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Littérature scientifique sur le sujet « French House decoration »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "French House decoration"

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Trentin, Summer. "REALITY, ARTIFICE, AND CHANGING LANDSCAPES IN THE HOUSE OF MARCUS LUCRETIUS IN POMPEII." Greece and Rome 66, no. 1 (2019): 71–92. http://dx.doi.org/10.1017/s0017383518000323.

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In the 1855 edition of his guide to Pompeii, the French artist and archaeologist Ernest Breton begins a chapter on the city's houses and shops with a print showing tourists in a grand Pompeian residence (figure 1). At the rear of an atrium with an enormous impluvium, a man contemplates a raised garden while a well-dressed couple approaches from the right. Behind them, in the roofless remains of the house, the garden's ancient sculptural display remains in situ; animals and deities inhabit a landscape dominated by a shrine-like niche, a pool, and pillars painted with trees. Deep shadows and enc

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Coombs, Bryony. "Material Diplomacy: A Continental Manuscript Produced for James III, Edinburgh University Library, MS 195." Scottish Historical Review 98, no. 2 (2019): 183–213. http://dx.doi.org/10.3366/shr.2019.0400.

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This paper examines a late medieval manuscript produced in northern France and Flanders for a member of the Scottish royal house: Edinburgh University Library, MS 195. The manuscript contains an ornate representation of the royal arms of Scotland, supported by two unicorns. It was commissioned for James III c. 1464–7. Despite its royal provenance, the manuscript has received limited scholarly attention. The text and illuminations are analysed in order to shed light on their origins and on the circumstances of their production. The manuscript is an important example of a continental work produc

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Kelley, Diane. "Curating Zilia: The Temple du soleil in Graffigny's Lettres d'une Péruvienne." Studies in Eighteenth-Century Culture 53, no. 1 (2024): 265–85. http://dx.doi.org/10.1353/sec.2024.a918571.

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Abstract: Françoise de Graffigny's Lettres d'une Péruvienne repeatedly highlights a collection of Peruvian treasures. Graffigny's description of these objects, both when they are on display in Zilia's private room in a French convent and in the Temple du soleil in her country house at the end of the novel, invokes a vocabulary drawn from eighteenth-century French standards of stylish interior design and private collecting. Social status in eighteenth-century France was performative; demonstrating one's own good taste with the displays in a well-decorated room or a private collection communicat

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Coombs, Bryony. "The artistic patronage of John Stuart, Duke of Albany, 1520–30." Proceedings of the Society of Antiquaries of Scotland 147 (November 21, 2018): 175–217. http://dx.doi.org/10.9750/psas.147.1251.

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The Sainte-Chapelle at Vic-le-Comte is one of the most important religious buildings surviving from the 16th century in the Auvergne. It was the last of ten French royal and ducal chapels founded, broadly following the precedent set by Louis IX’s foundation of the Parisian Sainte-Chapelle in 1248. The primary function of this, and the other Saintes-Chapelles, was to provide a dignified structure within which to house fragments of the Passion relics inherited from Louis IX. For their patrons, such foundations served as important public expressions of piety, advertised the patrons’ connections t

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Shapovalova, Elena V. "The Motif of Calvary in the chapelles ardentes of the Princes of Lorraine (1589)." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences 22, no. 5 (2022): 15–27. http://dx.doi.org/10.37482/2687-1505-v212.

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This article dwells on the memorial services for Henry I, Duke of Guise, and Louis II, Cardinal of Guise, who were assassinated in Blois at the order of King Henry III of France. These services were special due to the arrangement of symbolic chapelles ardentes (‘burning chapels’) in the churches. The decoration of these chapels reflected not only the religious and political ideas of adherents of the Guise brothers, but also changes in religious art unrelated to the particular event. For instance, the prevalent motif of Calvary, which by the late 16th century had become common in the interiors

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Glamazda, Svetlana N. "Specific features of proxemic informative text structure in The Portrait of a Lady by H. James." Izvestiya of Saratov University. Philology. Journalism 24, no. 2 (2024): 162–68. http://dx.doi.org/10.18500/1817-7115-2024-24-2-162-168.

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The article deals with the English text space. The purpose of the study is to identify the specific features of the proxemic informative text structure of H. James’s The Portrait of a Lady. A new concept of “proxemic informative text structure” is introduced into text theory as a segment of text architectonics that describes the spatial parameters nominated by proxemes. Proxemes are considered as nominations of spatial parameters of the text. The typology of textual proxemes is specified and the existing proxemes-spacenаmes, proxemes-verbs of movement, proxemes-placenames, proxemes-landscape u

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De Coster, Annie. "The Bibliotheca Wittockiana in Brussels: collecting and exhibiting bindings." Art Libraries Journal 33, no. 3 (2008): 30–33. http://dx.doi.org/10.1017/s0307472200015455.

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The Bibliotheca Wittockiana in Brussels houses an impressive array of bindings that shows the glories of this very special decorative art. The collection does not aim to be an exhaustive historical survey, but reflects the taste of one man, Michel Wittock, beginning with his early interest in 16th-century Italian bindings and later those of 19th-century France, and culminating in many beautiful examples of abstraction in French and Belgian bindings of the 20th century. These works are housed in a purpose-built 1980s building designed by Emmanuel de Callatay and extended 15 years later by Witto

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Al Shihabi, Diane Viegut. "American Beaux-Arts Architects and The Decoration of Houses : Elucidating French Academic Influences for a Seminal Literary Work." Journal of Interior Design 40, no. 3 (2015): 39–60. http://dx.doi.org/10.1111/joid.12049.

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Polyakov, E. N., and T. V. Donchuk. "FINAL CREATIVE WORKS OF HECTOR GERMAIN GUIMARD." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 22, no. 1 (2020): 9–30. http://dx.doi.org/10.31675/1607-1859-2020-22-1-9-30.

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The article concerns the final architectural and design activity of Hector Guimar (1867–1942), when he was forced to withdraw from his unique Guimar style. During this period, the sociopolitical and cultural life of Europe underwent fundamental changes. Bourgeois modernism was replaced by more laconic democratic styles (functionalism, constructivism, etc.). Not wanting to lose the professional orders, the French architect created projects with-out the former plastics and warmth. It is noted that before the World War II, he was mainly engaged in the design of multistorey residential buildings,

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Østby, Erik. "A Protocorinthian aryballos with a myth scene from Tegea." Opuscula. Annual of the Swedish Institutes at Athens and Rome 13 (November 2, 2020): 123–38. http://dx.doi.org/10.30549/opathrom-13-05.

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During the preparation of the new exhibition in the Museum of Tegea it was discovered that one composed fragment from a Protocorinthian aryballos with a complicated, figured representation, found during the excavations of the Norwegian Institute at Athens in the Sanctuary of Athena Alea in the 1990s, joined with another fragment found by the French excavation at the same site in the early 20th century. After the join, the interpretation of the scene must be completely changed. The aryballos has two narrative scenes in a decorative frieze: a fight between two unidentified men over a large vesse

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Livres sur le sujet "French House decoration"

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Meng, Kaari. French-inspired home. Lark Books/Chapelle Book, 2011.

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Meunier, Lise. French country chic: 40 simple to sew French homestyle projects. David & Charles, 2012.

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Siriex, Françoise. The House of Leleu: Classic French style for a modern world, 1920-1973. Hudson Hills Press, 2008.

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Hilary, Robertson, and Richardson Claire 1969-, eds. French home. Ryland Peters & Small, 2007.

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Sauveur, Daphne de Saint. The French touch: Decoration and design in the private homes of France with 254 illustrations in colour : selected from the pages of Maison & Jardin / Daphne de Saint Sauveur ; [translated from the French by Emily Lane]. Thames and Hudson, 1988.

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Emily, Lane, ed. The French touch: Decoration and design in the most beautiful homes of France : selected from the pages of Maison & jardin. Little, Brown, 1988.

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Meng, Kaari. French General: Treasured notions : inspiration and craft projects using vintage beads, buttons, ribbons, and trim. Chronicle Books, 2010.

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MacLachlan, Cheryl. Bringing France home: Creating the feeling of France in your home room by room. Clarkson Potter, 1995.

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1978-, Perrin-Khelissa Anne, ed. Corrélations: Les objets du décor au siècle des Lumières. Éditions de l'Université de Bruxelles, 2015.

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Dampierre, Florence de. French chic - the art of decorating houses. Rizzoli, 2008.

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Chapitres de livres sur le sujet "French House decoration"

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Cheng, Grace Y. S. "Henrietta Maria as a Mediatrix of French Court Culture: A Reconsideration of the Decorations in the Queen’s House." In Perceiving Power in Early Modern Europe. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-58381-9_8.

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Turvey, Malcolm. "Tati, suburbia and modernity." In Screening the Paris suburbs. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526106858.003.0009.

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The author reconsiders the commonly held notion that Jacques Tati’s Mon Oncle (1958) adumbrates a negative ‘critique’ of modern suburbia as a space of alienation. The functions given to architectural forms or elements of landscaping on the one hand can be distinguished from the comic uses of these forms onscreen on the other, for instance to satirise bourgeois habits or to reaffirm the prerogatives of childlike creative engagement with the built environment. The director strikes a balance between the mockery of conspicuous consumption and the enchantment of an unruly, unpredictable object worl

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Allison, Penelope M. "Casa del Menandro (I 10,4)." In The Insula of the Menander at Pompeii. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199263127.003.0030.

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To either side of this main entranceway, on the street front, are fixed masonry seats. Such seats have been assumed to have been for waiting clients. However, in Pompeii these seats are not always in front of the largest and most elaborate houses, that is those whose occupants were likely to have had clients. They were therefore likely to have served as a public facility available to anyone, including the house occupants. No loose finds were reported from this entranceway. The only visible sign of possible post-eruption disturbance to the volcanic deposit is a small hole towards the south end

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Actes de conférences sur le sujet "French House decoration"

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Alves da Silva, Cristiane, and Mirtes Marins de Oliveira. "The exhibition design of a House Museum: the Dining Room as a case study." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.104.

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The exhibition space of a Collector's House Museum, the specific case of the Ema Klabin House Museum (HMEK), offers the field of exhibition design a unique place for research due to its nature, which moves from the private to the public and presents artifacts that allow entering the biography of objects and understanding them from a material culture perspective. The present research, still in progress, has as a case study, the environment of the Dining Room at HMEK, which evokes, more than any other room, domesticity and the memory of home while at the same time convoking the experience of the

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Rapports d'organisations sur le sujet "French House decoration"

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Hunter, Fraser, and Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

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The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There i

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