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Littérature scientifique sur le sujet « Fiction - people »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Fiction - people"

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Cussen, John. "The People Jhumpa Lahiri Little Likes." Theory in Action 16, no. 1 (2023): 100–132. http://dx.doi.org/10.3798/tia.1937-0237.2304.

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This paper makes the claim that despite the culture-page and scholar classes' favorable reception of just about everything she offers, Bengali-American writer Jhumpa Lahiri thinks meanly of them and of their progressive mindsets. Telling in the second's regard are her counter-normative usages of their favored tropes--of, for example, the madwoman-in-the-attic trope. Telling in the first's regard are the literary academics who appear in her fictions. Nine for nine, they are shallow, feckless, and bullying sorts. Yes, literary academics--they are the people Jhumpa Lahiri little likes. In its lat

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Kartika, Tyas Willy, and Maria Elfrieda C.S.T. "FEMSLASH FANFICTION AND LESBIANISM: EFFORTS TO EMPOWER AND EXPRESS ASIAN AMERICAN WOMAN SEXUALITY." Rubikon : Journal of Transnational American Studies 8, no. 2 (2021): 106. http://dx.doi.org/10.22146/rubikon.v8i2.69689.

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The existence of fan fiction nowadays shows more progressive development especially in this digital era when people does not only use internet for communicating and socializing across time and space but they also show their creativity, one of them is by writing a fan fiction. By writing fan fiction in online platforms, people get the opportunity to express their interests and their identities. This opportunity is also obtained by minority groups such as LGBTQ+ where they can express their identity through fan fiction. LGBTQ+ community utilizes online platform as the tool that brings benefit fo

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Fathallah, Judith. "Reading real person fiction as digital fiction: An argument for new perspectives." Convergence: The International Journal of Research into New Media Technologies 24, no. 6 (2017): 568–86. http://dx.doi.org/10.1177/1354856516688624.

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‘Real person fiction’ (RPF) is a subset of fanfiction that has gone largely unnoticed by academics. A handful of articles have argued for the justification of stories about real (living) people as a legitimate and morally sound art form, but only a very few studies have begun to consider RPF as a genre with its own aesthetics and conventions. This article argues that, to understand fannish RPF, we need to incorporate tools developed by scholars of digital fiction. Almost all fanfic is now produced for and on digital platforms, and moreover, the natural fit between RPF specifically and the stud

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Mosselaer, Nele Van de. "How Can We Be Moved to Shoot Zombies? A Paradox of Fictional Emotions and Actions in Interactive Fiction." Journal of Literary Theory 12, no. 2 (2018): 279–99. http://dx.doi.org/10.1515/jlt-2018-0016.

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Abstract How can we be moved by the fate of Anna Karenina? By asking this question, Colin Radford introduced the paradox of fiction, or the problem that we are often emotionally moved by characters and events which we know don’t really exist (1975). A puzzling element of these emotions that always resurfaced within discussions on the paradox is the fact that, although these emotions feel real to the people who have them, their difference from ›real‹ emotions is that they cannot motivate us to perform any actions. The idea that actions towards fictional particulars are impossible still underlie

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Gao, Jiali, and Yan Hua. "On the English Translation Strategy of Science Fiction from Humboldt's Linguistic Worldview —Taking the English Translation of Three-Body Problem as an Example." Theory and Practice in Language Studies 11, no. 2 (2021): 186. http://dx.doi.org/10.17507/tpls.1102.11.

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In recent years, many science fictions have been published, such as The Three-body Problem, The Wandering Earth, and so on. The number of people who are interested in science fiction is increasing. Meanwhile, the translation of science fiction has become more important. The Linguistic Worldview proposed by Humboldt is of great importance to the translation of science fiction. This thesis is based on Linguistic Worldview. It analyzes The Three-body Problem (English version) and the importance of such theory to the translation of science fiction. It proposes three translation strategies: free tr

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Aleksander, Bjelčevič. "Truth and lie in literature: Slovene writers sued for slander." "Świat i Słowo" – "World and Word" 29, no. 2 (2018): 207–20. https://doi.org/10.5281/zenodo.1216274.

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In 1999 novelist Breda Smolnikar was sued for defamation in her novel Ko se tam gori olistajo breze (When the Birches Up There Are Greening) by certain family Nakrst. Smolnikar received broad public support. In public defence different arguments were in play, the most frequent were trying to prove that the novel does not speak about the family Nakrst because (a) all literature is fiction and all literary characters are fictional beings; (b) similarity between literary character and a real person is always a coincidence; (c) all literature is a possible world and refers to people’s counte

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Sparkes, Andrew C. "Fictional Representations: On Difference, Choice, and Risk." Sociology of Sport Journal 19, no. 1 (2002): 1–24. http://dx.doi.org/10.1123/ssj.19.1.1.

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This article is intended to stimulate debate regarding recent calls for fictional representations to be used within the sociology of sport. Based on the notion of “being there,” it differentiates between ethnographic fiction and creative fiction. Examples of the former are provided, and their grounding in the tradition of creative nonfiction is established. Moves toward the use of creative fiction are then considered in relation to the willingness of authors to invent people, places, and events in the service of producing an illuminative and evocative story. The issue of purpose is highlighted

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Van De Mosselaer, Nele. "Imaginative Desires and Interactive Fiction: On Wanting to Shoot Fictional Zombies." British Journal of Aesthetics 60, no. 3 (2019): 241–51. http://dx.doi.org/10.1093/aesthj/ayz049.

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Abstract What do players of videogames mean when they say they want to shoot zombies? Surely they know that the zombies are not real, and that they cannot really shoot them, but only control a fictional character who does so. Some philosophers of fiction argue that we need the concept of imaginative desires (or ‘i-desires’) to explain situations in which people feel desires towards fictional characters or desires that motivate pretend actions. Others claim that we can explain these situations without complicating human psychology with a novel mental state. Within their debates, however, these

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Prasad, Amar Nath. "The Non-fictions of V.S. Naipaul: A Critical Exploration." Creative Saplings 1, no. 8 (2022): 1–11. http://dx.doi.org/10.56062/gtrs.2022.1.8.168.

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V. S. Naipaul is an eminent literary figure in the field of modern fiction, non-fiction, and travelogue writing in English literature. He earned a number of literary awards and accolades, including the covetous Nobel Prize and Booker Prize. His non-fiction e.g., An Area of Darkness, India: A Wounded Civilization, The Loss of El Dorado, India: A Million Mutinies Now and Beyond Belief are a realistic portrayal of the various types of religion, culture, customs, and people of India. As an author, the main purpose of V. S. Naipaul is to deliver the truth; because poets are the unacknowledged legis

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Rusli, Devi, and Ali Arben. "PENGARUH BUKU FIKSI TERHADAP THEORY-OF-MIND ANAK PRASEKOLAH." Jurnal RAP (Riset Aktual Psikologi Universitas Negeri Padang) 14, no. 2 (2023): 144. http://dx.doi.org/10.24036/rapun.v14i2.124769.

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Fiction books are learning media that can be used to introduce various experiences about other people's views and emotions to preschoolers through story characters. At preschool age, children already have a need to interact with other people, especially with their peers. Children's understanding of the desires and feelings of other people known as theory of mind (ToM) helps them to be more accepted and adjust when playing with their friends. The effect of fiction books on the ToM development of preschoolers was tested through experimental research on 44 (forty four) preschoolers (23 boys and 2

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Thèses sur le sujet "Fiction - people"

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Keller, Abigail Hope. "Quiet People." The University of Montana, 2009. http://etd.lib.umt.edu/theses/available/etd-06162009-104727/.

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Humphrey, Joy Marie. "Weird People." VCU Scholars Compass, 1992. http://scholarscompass.vcu.edu/etd/5075.

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Griffin, Jeremy. "A Last Resort For Desperate People." Thesis, Virginia Tech, 2009. http://hdl.handle.net/10919/42170.

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The stories in this collection are largely centered around individuals who have or on the brink of mistakes (or what they perceive as mistakes). These characters navigate their respective worlds with a combination of cynicism and vulnerability that often forces them to reexamine their relationships with family members, friends, and lovers. I am interested in how humor can potentially steer a narrative in unforeseeable directions while exposing to the reader truths about the characters that they themselves might not realize.<br>Master of Fine Arts

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Tripp, Sarah. "Making people up." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/22044.

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This thesis is a process of writing characters using a cyclical methodology to turn the writer into a reader of their own work, then back into a writer again. The components of this thesis both practice and propose writing as research and develop a concept of character that is ‘relational’. Taking Donald Barthelme’s assertion, ‘Writing is a process of dealing with not-knowing, a forcing of what and how,’ this thesis is attentive to the uncertainty of process: a process that has accreted knowledge in the form of characters and methods. Making People Up is chronologically structured in order to

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Winn, Sharon A. "Friends of the people chartists in Victorian social protest fiction /." Access abstract and link to full text, 1989. http://0-wwwlib.umi.com.library.utulsa.edu/dissertations/fullcit/8913882.

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Screech, Ben. "Reading otherness in British fiction for young people, 2001-2012." Thesis, University of the West of England, Bristol, 2018. http://eprints.uwe.ac.uk/33604/.

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This thesis argues that novels depicting characters who exist outside of the social order have become integral to a twenty-first century corpus of British fiction for children and adolescents. This, in part, is as a result of a changing socio-political landscape in Britain post-2000 in which discussions of who does and does not ‘belong’ are becoming increasingly amplified. It will be shown that, against such a backdrop, fiction for young people written between 2001 and 2012 works to counter and challenge mainstream discourses prevalent in, for example; the media. With this in mind, this study’

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Sarland, C. "Young people reading : A study of the cultural, ideological and experimental factors in the interaction between young people and fictional texts." Thesis, University of East Anglia, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.380977.

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Madden, Ruth. "River People." TopSCHOLAR®, 1989. https://digitalcommons.wku.edu/theses/2567.

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In the introduction to The World of the Short Story, Kay Boyle challenges the short story writer "to invest a brief sequence of events with reverberating human significance by means of style, selection and ordering of detail, and -- most important -- to present the whole action in such a way that it is at once a parable and a slice of life, at once symbolic and real, both a valid picture of some phase of experience, and a sudden illumination of one of the perennial moral and psychological paradoxes which lie at the heart of la condition humaine." River People is my attempt to meet that challen

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Zeilig, Hannah. "Older people and their families in 1920s popular fiction : fictions of age and their importance for social gerontology." Thesis, King's College London (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313516.

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Steiner, Christina. "Translated people, translated texts : language and migration in some contemporary African fiction." Doctoral thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/8100.

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Includes bibliographical references (leaves 209-215)<br>This thesis examines contemporary migration narratives by four African writers living in the diaspora and writing in English: Leila Aboulela and Jamal Mahjoub from the Sudan, now living in Scotland and Spain respectively and Abdulrazak Gurnah and Moyez G. Vassanji from Tanzania now residing in the UK and Canada. Focusing on how language operates in relation to both culture and identity, this study foregrounds the complexities of migration as cultural translation. Cultural translation is a concept which locates itself in postcolonial liter

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Livres sur le sujet "Fiction - people"

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Blexbolex. People. Enchanted Lion Books, 2011.

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Laan, Nancy Van. People, people everywhere. Knopf, 1992.

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Ìbítókun, Benedict M. Sopaisan: Westing oodua : fiction. Kraftgriots, 2002.

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Peter, James. Perfect people. Macmillan, 2011.

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Alison, Lurie. Real people. Henry Holt, 1998.

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Godwin, Gail. Glass people. Penguin Books, 1986.

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Dostoyevsky, Fyodor Mikhaylovich. Poor people. 100 Pages, 2002.

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Anne, McCaffrey. Acorna's People. HarperCollins, 2005.

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Ann, Scarborough Elizabeth, ed. Acorna's People. HarperPrism, 1999.

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Fiction: Princes Among People. Ramboro Books PLC, 1997.

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Chapitres de livres sur le sujet "Fiction - people"

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Hutchings, William. "Describing People." In Living Fiction. Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-29835-5_2.

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Bosch Badia, Maria Teresa, Joan Montllor-Serrats, and Maria-Antonia Tarrazon-Rodon. "Financial Education, Literary Fiction, and Corporate Social Responsibility." In Responsible People. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-10740-6_7.

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Zhang, Zhenjun. "People of Multiple Lives." In Chinese Culture Through Legends and Fiction. Routledge, 2024. http://dx.doi.org/10.4324/9781003490821-16.

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Durante, Erica. "Cloud People: Identities and Paradoxes." In Air Travel Fiction and Film. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52651-1_5.

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Coban, Osman. "The residue of fiction in the memory of adolescence." In Young People Reading. Routledge, 2018. http://dx.doi.org/10.4324/9781315265216-4.

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Hallsworth, Djuna. "Conclusion: Manifesting “Good People” Through Fiction." In Palgrave Studies in (Re)Presenting Gender. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-88579-3_7.

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Parry, Catherine. "Animal’s People: Animal, Animality, Animalisation." In Other Animals in Twenty-First Century Fiction. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55932-2_2.

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Petroski, Karen. "Real people, fictional characters, legal phantoms." In Fiction and the Languages of Law. Routledge, 2018. http://dx.doi.org/10.4324/9781351163842-3.

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Bodenheimer, Rosemarie. "The Interregnum of Ownership in July’s People." In The Later Fiction of Nadine Gordimer. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22682-5_8.

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Tredell, Nicolas. "Descent into Hell: Other People: A Mystery Story (1981)." In The Fiction of Martin Amis. Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-19344-5_5.

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Actes de conférences sur le sujet "Fiction - people"

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Erhart, Tomáš. "The Theory of Genre Worlds in Case of Russian Popular Fiction." In Současná česká a srbská slavistická bádání. Masaryk University Press, 2025. https://doi.org/10.5817/cz.muni.p280-0684-2024-18.

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In contemporary Russian literature, there is a specific type of genre literature about so-called “podadants”, which is the Russian word for heroes and heroines traveling to other worlds and other times. In addition to this basic motif, this is literature published in mass quantities, usually within special genre editions, which also uses elements of other fantastic genres. One of its branches, working with alternative history, often has a very nationalistic or revanchist subtext. Overall, the “podadants” genre is a complex literary and social phenomenon that cannot be grasped from just one sid

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Shirley, Donna, Leslie Howle, and Bunny Lester. "A New Science Fiction Museum - Exciting Young People About Science and Engineering." In Space 2004 Conference and Exhibit. American Institute of Aeronautics and Astronautics, 2004. http://dx.doi.org/10.2514/6.2004-5963.

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Nicoglo, Diana. "Reflection of the events of the “Balkan” period in the Gagauz fiction." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.32.

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The most detailed description of the “Balkan” period is found in the novel by D. Tanasoglo “Uzun Kervan”. In other genres (poetry), the poeticized image of the Balkans as the historical homeland of the Gagauz is presented to a greater extent. The main events of the “Balkan” period in the history of the Gagauzians, reflected in fiction, are: the adoption of Christianity by the Oghuz / Uzes – the ancestors of the Gagauzians, relations with the local population of the Balkans, the struggle against the Ottoman Turks, and the creation of a fictional Gagauz state called Uzi Eyalet. The authors also

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Merz, Nina, Maximilian Huber, Freimut Bodendorf, and Jörg Franke. "Science-Fiction Movies as an Indicator for User Acceptance of Robots in a Non-Industrial Environment." In SIGMIS-CPR '20: 2020 Computers and People Research Conference. ACM, 2020. http://dx.doi.org/10.1145/3378539.3393847.

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Hicks, Stewart. "From Diagrams to Fictions: Populated Plans and Their Buildings." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.27.

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This essay builds on and reacts to concepts initiated by Dora Epstein Jones in her essay, “Populated Plans.” Published in Log 45, as well as presented at a previous ACSA conference, Jones’ essay identified the emergence of a ubiquitous (in schools of architecture at least) “new” form of drawing that looks like an architectural plan but isn’t due to the inclusion of human figures. This type of drawing is distinct from a traditional plan, according to Jones, because it isn’t strictly “architectural notation—data received from the object,” nor a universalized geometric abstraction best suited for

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Olarescu, Dumitru. "Ethnological motifs in the non-fiction film." In Ethnology Symposium "Ethnic traditions and processes", Edition II. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975333788.07.

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The possibilities of the documentary film to fix ethnological and ethnographic phenomena in all their audiovisual integrity contributed to the realization of this category of films right from the beginnings of non-fiction cinema. At the «Moldova-film» studio, despite the very vigilant ideological conditions of the totalitarian regime, especially when it came to the cultural heritage of the native people, our filmmakers released a series of films, dedicated to customs, rituals and traditions – important components of our national identity. This category of films has been talked about and writte

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F., Adolfo, and Licoa C. "Digital Cultures of Horror in Mónica Ojeda’s Fiction." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9051.

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The Internet is a world where all kinds of people with different interests, motivations, and worldviews browse and interact with each other. These interactions have given rise to diverse digital cultures, some of which can be called Digital Cultures of Horror. As an inhabitant of the contemporary world, Mónica Ojeda is aware of these cultures’ dark themes and environments and how they shape the lives of their members, so she has used them to create her fiction and depicts the dreadful side of human beings. Mónica Ojeda describes the horrors of the Internet and digital cultures in her novels

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Schulte, Britta F. "Using design fiction to reflect on autonomy in smart technology for people living with dementia." In UbiComp '16: The 2016 ACM International Joint Conference on Pervasive and Ubiquitous Computing. ACM, 2016. http://dx.doi.org/10.1145/2968219.2972717.

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Lundmark, Sofia, Martin Jonsson, Marica Myhre, Alethe Hjuberger, and Romina Rodela. "Listening to the Future: Using Participatory Sound Fiction to Engage Young People in Urban Design." In Mindtrek '23: 26th International Academic Mindtrek Conference. ACM, 2023. http://dx.doi.org/10.1145/3616961.3616981.

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Sjölinder, Marie, and Jonas Söderberg. "Designing a Future City – Applying Design Fiction with High School Students." In 8th International Conference on Human Interaction and Emerging Technologies. AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002723.

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This work was conducted in the framework of Viable Cites, which is a national strategic innovation program in Sweden with a focus on the change towards climate-neutral and sustainable cities. Viable Cities is catalyst for new ways of collaboration between cities, industry, academia, research institutes and the civil society. The overall goal is to provide support to the cities to convert to a way in line with national and international climate goals. The work described in this paper was one project within this framework. The project consisted of the City of Enköping, RISE Research Institute of

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Rapports d'organisations sur le sujet "Fiction - people"

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Demchenko, Dmytro. DEMASSIFICATION OF SOCIAL PROCESSES IN THE CONTEXT OF DIGITAL COMMUNICATION (TO THE PROBLEM OF THE DICHOTOMY OF “ELITE-MASS” AS A POLITICAL COMMUNICATION PARADOX). Ivan Franko National University of Lviv, 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12171.

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The article aims to analyze a complicated process of the society’s main components – elite, mass communication, and masses – in their interaction and interdependence from the historical perspective. Due to industrialization and modernization of the life quality, the social life changes radically, and the essence of every component of the society changes as well. The elite loses its dynastic character. The media stop to play the role of a mediator taking on the obligations of a collective agitator and propagandist, and the mass stops to be cloth for wiping shoes. It starts to form a mass audien

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Pollock, Wilson. Pivot the Future Makers: Building our People and Places. Edited by Musheer O. Kamau, Sasha Baxter, and Golda Kezia Lee Bruce. Inter-American Development Bank, 2021. http://dx.doi.org/10.18235/0003188.

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Pivot is a movement of radical ideas for the Caribbean of the future. In 2020, the IDB and its partners (Caribbean Climate Smart-Accelerator (CCSA), Destination Experience (DE), and Singularity University) launched The Pivot Movement and asked the people of the Caribbean to think of big ideas to transform the region. A small group came together at The Pivot Event to design 9 moonshots for electric vehicles, digital transformation and tourism. Pivot: The Future Makers is a comic book produced by the Pivot partners and illustrated by Caribbean artists. In it, the 9 moonshots have been developed

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Martínez, Déborah, Cristina Parilli, Carlos Scartascini, and Alberto Simpser. Let's (Not) Get Together!: The Role of Social Norms in Social Distancing during COVID-19. Inter-American Development Bank, 2021. http://dx.doi.org/10.18235/0003044.

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While effective preventive measures against COVID-19 are now widely known, many individuals fail to adopt them. This paper provides experimental evidence about one potentially important driver of compliance with social distancing: social norms. We asked each of 23,000 survey respondents in Mexico to predict how a fictional person would behave when faced with the choice about whether or not to attend a friend's birthday gathering. Every respondent was randomly assigned to one of four social norms conditions. Expecting that other people would attend the gathering and/or believing that other peop

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Tabinska, Iryna, та Yaroslav Tabinskyi. Феномен «смислу поміж фактами» у друкованому виданні Reporters: взаємодія тексту та фотоілюстрації. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11728.

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The article states that with the development of new journalism, the author’s ability to characterize a phenomenon and identify a trend acquires special value. Representatives of Ukrainian new journalism, which is a relatively new genre, are already gradually implementing these tasks. They compose entire books from their reports, offering the reader a condensed version of versatile observations about a certain country, situation, or phenomenon. In contrast to ordinary reportage, fiction is a synthetic genre, in which it is not reported, but told. The authors of the article research Reporters wh

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Tusikov, Natasha. The Right to Repair in Canada: Advantages and Pitfalls. Balsillie School of International Affairs, 2025. https://doi.org/10.51644/bcs009.

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To understand how manufacturer-imposed restrictions on repair can affect people’s daily lives, consider a grain farmer, Alex,* with a family farm 150 kilometres north of Brandon, Manitoba. When agricultural equipment needs routine maintenance or repair, Alex faces the difficult choice of whether to do the repairs or call the manufacturer-authorized repairer to fix the equipment, a costly appointment that may require a wait of days or weeks, which is especially problematic during planting or harvest seasons. It’s not a question of repair skills, as Alex is an experienced mechanic who routinely

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Mental Health in Schools, and the Global CYP Mental Health Crisis. ACAMH, 2021. http://dx.doi.org/10.13056/acamh.17482.

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In this podcast, we talk to Lauren Cross about her research interests around mental health and wellbeing in schools and inequalities during childhood and adolescence, as well as her co-authored CAMH debate paper ‘Is There a True Global Children and Young People's Mental Health Crisis Fact or Fiction’.

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