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Articles de revues sur le sujet « Feminism – Berlin »

Auteur : Grafiati

Publié le 10 mars 2023

Mis à jour le 31 juillet 2025

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1

Bauer, Esther K. "Narratives of Femininity in Judith Hermann’s Summerhouse, Later." Women in German Yearbook: Feminist Studies in German Literature & Culture 25, no. 1 (2009): 50–75. http://dx.doi.org/10.1353/fgs.2009.a363357.

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Reading Judith Hermann’s Summerhouse, Later through the lens of New Feminism reveals, hidden underneath the stories’ apolitical surface, a provocative analysis of heterosexual relationships in the Berlin Republic. The stories propose that patriarchal structures continue to determine women’s lives, and suggest that the formation of feminine subjectivity requires women to take control of and create their own narratives of femininity. Hermann’s stories reflect New Feminists’ focus on the private sphere and their demand for women’s freedom to choose any image of femininity, including traditional r

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Baumeister, Elena, Fiona Berg, Charlotte S. Eitelbach, Sophie Holzberger, and Arisa Purkpong. "feminist elsewheres. A Making(-)Of Three Festivals in the Making." Feminist Media Histories 10, no. 2-3 (2024): 180–97. http://dx.doi.org/10.1525/fmh.2024.10.2-3.180.

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feminist elsewheres takes the question of an elsewhere of feminist film history as a foundation of its engagement with two events that took place at the Arsenal cinema in Berlin: the First International Women’s Film Seminar in 1973, which is considered the starting point of the feminist film movement in West Germany, as well as its 1997 revisitation titled…the point is to change it. Films, Festivals, Feminism. In 2023, feminist elsewheres celebrated over fifty years of feminist film work with a film program, workshops, and an exhibition. This text is collectively authored by feminist elsewhere

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Roy, Mallarika Sinha. "“The Call of the World”: Women's Memories of Global Socialist Feminism in India." International Review of Social History 67, S30 (2022): 237–62. http://dx.doi.org/10.1017/s0020859021000699.

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AbstractThis article explores the juncture between historical time and space in the context of socialist feminism, primarily through the memoir of an Indian woman activist who spent four years in East Berlin as the Asian Secretary at the Women's International Democratic Federation. This primary source material is drawn from a longer history of Indian leftist women's participation in political mobilizations and organizational work, the literary tradition of travel writing, found especially in Bengal, and academic histories of socialist feminism.

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McRobbie, Angela, Dan Strutt, and Carolina Bandinelli. "Feminism and the Politics of Creative Labour: Fashion Micro-enterprises in London, Berlin and Milan." Australian Feminist Studies 34, no. 100 (2019): 131–48. http://dx.doi.org/10.1080/08164649.2019.1644609.

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Badu-Amoah, Emmanuel. "The role of women in colonial resistance in Africa: A Study of Asante and Dahomey in West Africa." Intercontinental Journal of Social Sciences 1, no. 3 (2024): 250–65. https://doi.org/10.62583/t73ekj24.

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In comparison to the kind of cooperative opposition experienced by the indigenous, European resistance during the partitioning of Africa after the Berlin Conference in 1884–1885 was underrated. The people's reality can effectively explain the many ontological gender roles in African society. The Dahomey Kingdom, which is now located in Benin, and the Asante Kingdom, which is now located in Ghana, are discussed in this paper as playing a gender binary role in colonial resistance in West Africa. The debate therefore focused on the ways in which feminism and gender norms interacted in the African

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Jacek Lis, Tomasz. "Emancipation of Women in Bosnia and Herzegovina during the austro-hungarian administration (1878-1918)." Historijski pogledi 4, no. 5 (2021): 70–86. http://dx.doi.org/10.52259/historijskipogledi.2021.4.5.70.

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After the Congress of Berlin in 1878, in Bosnia and Hercegovina we saw big changes. The Austrian government was building roads, and railroad tracks. In the Austro-Hungarian period, also they changed their architectural style; from the prevailing ottoman one to more like in Vienna or Prague. This situation was a short time, in live only one generation. These changes affected to life and behavior of Bosnia and Hercegovinas’ citizens. Was changed several people, because after the Austrian arrive, a lot of Muslims Bosniacs, and Turks, were left this part. There were elites in this place. Their pos

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Herges, Katja. "Writing autohistoria-teoría: agency and illness in German life narratives by Evelyne Leandro and Mely Kiyak." Medical Humanities 46, no. 2 (2020): e1-e1. http://dx.doi.org/10.1136/medhum-2019-011746.

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Health concerns by migrants have been neglected in the German healthcare system, and they are impacted by discriminating discourses of othering. By analysing two autobiographical illness narratives by immigrants in contemporary Germany, this article exposes limitations in existing discourses of migration health and argues for more relational and affirmative theories of illness and care. Evelyn Leandro’s diary The Living Death: The Struggle with a Long-Forgotten Illness (2017) describes her own drawn-out therapy against leprosy as a Brazilian in Berlin. In Mr Kiyak Thought That the Best Part of

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Guerin, Ayasha. "Matter and Memory." Meridians 22, no. 1 (2023): 115–45. http://dx.doi.org/10.1215/15366936-10220513.

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Abstract This three-part essay first introduces Berlin’s anticolonial, Black feminist poetics through the work of May Ayim and Audre Lorde, whose poems “Blues in Black-and-White” and “East Berlin 1989” were written shortly after the fall of the Berlin Wall in response to racial attacks in a “reunited” Germany. Part I explores how these poetics and politics have influenced ongoing efforts to engage with the memory of German colonialism, xenophobia, and memorialization in public spaces. Part II moves the reader into close studies of two contemporary performance works by Afro-diasporic artists in

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Salvo, Sophie. "Murderous Mothers: Late Twentieth-Century Medea Figures and Feminism.By Claire E. Scott. Oxford, Bern, Berlin, Brussels, New York, Vienna: Peter Lang, 2022. XII + 218 pages. $72.95 paperback or eBook." Monatshefte 116, no. 1 (2024): 174–75. http://dx.doi.org/10.3368/m.116.1.174.

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Ludigs, Dirk. "Jenseits von Reden." Zeitschrift für Medien- und Kulturforschung 9, no. 2 (2018): 79–88. http://dx.doi.org/10.28937/1000108176.

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So heftig und kontrovers wie der von Patsy L’Amour LaLove, einer an der HU Berlin promovierten Geschlechterforscherin, herausgegebene Essayband (Beißreflexe, 2017) wurde seit langer Zeit kein (wissenschaftliches) Buch mehr diskutiert. Es drängt sich der Eindruck auf, dass die sich selbst als aktivistische »Polittunte « verstehende Herausgeberin offensichtlich den Zeitgeist eines mit sich selbst strauchelnden Queerfeminismus getroffen habe: Solch eine Vielzahl an mehr als nur leidenschaftlichen Reaktionen allerlei Couleur konnte eine in erster Linie akademische Anthologie mit Texten zur aktuell

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Weller, Wivian. "A presença feminina nas (sub)culturas juvenis: a arte de se tornar visível." Revista Estudos Feministas 13, no. 1 (2005): 107–26. http://dx.doi.org/10.1590/s0104-026x2005000100008.

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Na produção bibliográfica existente, constata-se uma lacuna no que diz respeito à participação feminina nas (sub)culturas juvenis. Será que jovens-adolescentes do sexo feminino constituem uma minoria no movimento hip hop ou em outras manifestações culturais como as galeras ou gangues? O presente artigo questiona a ausência de estudos sobre jovens-adolescentes do sexo feminino, tanto nos trabalhos sobre juventude como nos estudos feministas, destacando a necessidade de pesquisas voltadas para a compreensão das ações juvenis em seus contextos específicos. Com base em dados empíricos sobre jovens

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Bedner, Adriaan, Joachim Sterly, H. J. M. Claessen, et al. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 155, no. 1 (1999): 145–72. http://dx.doi.org/10.1163/22134379-90003883.

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- Adriaan Bedner, Joachim Sterly, Simbu plant-lore; Plants used by the people in the Central Highlands of New Guinea; Volume 1: The people and their plant-lore; Volume 2: Botanical survey of Simbu plants; Volume 3: Ethnographical key. Berlin: Dietrich Reimer Verlag, 1997, 23 9 + 323 + 275 pp. - H.J.M. Claessen, Jan Rensel, Home in the islands; Housing and social change in the Pacific. Honolulu: University of Hawai’i Press, 1997, vii + 264 pp., Margaret Rodman (eds.) - Peter van Eeuwijk, Norbert Kohnen, Traditionelle Medizin auf den Philippinen; Angstbewältigung und kognition bei Krankheiten. S

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Adams, Katherine. "No Master Territories: Feminist Worldmaking and the Moving Image." Journal of Curatorial Studies 12, no. 1 (2023): 81–87. http://dx.doi.org/10.1386/jcs_00081_7.

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Hennessy, Mary. ""Ein altes Thema, neu gesehen": Remediating Weimar Modernity in Wolfgang Liebeneiner's Großstadtmelodie (1943)." German Studies Review 48, no. 1 (2025): 93–110. https://doi.org/10.1353/gsr.2025.a951978.

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abstract: This article examines Wolfgang Liebeneiner's popular film Großstadtmelodie (Metropolitan melody). Released in 1943 but set in 1937–1938, the film repurposes Weimar's New Woman and prewar newsreel footage of Berlin to transport audiences, especially women on the home front, to interwar Berlin, not only to distract from the war but also to envision a future Berlin that would be achieved only after the war was won. I suggest that remediation in the film works ultimately to counter the aesthetic, social, and historical fragmentation of war, captured by the feminine "melody" of the film's

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Sarikakis, Katharine. "A Feminist in Brussels (and Glasgow, Berlin, Düsseldorf...)." European Journal of Women's Studies 10, no. 4 (2003): 423–41. http://dx.doi.org/10.1177/13505068030104005.

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Cornish, Sarah E. "“A World of Tomorrow”: Trauma, Urbicide, and Documentation in A Woman in Berlin: Eight Weeks in the Conquered City." Twentieth-Century Literature 66, no. 2 (2020): 185–206. http://dx.doi.org/10.1215/0041462x-8536154.

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The World War II diary A Woman in Berlin: Eight Weeks in the Conquered City (2005) documents one woman’s story of survival in the spring of 1945 in Berlin, during which upward of 130,000 women were raped by soldiers of the Red Army. First, this essay introduces the politics of recuperating the English translation of the diary within the context of the scant supporting historical documentation and memorialization of Berliner women’s experience during the occupation. Second, it demonstrates how the diary produces a feminist account of survival and a narrative for collective trauma by examining t

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Kwaschik, Anne. "Constructing difference: Feminist witch discourses in the 1970s." STORIA E PROBLEMI CONTEMPORANEI, no. 89 (May 2023): 85–105. http://dx.doi.org/10.3280/spc2022-089005.

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It is a well-known fact, that in the 1970s, feminist activists reappro- priated the figure of the witch in various ways as a symbol of alterity, political radicalism, feminist revolt or victimhood, or the presentation of subversive (healing or body) knowledge. The article investigates the construction of this «artificial myth» in the early 1970s within different milieus of the emergent women's movements based on the examination of three feminist magazines and health guidebooks. «Die Hexenpresse. Zeitschrift für feministische Agitation» (1972-1976) in Basel, the West Berlin health guide Hexenge

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Rosa, Camila Terra da, and Amadeu de Oliveira Weinmann. "Os grandes debates dos anos 1920: notas sobre o feminino, em psicanálise." Arquivos Brasileiros de Psicologia 73, no. 3 (2022): 23–38. http://dx.doi.org/10.36482/1809-5267.arbp2021v73i3p.23-38.

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Este trabalho tem como foco a emergência de uma geração de psicanalistas mulhe-res, nos anos 1920, cuja autoria foi reconhecida e que encontrou um lugar na his-tória do movimento psicanalítico. A partir de um breve contraste com a geração de psicanalistas mulheres dos anos 1910, o artigo interroga: o que tornou possível às analistas dos anos 1920 ocuparem um novo lugar? Nesse sentido, realçamos dois processos: o avanço das lutas feministas, encarnadas no movimento sufragista, e a abertura de um tempo em que as controvérsias, no movimento psicanalítico, não implicam, necessariamente, rupturas.

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Czekay, Angelika. "Moving Beyond Imaginary Walls: FIT's Handbook Women in European Theatre Today." Theatre Research International 24, no. 3 (1999): 259–63. http://dx.doi.org/10.1017/s0307883300019118.

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As a materialist feminist from the former West Berlin I have always been in support of the German Democratic Republic as a system that granted womenextensive social benefits through the law. Before German reunification, rights to apprenticeship, employment, day care, and abortion were secured for East German women. Thus, in my imagination, the German Democratic Republic (GDR) occupied a space where gender and class equality were guaranteed—at least on paper.

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Cunningham, Phyllis M. "From Freire to Feminism: The North American Experience with Critical Pedagogy." Adult Education Quarterly 42, no. 3 (1992): 180–91. http://dx.doi.org/10.1177/074171369204200306.

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Archer, D., & Costello P. (1990). Literacy and Power: The Latin American Battleground. London: Earthscan Publications. Chene, A., & Chervin, M. (1991). Popular Education in Quebec. Washington, DC: American Association for Adult Continuing Education. Collins, M. (1991). Adult Education as Vocation: A Critical Role for the Adult Educator in Today's Society. London: Routledge Hart, M. (1991). Working and Education for Life. London: Routledge. Mezirow, J. (1991). Transformative Dimensions of Adult Learning. San Francisco: Jossey Bass. Shor, I., & Frerie, P. (1987). A Pedagogy for Liber

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Shaskevich, Helena. "Archiving Feeling in Yvonne Rainer's Journeys from Berlin/1971." Camera Obscura 38, no. 1 (2023): 133–63. http://dx.doi.org/10.1215/02705346-10278628.

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Abstract Yvonne Rainer's third and most explicitly political feature-length film, Journeys from Berlin/1971 (US/UK/West Germany, 1979) explores the relationship between personal and political trauma through the lens of the instability and violence that ravaged West Germany during the period commonly referred to as the German Autumn (1977). Through a close reading of the film's formal structure, this essay argues that Journeys from Berlin/1971 represents Rainer's attempt to imagine a feminist counterpublic in the form of a queer “archive of feelings.” This essay traces the film's narrative junc

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Newnham, Randall, Paul Carls, Kate R. Stanton, Michelangelo Vercesi, Randall Newnham, and Carol Hager. "Book Reviews." German Politics and Society 42, no. 1 (2024): 109–25. http://dx.doi.org/10.3167/gps.2024.420105.

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Joyce Marie Mushaben, What Remains? The Dialectical Identities of Eastern Germans (Cham, Switzerland: Palgrave Macmillan, 2023) Ruud Koopmans, Die Asyl-Lotterie: Eine Bilanz der Flüchtlingspolitik von 2015 bis zum Ukraine-Krieg (München: C.H. Beck, 2023) Jane Freeland, Feminist Transformations and Domestic Violence in Divided Berlin, 1968–2002 (Oxford: Oxford University Press, 2022) Florian Grotz and Wolfgang Schroeder, The Political System of Germany (Cham: Palgrave Macmillan, 2023) Paul Carls, Multiculturalism and the Nation in Germany: A Study in Moral Conflict (New York: Routledge, 2023) J

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Fiedler, Soja. "And the Walls Come Tumbling Down? A Feminist View from East Berlin." Alternatives: Global, Local, Political 18, no. 1 (1993): 97–108. http://dx.doi.org/10.1177/030437549301800107.

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Fisher, Melissa, Claudia Neusüss, and Anna Perrottet. "„Fashion is political“?! Nachhaltige Mode und unternehmerische Feminismen in Berlin." FEMINA POLITICA – Zeitschrift für feministische Politikwissenschaft 26, no. 2 (2017): 127–35. http://dx.doi.org/10.3224/feminapolitica.v26i2.10.

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Pastor, Aaren. "Unwarranted and Invasive Scrutiny: Caster Semenya, Sex-Gender Testing and the Production of Woman In ‘Women’s’ Track and Field." Feminist Review 122, no. 1 (2019): 1–15. http://dx.doi.org/10.1177/0141778919849688.

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This article discusses the imbrication of racialising and sexualising scientific practices of gender testing and verification in elite athletics competition, and their intersection with social politics, using as a theoretical frame the feminist, anti-racist work of Hortense Spillers (2003), Judith Butler (1990, 1993a, 1993b, 2004) and Anne Fausto-Sterling (2000), among others. It traces the practice of sex-gender testing of ‘women’ at sanctioned International Association of Athletics Federations (IAAF) and International Olympic Committee (IOC) track and field competitions in order to contextua

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Holmes, Heather. "On Jesse Darling." Journal of Visual Culture 19, no. 2 (2020): 272–76. http://dx.doi.org/10.1177/1470412920944482.

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Jesse Darling, a contemporary Berlin-based artist, produces sculptures, paintings, and drawings that animate material to depict a lived experience of queerness and disability. This article highlights a recent exhibition of Darling’s as an entry point to their wide-ranging practice. Refracted through the lens of Sara Ahmed’s concept of feminist ‘willfulness’, Darling’s objects depict the body as unruly, unpredictable, and given to change, making them exciting candidates for both disability and trans studies. At a moment in contemporary art and cultural production more broadly when gender-noncon

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Silva, Ana Lúcia, and Raylene Barbosa Moreira. "HISTÓRIA POLÍTICA, MULHERES E FEMINISMO NEGRO EM MOVIMENTO." Momento - Diálogos em Educação 32, no. 02 (2023): 152–67. http://dx.doi.org/10.14295/momento.v32i02.15653.

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Considerando a História mundial no contexto histórico pós-queda do Muro de Berlim e do fim do “socialismo real”, de expansão do capitalismo no contexto transnacional, e consequentemente do neoliberalismo nesses tempos de globalização, nesse artigo visa-se ressaltar a organização em Redes feministas na América Latina, especificamente de mulheres e do Feminismo negro no Brasil, com destaque o Grupo de Pesquisa Interdisciplinar Lélia Gonzalez. Com base nos aportes teóricos da Nova História Política, dos Estudos feministas e das epistemologias negras, objetiva-se analisar como na e pós-pandemia da

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Spiers, Emily. "Performing the “quing of berlin”: transnational digital interfaces in queer feminist protest culture." Feminist Media Studies 16, no. 1 (2015): 128–49. http://dx.doi.org/10.1080/14680777.2015.1093145.

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Montes, Antonia. "Traducción feminista transnacional: instrumentalización y manipulación de la recepción transnacional del relato autobiográfico sobre violencia sexual." Lebende Sprachen 66, no. 2 (2021): 251–77. http://dx.doi.org/10.1515/les-2021-0013.

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Abstract Transnational feminist translation studies stand for activism, cooperation and solidarity in connecting feminist thinking developed in all parts of the world (Alvarez et al. 2014, Castro/Ergun 2017, Flotow/ Farahzad 2017, Flotow 2019). One of the important issues is wartime sexual violence, which is the focus of this article, and constitutes a feminist, transnational phenomenon. The account of wartime sexual violence by female victims faces instrumentalization and manipulation by the agents involved in the publication process, including the translators, who are an active part of the p

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Lundberg, Anna. ""Will We be Tested on This?": Schoolgirls, Neoliberalism and the Comic Grotesque in Swedish Contemporary Youth Theatre." Culture Unbound 5, no. 2 (2013): 133–52. http://dx.doi.org/10.3384/cu.2000.1525.135133.

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This article is based on an ethnographic participation study of the production of a play called All about the ADHD and A+ Children of Noisy Village (ännu mer om alla vi ADHD- och MVG-barn i Bullerbyn) staged at one of Sweden’s most prominent playhouses for children’s and youth theatre: ung scen/öst. Within the familiar setting of the classroom, the play takes on the challenging task of questioning and scrutinizing the complex and tangled situation of contemporary neoliberal ideas and practices, their connections to capitalism and their impact on everyday school-life. This in front of an audien

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Moriah, Kristin. "On the Record: Sissieretta Jones and Black Feminist Recording Praxes." Performance Matters 6, no. 2 (2021): 26–42. http://dx.doi.org/10.7202/1075797ar.

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In this article, I examine how Sissieretta Jones (frequently described as America’s first Black superstar, among other superlatives) strategically leveraged her European performance reviews in order to increase her listenership and wages in the United States. Jones toured Europe for the first (and only) time from February until November in 1895. According to clippings that she provided to African American newspapers, the singer performed at the renowned Winter Garden in Berlin for three months. Sissieretta Jones also claimed that she performed for Wilhelm II, the last German Emperor and King o

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Rodríguez, María Graciela. "Olympia: la mirada femenina sobre los juegos olímpicos de Berlín." Movimento (ESEFID/UFRGS) 8, no. 3 (2002): 89–95. http://dx.doi.org/10.22456/1982-8918.2652.

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Em 1936, quando se celebraram os Jogos Olímpicos de Berlim, Hitler confere a tarefa de filmá-los a Leni Riefenstahl, uma espécie de documentariasta do teceiro Reich que já, em 1934, havia feito um sobre o 1º Congresso Nazista. Olympia é, de certo modo, o filme oficial de Berlim 36, e, além de ser um documento da iconografia nazista foi realizado por uma mulher em um tempo onde isto não era comum na indústria cinematográfica. O objetivo deste trabalho é fazer uma análise interpretativa sobre o olhar feminino que atravessa o filme. Um olhar que, articulado com outros, se complementa em um todo n

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Dudek, Sonja M. "Diversity in Uniform? - Gender and Sexuality within the Berlin Police Force." Sociological Research Online 12, no. 1 (2007): 118–28. http://dx.doi.org/10.5153/sro.1534.

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This article examines the significance of gender and sexuality within the German uniformed police. For a long time the police was regarded to be the classic domain of men, but since some years the police actively tries to employ more heterogeneous staff. These efforts result in a clear change of personnel: more and more women are working in the police. It is the aim of this article to firstly examine in which historical contexts gender and sexuality have been relevant categories within the police organisation. Secondly gender and sexuality in organisational theory, especially considering criti

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Vasudevan, Alexander. "Celluloid Critique: Documentary Filmmaking and the Politics of Housing in Berlin’s Märkisches Viertel." Radical Housing Journal 3, no. 2 (2021): 119–42. http://dx.doi.org/10.54825/wdbz3534.

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This is a paper about radical filmmaking and housing justice in the Märkisches Viertel in the 1970s. The satellite estate on the outskirts of West Berlin was one of the largest housing projects in West Germany and, for many residents, a space of increasing marginality and insecurity. As this paper argues, it was also a site of experimental filmmaking that documented the conditions faced by residents living in the Märkisches Viertel. The paper focuses on a group of students closely connected to the Deutschen Film- und Fernsehnakademie (dffb or the German Film and Television Academy) who began i

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Schep, Dennis. "The Limits of Performativity: A Critique of Hegemony in Gender Theory." Hypatia 27, no. 4 (2012): 864–80. http://dx.doi.org/10.1111/j.1527-2001.2011.01230.x.

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Recently, Judith Butler refused to accept an award for civil courage at the Berlin Christopher Street Day, because she felt the event had become too commercial, and the event's organization had failed to distance itself from certain discriminatory statements. This, as well as many of her works, suggests that more than any other contemporary feminist author, Butler is aware of the risk of implication in exclusionary politics; a risk she might therefore successfully avoid. However, in this essay I argue that to the extent her theory of performativity has become a hegemonic framework within the f

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Berlin, K. Avvirin. "The Mathematics of Truth." Nineteenth-Century Literature 78, no. 2 (2023): 114–41. http://dx.doi.org/10.1525/ncl.2023.78.2.114.

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K. Avvirin Berlin, “The Mathematics of Truth: Peripatetic Freedom Calculations in the Narrative of Sojourner Truth” (pp. 114–141) This essay reads passages in the Narrative of Sojourner Truth, a Northern Slave (1850) that pertain to walking and Black motherhood. In doing so, it theorizes Truth’s 1843 walking migration as a political pilgrimage whose spatial-temporal schema challenged federal and state policy. Armed with tactics borrowed from mathematics and the natural sciences, “sojourner laws” and other federal dictates worked to confine African American mothers like Truth to particular soci

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Ramos Muslera, Esteban A., and Bárbara Y. Araneda Olea. "Descolonialidad y reconstrucción comunitaria: entrevista a Breny Mendoza." Revista Latinoamericana Estudios de la Paz y el Conflicto 6, no. 11 (2025): 151–63. https://doi.org/10.5377/rlpc.v6i11.19203.

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Breny Mendoza (1954) es originaria de Tegucigalpa, Honduras. Cursó estudios de ciencias políticas en las universidades alemanas Ruprech-Karl de Heidelberg y la Universidad Libre de Berlín. Obtuvo su doctorado de la Universidad de Cornell en Ithaca, Nueva York. Fue directora del Departamento de Estudios de Género y la Mujer de la Universidad Estatal de California, Northridge entre 2016-2019 y 2022-2024 y es fundadora del Instituto de Estudios Feministas y Acción Social. Breny es una conocida activista y filósofa de la política dentro del feminismo latinoamericano. Sus aportes principales se enm

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Mushaben, Joyce Marie. "The Quest for Gender Parity." German Politics and Society 40, no. 2 (2022): 53–70. http://dx.doi.org/10.3167/gps.2022.400203.

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Given Angela Merkel’s long-standing reluctance to label herself a feminist, many scholars would find it hard to credit her with the increasingly “intersectional” composition of the Bundestag and the Landtage as of the 2021 elections. The last 16 years have nonetheless witnessed major shifts in German policies affecting the rights of women, persons with migration background, and lgbtqia community members. These developments have arguably contributed, directly and indirectly, to voters’ willingness to accept candidates with diverse backgrounds as capable of representing “the people’s interests”

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Herges, Katja. "Becoming-Amazon: Femininity, Embodiment, and Sexuality in a Photographic and Digital Breast Cancer Project." Literature and Medicine 41, no. 1 (2023): 93–122. http://dx.doi.org/10.1353/lm.2023.a911446.

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Abstract: In recent decades, digital and photographic life narratives by women living with breast cancer and mastectomy have gained public visibility. This article examines how a documentary and fashion photography project in contemporary Berlin rethinks normative concepts of femininity, embodiment, and sexuality through the performance of the breast cancer patient as Amazon warrior. Based on feminist theory, disability studies, media studies, and in particular Gilles Deleuze's concept of becoming , I coin the term "becoming-Amazon" for the process of relational subjectivity formation that the

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Rochester, Katherine. "Visual Music and Kinetic Ornaments." Feminist Media Histories 7, no. 1 (2021): 115–46. http://dx.doi.org/10.1525/fmh.2021.7.1.115.

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This essay traces the theorization of interwar animation through period analogies with painting and dance, paying special attention to the valorization of concepts such as dematerialization and embodiment, which metaphors of visual music and physical kinesthesis were used to promote. Beginning in 1919, and exemplified by her feature-length film Die Abenteuer des Prinzen Achmed (1926), Lotte Reiniger directed numerous silhouette films animated in an ornate style that embraced decorative materiality. This aesthetic set her in uneasy relation to the avant-garde, whose strenuous attempts to distan

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Zami, Layla. "Dancing After Life: Flexible Spacetimes of Black Female ResistDance." Dance Research Journal 53, no. 2 (2021): 67–87. http://dx.doi.org/10.1017/s0149767721000206.

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ABSTRACTThis essay explores the intersection of concert dance, cultural memory, Black womanhood, and non-linear spacetime from an Afro-European perspective. Inspired by Black feminist methodologies, the text interweaves performance analysis, historical context, interdisciplinary theory including my own concept of perforMemory, and auto-ethnographic experience gained through participant observation. My writing moves along three lines of inquiry tuned in the key of C: contextualizing, conjuring and contemplating. The article offers a case study of I Step on Air, a contemporary dance piece create

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Kuppers, Petra. "Moving in the Cityscape: Performance and the Embodied Experience of the Flâneur." New Theatre Quarterly 15, no. 4 (1999): 308–17. http://dx.doi.org/10.1017/s0266464x00013245.

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Walter Benjamin's concept of the flâneur has been widely used to conventionalize ‘the disinterested voyeur, the lonely figure haunting the streets of cities, the person who watches the spectacle of modern life’. Petra Kuppers argues that the flâneur is as central to the ‘nineties cityscape as to that of Baudelaire's Paris, of which Benjamin was writing, or to his own inter-war Berlin. She responds to feminist and other objections and, while recognizing the validity of later writings on the nature of the body such as Foucault's, argues that the flâneur remains valuable in counterbalancing ‘aspe

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Schwartz, Agatha, Christabelle Sethna, and Danielle Lyn Carron. "Not Supposed to be Born?" Canadian Journal of European and Russian Studies 16, no. 3 (2023): 1–29. http://dx.doi.org/10.22215/cjers.v16i3.4034.

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Drawing from two published literary narratives, the German wartime diary by Anonymous, A Woman in Berlin, and the novel based on women’s testimonies of war rape and unwanted pregnancies in Bosnia by Slavenka Drakulić, S.: A Novel About the Balkans, in addition to published testimonies and unpublished interview data by now young adult (in the case of Bosnia) and elderly (in the case of Germany) children born of war rape (CBOWR), this article examines the intergenerational impact of wartime sexual violence. Applying feminist narrative analysis, the authors demonstrate the situation of “impossibl

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Barbosa, Izabela dos Santos, José Carlos Souza, Paulo de Tarso Guerrero Muller, Paola Oliveira Cavalcante Brito, Caroline Torres Augusto, and Isabella de Azevedo Cardeliquio Cantarelli. "Avaliação dos Distúrbios do Sono de pacientes submetidos à Polissonografia." Research, Society and Development 10, no. 1 (2021): e40110111738. http://dx.doi.org/10.33448/rsd-v10i1.11738.

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Objetivo: caracterizar os distúrbios do sono dos pacientes submetidos à polissonografia e identificar suas associações com variáveis epidemiológicas. Métodos: estudo transversal, observacional, conduzido com análise de dados dos prontuários de 101 pacientes submetidos a polissonografia no Laboratório de Medicina do Sono do HUMAP, Campo Grande, MS. Os dados utilizados foram os laudos da polissonografia e escalas padronizadas (escala de sonolência de Epworth e Questionário de Berlim). Resultados: O alto risco para Síndrome da Apneia Obstrutiva do Sono (SAOS) foi identificado em 83% dos avaliados

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Utkarsh, Kumar Rai. "A Censorious and Judicious Study of D.H Lawrence's Novel Women in Love." A Censorious and Judicious Study of D.H Lawrence's Novel Women in Love 6, no. 7 (2024): 58–68. https://doi.org/10.47311/IJOES.2024.6.7.68.

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This research paper which is based on the novel of D.H Lawrence (David et al.) is athought -provoking research work which is a shadow of Lawrence's writingtechniques & his prose humor. The novel "Women in Love" is a spectacular novelthat explores literary themes like feminism, stream of consciousness, modernism,autobiographical features & queer theory. There are four major characters in thenovel: Ursula Brangwen, Gurdun Brangwen, Rupert Berkin, and Gerald Crich. Thisnovel portrays the journey of love and romance, which is filled with dramatic andpsychological fiction. The male characte

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Paveck, Hannah. "Taciturn Masculinities: Radical Quiet and Sounding Linguistic Difference in Valeska Grisebach's Western." Film-Philosophy 24, no. 1 (2020): 46–66. http://dx.doi.org/10.3366/film.2020.0128.

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This article brings into dialogue the work of Jean-Luc Nancy and Berlin School filmmaker Valeska Grisebach to consider the relationship between film sound, gender and settler colonialism in Western ( Valeska Grisebach, 2017 ). I draw connections between Nancy's Listening and Eugenie Brinkema's concept of radical quiet to examine how the film's sonic composition attends to the sonority of silence and voice. I argue that Western combines sonic strategies of radical quiet and part-subtitled multilingual dialogue to undermine the sovereign silence associated with the genre's white heroic masculini

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Lima, Márcio Amorim Tolentino, Tauane Freitas Alves, and Thaisa Souza Oliveira. "Epidemiologia e Adesão Terapêutica no Tratamento de Pacientes com Tuberculose Atendidos na Unidade Básica de Saúde Dr. José Maria de Magalhães Neto – Bahia." UNICIÊNCIAS 22, no. 1 (2018): 45. http://dx.doi.org/10.17921/1415-5141.2018v22n1p45-48.

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A Tuberculose – TB é uma doença distinguida como fatal, causada pelo Mycobacterium tuberculosis, bactéria identificada em 24 de março de 1882, em Berlim (Alemanha) por Robert Koch. Sua transmissão ocorre por via aérea, de um indivíduo doente a um sadio. O escopo do trabalho foi identificar os aspectos que contribuem e dificultam a adesão ao tratamento terapêutico de jovens com tuberculose, além de descrever o perfil dos pacientes nos casos notificados de tuberculose e a sequência do tratamento na cidade de Itabuna. Foi realizado um questionário estruturado com perguntas objetivas e aplicado en

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Gadberry, Glen W. "The Black Medeas of Weimar and Nazi Berlin: Jahnn-Straub and Straub-Grillparzer." Theatre Survey 33, no. 2 (1992): 154–66. http://dx.doi.org/10.1017/s0040557400002386.

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While earlier dramatists treated Medea as a dramatic character, it was Euripides who gave her enduring theatrical prominence. Beyond crafting a timely attack upon a treacherous Corinth to appeal to Athens at the start of the Peloponnesian War, Euripides developed Medea to question the social role of women within a proudly patriarchal society. And he may have been the first to make Medea a non-Greek, a Colchian, a “barbarian”—a term that had become more derisive in the fifth century. In the Golden Age, a female foreigner was marginalized by gender and by heritage/race/ethnicity; a justified or

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Hyldig, Keld. "Philosophical Theatricality: Castellucci’s staging of Hölderlin’s "Oedipus the Tyrant"." Nordic Theatre Studies 28, no. 2 (2017): 119. http://dx.doi.org/10.7146/nts.v28i2.25521.

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In 2015, the Italian director Romeo Castellucci staged Oedipus the Tyrant at Schaubühne in Berlin. The staging was based on the German poet-philosopher Friedrich Hölderlin’s translation, which is known for its peculiar linguistic, philosophical, and theatrical approaches to Greek tragedy. The article examines how Castellucci in continuation of Hölderlin’s translation and commentaries to the tragedy, staged Oedipus as a theatrical – and philosophical – confrontation between religious and rational approaches to knowledge. The staging was seemingly simple, showing a group of nuns performing Oedip

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Hyldig, Keld. "Philosophical Theatricality: Castellucci’s staging of Hölderlin’s Oedipus the Tyrant." Nordic Theatre Studies 28, no. 2 (2017): 119. http://dx.doi.org/10.7146/nts.v28i2.25605.

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In 2015, the Italian director Romeo Castellucci staged Oedipus the Tyrant at Schaubühne in Berlin. The staging was based on the German poet-philosopher Friedrich Hölderlin’s translation, which is known for its peculiar linguistic, philosophical, and theatrical approaches to Greek tragedy. The article examines how Castellucci in continuation of Hölderlin’s translation and commentaries to the tragedy, staged Oedipus as a theatrical – and philosophical – confrontation between religious and rational approaches to knowledge. The staging was seemingly simple, showing a group of nuns performing Oedip

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