Bibliographies thématiques / Fiction, historical, New york (n.y.)

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Littérature scientifique sur le sujet « Fiction, historical, New york (n.y.) »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Fiction, historical, New york (n.y.)"

Gilarek, Anna. "Historicizing Contemporary Capitalism: Future Retrospection and Temporal Estrangement in Kim Stanley Robinson’s New York 2140 and Nora K. Jemisin’s Emergency Skin." Roczniki Humanistyczne 70, no. 11 (2022): 37–50. http://dx.doi.org/10.18290/rh227011.3.

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The paper looks at the historicizing approach adopted in two recent science-fiction books: Kim Stanley Robinson’s novel New York 2140 (2017) and Nora K. Jemisin’s novella Emergency Skin (2019). In both, the authors’ present is approached from the vantage point of a speculatively posited future and looked upon as the historical past of the text. The hypothesized temporal distance is meant to challenge and recalibrate the reader’s perception of contemporary capitalism. Based on Robinson’s and Jemisin’s narratives, the paper discusses the historicity and mimetic potential of science fiction

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Pho, Diana M. "Analog Incarnations: Steampunk Performance across Time." Neo-Victorian Studies 11, no. 2 (2019): 118–52. https://doi.org/10.5281/zenodo.2628487.

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Steampunk performance interrogates dominant narratives of history through theatrical, science fictional stories that focus on the various socio-political interplays between retro-futurist technology and society. For the marginalised, such performances can renegotiate paradigms of historical Western imperialism, Eurocentric colonialism, and whiteness by centring the experiences of the oppressed. This article examines the artistic risk and imaginative potential associated with steampunk performance by marginalised voices when confronting historical trauma. Included with this analysis is the one-

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Meneghetti, Mike. "Fearsome Acts of Interpretation: Audiovisual Historiography, Film Theory andGangs of New York." Film-Philosophy 21, no. 2 (2017): 223–44. http://dx.doi.org/10.3366/film.2017.0045.

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This article revisits Jean-Louis Comolli's “Historical Fiction: A Body Too Much” (1978) in the spirit of film-philosophy's various efforts to reassess the field's seminal texts, and it recasts Comolli's attentive analyses of film acting in terms of the original interpretations they produce. In short, I look to “A Body Too Much’ for its subtle disclosure of an underappreciated substratum of hermeneutics in so called “1970s film theory.” Comolli's study of the discord between actor and referent, I argue, is surprisingly consistent with Paul Ricoeur's pioneering contemporaneous work on metaphor a

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Шарма Сушіл Кумар. "Indo-Anglian: Connotations and Denotations." East European Journal of Psycholinguistics 5, no. 1 (2018): 45–69. http://dx.doi.org/10.29038/eejpl.2018.5.1.sha.

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A different name than English literature, ‘Anglo-Indian Literature’, was given to the body of literature in English that emerged on account of the British interaction with India unlike the case with their interaction with America or Australia or New Zealand. Even the Indians’ contributions (translations as well as creative pieces in English) were classed under the caption ‘Anglo-Indian’ initially but later a different name, ‘Indo-Anglian’, was conceived for the growing variety and volume of writings in English by the Indians. However, unlike the former the latter has not found a favour with th

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Van der Merwe, P. "Hard Times as Bodie: the allegorical functionality in E.L. Doctorow’s Welcome to Hard Times (1960)." Literator 28, no. 2 (2007): 49–74. http://dx.doi.org/10.4102/lit.v28i2.159.

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“Welcome to Hard Times” (1960), E.L. Doctorow’s first novel, differs from the rest of his oeuvre because it is not set in a metropolitan context like New York. References to historical events that contain an apparent “mixture” of “factual” and fictional elements that are typical of Doctorow’s oeuvre are less prominent than in his other fiction, though definitely not absent. An analysis of the pioneer setting, the town Hard Times, reveals that other settings (including metropolitan ones like New York) are not merely representations of specific contexts, but portrayals with allegorical elements.

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Ilaș, Constantin. "Elements of Trauma Fiction in Jonathan Safran Foer’s "Extremely Loud & Incredibly Close"." Linguaculture 12, no. 1 (2021): 63–76. http://dx.doi.org/10.47743/lincu-2021-1-0187.

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Trauma fiction was one of the most written types of literature in America in the wake of 9/11. Not a very popular genre due to the sensitive subject matter it can contain, the trauma of 9/11 contributed significantly to its resurgence, especially in New York. Jonathan Safran Foer is one of the youngest and also most talented writers in New York. Known for his daring and innovative style, his novel, Extremely Loud & Incredibly Close, is unique among other works of its genre. It deals with multiple plotlines and different historical traumas presented against the backdrop of 9/11, concerning

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Katz, Tamar. "City Memory, City History: Urban Nostalgia, The Colossus of New York, and Late-Twentieth-Century Historical Fiction." Contemporary Literature 51, no. 4 (2010): 810–51. http://dx.doi.org/10.1353/cli.2011.0000.

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Leon, Laura Ioana. "New York Split Between Escapist Myths and Harsh Realities in David Duchovny's Miss Subways (2018) and the reservoir (2021)." Acta Marisiensis. Philologia 6, no. 6 (2024): 40–46. http://dx.doi.org/10.62838/amph-2024-0103.

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Discovering cities by means of fiction is a technique worth taking into account. Fiction has always had this role of displaying everything that belongs to the superior forms of arts and culture, giving access to the understanding of man’s psychology and mentality in all historical or social contexts. David Duchovny’s two novels, Miss Subways (2018) and The Reservoir (2021), manage to capture, in an interesting manner, full of symbolism, mythical figures and sordid realities during the pandemic, a post-postmodern image of New York. David Duchovny’s ability to master these techniques, as a gradu

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Wang, Fenghua. "Fiction Acquisition/Fiction Management:992Georgine N. Olsen Edited by. Fiction Acquisition/Fiction Management: Education and Training. New York, NY: Haworth Press 1998. 120 pp, ISBN: 0789003910 US$29.95 hardback." Collection Building 18, no. 3 (1999): 4–7. http://dx.doi.org/10.1108/cb.1999.18.3.4.2.

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Peters, Issa. "Mona N. Mikhail, Studies in the Short Fiction of Mahfouz and Idris, New York University Studies in Near Eastern Civilization (New York: New York University Press, 1992). Pp.180." International Journal of Middle East Studies 25, no. 04 (1993): 700–702. http://dx.doi.org/10.1017/s0020743800059456.

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Livres sur le sujet "Fiction, historical, New york (n.y.)"

Bronte, Charlotte. Kie u Giang =: Nguye n b?an Jane Eyre. s.n., 1989.

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Levoy, Myron. Kelly 'n' me. HarperCollins Publishers, 1992.

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Rutherfurd, Edward. New York: The novel. Doubleday, 2009.

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translator, Espinosa Arribas Sheila, ed. Charles Street, n.° 44. Vintage Español, una división de Penguin Random House, LLC, 2015.

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Rutherfurd, Edward. New York: The novel. Doubleday, 2009.

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Donoghue, Emma. Frog music: A novel. HarperCollins Canada, 2014.

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Donoghue, Emma. Kikkermuziek: Roman. Uitgeverij Atlas Contact, 2014.

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Donoghue, Emma. Frog music. W F Howes Ltd, 2014.

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Rutherfurd, Edward. New York: The novel. Random House Large Print, 2009.

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Kraft, Eric. Herb 'n' Lorna. Picador USA, 1995.

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Plus de sources

Chapitres de livres sur le sujet "Fiction, historical, New york (n.y.)"

Atwell, Mary Stewart. "“You Will Be Surprised that Fiction Has Become an Art”: The Language of Craft and the Legacy of Henry James." In New Directions in Book History. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_3.

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AbstractAs some scholars have noted, the technical principles that modern creative writing workshops identify as “the craft of fiction” owe a great deal to Henry James and the prefaces to the New York edition of his novels, later published in a single volume as The Art of the Novel. However, James, far from setting out to help aspiring writers to develop their technical knowledge, was in fact fairly hostile to the very idea of craft, famously declaring that he “cannot imagine composition existing in a series of blocks.” The prefaces were instead intended to provide a sort of Cliff’s Notes to h

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Däwes, Birgit. "Ground Zero Fiction and the 9/11 Novel." In The Oxford History of the Novel in English. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780192844729.003.0051.

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Abstract This chapter investigates novels and films that dramatize the events of the terrorist attacks on New York and Washington, D.C., and their aftermath. In “9/11 novels,” the 2001 attacks feature prominently as a historical context (establishing a particular atmosphere or set of themes) or have a decisive function for the development of the plot, the characters, or the novel’s symbolism. Expanding on the idea of “Ground Zero Fiction,” which tends to emphasize the desire for a rootedness in historical reality, the chapter surveys texts that refuse to abandon principles of relativity, plura

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Tichi, Cecelia. "Emerson, Darwin, and The Custom of The Country." In A Historical Guide to Edith Wharton. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195135909.003.0004.

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Abstract Readers of Edith Wharton have for some years recognized her appreciation of—and affinity with—Darwin and Darwinism, which was a major part of her self-schooling in the sciences, especially between 1906 and 1908. Accordingly, in The Custom of the Country, Ralph Marvell’s analysis of social dislocation employs a Darwinian heuristic to present a precis of the plot dynamic. A son of Old New York and an important figure in the novel, Ralph declares traditional families like his own to be a species endangered by the late nineteenth-century nouveau riche “invading race,” by which Wharton mea

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Tarbell, Roberta K. "Whitman and the Visual Arts." In A Historical Guide to Walt Whitman. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195120813.003.0006.

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Abstract Walt Whitman and his writings were shaped by the architecture, art, and artists of his time. Some of the most exciting insights into Whitman have arisen from recent analyses his connectedness to international perspectives in the fine arts. During the 1990s, scholars have discerned and published far more about the interrelationships between Whitman and the visual arts than they had in the first hundred years after his death. During his years as a journalist in New York City, Whitman was directly involved in the arts: he attended countless operatic, the atrical, and musical performances

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Storey, Mark. "Waiting for the Barbarians." In Time and Antiquity in American Empire. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198871507.003.0006.

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The final chapter moves to the future-oriented narratives of American science fiction, broadly conceived as a mode of representation committed to the imagination of alternative lifeworlds. The chapter opens with the Roman fragments of Michael Crichton’s Westworld and the remains of New York City in late nineteenth-century dystopian fiction in order to outline the paradoxical relationship between historical representation and the imagination of an imperial (or decolonized) future. The chapter then moves to its three key writers, Isaac Asimov, Edgar Rice Burroughs, and Samuel R. Delany. While ea

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Rúa, Mérida M., and Ana Y. Ramos-Zayas. "Introduction." In Critical Dialogues in Latinx Studies. NYU Press, 2021. http://dx.doi.org/10.18574/nyu/9781479805198.003.0001.

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Inspired by Jesús Colón's A Puerto Rican in New York and Other Sketches, the introduction highlights the role that history, memoir, and autobiographical fiction invariably play in most empirically sound and theoretically sophisticated Latinx humanistic social sciences. The open-endedness of Colón’s “sketches”—their critical pedagogical aspect and how they lend themselves to pointed yet fluid discussions—drives our approach to the humanistic social sciences in Latinx/a/o studies in the form of critical diálogos. For Colón, sketches were intended to bequeath a historical record and tradition and

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"conservatism 105; referendum 103, tactility 7, 40, 104, 121–22; haptic space 106; separation 99; sovereignty 49, 110–11; interactive 10; association 105–6; speech of de interface 8; telephasis 89, 94 Gaulle 100; see also gaps in television 2, 7, 41, 54, 56–7, 63, 67, historical experience 87, 92, 122; écriture télévisuelle 43; tv object 93; in France 45–7; signals racism 108–9 48; primal time 53; Société nationale Régie française de publicité (RFP) 46 de télévision de la première chaîne reification 112–15; and contemplative (TF1) 44; tele-vision 87 attitude 115 theatre 83, 120; electric 101 reversibility 94–5 transinteractivity 11–12 Rome 4, 13 translation 118–20; and table of conversions 25–6 tribalism 4, 19, 41, 102; Africa 93, 108; schizophrenia 49, 112; and Afro-Americans 108–9; as archaic postmodernity 65 thought 107; like the Beatles 5, 103; science fiction 79, 121 different 106; drum 107–8; ear 107; semioclasty 75 exotic 106–7; electric 116; French semiologue 75 Canadian 5, 92; good savage 110; semiotrophy 76 and hippies 100, 106; liberalism 103; semiurgy 8, 64, 69–73, 76, 81, 86; and Native Americans 108–9; New Age artistic strategy 36, 74; as 109; retribalize 4, 116; savages 100; manipulation of signs 66; and territorialization 105 massage 8, 64, 68–9, 72; and metallurgy 71; pan-sémie 73; radical 65–8; media 68; -urgies/-logies 74 University of Nottingham 40 silent majorities 3 University of Toronto 8, 16, 34; simulacra 67, 85, 99, 112; simulacrum McLuhan Program in Culture and 3, 91; hyperreality 67, 70, 100; Technology 9, 11 orders 90–1, 112–13, 115 Situationist 83, 114 Virtual Reality Artists’ Access Program space studies 110–11; acoustic space (VRAAP) 10 7, 40, 51 virtual technology 71; and tactility 11 spectacle 12, 83 structuralism 18–20, 22, 25–6, 31, 25, war 3–4, 16–17, 26, 101; speed and 75; McLuhan as amateur implosion 95–7 structuralist 22; poststructuralism 38, 48 style 22–5 x-ray 26; see also figure and ground surfing 9 surrealism 58 year 2000 99, 103; see also pataphysics symbolic exchange 78–80, 85–6, York University 40 109–10, 112." In McLuhan and Baudrillard. Routledge, 2002. http://dx.doi.org/10.4324/9780203005217-20.

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Actes de conférences sur le sujet "Fiction, historical, New york (n.y.)"

Cabanes, Jose Luis, Federico Iborra-Bernad, and Carlos Bonafé-Cervera. "Reconstrucción virtual de ambientes urbanos a partir de fotografías históricas a través de Image Based Animations (IBA). La Plaza de la Virgen de Valencia alrededor de 1870." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6055.

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Reconstrucción virtual de ambientes urbanos a partir de fotografías históricas a través de Image Based Animations (IBA). La Plaza de la Virgen de Valencia alrededor de 1870. Jose Luis Cabanes Ginés¹, Federico Iborra Bernad², Carlos Bonafé Cervera3 ¹Departamento de Expresión Gráfica Arquitectónica. Universidad Politécnica de Valencia. Caminio de Vera s/n 46022 Valencia. 2Departamento de Composición Arquitectónica. Universidad Politécnica de Valencia. Caminio de Vera s/n 46022 Valencia 3Departamento de Ing. Cartográf. Geodesia y Fotogramtría. Universidad Politécnica de Valencia. Caminio de Vera

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Iborra Pallarés, Vicente, and Francisco Zaragoza Saura. "Altea Urban Project: An academic approach to the transformation of a coastal Spanish touristic city based on the improvement of the public space." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5990.

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Vicente Iborra Pallarés¹, Francisco Zaragoza Saura2 ¹Building Sciences and Urbanism Department. University of Alicante. Alicante. Politécnica IV, módulo III, 1ª planta. Carretera de San Vicente del Raspeig s/n. 03690 San Vicente del Raspeig ²Concejalía de Urbanismo, Ayuntamiento de Altea. Plaza José María Planelles, 1. 03590 Altea E-mail: vicente.iborra@ua.es, zaragozasaura@gmail.com Keywords (3-5): Public space, historical urban evolution, tourism phenomena, urbanistic project, educational experience Conference topics and scale: City transformations The town of Altea (Alicante, Spain) has an

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