Bibliographies thématiques / Folk literature, San (African people)

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Littérature scientifique sur le sujet « Folk literature, San (African people) »

Auteur : Grafiati

Publié le 26 juillet 2024

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Folk literature, San (African people)"

Zhou, Yuzhu, and Kritsakorn Onlamul. "A Literacy Study on the Houba Folk Song of the Tujia from Shi San Village in Chongqing, China." International Journal of Education and Literacy Studies 12, no. 3 (2024): 150–59. http://dx.doi.org/10.7575/aiac.ijels.v.12n.3p.150.

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A Literacy Study on the Houba Folk Song of the Tujia from Shi San Village in Chongqing, China Shi San Village, which is recognized as the “birthplace of folk songs,” has a rich history of Houba folk song that chronicle the cultural evolution and daily lives of the Tujia people over thousands of years. This study examines the historical development of Houba folk song across five distinct periods and explores their four primary social functions: cognitive and educational, entertainment, etiquette and communication, and cultural transmission. The research employs a literature review, fieldwork, a

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Vajić, Nataša. "The Trickster’s Transformation – from Africa to America." European Journal of Social Sciences Education and Research 10, no. 1 (2017): 133. http://dx.doi.org/10.26417/ejser.v10i1.p133-137.

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One of the most favorite characters in many African myths and folk tales is definitely a trickster. As a part of the African cultural heritage, the trickster has an important place in the cultures of many African nations. He is an entertainer, teacher, judge and a sage. Many comic aspects of life are brought together through the trickster, as well as serious social processes. He rewards and punishes. He is a deity and an ordinary man, if not an animal. During the Middle Passage Era he goes along with his suffering people to the New World. New circumstances require him to change and assume new

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Buanango, Maitu Abibo, Vladmir Antero Delgado Silves Ferreira, and Maria Rita Marques de Oliveira. "NOVO CORONAVÍRUS SARS-COV-2 E O AGRAVAMENTO DA INSEGURANÇA ALIMENTAR EM PAÍSES AFRICANOS COM HISTÓRICO DE EVENTOS CLIMÁTICOS E DE CONFLITOS ARMADOS." Simbio-Logias Revista Eletrônica de Educação Filosofia e Nutrição 12, no. 16 (2020): 118–41. http://dx.doi.org/10.32905/19833253.2020.12.16p118.

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In times of crisis, one of the areas heavily affected has been food, as a direct consequence of the damage caused to family farming and therefore to Food and Nutrition Security (SAN). Climate change, in turn, causes widespread crises, which, due to their impact on humanity, and above all, on SAN, provide complex humanitarian crises, worsening hunger. The military conflict imposes difficulties in access to food and production. This study aimed to critically describe the panorama of climate change and armed conflicts in Africa, relating them to the pandemic of COVID-19 as a factor of aggravating

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Malkovskaya, I. A. "Brazil: Roots of Popular Culture (experience of interpretations)." Cuadernos Iberoamericanos 11, no. 3 (2023): 107–30. http://dx.doi.org/10.46272/2409-3416-2023-11-3-107-130.

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The roots of Brazilian folk culture have different forms, structure and history. These roots have been formed over a long period, they have intertwined and influenced one another. Authentic cultures (Indian tribes) and «newcomers» (African and European culture) have been interacting with one another in complex socio-political realities. Together these cultures have created a vivid aesthetic image of the country. The aesthetic principle is most clearly expressed in folklore, the forms of which are diverse and multifaceted. The culture of the people is dynamic; it speaks through folklore in a va

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Anatol, Giselle Liza. "Getting to the Root of US Healthcare Injustices through Morrison’s Root Workers." MELUS 46, no. 4 (2021): 186–207. http://dx.doi.org/10.1093/melus/mlab053.

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Abstract Although a number of scholars have tackled the figure of the Black folk-healer in Toni Morrison’s novels, the character deserves greater attention in the present moment for the insights she provides into two contemporary catastrophes: the coronavirus pandemic and the structural racism that precipitates rampant violence against brown-skinned people in the United States. Beginning with M’Dear, the elderly woman who is brought in to treat Cholly’s Aunt Jimmy in The Bluest Eye (1970), I survey descriptions of several root workers, hoodoo practitioners, and midwives in Morrison’s fiction,

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Nayhauss, Hans-Christoph Graf v. "Übersetzte arabische Literatur als Schüssel für fremde Mentalitäten." Traduction et Langues 1, no. 1 (2002): 22–33. http://dx.doi.org/10.52919/translang.v1i1.277.

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Translated Arabic Literature as a window to Foreign Mentalities: On the problem of the reception of foreign-cultural literature This article is concerned with the structure of hermeneutic understanding in order to "guarantee within cultural traditions a possible action-oriented self-understanding of individuals and groups and a reciprocal foreign understanding of other individuals and other groups through translated literary texts. Through this study, it can be stated that regional knowledge. i.e. knowledge of the historical, political, economic, and cultural peculiarities of a people ca

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Onyango, Bethwell O., and Ekisa Olaimer-Anyara. "The Value of Leafy Vegetables: An Exploration of African Folklore." African Journal of Food, Agriculture, Nutrition and Development 7, no. 14 (2007): 01–13. http://dx.doi.org/10.18697/ajfand.14.ipgri1-10.

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Indigenous Leafy Vegetables foods have an exceptional place in African cuisine. It is commonly argued that vegetable consumption reflects cultural backgrounds and their value transcends a biological one, as food, to symbolism enhancing the functioning of society and promoting social order. This study set to determine species use, folkloric dimensions and taste preferences in a rural East African setting. A bio-cultural approach reinforced by ethno-botanical tools conducted over a three-year period and recourse to a corpus of Luo ethnic food plant literature and gathering of folklore elements f

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Facente, Shelley N., Rachel Grinstein, Roberta Bruhn, et al. "Hepatitis C prevalence and key population size estimate updates in San Francisco: 2015 to 2019." PLOS ONE 17, no. 5 (2022): e0267902. http://dx.doi.org/10.1371/journal.pone.0267902.

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Background In 2017, San Francisco’s initiative to locally eliminate hepatitis C virus (HCV) as a public health threat, End Hep C SF, generated an estimate of city-wide HCV prevalence in 2015, but only incorporated limited information about population HCV treatment. Using additional data and updated methods, we aimed to update the 2015 estimate to 2019 and provide a more accurate estimate of the number of people with untreated, active HCV infection overall and in key subgroups–people who inject drugs (PWID), men who have sex with men (MSM), and low socioeconomic status transgender women (low SE

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Adedeji, Femi. "Singing and Suffering in Africa A Study of Selected Relevant Texts of Nigerian Gospel Music." Matatu 40, no. 1 (2012): 411–25. http://dx.doi.org/10.1163/18757421-040001027.

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A major aspect of African music which has often been underscored in Musicological studies and which undoubtedly is the most important to Africans, is the textual content. Its significance in African musicology is based on the fact that African music itself; whether traditional ethnic, folk, art or contemporary, is text-bound and besides, the issue of meaning 'what is a song saying?' is paramount to Africans, whereas to Westerners the musical elements are more important. This is why the textual content should be given more priority. In terms of the textual content, Nigerian gospel music, an Afr

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C, Ahuja, S., Siddharth Ahuja, and Uma Ahuja. "Carissa carrandas L. and C. spinarum L. – Ignored Nutraceutical Fruits." Scholars Academic Journal of Biosciences 12, no. 06 (2024): 121–44. http://dx.doi.org/10.36347/sajb.2024.v12i06.002.

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Carissas (C. carandas and C. spinarum) are natives of India. Duo is evergreen, hard, diffuse and spiny shrub that being highly drought-resistant grows well in semiarid and arid areas, may serve as a wind break and protective hedge. The plants offer multifarious uses in landslide protection and as a live fence, food (direct and processed, beverages, wine, salad, vegetable, jam), fodder, timber, fuel, wood, a green source of dye and diesel, and of sacred value and sorcery. Unripe fruits are used in pickling while ripe ones are edible. People in various states of India, Bangladesh, Myanmar and Pa

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Thèses sur le sujet "Folk literature, San (African people)"

Mpola, Mavis Noluthando. "An analysis of oral literary music texts in isiXhosa." Thesis, Rhodes University, 2007. http://hdl.handle.net/10962/d1012909.

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This study examines the relationship between composed songs in isiXhosa and the field of oral literature. In traditional Xhosa cultural settings, poetry and music are forms of communal activity enjoyed by that society. Music and poetry perform a special social role in African society in general, providing a critique of socio-economic and political issues. The research analyses the relationship that exists between traditional poetry, izibongo, and composed songs. It demonstrates that in the same way that izibongo can be analysed in order to appreciate the aesthetic value of an oral literary for

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Mpolweni, Nosisi Lynette. "The orality - literacy debate with special reference to selected work of S.E.K. Mqhayi." Thesis, University of the Western Cape, 2004. http://etd.uwc.ac.za/index.php?module=etd&amp.

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The focus of this thesis is on Xhosa oral and written poetry. The discussion in the thesis is based on the information from existing literature, the responses from the questionnaires and the interviews with some Xhosa iimbongi (person who sings praises) who have reflected on their personal experiences. In addition to this, S.E.K. Mqhayi is at the centre of discussion because as a prominent Xhosa imbongi he features in both the oral and the written world.

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Dowling, Tessa. "The forms, functions and techniques of Xhosa humour." Doctoral thesis, University of Cape Town, 1996. http://hdl.handle.net/11427/17456.

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Bibliography: pages 259-274.<br>In this thesis I examine the way in which Xhosa speakers create humour, what forms (e.g. satire, irony, punning, parody) they favour in both oral and textual literature, and the genres in which these forms are delivered and executed. The functions of Xhosa humour, both during and after apartheid, are examined, as is its role in challenging, contesting and reaffirming traditional notions of society and culture. The particular techniques Xhosa comedians and comic writers use in order to elicit humour are explored with specific reference to the way in which the pho

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Wessels, Michael Anthony. "Interpretation and the /Xam narratives." Thesis, 2006. http://hdl.handle.net/10413/963.

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There has, in the last quarter of a century, been an increased interest in the /Xam narratives that form the major part of the nineteenth century archive of materials collected by Lucy Lloyd and Wilhelm Bleek in Cape Town from /Xam informants. This has resulted in a proliferation of writing about the Bleek and Lloyd collection and its contents. The critical examination of some of this body of writing forms part of the project of this thesis. The other aim of the thesis is to provide a close reading of certain of the /Xam texts themselves. This thesis is based on the view that the first of thes

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Magwaza, Thenjiwe S. C. "Orality and its cultural expression in some Zulu traditional ceremonies." Thesis, 1993. http://hdl.handle.net/10413/6172.

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"The social function of Setswana folktales." Thesis, 2015. http://hdl.handle.net/10210/14468.

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M.A.<br>The object of this work is to investigate and identify the social function of Setswana folktales. Folktales are known as stories which were told to entertain people. These were told through performance. Without performance it would be impossible to identify the basic functions of folktales which are entertainment and education. This work was done through reference to relevant sources. Interviews with informants were conducted. Although many of the informants co-operated during the interviews, some were doubtful about talking to a stranger who recorded their voices and even demanded to

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Bregin, Elana. "The identity of difference : a critical study of representations of the Bushmen." Thesis, 1998. http://hdl.handle.net/10413/2550.

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More than any other people, the Bushmen - like the Aborigines on the Australian continent - have epitomized the sub-human other in South African historiography. My primary concern in this study will be to interrogate the representations that gave rise to such entrenched notions of Bushman alterity, and the consequences these have had for Bushman lives. Through an assessment of the writings of nineteenth- and early twentieth-century travellers, missionaries, settlers, colonial officials and scholars, I shall examine understandings of ‘otherness’ and ‘difference’, and the ways in which alterity

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Lubambo, Remah Joyce. "The role played by siSwati folktales in building the character of boys : a socio-functionalist approach." Diss., 2020. http://hdl.handle.net/10500/26605.

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Includes bibliographical references (leaves 103-107)<br>This study explored the role played by Siswati folktales in building the character of boys. It included how boys are depicted in folktales and how this depiction influences boys in real life. The study further investigated the correlation between traditional and modern boys and tried to uncover the value of folktales regarding the boys of today. The way boys are portrayed in folktales, their heroism in fighting and conquering monsters, could encourage present-day boys to fight the monsters that they come across daily. Based on the a

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Canonici, Noverino Noemio. "C.L.S. Nyembezi's use of traditional Zulu folktales in his Igoda series of school readers." Thesis, 1985. http://hdl.handle.net/10413/6253.

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Lubambo, Remah Joyce. "Manipulation in folklore: a perspective in some siSwati folktales." Thesis, 2019. http://hdl.handle.net/10500/26751.

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Owing to changes brought by modernisation, folktales and other folklore genres are often looked down upon, and thought by many to be outdated. The aim of this study is to explore manipulative behaviour in Siswati folktales. The study glanced at how manipulation is used in folktales, i.e. the causes and key strategies used by manipulators to manipulate their victims. The focus was on the conformism of manipulation in folktales, to current practice of manipulation in different social institutions, implication of manipulation, and how manipulation could be controlled. The researcher used t

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Livres sur le sujet "Folk literature, San (African people)"

Coex'ae, Qgam, Artists' Press (Johannesburg, South Africa), and Kuru Art Project, eds. Qauqaua: A San folk story from Botswana told by Coex'ae Qgam. Artists' Press, 1996.

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Hananiya, Jival Panamah. The Kilba and their literature. Concept Publications, 1993.

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Amadou, Coulibaly, ed. Parole d'ancêtre songhay : mirage à Tombouctou: Mali. Anako, 1999.

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Kxao, Royal, ed. San. Rosen Pub. Group, 1997.

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Diabaté, Massa M. Janjon et autres chants populaires du Mali. Présence africaine, 1997.

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Bonello, Candy. The dream tree. Rainbird Books, 2002.

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Parker, Linda. The San of Africa. Lerner Publications Co., 2002.

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Sebate, P. M. Pheko ya gole: Ditso tsa Setswana. Unisa, 2011.

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Steyn, H. P. The bushmen of the Kalahari. Wayland, 1985.

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Watson, Galadriel Findlay. Bushmen of southern Africa. AV2 by Weigl, 2012.

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Chapitres de livres sur le sujet "Folk literature, San (African people)"

Schroeder, Doris, Kate Chatfield, Roger Chennells, et al. "Vulnerability and Leaving No One Behind in Research: The Recommendations." In Vulnerability Revisited. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-57896-0_6.

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AbstractThis concluding chapter summarises how we challenged the protection-inclusion dilemma in order to avoid leaving people behind in research unnecessarily. The fact remains that individuals from highly impoverished, stigmatised groups in lower-income settings face a high likelihood of being harmed and exploited in research. However, excluding them from research is not the answer and can also be seen as a patronising interference in the lives of people who might benefit from research and might welcome long-term relationships of trust with researchers. Achieving long-term relationships of t

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Bester, Christian, and Bronwen Forbay. "Burger Gericke (1916–1989)." In Afrikaans Art Song Literature. Oxford University PressNew York, 2025. https://doi.org/10.1093/oso/9780197660812.003.0015.

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Abstract This chapter contains a newly crafted English translation and International Phonetic Alphabet (IPA) transcription of a poem by Burger Gericke, “The Abundant Heathlands.” Each stanza follows an ABAB rhyming scheme. Set to music by pioneering and prolific Afrikaans art song composer S. le Roux Marais, whose style favored that of the German Romantic Lied, this song is scored for medium voice. It is the twenty-fifth song in the first anthology published by the National Council for Folk Song and Folk Dancing, called “Golden Sheaf.” Illuminating footnotes are provided to enhance the reader’

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Bester, Christian, and Bronwen Forbay. "Chris Lamprecht (b. 1927)." In Afrikaans Art Song Literature. Oxford University PressNew York, 2025. https://doi.org/10.1093/oso/9780197660812.003.0020.

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Abstract This chapter contains newly crafted translations and International Phonetic Alphabet (IPA) transcriptions of five poems written and set to music by composer Chris Lamprecht for the song cycle Homage to the Northwest. Poems include “The Old Camel Thorn Tree,” “The Fiscal of the Great River,” “Rain (Is Pouring) on the Veld,” “Namaqualand’s Little Flowers,” and “Loeries Fountain.” This song cycle is arranged for medium-high/high voice and is also available as a choral arrangement. An influential musicologist on Afrikaans folk music, Lamprecht is also highly regarded for his choral compos

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Bester, Christian, and Bronwen Forbay. "Theodore Walter Jandrell (1888–1968)." In Afrikaans Art Song Literature. Oxford University PressNew York, 2025. https://doi.org/10.1093/oso/9780197660812.003.0016.

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Abstract This chapter contains newly crafted English translations and International Phonetic Alphabet (IPA) transcriptions of five stand-alone poems by poet Theo W. Jandrell, a major contributor to the F.A.K. Folk Song Anthology. Poems include “Homeward,” “Come Home, Beloved!,” “Beside Still Waters,” “Until the Morning Glows,” and “The Weary Pilgrim.” Pioneering Afrikaans art song composer and organist S. le Roux Marais, whose compositional style favored the German Romantic Lied, composed “Beside Still Waters” which is the first song in his song cycle “Two Sacred Songs.” It references Psalm 23

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