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Littérature scientifique sur le sujet « Folk art, middle east »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 19 juillet 2025

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Articles de revues sur le sujet "Folk art, middle east"

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Nabok, Maryna. "Ukrainian National Dumas: National Perceptions in the Process of Intercultural Communication." PSYCHOLINGUISTICS 24, no. 2 (2018): 198–217. http://dx.doi.org/10.31470/2309-1797-2018-24-2-198-217.

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The article presents the results of empirical research on ethnopsychological groups of people living in different regions of Ukraine in the context of intercultural ideological systems. In particular, residents of Ukraine and foreign students from Africa and Middle East, which study at Sumy State University, were invited to share their impressions from the listened dumas, performed by Canadian bandurist Victor Mishalow during his concert tour in Ukraine. They also watched and listened to video recordings of such folk dumas as «Cossack Golota», «Marusya Boguslavka» performed by kobzar Mykola Bu

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Rumyantsev, V. P. "The Six-Day War of 1967: Folk Myths and “Battles of Historians”." Izvestiya of Altai State University, no. 6(116) (December 18, 2020): 57–61. http://dx.doi.org/10.14258/izvasu(2020)6-09.

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The article analyzes the role and influence of folk and historical myths on the process of forming the historical memory towards the Arab-Israeli war of 1967, which was one of the most significant events in international life in the Middle East. The disputes of historians about the causes, nature and consequences of this war create their own field of discussion. When the wars waged by the armies cease, other wars waged by historians begin. These wars are directly related to the creation of national identity and the formation of historical memory. The disputes of historians about the Six-Day Wa

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Zh.D., Ramadanova. "Art as a reflection of the genetic cultural code (on the example of Kazakh folk dance)." Bulletin of the Karaganda university History.Philosophy series 107, no. 3 (2022): 169–81. http://dx.doi.org/10.31489/2022hph3/169-181.

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This article presents the results of the study of the genetic cultural code, reflecting the spiritual values of the people on the example of the traditional dance-plastic art of the Ka- zakhs. As a research method, the author uses a semiotic analysis of movements and pos- tures of traditional Kazakh dance, which is part of the Turkic culture. The article provides definitions and functions of such terms as «art», «figurative language in art», «arche- type», «semantics», «semiotics». It also gives an analysis of the art of dance as a semiotic system, based on the fact that the language of dance,

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Abdullayeva, Sevda, and Samira Gasimova. "XVII century Azerbaijani culture through the eyes of european travelers." Grani 24, no. 2 (2021): 41–45. http://dx.doi.org/10.15421/172113.

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At the beginning of the 16th century, due to the establishment of the Safavid Empire of Azerbaijan, the culture of the people also developed significantly, especially due to the strengthening of the centralized political structure. “Language commonality, which is one of the factors of the national stage of public unity” was a reality that closely united the people of Azerbaijan in the 17th century.In the 17th century, Azerbaijan was remaining one of the most important cultural centers of the Near and Middle East. The ongoing Safavid-Ottoman wars at that time dealt a crushing blow to the cultur

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Magomedov, Amirbek J., and Madina A. Omarkadieva. "TRADITIONAL CRAFTS OF DAGESTAN IN THE CONTEXT OF HISTORICAL AND CULTURAL RELATIONS WITH THE REGIONS OF RUSSIA, COUNTRIES OF THE CAUCASUS AND THE MIDDLE EAST." History, Archeology and Ethnography of the Caucasus 18, no. 2 (2022): 284–305. http://dx.doi.org/10.32653/ch182284-305.

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The present study examines the formation and mass development of artistic crafts in Dagestan for the past millennium. The evolution of traditional arts and crafts of Dagestan can be seen through the history of their formation, contacts of the inhabitants with foreign cultures. The leading approach in the study of the problem that combines historical-cultural, historical-comparative and artistic-descriptive methods, which allow for a comprehensive consideration of the cultural influences of neighboring (Transcaucasia, Russia) and the Middle Eastern countries on the development of arts and craft

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Norris, H. T. "The Near and Middle East - Ann Parker and Avon Neal: Hajj paintings: folk art of the great pilgrimage. xxvii, 164 pp. Washington and London: Smithsonian Institution Press, 1995. £38.95." Bulletin of the School of Oriental and African Studies 60, no. 3 (1997): 553–54. http://dx.doi.org/10.1017/s0041977x00032699.

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Koudal, Jens Henrik. "Musikkens betydning på en større gård i mellemkrigstiden." Kulturstudier 4, no. 1 (2013): 6. http://dx.doi.org/10.7146/ks.v4i1.8138.

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The meaning of music at a large farm during the inter-war periodThis article investigates music as culture from a historical, ethno-musicological perspective. Jens Henrik Koudal bases his work on the preserved music collection and large private archives of Christian Olsen (1881–1968), who was born and spent most of his life on the farm Torpelund in Zealand, Denmark. From Olsen’s collection, it is possible to make a historical reconstruction of the rich musical life that took place on the farm, and the purpose of the article is to examine what the musical activities meant to the Olsen family’s

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Jawad, Rana, Daniel Béland, and Emmanuele Pavolini. "State of the Art: ‘The People’ and Their Social Rights: What Is Distinctive About the Populism-Religion-Social Policy Nexus?" Social Policy and Society 20, no. 2 (2021): 267–81. http://dx.doi.org/10.1017/s1474746420000664.

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The aims of this review article are two-fold: (1) to set out the key theoretical trends in the study of religion, populism and social policy as antithetical concepts that also share common concerns; (2) to re-assert the relevance of social policy to the social and political sciences by making the case for studying outlier or indeed rival topics together – in this case populism and religion. Social policy scholars do not necessarily associate these two topics with modern social policy, yet they have a long history of influence on societies all over the world; populism is also especially timely

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Akritidis, Dimitris, Andrea Pozzer, and Prodromos Zanis. "On the impact of future climate change on tropopause folds and tropospheric ozone." Atmospheric Chemistry and Physics 19, no. 22 (2019): 14387–401. http://dx.doi.org/10.5194/acp-19-14387-2019.

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Abstract. Using a transient simulation for the period 1960–2100 with the state-of-the-art ECHAM5/MESSy Atmospheric Chemistry (EMAC) global model and a tropopause fold identification algorithm, we explore the future projected changes in tropopause folds, stratosphere-to-troposphere transport (STT) of ozone, and tropospheric ozone under the RCP6.0 scenario. Statistically significant changes in tropopause fold frequencies from 1970–1999 to 2070–2099 are identified in both hemispheres, regionally exceeding 3 %, and are associated with the projected changes in the position and intensity of the subt

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Zavidovskaia, Ekaterina Alexandrovna, and Polina V. Rud. "Popular Religion in Early Republican China Based on Vasilii Alekseev’s Materials from to the Peter the Great Museum of Anthropology and Ethnography RAS (fund No. 2054)." Written Monuments of the Orient 6, no. 2 (2021): 3–21. http://dx.doi.org/10.17816/wmo56798.

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One of the founding fathers of Russian sinology Vasiliy Mikhailovich Alekseev (18811951) had acquired an impressive collection during his ethnographic expedition to the southern regions of China (May 4 August 19, 1912), which was organized by the Russian Committee for Middle and East Asia Exploration and initiated by the Committee`s head, founder academician Vasilii Vasilievich Radlov (18371918). Alekseevs expedition stated from Vladivostok and passed through Harbin, Shanghai, Ningbo, Putuoshan, Fuzhou, Xiamen, Shantou, Guangzhou and ended up in Hong Kong. Alekseev has collected about 1083 art

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Thèses sur le sujet "Folk art, middle east"

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Archer, Amanda. "The folk arts of Oaxaca: integrating the pre-Columbian roots of the traditional folk arts of Oaxaca, Mexico into the middle school art curriculum." [Denver, Colo.] : Regis University, 2008. http://165.236.235.140/lib/AArcherPartI2008.pdf.

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Thomas, Jenna Caye. "Visions of the East: Influence of the Levant on the Italian Renaissance." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1448533555.

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Graves, Margaret Susanna. "Worlds writ small : four studies on miniature architectural forms in the medieval Middle East." Thesis, University of Edinburgh, 2010. http://hdl.handle.net/1842/5489.

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While academic discussion of ornament within medieval Islamic art has laboured much over the codification and meaning of certain forms, there has been relatively little research to date on the visual and iconographic function of architecture as ornament in this context. Those few authors that have dealt with this issue have focused overwhelmingly on two-dimensional architectural representations, largely ignoring the considerable body of portable objects from the medieval Middle East that imitate architecture through three-dimensional forms, whether in a mimetically coherent fashion or in a mor

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Lic, Agnieszka. "Christian stucco decoration in southern Mesopotamia and the Persian Gulf region, sixth to ninth centuries." Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:23636a63-9682-4a2a-b27b-49f2f3df59ac.

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Christian archaeology and art of the region under the jurisdiction of the Church of the East in the Late Antique and early Islamic period is an underresearched field of studies, which exists in between more developed disciplines such as Byzantine and Syriac studies as well as Early Christian, Sasanian and Islamic archaeology and art history. However, archaeological excavations of the last century, especially in southern Mesopotamia and the Persian Gulf region, now allow research to be conducted on the most important medium of artistic expression of the region - stucco. Considered from the tech

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Hosseinioun, Mishana. "The globalisation of universal human rights and the Middle East." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:8f6bdf79-2512-4f32-840a-3565a096ae8d.

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The goal of this study is to generate a more holistic picture of the diffusion and assimilation of universal human rights norms in diverse cultural and political settings such as the Middle East and North Africa (MENA). The overarching question to be investigated in this thesis is the relationship between the evolving international human rights regime and the emerging human rights normative and legal culture in the Middle East. This question will be investigated in detail with reference to regional human rights schemes such as the Arab Charter of Human Rights, as well as local human rights dev

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Ghiabi, Maziyar. "Drugs, addiction and the state in Iran : the art of managing disorder." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:c2cbaeb6-502b-4383-b975-2812602f1efa.

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This thesis explores the politics of drugs and addiction in Iran in light of processes of state formation. The case of Iran provides a paradigm of what has come to be known as the 'War on Drugs' in a political and cultural setting that has been characterised, by most of the area studies literature, by other investigations and scholarly questions. Iran, nevertheless, represents an outstanding case for the study of the War on Drugs; it is at the geopolitical crossroads of international drug routes, it has one of the world highest rates of drug 'addiction' - estimated at between 2-3% and 6-7% of

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Badawi, H. "The potential for installations to create new directions for Saudi Arabian art." Thesis, Coventry University, 2011. http://curve.coventry.ac.uk/open/items/0fcc12b6-5baf-4892-a1d2-f06776a58cc5/1.

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In 2001 when this research commenced, there was little understanding in Saudi Arabia of the opportunities digital art could provide for artists, how it could be integrated with or used instead of painting, and the effects the enlarged vocabulary could have in communicating difficult social issues. As a result, this study aimed at filling a gap in knowledge through reviewing contemporary Saudi art. This, in turn, helped me to understand the position of my practice. The study also aimed at developing a means of expression in which traditional art can be combined with digital media and showing ho

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Miller, Aimee H. "Goddesses of Color: Interfaith Altars." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/773.

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This paper explores the intertwined history of certain goddesses of the Middle East and the Americas. This history informs the original invented contemporary deities that my project centers around. Using recycled materials and collected objects, my project displays two religious altars, one from my heritage and one from my experience living in Brazil. One altar is based on afro-Brazilian sea goddesses, and one is a contemporary imagined interpretation of a Judeo-Christian female figure. The two altars together compose an installation that seeks to unify a pagan practice and two distinct monoth

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Cornet, Catherine. "In Search of an Arab Renaissance : artists, Patrons and Power in Egypt and the Middle East (2001-2013)." Paris, EHESS, 2016. http://www.theses.fr/2016EHES0091.

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Le paradigme de la Nahda, ou Renaissance arabe est un puissant zeitgeist qui revient cycliquement dans la pensée et le monde culturel du Moyen-Orient depuis la fin du 19eme siècle. Cette thèse questionne les raisons du retour du paradigme dans les années 2000 (et en particulier entre 2001 et 2005) en Egypte et dans les Emirats (Doha et Sharjah) en observant les rapports de force entre différentes sphères artistiques et les structures de mécénat. Elle interroge la raison d'être de cette quête pour une Renaissance culturelle, les enjeux liées au mécénat, l'exploitation politique du culturel et e

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Huxley, Margaret. "The signs of the zodiac in the art of the Near and Middle East up to and including the earlier Islamic period." Thesis, SOAS, University of London, 1985. http://eprints.soas.ac.uk/29029/.

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The scientific importance of the zodiac to the astronomers and astrologers of antiquity can be gauged from Babylonian cuneiform sources and Greek and Latin technical treatises. Less accessible is the history of the signs, and their meanings and allusions in extant works of art, as on these subjects the ancients themselves were ambivalent. This study, by an analysis of the iconographic evidence, seeks to uncover the origins of the twelve images that make up the zodiac cycle and to trace something of their subsequent history in the Graeco-Roman world and the Middle East, up to the earlier Islami

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Livres sur le sujet "Folk art, middle east"

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Salisbury, Edward Elbridge, 1814-1901, honoree and Yale University Art Gallery, eds. Modern art from the Middle East. Yale University Art Gallery, 2015.

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Rooney, Dawn. Folk pottery in South-East Asia. Oxford University Press, 1987.

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Gallery, Saatchi, ed. Unveiled: New art from the Middle East. Booth-Clibborn, 2009.

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Wijdan, Ali, Bisharat Suhail, Jordan National Gallery of Fine Arts., Barbican Centre, and Royal Society of Fine Arts (Amman, Jordan), eds. Contemporary art from the Islamic world. Scorpion Publishing on behalf of The Royal Society of Fine Arts, Amman, 1989.

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Victoria and Albert museum. Palace and mosque: Islamic art from the Middle East. V & A Publications, 2004.

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Isabelle, Caussé, and Masters Christopher, eds. Art of the Middle East: Modern and contemporary art of the Arab world and Iran. Merrell, 2010.

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Victoria and Albert museum. Palace and mosque: Islamic art from the Middle East. V & A Publications, 2004.

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Porter, Venetia. Word into art: Artists of the modern Middle East. British Museum Press, 2006.

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Ahmady, Leeza, and Fadda Reem. Tarjama/Translation: Contemporary art from the Middle East, Central Asia, and their diasporas. ArteEast, 2009.

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R, Ingpen Robert, and Hayes Barbara 1944-, eds. Folk tales & fables of the Middle East and Africa. Chelsea House Publishers, 1998.

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Chapitres de livres sur le sujet "Folk art, middle east"

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Scheid, Kirsten. "Start with the art." In Routledge Handbook of Middle East Politics. Routledge, 2020. http://dx.doi.org/10.4324/9781315170688-34.

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Azara, Pedro, and Marc Marín. "Ancient “art” in the white cube?" In Museums and the Ancient Middle East. Routledge, 2018. http://dx.doi.org/10.4324/9781351164160-3.

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Abdul-Dayyem, Mariam. "The Art of Presence." In Routledge Handbook on Women in the Middle East. Routledge, 2022. http://dx.doi.org/10.4324/9781315165219-34.

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Lacovara, Peter. "Exhibiting ancient Middle Eastern art in America 1." In Museums and the Ancient Middle East. Routledge, 2018. http://dx.doi.org/10.4324/9781351164160-16.

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Forian-Szabo, Viktor. "Einleitung." In Leipzig Middle East Studies. Frank & Timme GmbH, 2024. http://dx.doi.org/10.57088/978-3-7329-8844-0_1.

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ZusammenfassungRisiko als kalkulierbares Ereignis, ausgedrückt in der statistischen Größe der Varianz bzw. Standardabweichung, ist eine Schöpfung der Moderne. Die funktionale Notwendigkeit der Kalkulierbarkeit von Risiken resultiert aus dem Umstand, dass der moderne Mensch jedwede Art von Gefahren für seine Existenz, seien es Katastrophen, finanzielle Schäden oder – besonders aktuell – Pandemien und Kriege, berechenbarer gestalten möchte.

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Scheid, Kirsten. "Art as Material Form and Agent." In Routledge Handbook on Women in the Middle East. Routledge, 2022. http://dx.doi.org/10.4324/9781315165219-38.

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Alraouf, Ali A. "The Trilogy of Heritage, Public Art and Public Spaces: The Case of Fire Station Art and Cultural Development, Doha, Qatar." In Urban Challenges in the Globalizing Middle-East. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69795-2_7.

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Dunne, Charles W. "Iraq: Policies, Politics, and the Art of the Possible." In America’s Challenges in the Greater Middle East. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119598_2.

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aamiry-khasawnih, alma. "Women's Participation in Public and Street Art." In Routledge Handbook on Women in the Middle East. Routledge, 2022. http://dx.doi.org/10.4324/9781315165219-35.

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Emberling, Geoff, and Katharyn Hanson. "Cultural Heritage across the Middle East, Ancient and Modern." In A Companion to Ancient Near Eastern Art. John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118336779.ch26.

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Actes de conférences sur le sujet "Folk art, middle east"

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Norris, John. "Cathodic Protection of Stainless Steel 316L Rotating Screens on Seawater Intake Structures." In CORROSION 2017. NACE International, 2017. https://doi.org/10.5006/c2017-09362.

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Abstract Reinforced concrete seawater intake structures are a critical component to enable continuous operation of power stations, desalination plants, petrochemical plants and other heavy industries located near to the coast. The primary objective of these structures is to supply a reliable quantity of clean seawater, which can be used as per plant or refinery requirements. For continuous operation, seawater intake structures require protective screens to prevent debris and marine life entering and damaging the pumps. These screens are often manufactured from 316L Stainless Steel (SS), (UNS S

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Alikhan, Abbas A., and S. M. Farouq Ali. "State-Of-The-Art Of Water Coning Modelling And Operation." In Middle East Oil Technical Conference and Exhibition. Society of Petroleum Engineers, 1985. http://dx.doi.org/10.2118/13744-ms.

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Al-Marhoun, Muhammad Ali. "Black Oil Property Correlations - State of the Art." In SPE Middle East Oil & Gas Show and Conference. Society of Petroleum Engineers, 2015. http://dx.doi.org/10.2118/172833-ms.

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Hisarligil, Hakan. "THE “KELVIN CONJECTURE” IN MEDIVEAL ART IN THE MIDDLE EAST." In 21st International Academic Conference, Miami. International Institute of Social and Economic Sciences, 2016. http://dx.doi.org/10.20472/iac.2016.021.014.

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El-Hawary, Mohamed E. "The Smart Grid—State-of-the-art and future trends." In 2016 Eighteenth International Middle East Power Systems Conference (MEPCON). IEEE, 2016. http://dx.doi.org/10.1109/mepcon.2016.7836856.

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Ayyaswami, Arul, and S. Vishwanathan. "State Of The Art Of Remediation For Petroleum Industries." In Middle East Health, Safety, Security, and Environment Conference and Exhibition. Society of Petroleum Engineers, 2010. http://dx.doi.org/10.2118/136529-ms.

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Baig, Farooq Anwar, Ali Alhasawi, and Marco Aburto Perez. "The Art of Short Radius Drilling – Best Practices to Consistently Deliver Wells." In SPE/IADC Middle East Drilling Technology Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/202166-ms.

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Abstract Short radius wells typically incorporate build rates between 35deg per 100ft and 70deg per 100ft. These wells are typically drilled to minimize exposure of a problematic zone above the target or to reduce geological uncertainty. This paper will discuss best practices and equipment developed specifically for delivering these wells in the Middle East. Case histories will illustrate the close collaboration with the operator resulting in performance step change for short radius drilling. The approach is based on a rigorous Drilling Engineering process. Such process is divided in four majo

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Abdel-Fadil, Reyad, and Laszlo Szamel. "State of the Art of Switched Reluctance Motor Drives and Control Techniques." In 2018 Twentieth International Middle East Power Systems Conference (MEPCON). IEEE, 2018. http://dx.doi.org/10.1109/mepcon.2018.8635219.

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Nooraldeen, Yasser, Zainab Derbas, Yousif Zainal, et al. "Gas Lifted and Naturally Flowing Wells Exception Process via GIS - A State of the Art Surveillance Process." In SPE Middle East Artificial Lift Conference and Exhibition. Society of Petroleum Engineers, 2018. http://dx.doi.org/10.2118/192499-ms.

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Al Habsi, Yumna, Ali Anbari, Azzan Al Yaarubi, Richard Leech, Sumaiya Al Bimani, and Suryyendu Choudhury. "Unlocking Growth Opportunities Through Saturation Evaluation Behind Complex Completion by Applying State-of-Art Pulsed Neutron Technology." In SPE Middle East Oil & Gas Show and Conference. SPE, 2021. http://dx.doi.org/10.2118/204783-ms.

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Abstract Perseverance in quantifying the remaining hydrocarbon saturation, in cased boreholes, remains critical to take business decisions and prioritize operations in brownfield waterflood development. Challenges with cased hole saturation evaluation acquired in certain complex completions such as those completed in multiple casing-tubing strings, slotted-liners and sand-screens require advanced tool technology. Pulsed Neutron Logging (PNL) is one such technology used successfully to analyze behind casing saturation evaluation. The PNL device provide accurate and precise measurement, and with

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Rapports d'organisations sur le sujet "Folk art, middle east"

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Snead, III, and Lawrence R. Wavell's Campaigns in the Middle East: An Analysis of Operational Art and the Implications for Today. Defense Technical Information Center, 1994. http://dx.doi.org/10.21236/ada284720.

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Jackson, G. D. Bedrock geology, northwest part of Nuluujaak Mountain, Baffin Island, Nunavut, part of NTS 37-G/5. Natural Resources Canada/CMSS/Information Management, 2021. http://dx.doi.org/10.4095/314670.

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The map area lies about 40 km northwest of Baffinland's iron mine. Dykes of unit mAnA3 within unit mAnA2 suggest that unit mAnA2 predates unit mAnA3. Unit nAMqf, basal Mary River Group unit, includes regolith material from units mAnA2 and mAnA3. Unit mAnAm may include some dykes of unit nAMb. The Mary River Group was deposited in a volcanic-arc environment, yielding zircon U-Pb ages mostly in the range of 2.88 to 2.72 Ga. Iron-formation (unit nAMi) is approximately 276 m thick locally, with oxide facies (unit nAMio) being most abundant. The quartzite triangle west of 'Iron lake' (unofficial na

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Lane, L. S., and S. Zhao. Bedrock geology, Mount Huley and Mount Harbottle, Yukon, NTS 116-G/15 and 16. Natural Resources Canada/CMSS/Information Management, 2023. http://dx.doi.org/10.4095/329451.

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This map encompasses two 1:50 000 scale map areas at the southw estern margin of Eagle Plain sedimentary basin, in the northern Canadian Cordillera. The eastern part is underlain by the Upper Cretaceous Park in, Fishing Branch, Burnthill Creek , and Cody Creek formations of the Eagle Plain Group, w here shale and sandstone beds dip gently eastw ard to northw ard. The w estern part of the map contains three large anticlinesyncline pairs trending north-northw est-south-southeast that expose Low er Cretaceous W hitestone R iver Formation lying unconformably on Paleoz oic strata of Middle Devonian

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Zhang, Hongbin, Shahal Abbo, Weidong Chen, Amir Sherman, Dani Shtienberg, and Frederick Muehlbauer. Integrative Physical and Genetic Mapping of the Chickpea Genome for Fine Mapping and Analysis of Agronomic Traits. United States Department of Agriculture, 2010. http://dx.doi.org/10.32747/2010.7592122.bard.

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Chickpea is the third most important pulse crop in the world and ranks first in the Middle East; however, it has been subjected to only limited research in modern genomics. In the first period of this project (US-3034-98R) we constructed two large-insert BAC and BIBAC libraries, developed 325 SSR markers and mapped QTLs controlling ascochyta blight resistance (ABR) and days to first flower (DTF). Nevertheless, the utilities of these tools and results in gene discovery and marker-assisted breeding are limited due to the absence of an essential platform. The goals of this period of the project w

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McDonald, Greg N., Adam P. McKean, Zachary W. Anderson, Elizabeth A. Balgord, and W. Adolph Yonkee. Interim Geologic Map of the Huntsville Quadrangle, Weber and Cache Counties, Utah. Utah Geological Survey, 2025. https://doi.org/10.34191/ofr-772dm.

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The Huntsville 7.5' quadrangle lies within Ogden Valley, a back valley of the Wasatch Range in Weber County, Utah, about 6 miles (10 km) east-northeast of Ogden City. Settled in 1849, Ogden Valley was a pioneer frontier settlement and served primarily as a small farming community until recently. The area is currently characterized by rapid suburban growth. The quadrangle is centered on Ogden Valley with the Wasatch Range on the east and west side of the valley. The Ogden Valley f loor lies at an elevation of about 4900 feet (1494 m) with surrounding mountains reaching elevations of more than 9

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Morriss, Matthew C. Interim Geologic Map of the Vernal NE Quadrangle, Uintah County, Utah. Utah Geological Survey, 2024. http://dx.doi.org/10.34191/ofr-762.

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The Vernal NE 7.5' quadrangle is located at the northern boundary of the Colorado Plateau physiographic province, within the Uinta Basin sub-province (Fenneman and Johnson, 1946). The Middle Rocky Mountains, in Fenneman and Johnson’s (1946) classification, is located east and north of the quadrangle. The quadrangle includes Ashley Valley, centered on Ashley Creek, which drains the southern flank of the Uinta Mountains. The western part of the quadrangle is defined by the northwest-southeast-trending Asphalt Ridge and the west-dipping slope along the flank of the ridge. The northeastern part of

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Anderson, Zachary W., Greg N. McDonald, Elizabeth A. Balgord, and W. Adolph Yonkee. Interim Geologic Map of the Browns Hole Quadrangle, Weber and Cache Counties, Utah. Utah Geological Survey, 2023. http://dx.doi.org/10.34191/ofr-760.

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The Browns Hole quadrangle is in Weber and Cache Counties of northern Utah and covers the eastern part of Ogden Valley, a rapidly developing area of the Wasatch Range. The Middle and South Forks of the Ogden River bisect the quadrangle and are important watersheds and recreational areas to the communities of Ogden Valley and the Wasatch Front. The towns of Huntsville and Eden are just west of the quadrangle, unincorporated communities with year-round residents are present throughout the quadrangle, and numerous summer-cabin communities are present in the eastern part of the quadrangle. A porti

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