropolitan Andrey Sheptytskyi, a cultural-historical method that made it possible to consider the ideas of ecumenism in the conte
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Herring, Theodore, Justin Tweet, and Vincent Santucci. Wind Cave National Park: Paleontological resource inventory (public version). National Park Service, 2023. http://dx.doi.org/10.36967/2299620.

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Wind Cave National Park (WICA), the first cave in the world to become a national park, is famous for the park’s namesake feature. Wind Cave, named for the noticeable wind-flow patterns observed as air moves in and out of the natural cave entrance, is currently the third longest cave system in the United States and seventh longest in the world. Wind Cave formed when groundwater dissolved buried layers of the fossiliferous Madison Limestone, which were deposited during the Mississippian subperiod approximately 359 to 347 million years ago. In addition to the Madison Limestone, several other form
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Kahima, Samuel, Solomon Rukundo, and Victor Phillip Makmot. Tax Certainty? The Private Rulings Regime in Uganda in Comparative Perspective. Institute of Development Studies, 2021. http://dx.doi.org/10.19088/ictd.2021.001.

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Taxpayers sometimes engage in complex transactions with uncertain tax treatment, such as mergers, acquisitions, demergers and spin-offs. With the rise of global value chains and proliferation of multinational corporations, these transactions increasingly involve transnational financial arrangements and cross-border dealings, making tax treatment even more uncertain. If improperly structured, such transactions could have costly tax consequences. One approach to dealing with this uncertainty is to create a private rulings regime, whereby a taxpayer applies for a private ruling by submitting a st
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