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Littérature scientifique sur le sujet « Feminism Feminism and literature »

Auteur : Grafiati
Publié le 4 juin 2021
Mis à jour le 14 février 2022

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Articles de revues sur le sujet "Feminism Feminism and literature"

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Trevisan, Gabriela Simonetti. « A mulher e a arte : a criação feminina nas palavras de Júlia Lopes de Almeida ». Revista PHILIA | Filosofia, Literatura & ; Arte 2, no 2 (10 novembre 2020) : 189–215. http://dx.doi.org/10.22456/2596-0911.103861.

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Este artigo tem como foco uma análise do texto “A mulher e a arte” (sem data), da escritora carioca Júlia Lopes de Almeida (1862-1934). Este escrito, recém-publicado na íntegra pela primeira vez, em revista acadêmica, constitui uma conferência da autora na qual ela expõe suas opiniões sobre o tema da arte de autoria feminina, tecendo uma série de críticas de cunho feminista à desigualdade entre os gêneros no espaço da criação artística. Em seu texto, a literata cita diversos nomes de artistas e intelectuais mulheres, de modo a sustentar seu argumento em defesa da potência criativa feminina e assinalar a importância da transformação da cultura patriarcal. Assim, a partir do olhar historiográfico e embasados pela epistemologia feminista, buscamos ressaltar a conferência como fundamental para o estudo da escrita de autoria feminina e feminista no Brasil entre os séculos XIX e XX.Palavras-chave: Júlia Lopes de Almeida. Literatura. Feminismo. AbstractThis article focuses on an analysis of the text “The woman and the art” (undated), by the writer Júlia Lopes de Almeida (1862-1934), from Rio de Janeiro. This writing, recently published in full for the first time, constitutes a conference in which the author exposes her opinions on the theme of art of female authorship, weaving a series of feminist criticisms of the inequality between genders in the space of artistic creation. In her text, Júlia lists several names of artists and women intellectuals, in order to support her argument in defense of the feminine creative power and point out the importance of the transformation of patriarchal culture. Thus, from the historiographic perspective and based on feminist epistemology, we seek to emphasize the conference as fundamental for the study of female and feminist writing feminists in Brazil between the 19th and 20th centuries.Keywords: Júlia Lopes de Almeida. Literature. Feminism.
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Widati, Sri. « Feminisme dalam Sastra Jawa Sebuah Gambaran Dinamika Sosial ». ATAVISME 12, no 1 (30 juin 2009) : 83–96. http://dx.doi.org/10.24257/atavisme.v12i1.160.83-96.

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Artikel ini bertujuan membahas feminisme dalam sastra Jawa, salah satu sastra etnis di Indonesia yang masih eksis sampai saat ini. Sebelum kemunculan pengarang perempuan, perempuan dalam sastra Jawa ditulis oleh pengarang laki-laki sehingga mereka dideskripsikan sebagai makhluk tak berdaya dan setia pada pria, bukan sebagai sosok atau figur yang kuat. Baru tahun 1917-an, dengan munculnya pengarang perempuan muda dari Yogya dan Surabaya, persepsi feminisme dalam sastra Jawa berubah. Dalam karya-karyanya, mereka mendemonstrasikan solidaritas terhadap perempuan yang menjadi korban ketidaksetaraan gender. Saat ini, sastra Jawa feminis ditulis baik oleh pengarang perempuan maupun laki-laki. Pengarang perempuan menyuguhkan sebuah konsep feminisme yang mengarah pada kesetaraan gender, sementara pengarang laki- laki berusaha untuk membela perempuan tertindas dengan cara laki-laki Abstract: This article is aimed to discuss feminism in Javanese literature, one of the ethnical literatures in Indonesia which still exist up till now. Prior to the emergence of female authors, women in the Javanese literature had been written by male authors so that they had been described as being submissive and loyal to men instead of an image or figure of strong ones. Not until 1917s, by the emergence of young female authors from Yogya and Surabaya, did the perception of feminism in Javanese literature change. In the works, they have demonstrated solidarity to women who became the victims of gender inequality. At the present time, feminist Javanese literatures are written by either female or male author. Female authors present a feminism concept which leads to gender equality, whereas male authors make an effort to defend oppressed women by manly methods. Keywords: feminist, Javanese literature, gender equality, female authors
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Nugraha, Dipa, et Suyitno Suyitno. « Pendekatan Sastra Bandingan Feminis Atas Variasi Gubah Ulang Agni Pariksha Sita dalam Tiga Sajak Indonesia ». ATAVISME 23, no 1 (30 juin 2020) : 62–74. http://dx.doi.org/10.24257/atavisme.v23i1.628.62-74.

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Babak Agni Pariksha (percobaan api atas Sita) di dalam kisah Ramayana telah menginspirasi banyak sastrawan Indonesia di dalam menghasilkan karya-karya sastra. Selama ini kajian mengenai karya yang terinspirasi oleh Agni Pariksha sudah banyak dilakukan, tetapi belum ada yang menggunakan pendekatan sastra bandingan feminis. Di samping itu, masih terdapat keraguan mengenai keterlibatan laki-laki di dalam feminisme dan/atau kritik terhadap sistem patriarki. Penelitian ini menggunakan pendekatan sastra bandingan feminis terhadap tiga sajak: Asmaradana karya Subagio Sastrowardoyo, Sita Sihir karya Sapardi Djoko Damono, dan Sepucuk Surat Sita Sebelum Labuh Pati karya Soni Farid Maulana. Pembacaan cermat dan analisis isi dilakukan atas ketiga sajak untuk menyibak makna laten bernuansa feminisme sembari dibandingkan dengan kisah asli Ramayana. Penelitian ini menghasilkan temuan bahwa ketiga sajak mengkritik representasi ideal dari konstruksi relasi gender heteroseksual di dalam sistem patriarki yang terbangun dari kisah Ramayana. Temuan ini memberikan bukti bahwa laki-laki pun dapat mengajukan kritik terhadap sistem patriarki dari posisi mereka sebagai laki-laki dan sekaligus mengartikulasikan pandangan mereka yang koheren dengan gerakan feminisme[A Comparative Feminist Approach on the Variety of Re-writing Sitas Agni Pariksha in Three Indonesian Poems] Agni Pariksha (Sitas Fire Ordeal) in Ramayana has inspired many Indonesian writers. Previous studies on the writings inspired by Agni Pariksha in Indonesian literature have never used feminist comparative literature approach. Moreover, there have been doubts on the involvement of men in feminism and/or in criticizing patriarchy. This study used feminist comparative literature approach on three Indonesian poems: Asmaradana by Subagio Sastrowardoyo, Sita Sihir by Sapardi Djoko Damono, and Sepucuk Surat Sita Sebelum Labuh Pati by Soni Farid Maulana. These poems were close read and analyzed using content analysis to reveal their potential profeminism messages whilst also compared to the story of Ramayana. This study found that the three poems criticize the ideal representation of heterosexual gender relation construction in the patriarchal system based on the story of Ramayana. The findings suggest that men are able to give criticism towards the patriarchal system from their subject position as men while at the same time also articulate their pro-feminism stance.Keywords: Agni Pariksha; feminist comparative literature; existentialist feminism; subject question;subject in situation
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Du Plessis, J. W., et D. H. Steenberg. « Uit die oogpunt van ’n vrou ? Perspektief op feministiese literêre kritiek in die kader van die Airikaanse prosa ». Literator 12, no 3 (6 mai 1991) : 71–88. http://dx.doi.org/10.4102/lit.v12i3.781.

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Feminists feel that in literary criticism not enough consideration is given to feminism as an ideology in the production of texts. According to them, existing literary criticism is strongly man-centred. This is especially true of the practice of South African literary criticism. Although feminism does not have at its disposal a formulated feminist literary criticism, a great deal of research has been done in this direction abroad. This is especially the case in Europe and America. Feminist literary critics apply themselves to the representation of the woman in works by male authors and an analysis of feminine experience in the production of texts by women. This article is an exploration of the Anglo-American and French approaches in feminist literary criticism. An attempt is made to formulate the aims of a possible South African feminist literary criticism in order that not only the general norms, but also the feminist codes in the production of a text, speak towards the final interpretation of a work.
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Wejbert-Wąsiewicz, Ewelina Izabela. « Feminizm w polskiej literaturze kobiet ». Annales Universitatis Mariae Curie-Sklodowska, sectio L – Artes 15, no 2 (19 septembre 2018) : 97. http://dx.doi.org/10.17951/l.2017.15.2.97.

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<p>Przedmiotem rozważań dla niniejszego szkicu są przede wszystkim wątki feministyczne obecne w polskiej literaturze kobiet. Tekst podejmuje refleksję dotyczącą następujących kwestii: czy istnieje zjawisko literatury feministycznej w Polsce; czy wątki feministyczne są charakterystyczne tylko dla sztuki kobiet; jakie feminizmy obecne są w literaturze kobiet? Socjologiczna badania pokazują, iż w Polsce feminizm nie zyskuje aprobaty społecznej nawet wśród kobiet doświadczającyh nierówności płciowych. Ciagle pokutuje negowanie pozytywnej roli feminizmu, zakorzeniiła sie silnie postawa antyfeministyczna mająca żróło w braku wiedzy, streotypach odnośnie do ruchu kobiet. Ewa Malinowska wiele lat temu argumentowała, że ruch feministyczny w Polsce jest działaniem jednostek a nie kolektywnej pracy aktorów społecznych. Rodzimych korzeni literatury związanej z femiznimem upartuje się <em>Entuzjstkach</em> Narcyzy Żmichowskiej. Skupione wokół tego ruchu pisarki angażowały się w polityczną i edukacyjną działalność. Po okresie I wojny światowej, wraz z zyskaniem praw do głosowania i edukacji rodzima literatura kobiet zaatakowała zerwaniem wielu społecznych, obyczajowych tabu, w tym seksulanych, np. ciąża, macierzyństwo, aborcja, małżeństwo (G. Zapolska, Z. Nalkowska, M. Kuncewiczowa, P. Gojawiczyńska, I. Krzywicka, A. Gruszecka, H. Boguszewska and many others).Druga wojna światowa i póżniejszy PRL przysłoniły idee feministyczne, ważne tematy i problemy dla kobiet. Sytuacja uległa zmiane po 1989 roku wraz z debiutami pisarek nie tylko opisujących doświadczenia kobiece ale także otwarcie declarującycmi sympatię do feminizmu w wywiadach (np. Manuela Gretkowska, Izabela Filipiak, Olga Tokarczuk, Natasza Goerke). Współczesne literatura nie jest ofensywna, pisarki nie walczą i nie deklarują otwarcie femistycznej postawy, wartości.</p><p><strong>Feminism in Polish Women’s Literature</strong></p>SUMMARY<p>The subject of discussion in this sketch is first of all feminist themes present in Polish women’s literature. The text considers the following questions: whether the phenomenon of feminist literature exists in Poland; whether feminist themes are characteristic only of women’s art; what feminisms are present in women’s literature? Sociological studies show that feminism is not socially approved even among women who experience gender inequalities. The denial of the positive role of feminism still persists, and there is a deeprooted antifeminist attitude stemming from ignorance and stereotypes. Many years ago Ewa Malinowska argued that the feminist movement in Poland consisted in the activity of individuals rather than the collective work of social activists. The native roots of literature associated with feminism are sought in Narcyza Żmichowska’s Enthusiasts (Entuzjastki) group. The women writers participating in this movement were involved in political and educational activities. After World War One, after women were granted voting rights and right to education, women’s literature in Poland touched on many social and moral taboos, including sexual, such as pregnancy, maternity, abortion, or marriage (G. Zapolska, Z. Nałkowska, M. Kuncewiczowa, P. Gojawiczyńska, I. Krzywicka, A. Gruszecka, H. Boguszewska, and others). World War Two and the period of People’s Poland pushed feminist ideas and women’s important problems and subjects into the deep background. The situation changed after 1989 with the debuts of women writers who not only described female experiences but also openly declared their sympathies towards feminism in interviews (e.g. Manuela Gretkowska, Izabela Filipiak, Olga Tokarczuk, and Natasza Goerke). Contemporary literature is not aggressive, however: women writers do not fi ght and do not openly espouse feminist attitudes and values.</p>
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Sonntag, Mira. « Christian Feminism in Japan ». Journal of Religion in Japan 4, no 2-3 (2015) : 105–32. http://dx.doi.org/10.1163/22118349-00402008.

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By analyzing video interviews with proponents of Christian feminism, as well as literature stemming from their movement in Japan, this article explores the contemporary approaches of Japanese women to theology and practical faith. While tracing their discourses over the last sixty years, the article focuses on the existing variety of perspectives, as well as on the problems that have emerged from the intentional embrace of multiple voices. Drawing on Deleuze and Guattari, I identify “majoritarian” tendencies in these feminist approaches. However, the sources used here also show that Christian feminism in Japan has considerable potential for “becoming-minoritarian.” Furthermore, I argue that the situation of Christian feminism differs from those of feminist movements in the major religions of Japan in so far as Christian feminists comprise a sub-minority of a religious minority that naturally needs to reach out to other minority groups, both within and outside Christian feminism. At the same time, these attempts at outreach tend to provoke criticism from fellow Christian believers, reinforcing the marginalization of Christian feminism in Japan.
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Peng, Niya, Tianyuan Yu et Albert Mills. « Feminist thinking in late seventh-century China ». Equality, Diversity and Inclusion : An International Journal 34, no 1 (9 février 2015) : 67–83. http://dx.doi.org/10.1108/edi-12-2012-0112.

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Purpose – The purpose of this paper is to offer novel insights into: knowledge of proto-feminism through description and analysis of the rule of the seventh century female Emperor Wu Zetian; postcolonial theory by revealing the existence and proto-feminist activities of a non-western female leader; and the literature on gender and invisibility through a study of a leading figure that is relatively unknown to western feminists and is even, in feminist terms, something of a neglected figure. Design/methodology/approach – In order to examine Wu’s proto-feminist practices as recorded in historical materials, we use critical hermeneutics as a tool for textual interpretation, through the following four stages: choosing texts from historical records and writings of Wu; analyzing the historical sociocultural context; analyzing the relationship between the text and the context; and offering a conceptual framework as a richer explanation. Findings – Wu’s life activities demonstrate proto-feminism in late seventh century China in at least four aspects: gender equality in sexuality, in social status, in politics, and women’s pursuit of power and leadership. Research limitations/implications – Future research may dig into the paradox of Wu’s proto-feminist practices, the relationship between organizational power and feminism/proto-feminism, and the ways in which Wu’s activities differ from other powerful women across cultures, etc. Practical implications – The study encourages a rethink of women and leadership style in non-western thought. Social implications – The study supports Calás and Smircich’s 2005 call for greater understanding of feminist thought outside of western thought and a move to transglobal feminism. Originality/value – This study recovers long lost stories of women leadership that are “invisible” in many ways in the historical narratives, and contributes to postcolonial feminism by revealing the existence of indigenous proto-feminist practice in China long before western-based feminism and postcolonial feminism emerged.
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Malotra-Gaudet, Lauren. « A critical look at the terms feminism, Feminism, and womanism and the applicability, or not, of each in conversation with Toni Morrison’s First and Last Novels The Bluest Eye and Home ». Journal of Student Research 4, no 2 (3 juin 2015) : 7–12. http://dx.doi.org/10.47611/jsr.v4i2.235.

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For the purpose of this paper lower-case-f feminism is used as the umbrella term for the organized activity in support of women's rights and interests founded in the belief that men and women should have equal rights and opportunities. Hegemonic Feminism, aka Radical Feminism, has historically left out women who face issues alongside oppression based on gender, namely women of colour. Capital-F Feminism represents this hegemonic Feminism. Alice Walker’s womanism creates a type of feminism specifically for black women and women of colour. In this paper I explore and contrast three different types of feminism, hegemonic “Feminism” and “womanism”, to show how Toni Morrison’s first and last novels The Bluest Eye and Home are definitely womanist texts but are not necessarily considered feminist under the constraints of hegemonic Feminism. I look at the differences between the three terms to show how these novels can and do slip through the cracks and are not labeled as “feminist” texts because they do not comply with “Feminism.” Through plot and character examples I show how these novels are womanist, and because of that they are not able to be considered examples of Feminist texts and are therefore not regarded as canonical Feminist literature, though they do exemplify feminist principles, themes and ideals.
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Tripathi Sharma, Dr Shreeja. « Towards a ‘Vedic Feminine Renaissance’ ». SMART MOVES JOURNAL IJELLH 8, no 11 (28 novembre 2020) : 216–26. http://dx.doi.org/10.24113/ijellh.v8i11.10872.

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The sense of justice and equity towards women is considered among the best indicators that reflect the socio-cultural development of a civilisation. The position and status of women, as reflected in literature naturally serves as a test to gauge the sensibilities and cultivation of each associated age. It is matter of general agreement that the feminine ideals of womanhood during the early Vedic age remain exalted and exemplary. The Vedic narratives elevate the ephemeral spirit of womanhood, which progressively lost its sheen in successive stages. While the contemporary feminine polemics consistently unravel unhackneyed theories, generic in nature, we are lacking in such an orientation which targets specifics of local, regional and traditional culture. Feminists in India are no exception, and have largely adopted the theories of Feminism emanating from the discourse of the West. The Indian Vedic repository contains instances which testify the epitome of womanhood at its best. However, the Indian ethos of feminism imbedded firmly in the Vedic roots remain largely inaccessible in the contemporary feministic theory. The need for adapting ‘global feminism’ to the ‘classical Indian taste’ remains an unobserved concern. This paper explores the possibilities inherent in the study of classical mythic literature and their potential for stimulating ‘local theories’ of feminism in India through a study of selected feminine ideals present in the early Vedic narratives. Can study of ancient Vedic literature inspire a reawakening in Indian feminism, just as the study of classical Greek literature did for the West during Renaissance in Europe - is a question, this paper seeks to address.
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Umansky, Ellen M., Evelyn Torton Beck, Elizabeth Koltun, Susannah Heschel, Blu Greenberg, Susan Weidman Schneider, Melanie Kaye/Kantrowitz, Irena Klepfisz et Penina V. Adelman. « Females, Feminists, and Feminism : A Review of Recent Literature on Jewish Feminism and the Creation of a Feminist Judaism ». Feminist Studies 14, no 2 (1988) : 349. http://dx.doi.org/10.2307/3180158.

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Thèses sur le sujet "Feminism Feminism and literature"

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Fish, Tamara Lynn. « Feminist traces : women and feminism in college composition and communication, 1963-1992 / ». Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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Adebayo, Adebanke. « West African Feminism| Maneuvering the Reality of Feminism Using Osun ». Thesis, Southern Illinois University at Edwardsville, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10682016.

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West African Women writers are constantly looking for ways to maneuver the patriarchal system within their indigenous cultures. To say maneuvering implies the dilemma in consciously navigating patriarchal epistemology as West African women, which in reality is not exotic to other feminist struggles outside the continent. To deal with the dilemma of constantly maneuvering, this thesis suggest for an indigenous framework. It suggests Osun –a Nigerian goddess– as a response to the theoretical problems and as a methodology to navigating a postcolonial patriarchal worldview in order to express West African feminist discourse. The specificity of Osun is essential, but the fluidity of Osun across borders cannot be undermined as it paves the way for flexibility within feminist and gender discourse and draws upon various gender oppressed experiences. The idea of specificity and fluidity is fundamental to developing Osun as West African feminist discourse because of her ability to transcend space. The combination of specificity and fluidity are necessary within any feminist discourse as it allows for women from different regions to relate and align the tenets to their specific struggles found in the diversity of Osun.

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Kastelein, Barbara. « Popular/post-feminism and popular literature ». Thesis, University of Warwick, 1994. http://wrap.warwick.ac.uk/36104/.

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This thesis is concerned with the ambivalence expressed towards feminism by many women in the last decade and identifies post-feminism as a problematic through which to explore this in contemporary women's writing. It focuses on selected fictional and non-fictional texts of the 1980s and 1990s and examines the ways in which they engage with feminist concerns. Until now, post-feminism has not been studied through its articulations in popular literature. To do justice to the wide range of views held by women and avoid a defensive and pessimistic reading of commercialised mainstream culture, I have made use of intertextual readings. The methodology is derived from feminist critical theory and cultural studies in order to address the relation between feminist and non-feminist literary texts and the dynamic interchange between what have been labelled as feminist politics and mainstream or consumer women' s interests. The significance of the research lies in the identification of ways in which such works of fiction and nonfiction provide an outlet for women's voices which could serve as a basis for developing feminist criticism and politics. The thesis is divided into three chapters, the different themes of which illustrate post-feminist concerns. In the first, I address the literature of popular therapy by women. The second chapter focuses on contemporary fictional and non-fictional writings by women on sex. The final chapter examines women' s relationship to transgression through genres of crime writing. I have found that popular literary forms used by women may offer a progressive and complex reading of post-feminism. I conclude that post-feminism has drawn on popular elements of feminism and that, at the beginning of the 1990s, one may identify a reincorporation of feminism into postfeminism.
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Allen-Johnstone, Claire. « Dress, feminism, and British New Woman novels ». Thesis, University of Oxford, 2018. https://ora.ox.ac.uk/objects/uuid:dd38da33-efbb-463f-86fd-9fcc1c4f707e.

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This thesis examines the close and complex relationship between dress, feminism, and British New Woman novels. It provides in-depth analysis of six New Woman novels and draws comparisons with numerous other works. The case study texts are Olive Schreiner's The Story of an African Farm (1883) and From Man to Man: Or Perhaps Only ... (1926, posthumously), Sarah Grand's Ideala: A Study from Life (1881) and The Heavenly Twins (1893), and Grant Allen's The Woman Who Did (1895) and The Type-Writer Girl (1897). I explore why dress was so important to such novels, and examine the diverse, individual, developing, and shared ways in which authors engaged with dress as a feminist strategy and feminist concern. Areas considered include From Man to Man's use of functional clothes and dress production to celebrate female labour, Grand's interest in both dress reform and dressing to impress, Allen's shift in focus from the white-clad free lover to the sensibly-dressed working woman, and authors' use of deceptively clean clothes to address male immorality and disease. The thesis looks beyond as well as within New Woman narratives, demonstrating that writers, and publishers, were broadly concerned with dress in its various literal and more metaphorical manifestations. Focuses include self-styling, authorial cross-dressing, and bindings. Dress does not, however, always seamlessly support these texts' feminisms, I argue. For example, Grand elevated cross-class feminism, but she belittled middle-class women's taste, side-lined poor women's most pressing sartorial concerns, and dressed to impress. I also stress that dress, being so closely bound up with New Woman novels' feminisms and their ambiguities, is a revealing lens through which to read such texts, and one often capable of prompting re-readings. Attention to Allen's rejection of sartorial realism in parts of The Woman Who Did problematises the dominant conception of this novel as straightforwardly pro-free union, for instance. The thesis, as well as gesturing towards dress's centrality to the production and interpretation of literary feminisms and anti-feminisms broadly, emphasises the importance of dress to New Woman literature and its analysts, and uses dress to provide fresh readings of various novels and genre-wide issues.
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Munt, Sally Rowena. « Feminism and the crime novel ». Thesis, University of Sussex, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.387221.

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Kerr, Joanna. « Learning from the novel : feminism, philosophy, literature ». Thesis, University of Edinburgh, 1998. http://hdl.handle.net/1842/26656.

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Analytic philosophy since Plato has been notoriously hostile to literature, and yet in recent years, increasing numbers of philosophers within the tradition have sought to take seriously the question of how it is that literature can be philosophical. Analytic philosophy has also been noted for its hostility to women and resistance to feminism. In this thesis I seek to make connections between firstly the prejudice against, and then the potential for, the contribution of the perspectives of literature and feminism in philosophy, attempting to answer simultaneously the two questions; How can literature be philosophical? How can feminists write philosophy? In the sense that I attempt to take these questions seriously, and answer them precisely, this thesis fits into the analytic philosophical tradition. However, my response to these questions, and thus the majority of this thesis, takes the form of a non-traditional demonstration of the philosophical potential of literature presented through three feminist literary genres; autographical fiction, utopian fiction, and detective fiction. Using generic divisions seems to be an appropriate strategy for reclaiming literature as philosophical, since it suggests an identification with the Aristotelian defence of literary arts against Plato's assault. However, I will argue that these literary genres have traditionally been defined in terms which prohibit a philosophical reading. I will expose and then recover this anti-philosophical bias, particularly when it coincides with feminist genre revisions. This recovery will take the form of a philosophical reconceptualizing of each genre, and a specific comparative analysis of two texts adopted as representative of each genre as I conceive it. In this way I hope to show that it is not only possible, but highly advantageous, to learn from the novel.
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Guyon, Elisabeth Louise. « The New Feminine Rhetoric : Wollstonecraft, Austen, and the Forms of Romantic-Era Feminism ». Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2324.pdf.

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Bosch, Marta (Bosch Vilarrubias). « Post-9/11 Representations of Arab Men by Arab American Women Writers : Affirmation and Resistance ». Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/392705.

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This dissertation provides an analysis of the representation of Arab American men in post-9/11 writings by Arab American women. This thesis contributes a new inquiry regarding Arab American literature in joining the subject of literature written by women and the study of Arab American masculinities. It delves into the construction (from both outsider and insider perspectives) of Arab American masculinities, at the same time as it expounds on the history of Arab (American) feminisms, placing Arab American women writers in a privileged space of contestation and critique in their fight against both sexism and racism. This dissertation wants to visibilize the nuanced depiction of Arab and Arab American men provided by Arab American women writers after 9/11, who have been informed by feminism since the 1990s. In their attempt to fight both sexism and racism, Arab American women provide ambivalent representations of Arab men that counter stereotypical discourses historically entrenched in the American psyche and also recurrent after 9/11. Furthermore, this thesis also intends to provide an analysis of fiction as a representation of reality, while also understanding literature as a potential conductor of change in cultural discourses. To do so, the dissertation is structured in four main parts which examine the context, reasons, and potential consequences of the specific portrayals of Arab American masculinities published by Arab American women after 9/11. The first chapter covers the historical vilification and racialization of Arab men in the United States, by taking on theories on biopolitics (Foucault), necropolitics (Mbembe, Puar), and monster-terrorist (Puar and Rai) in relation to the traumatic experience of September 11. The second deals with the discourses that aid in the social construction of Arab American identities and masculinities, with a special emphasis given to the theories of neopatriarchy (Sharabi), heterotopia (Foucault) and thirdspace (Soja, Bhaba). The construction of Arab American identities is also analyzed (David), as well as Arab American masculinities (Harpel). The third chapter examines the development and characteristics of Arab American feminisms (Hatem), as well as their influence to Arab American women writers. Finally, the fourth part takes on the theories from previous chapters and provides a literary analysis of the male characters in a group of selected novels published after 9/11. Those are: Diana Abu-Jaber's Crescent (2003), Laila Halaby's West of the Jordan (2003), Alicia Erian's Towelhead (2005), Laila Halaby's Once in A Promised Land (2007), Frances Kirallah Noble's The New Belly Dancer of the Galaxy (2007), Susan Muaddi Darraj's The Inheritance of Exile: Stories from South Philly (2007), Randa Jarrar's A Map of Home (2008), and Alia Yunis's The Night Counter (2009).
Esta tesis proporciona un análisis de la representación de los hombres árabo-americanos en novelas escritas por mujeres después del 11 de septiembre. Este estudio contribuye una novedosa investigación en relación a la literatura árabo-americana al juntar el estudio de la literatura escrita por mujeres y el análisis de las masculinidades árabo-americanas. La tesis explora la construcción de las masculinidades árabo-americanas, al mismo tiempo que explica la historia de los feminismos árabo-americanos, situando a las mujeres árabo-americanas en un espacio privilegiado de contestación y crítica en su lucha contra el sexismo y contra el racismo. Esta tesis quiere visibilizar la compleja representación de los hombres árabes y árabo-americanos ofrecida por mujeres árabo-americanas después del 11 de septiembre, mujeres influenciadas por el feminismo desde los años noventa. En su lucha contra el sexismo y el racismo, estas mujeres proporcionan representaciones ambivalentes de hombres árabes que contrarrestan los discursos estereotípicos recurrentes después del 11 de septiembre y arraigados en la psique norteamericana. Además, proporciona un análisis de la ficción como representación de la realidad, entendiendo la literatura como conductor potencial de cambio en los discursos culturales. Para ello, el estudio se estructura en cuatro partes que examinan los contextos, razones y potenciales consecuencias de las representaciones específicas de las masculinidades árabo-americanas publicadas por mujeres después del 11 de septiembre. El primer capítulo cubre la vilificación y racialización históricas del hombre árabe en los Estados Unidos, tomando las teorías de “biopolitics” (Foucault), “necropolitics” (Mbembe, Puar), y “monster-terrorist” (Puar y Rai) para entender la experiencia traumática del 11 de septiembre. El segundo trata sobre los discursos que ayudan a la construcción social de las identidades y masculinidades árabo-americanas, dando especial énfasis a las teorías de “neopatriarchy” (Sharabi), “heterotopia” (Foucault) y “thirdspace” (Soja, Bhaba). La construcción de identidades árabo-americanas también es analizada, así como las masculinidades árabo-americanas. El tercer capítulo examina el desarrollo y características de los feminismos árabo-americanos, así como su influencia para las escritoras árabo-americanas. Finalmente, el cuarto capítulo recoge las teorías expuestas en los capítulos previos y proporciona un análisis literario de los personajes masculinos en un grupo de novelas publicadas después del 11 de septiembre: Crescent (2003) de Diana Abu-Jaber, West of the Jordan (2003) de Laila Halaby, Towelhead (2005) de Alicia Erian, Once in A Promised Land (2007) de Laila Halaby, The New Belly Dancer of the Galaxy (2007) de Frances Kirallah Noble, The Inheritance of Exile: Stories from South Philly (2007) de Susan Muaddi Darraj, A Map of Home (2008) de Randa Jarrar, y The Night Counter (2009) de Alia Yunis.
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Evans, Matthew. « A critical stylistic analysis of the textual meanings of 'feminism', 'feminist(s)' and 'feminist' in UK national newspapers, 2000-2009 ». Thesis, University of Huddersfield, 2016. http://eprints.hud.ac.uk/id/eprint/30184/.

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This thesis is a critical stylistic analysis of the meanings of the lexemes 'feminism', 'feminist(s)' and 'feminist' in UK national newspapers, 2000-2009. It uses the textual-conceptual functions set out in Jeffries (2010a) to investigate the linguistic contexts in which these lexemes occur within the data in order to assess to what extent the movement, the people who represent it, and things that are described as feminist are imbued with different textually constructed meanings. The analysis tests previous studies' findings concerning portrayals of feminism and feminists in the media. Expanding on and responding to this research, this study reports on five main findings: • 'Feminism', 'feminist(s)' and 'feminist' have positive, as well as negative, meanings. • 'Feminism' and 'feminists' are a western phenomenon, with different types in the past and present. • 'Feminism' has a complex meaning, with no single, universal definition and a variety of types. • 'Feminism' is presented as having undergone changes in meaning, as antonymous to other ideas and containing opposed meanings. • Portrayals of 'feminism' are complex, with articles recognising and contesting different meanings of the lexemes. These findings both confirm and question previous studies, which have argued that feminism and feminists are portrayed negatively in newspaper texts. It provides linguistic evidence to support claims made by other non-linguistic studies of the same genre and time period: that portrayals of feminism are 'fragmented' (Mendes, 2011a, p. 49) and that they present feminism as consisting of approved and disapproved types (Dean, 2010). I also discuss the lexemes 'feminism', 'feminist(s)' and 'feminist' in with regard to contested meaning, using critical stylistic tools to analyse how newspaper articles textually construct different meanings of the lexemes, and explicitly discuss and compare different definitions. The thesis argues that the analysis of textual meaning can be used to explore how the meanings of a lexeme or set of lexemes that 'involve ideas and values' (Williams, 1983, p. 17) are constructed in a variety of ways through the linguistic context in which they occur. I also reflect on the usefulness of the textualconceptual functions in the manual analysis of a large dataset, identifying ways in which an analysis that seeks to provide as full as possible an account of the textual construction of meaning can produce findings not possible through other means of analysis.
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McIver, Victoria. « Psychoanalytic feminism : a systematic literature review of gender ». AUT University, 2010. http://hdl.handle.net/10292/905.

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Using a modified, systematic literature review I will examine issues of subjectivity, gender, and differnce in relation to psychoanalytic feminist theory. Psychoanalytic feminism evolved out of a reaction to classical psychoanalytic theory. In particular, the works of Chodorow (1978), Kristeva, (1977, 1989) and Benjamin (1988) were used. The literature revew will discuss the development of these theoretical perspectives and the understanding of subjectivity, gender and difference in psychoanalytic feminism and the implication this has for clinical practice.
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Livres sur le sujet "Feminism Feminism and literature"

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name, No. Feminism/feminity in Chinese literature. Amsterdam : Rodopi, 2002.

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Literature after feminism. Chicago : University of Chicago Press, 2003.

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Felski, Rita. Literature after feminism. Chicago, IL : University of Chicago Press, 2003.

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Stearman, Kaye. Feminism. London : Hodder Wayland, 2003.

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Literature, theology, and feminism. Manchester, UK : Manchester University Press, 2007.

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Literature and feminism : An introduction. Oxford, UK : Blackwell, 1993.

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Buckley, Sandra. Broken silence : Voices of Japanese feminism. Berkeley : University of California Press, 1997.

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The dynamics of African feminism : Defining and classifying African-feminist literatures. Trenton : Africa World Press, 2002.

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Arndt, Susan. The dynamics of African feminism : Defining and classifying African-feminist literatures. Trenton, NJ : Africa World Press, 2003.

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Josei, hangyaku to kakumei to teikō to. Tōkyō : Shakai Hyōronsha, 1990.

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Chapitres de livres sur le sujet "Feminism Feminism and literature"

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Wilson-Tagoe, Nana. « Feminism and Womanism ». Dans A Concise Companion to Postcolonial Literature, 120–40. Oxford, UK : Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444317879.ch6.

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Stern, Kimberly J. « Feminism and Gender ». Dans The Palgrave Handbook of Philosophy and Literature, 467–87. London : Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-54794-1_22.

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Eagleton, Mary. « Coda : Phantom Feminism ». Dans Clever Girls and the Literature of Women's Upward Mobility, 189–202. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71961-0_8.

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Eze, Chielozona. « Feminism as Fairness ». Dans Ethics and Human Rights in Anglophone African Women’s Literature, 43–68. Cham : Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-40922-1_2.

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Zhu, Ping. « Conclusion : The Feminine and Early Chinese Feminism ». Dans Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture, 159–62. New York : Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137514738_7.

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Marwah, Anuradha, Anubhav Pradhan et Sonali Jain. « Theatre, Feminism, and Society ». Dans Literature, Language, and the Classroom, 134–46. London : Routledge India, 2021. http://dx.doi.org/10.4324/9781003049777-12.

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Bottici, Chiara. « Anarchafeminism & ; the Ontology of the Transindividual ». Dans Materialism and Politics, 215–31. Berlin : ICI Berlin Press, 2021. http://dx.doi.org/10.37050/ci-20_12.

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While literature on intersectionality proliferates, mention of anarchafeminism, which is a feminist tradition that focuses on the intersectional nature of female oppression, is scarce to say the least. This feminist strand of anarchism has largely been neglected both within feminism and the left. I argue that anarchafeminism is a particularly timely form of feminism because it is able to articulate a feminism free of essentialism. Furthermore, I argue that an ontology of the transindividual is the best possible philosophical ally for this project.
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Dooling, Amy. « Writing Chinese Feminism(s) ». Dans A Companion to Modern Chinese Literature, 228–43. Chichester, UK : John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118451588.ch14.

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Maierhofer, Roberta. « Feminism and Aging in Literature ». Dans Encyclopedia of Gerontology and Population Aging, 1–8. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-69892-2_253-1.

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Kiberd, Declan. « The Male Response to Feminism ». Dans Men and Feminism in Modern Literature, 204–28. London : Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-17940-4_8.

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Actes de conférences sur le sujet "Feminism Feminism and literature"

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Rahman, Shahriyar. « Feminism amid Capitalist Conspiracy ». Dans Annual International Conference on Language, Literature & Linguistics. Global Science & Technology Forum (GSTF), 2012. http://dx.doi.org/10.5176/2251-3566_l312109.

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Puspitasari, Andhika Dyah, et Else Liliani. « Feminism Analysis on Dewi Ria Utari’s “Topeng Nalar” Short Story ». Dans Proceedings of the International Conference on Interdisciplinary Language, Literature and Education (ICILLE 2018). Paris, France : Atlantis Press, 2019. http://dx.doi.org/10.2991/icille-18.2019.3.

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Fan, Ji. « The Embodiment and Development of Feminism in English and American Literature ». Dans 2017 2nd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2017). Paris, France : Atlantis Press, 2017. http://dx.doi.org/10.2991/icesame-17.2017.371.

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Kusumadewi, Angela, et Sri Mulatsih. « Nyai Ontosoroh’s Feminism Movement Against Dutch Colonialism in Pramoedya Ananta Toer’s “Bumi Manusia” Novel’s Movie Adaptation ». Dans Proceedings of the 2nd International Seminar on Translation Studies, Applied Linguistics, Literature and Cultural Studies, STRUKTURAL 2020, 30 December 2020, Semarang, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.30-12-2020.2311266.

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Akpınar, Mustafa Eren. « Analysis of Advertisements from Different Sectors in Turkey within the Context of Gender Equality ». Dans COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.010.

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The concept of gender equality, which is among the most frequently discussed topics in our country, especially in recent years, appears as an area that has been examined intensively in the national agenda. As a result, different discussions may arise about the conceptual dimension. Even today, gender equality can often be confused with different disciplines. The best example of this is the misconception of the concept of feminism as gender equality. However, contrary to popular belief, feminism does not have the same meaning as gender equality. Although feminism is related to gender equality, they are not really substitute terms. Nevertheless, in many articles or researches, it can be seen that they are described as if they were the same. And yet, when the recent studies on gender equality are examined, these misunderstandings are observed to have begun to be overcome. At the same time, awareness is raised about gender equality thanks to these contents, and it is gradually increasing with the support of non-governmental organizations, big brands and platforms. The biggest indicator of this increase is the increased number of advertisements based on gender equality and the granting of awards related on the topic. For this reason, within the scope of this study, literature review is conducted on the advertisements that ranked in the category of Gender Equality at the 2019 Crystal Apple Award Ceremony and semiotic analysis methods, and interpretations are made on the advertisement pillar of the gender equality movement and the perception of gender in our country.
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Sfeir, Hadia. « FEMINIST ACTION IN LITERATURE TEACHING ». Dans International Technology, Education and Development Conference. IATED, 2017. http://dx.doi.org/10.21125/inted.2017.0598.

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Popova, E. V., et A. V. Briukhnova. « Feminism in advertising ». Dans TRENDS OF DEVELOPMENT OF SCIENCE AND EDUCATION. НИЦ «Л-Журнал», 2018. http://dx.doi.org/10.18411/lj-08-2018-33.

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Lord, S. M., E. M. Cashman, E. A. Eschenbach et A. A. Waller. « Feminism and engineering ». Dans 35th Annual Frontiers in Education. IEEE, 2005. http://dx.doi.org/10.1109/fie.2005.1612157.

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Bardzell, Shaowen, Elizabeth Churchill, Jeffrey Bardzell, Jodi Forlizzi, Rebecca Grinter et Deborah Tatar. « Feminism and interaction design ». Dans the 2011 annual conference extended abstracts. New York, New York, USA : ACM Press, 2011. http://dx.doi.org/10.1145/1979742.1979587.

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Hladchenko, Svitlana, Nataliia Makohonchuk et Nataliia Goliardyk. « BEGINNING OF ISLAMIC FEMINISM ». Dans SPECIALIZED AND MULTIDISCIPLINARY SCIENTIFIC RESEARCHES. European Scientific Platform, 2020. http://dx.doi.org/10.36074/11.12.2020.v5.39.

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Rapports d'organisations sur le sujet "Feminism Feminism and literature"

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MacArthur, Lori. John Rawls, Feminism, and the Gendered Self. Portland State University Library, janvier 2000. http://dx.doi.org/10.15760/etd.6906.

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McElvain, Jean, Monica Sklar et Madeline Harpham. Dior to disco : Second wave feminism and fashion. Ames : Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-329.

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Crist, Rachel. What's New Pussyhat ? Men, Feminism, and Social Identity. Portland State University Library, janvier 2000. http://dx.doi.org/10.15760/etd.6361.

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Jones, Katie Baker, et Laura E. McAndrews. Lea(r) in : Feminism in the Fashion Classroom. Ames : Iowa State University, Digital Repository, novembre 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1482.

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Earnest, Tyshaia Z. J., et Catherine Amoroso Leslie. The Pussy Hat : An intersection between needlework, feminism, and identity. Ames : Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1816.

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Conroy, Jess, et V. Ann Paulins. The Relationship between Role Theory and Feminism in Vogue Advertisements from 1960-1990. Ames : Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-304.

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Haynes-Clark, Jennifer. American Belly Dance and the Invention of the New Exotic : Orientalism, Feminism, and Popular Culture. Portland State University Library, janvier 2000. http://dx.doi.org/10.15760/etd.20.

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