Bibliographies thématiques / Fortunato De Angeli

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Littérature scientifique sur le sujet « Fortunato De Angeli »

Auteur : Grafiati
Publié le 9 mars 2023
Mis à jour le 19 juillet 2025

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Consultez les listes thématiques d’articles de revues, de livres, de thèses, de rapports de conférences et d’autres sources académiques sur le sujet « Fortunato De Angeli ».

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Articles de revues sur le sujet "Fortunato De Angeli"

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Laudin, Gérard, and Sylviane Albertan-Coppola. "Fortunato Bartolomeo De Felice. Un intellettuale cosmopolita nell’Europa dei Lumi , dir. Stefano Ferrari , Milano, Franco Angeli, 2016, 225 p." Dix-huitième siècle 50, no. 1 (2018): XXXIV. http://dx.doi.org/10.3917/dhs.050.0663ah.

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Amoroso, Maria Betânia. "Murilo Mendes lido pelos italianos." Remate de Males 32, no. 1 (2012): 105–15. http://dx.doi.org/10.20396/remate.v32i1.8636215.

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O artigo apresenta uma seleção de textos da fortuna crítica italiana de Murilo Mendes, escritos entre 1957 e 1962, por Dario Puccini, Anton Angelo Chiocchio, Luciana Stegagno Picchio, Ruggero Jacobi e Oreste Macrì. Mais do que amostragem, esses textos e autores são emblematicamente apontados como responsáveis pelo primeiro momento dessa recepção e no que trazem de contrapontos à fortuna crítica brasileira do poeta.
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Meliga, Walter. "Giovanna Angeli, Le strade della fortuna. Da Marie de France a François Villon." Studi Francesi, no. 150 (L | III) (December 31, 2006): 571. http://dx.doi.org/10.4000/studifrancesi.27143.

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Crippa, Maria Antonietta. "Restauro del moderno: fortuna critica, incertezze attuative." TERRITORIO, no. 62 (September 2012): 68–75. http://dx.doi.org/10.3280/tr2012-062014.

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This paper critically explores the relationship between the history of modern architecture and restoration of the modern, identifying connections and discrepancies between the contexts of the two disciplines. It finds the cause of the latter in the unstable structure of the history of modern architecture, which is changing rapidly from many points of view. It highlights how this situation can easily lead to problems and controversy over the restoration of the modern and especially over the specific conservation techniques designed to maintain its authenticity. Two famous images of Walter Benja
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Tomea, Paolo. "Appunti sulla venerazione agli angeli extrabiblici nel Medioevo occidentale. Inomina archangelorume l’enigmatica fortuna di Pantasaron." Analecta Bollandiana 135, no. 1 (2017): 27–62. http://dx.doi.org/10.1484/j.abol.4.2017004.

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Hadlock, Heather. "Return of the repressed: The prima donna from Hoffmann's Tales to Offenbach's Contes." Cambridge Opera Journal 6, no. 3 (1994): 221–43. http://dx.doi.org/10.1017/s0954586700004316.

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The operatic diva, a singer of strange songs, and too often a turbulent, unkind girl, haunted the nineteenth-century imagination, as evidenced by the musical tales of E. T. A. Hoffmann and numerous retellings of those tales in theatre, ballet and opera. Each adaptation of Hoffmann's ‘Rat Krespel’, ‘Der Sandmann’ and ‘Don Juan’ reflects an ambivalent attitude towards women performers, whose potent voices make them simultaneously desirable and fearsome. How do these stories about female singers contrive to contain and manage the singing woman’s authority? And how does the prima donna's voice rep
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Vörös, Z., W. Baumjohann, R. Nakamura, et al. "Spatial structure of plasma flow associated turbulence in the Earth's plasma sheet." Annales Geophysicae 25, no. 1 (2007): 13–17. http://dx.doi.org/10.5194/angeo-25-13-2007.

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Abstract. Using Cluster multipoint magnetic and plasma measurements we analyze the spatial structure of plasma flow-associated turbulence on 26 September 2005. The fortunate relative configuration of the spacecraft and the plasma flow allowed for the first time to compare the scale evolution of statistical moments both at the boundary and in the central part of the flow at the same time. The simultaneous increase of skewness and kurtosis at the boundary of the plasma flow over the time scale of seconds provides evidence for the existence of nonlocal coupling in flow-associated turbulence in th
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Buchel, Michelle. "The fortunate fall: Escape from the realm of the eternal feminine in Angela Carter's ‘the lady of the house of love’." English Academy Review 21, no. 1 (2004): 22–35. http://dx.doi.org/10.1080/10131750485310051a.

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Kakonge, Amb John O. "Leading by Example: The Work of Minister K. K. Shailaja of Kerala State, India in Combating COVID-19." Communication, Society and Media 4, no. 1 (2021): p1. http://dx.doi.org/10.22158/csm.v4n1p1.

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In recent months, much public attention has been given to the women leaders of developed countries who have done well in containing the coronavirus and ensuring a low rate of infection and death. Such leaders include Jacinda Ardern, Prime Minister of New Zealand; Angela Merkel, Chancellor of Germany; Erna Solberg, Prime Minister of Norway; Katrin Jacobsdottir, Prime Minister of Iceland; Sanna Marin, Prime Minister of Finland; and Tsai Ing-wen, President of Taiwan. In addition to their own expertise, these leaders have been fortunate in being able to rely on the support of well-trained public o
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González Presencio, Mariano. "El palacio de Te restaurado. Consideraciones sobre la fortuna crítica de la obra de Giulio Romano." Ra. Revista de Arquitectura 1 (May 11, 2018): 20–35. http://dx.doi.org/10.15581/014.1.25991.

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La rehabilitación del arte del XVI, en la obra de autores como Dvöràk, Fiedlander o Hauser, presenta el manierismo como arte anticlásico; como expresión de las inquietudes de la época, de la personalidad dividida de los artistas; como un arte antirealista, antihumanista y antiintelectualista. 
 Giulio Romano ha representado para cierta crítica el paradigma de aquella interpretación del manierismo como arte en crisis. Sin embargo el examen de su arquitectura permite comprobar que ésta se mueve dentro de los márgenes del clasicismo; estira hasta el extremo, sin romperla, la cuerda de la arq
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Thèses sur le sujet "Fortunato De Angeli"

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Pederzoli, Elisa <1984&gt. "Un nel sistema internazionale. Angelo Fortunato Formiggini e la diffusione della cultura italiana nel mondo." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amsdottorato.unibo.it/8814/1/Pederzoli_Elisa_tesi.pdf.

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La ricerca si concentra sull’editore modenese ebreo Angelo Fortunato Formiggini (1878-1938), morto suicida in seguito alla promulgazione delle leggi razziali, proponendosi di valorizzare un aspetto peculiare della sua attività: il progetto, sentito come una missione, di promozione del libro e della cultura italiana all’estero. Da un lato, si indagano le radici profonde degli ideali a fondamento delle sue imprese; dall’altro, le ripercussioni concrete sull’attività editoriale, via via più orientata alla ricerca di contatti che favorissero la diffusione internazionale dei prodotti intellettuali
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CAVENAGO, MARCO. "ARTE SACRA IN ITALIA: LA SCUOLA BEATO ANGELICO DI MILANO (1921-1950)." Doctoral thesis, Università degli Studi di Milano, 2021. http://hdl.handle.net/2434/829725.

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Nell’ottobre del 1921 a Milano nacque la Scuola Superiore di Arte Cristiana Beato Angelico. Responsabili dell’iniziativa: don Giuseppe Polvara, l’architetto Angelo Banfi, il pittore Vanni Rossi, affiancati dallo scultore Franco Lombardi, dai sacerdoti Adriano e Domenico Bernareggi, dall’ingegner Giovanni Dedè, dal professor Giovanni Mamone e dall’avvocato Carlo Antonio Vianello. Gli allievi del primo anno scolastico furono nove, due dei quali (gli architetti don Giacomo Bettoli e Fortunato De Angeli) destinati a restare per lunghi anni nella Scuola come docenti: così avvenne anche col pittore
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VALENTE, LAURA. "GREGORIO NAZIANZENO Eij" ejpiskovpou" [carm. II,1,13. II,1,10] Introduzione, testo critico, commento e appendici." Doctoral thesis, 2018. http://hdl.handle.net/11393/251619.

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Invitato a Costantinopoli da una delegazione nicena, che ne chiedeva l’intervento a sostegno della comunità ortodossa locale, Gregorio di Nazianzo accantonò il desiderio di dedicarsi alla vita contemplativa e si recò nella Neja ÔRwvmh: non poteva certo immaginare che negli anni trascorsi nella capitale (dagli inizi del 379 al luglio del 381) avrebbe conosciuto, a distanza di breve tempo, l’apice e il fallimento della sua attività politico-ecclestiastica. Alla guida di un piccolo gruppo di fedeli, radunati in una sala udienze privata ribattezzata Anastasia, Gregorio esercitò con impegno i suoi
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Livres sur le sujet "Fortunato De Angeli"

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Vaccari, Roberto. C'è poco da ridere: Angelo Fortunato Formíggini, l'Italiano : saggio. Elis Colombini editore in Modena, 2019.

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Polimeni, Giuseppe. Il sorriso al potere: I Classici del ridere di Angelo Fortunato Formiggini (1913-1938). FrancoAngeli, 2020.

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1878-, Formiggini Angelo Fortunato, ed. La cronaca della festa: 1908-2008 : omaggio ad Angelo Fortunato Formiggini : un secolo dopo. Artestampa, 2008.

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Ariaudo, Maria Agnese. Angelo Fortunato Formiggini: Profilo di un editore : "un signore che si diverte a pubblicare dei libri belli". La scuola di Pitagora editrice, 2018.

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Kate, Green, and Kate Green. Black dreams. HarperCollins, 1993.

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Angelo Fortunato Formíggini. Luisè, 1987.

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Green, Kate. Angel Falls: Theresa Fortunato Mystery, A. HarperCollins Publishers, 1998.

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Angelo Fortunato Formiggini: Ridere, leggere e scrivere nell'Italia del primo Novecento. Edizioni Artestampa, 2019.

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Glaubach, Felix. Touched by an Angel: Recollections from My Most Fortunate Life. Lulu Press, Inc., 2023.

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Umansky, Ellen. Fortunate Ones: A Novel. HarperCollins Publishers, 2017.

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Chapitres de livres sur le sujet "Fortunato De Angeli"

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Ponzani, Vittorio. "La biblioteca circolante di Angelo Fortunato Formiggini a Roma." In 1. Seminario Nazionale di Biblioteconomia. Ledizioni, 2013. http://dx.doi.org/10.4000/books.ledizioni.1535.

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Berghaus, Günter. "Fortunato Depero‘s Contribution To A Futurist Mechanical Theatre." In Italian Futurist Theatre 1909-1944. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198158981.003.0020.

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Abstract Depero returned to the theatre with a machine drama, called Anihccam del 3000 (i.e. Machine of the Year 3000, spelt backwards). It formed part of the programme which de Angelis and his Compagnia del Nuovo Teatro Futurista presented on II January 1923 at the Trianon in Milan (in a programme which also included Prampolini ‘s Psychology of the Machines, see above, pp. 366-8). Given that Depero ‘s interest in mechanized, artificial beings had been demonstrated in a whole series of works during the first ten years of his artistic career, it is not astonishing that he was an enthusiastic supporter of the Futurist mechanical aesthetics of the r92os. He wrote on the subject: Open your eyes wide and acknowledge that a part of the civilization and of glory belongs to the machine and that, thanks to them, our style will get clearer and more precise and we shall be able to win a certain artistic victory for a modern style....
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Nichols, James R. "7. Risen Angels in Durrell's Free/Fallen Women: Clea, Constance, and the Fortunate Fall." In The Stronger Sex. Lexington Books, 2011. https://doi.org/10.5771/9781611470673-107.

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Robnett, Belinda. "Introduction." In How Long? How Long? Oxford University PressNew York, NY, 1997. http://dx.doi.org/10.1093/oso/9780195114904.003.0001.

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Abstract This Book Was Inspired by childhood memories of the civil rights movement. As a child growing up in South Central Los Angeles, I was fortunate to attend schools in Compton, California, where Black people were the principals and teachers. This experience provided me with a sense of pride and an understanding of my Black heritage and community. Within this context, I was aware of the struggle for freedom and can still recall the emotional feelings sweeping over me while listening to Martin Luther King’s speeches on the television. My family had long endured the struggles against racism; my father’s family is still in possession of my great-great grandmother’s freedom papers. My father grew up poor but managed to obtain a college education through the G.I. Bill. But his bachelor’s degree in biochemistry did not translate into a better job until after the civil rights movement. He, as well as many of my educated aunts and uncles, survived by taking any job he could get. My father, for example, was employed as a cafeteria bus boy, and my aunt worked in the post office. In the late 1950s and the early 1960s, it was not unusual to find Black people with PH.D.s working in the post office.
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"n ar eegattaikveenco to rr e im la p ti loynsa , p th hy essieca ‘ ltelliencko nnectio key va between ntphaet te lo rn ca s l ’ w (1 a9s7o2n ). tFhoellpoowiinntgosfoemmeeirngc in on gcilsusc iv oentw ai onrekdbiynoLtahm er bsm Gl aapnstzrioeatblael . a1n9d9t1h ) e . widely distributed one (e.g., see (e.g., by Berlage and DeBoer 1960), Professor Jacob pressure f an pdr ec wiapsi ta atiW on a , l ke te r m produced teleconnection Bjerknes at the University of California at Los modes of interannual blcel im to a te idve perature, and surface Angeles made the key step forward by demonstrating nise today, including the South anerrita if nbyi li tthyethlaatrgweestre scale that the atmospheric teleconnection patterns were North Atlantic O Oscillation and c o th g e ­ p eq a u rt atoof ri aalcPoaucp if liecdOmco ea dneaonfdinttheer ac gtlioobnalbaettmwo ee sp nhteh re e was Inaba le d d to it icoanr ry to scb illation. (Bjerknes 1966, 1969, and 1972). It is now clear that of fortunate circu omuste ing a first-rate scientist, Walker other parts of the global ocean also participate in the the art of statistics htaahn is work because of a confluence Southern Oscillation, manifested through changes in matical tool of the ob d se cdeesv . e F lo ir pset, shortly beforehand, sea surface temperature and the overlying atmos­ also a very ab rvational dscriaepnicdelsy . aWsaalkm er atwhaes ­ phe B ri ycctih rc e u la la ti toen. 1970s and early 1980s, climate o st fat ti hse ti cIsnd (W ian alM ker le1 99 m7a ) t . h H em av aitn ic giatn ak ewn ho understood scientists were able to document the relationships gained the oppo ertteuonrio ty lo tgoicc al Departme th netijnob19o0f3h , e h ad ehRyap sm ot uhsesso is neda nd byCaB rp je ernktneers 19 in 8 2, mwoh re odd is e c ta uisls ed (e . tgh . e , m re aqtuhierm ed ata ic a la l rg oepesrta aff capab alreryoofupteh rf is orsm tu idniges, m w an h u ic ahlT So hue th ceorunplO ed sco il cleaa ti n o -n a / tEmlosNpihneoreasvaaricao ti uopnlecdenstyrsetdemo ) n . W ve a ry lk p er raw ct ais able to t m io ankseoanmeax jo te rne si f v fo e rt d a to ta so se lv ts e . tShoeE th NeSeO qu a ( t E or l ia NlP in ac o i / f S ic oiustnhoew rn co Omsm cil oln at liyon re ), f er a r ed p h to ra saesA ra n in oftah ll e , rkaencaalcp ti rvoib ty le m th aotfh pr aed dicting Indian monsoon coined in planning documents for the international by the earl yyfyaecatrosrowfasthtehattwietnh sta taidejru te t st dbe in c om th eep1 os 8s7i0 bl s e . Tmreonpti . caDlO ur cienagntG he lo b 1 al 98A0tsmoasnpdh er 1e99 (T 0s OGaAs ) ereix es p er o i­ flsaurfgfe ic -s ie cnatlence li amr-agtleob va arl ia d ti aotnas . to de hsccre ib n e tu raynd to agnaatlh ys eereom ur p iri ucnadl, e m rs o ta dned ll iinngg , aonfdtthheeo re p ti hcyaslicsa tu l di m es e c in hcarneiassm ed s 192 T3heansdtu1d9 ie 2s4 , bWyaW lk a e lker and others (e.g., Walker aad ss voacnicae te sdinwiutnhdEeN rs S ta O n . diAngdettealielceodndnie sc c u ti sosn io pnao tt ferrencsen in trge lo la b ti aol) nsshuirp fa s ce exp is re te s d su rbeertawnedenB li lsasrg1e9 -s 3c2a ) le s h ( o i. w e. e , d n that the TOGA era (1985-94) can be found in Trenberth patterns -in particular, tphaettIen rn d s ia n an sdum re m gional rain efaarl -l et aTl. h1e 99 i8deanntd if i A ca ll tainone ta o l. f 19 so 9m6. e of the physical v ra aitn io fa nlal. l W ev a id lk eenrc ’s erfeosreatrhcehepxrio st veindceedo th feefr monso an ir osrtgaonbisseorn ­ m rev ec it h a anism ed conne l c is t e io dnsi nt aesrseosct iated with patterns. in A W se a ri lekser’ osENfp SO has st ruedciiepsi ta w ti i o th n g re te alte ly -glo more wHoerbcaal-ls le cda le tpk did no hi tsattthee rn hav Soofuitnh terannual climate variability. complete data sets (e.g., Kiladis and Diaz 1989; expected because, efotrhe re a im e p rn acOt scillatio sons th tahtartemma ig n. htI in unh itia nc alveel ly ar b , e h th einsrReocpoenlfeiw rm sk eida se nvde ra Hlao lp f e th rt et1e9 le 8c6o , nn 1e9c8t7 io , ns ansdu gg 1e9s9 te 2 d ) c so o o rr n e la ptr io ec nispib ta et t w io enenwtehaekepnreed ss uarbeopuatt te th rn esta im nd e m th oene ­ cboynW ne acltkieornsa . ndRootphee le rs w , saknidaindde nt H ifi aeldpeardt di ( t 1 io 9n8a7ltaen le-were discovered. Th y 1989) attempted to improve the usefulness of tele d ­ taitmtehemomsitdodf le thoefetah rl eec tw or ernetliae ti tohncsesnttruernyg , th beuntebdyag th a a in tcdooncnuemce ti notn patterns y work ha ing regions foorfstehaesognlaolbcelitm ha att , eipnreaddidcittiioonnb to y fille Adc in ru c w ia alspaap rt hyosfictahleepxipcltaunrdebteheantfro em rg aoitn ten atio ed . to be a m ls e o re lhyadshroew la itn io gnssh ta itp is stiw ca ilthEN EN SO SO -p rtehca ip t it w at eiroenhliignhklsy , t te hleecSoonuntehcetrinonOp sc aitltleartn io s. n A ju rsetvaisewaonfk fo nrow th leedogbesaeb rv oeudticdoennstiisftieendttfhreom se aespoin so sdaend to reegpiiosn od seo . f T th h e ey g p lo a b rt eicw ul haerr ly physical explanation precipitation was associated with ENSO in at least 75 e." In Droughts. Routledge, 2016. http://dx.doi.org/10.4324/9781315830896-39.

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Actes de conférences sur le sujet "Fortunato De Angeli"

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Hunko, Wesley S., and Lewis N. Payton. "Implementing Computer Numerical Controls Affordably at a Four Year University." In ASME 2016 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/imece2016-66152.

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Additive manufacturing, fundamentally, is computerized numerical controls using a specialized printer head as the “tool”. Any new curriculum implementing “additive manufacturing” stands upon the fundamental and advanced work done before in computer numerical controls. Although there certainly is a need for end user laboratories based upon purchased printers, the challenge in designing curriculums that support developing the next generation of additive manufacturing must also include computer numerical controls. The best designers must be able to picture the entire system when developing new sy
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