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Littérature scientifique sur le sujet « German Christmas plays »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "German Christmas plays"

Classen, Albrecht. "The Erlau Playbook: Five Medieval German Dramas for Christmas and Easter. Trans. with an Intro. and Commentary by Stephen K. Wright. Early European Drama Translation Series, 4. Medieval and Renaissance Texts and Studies, 511. Tempe, AZ: Arizona Center for Medieval and Renaissance Studies, 2017, xxxviii, 184 pp." Mediaevistik 31, no. 1 (2018): 440. http://dx.doi.org/10.3726/med012018_440.

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With great enthusiasm and excitement I turned to this English translation of the Erlauer Spiele, magisterially done by Stephen K. Wright, Professor Emeritus of English at the Catholic University of America, and I was not disappointed. With great philological skills and great aplomb he tackles his task and makes available five major Christmas and Easter plays from fifteenth-century Carinthia, today in Austria, from the first half of the fifteenth century, in English. He introduces us in a very learned, yet also very lucid and clearly structured manner to the genre itself and the specifics of th

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Svetozarova, Natalia. "Christian Morgenstern and Henrik Ibsen (an episode in the history of literary translation)." Scandinavian Philology 21, no. 1 (2023): 152–61. http://dx.doi.org/10.21638/11701/spbu21.2023.110.

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This article discusses the history of creative contacts between the great Norwegian playwright Henrik Ibsen and the German poet Christian Morgenstern (1871–1914). Christian Morgenstern’s life was short and marred by physical suffering, but fantastically full and diverse in creative terms. A significant part of Christian Morgenstern’s lyrical and epistolary legacy was published only after his death thanks to the efforts of his wife and friends. Christian Morgenstern’s translations of Henrik Ibsen’s works date from the late 19th century, when the new Solomon Fischer’s publishing house (S. Fische

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Alhussein, Akkad. "Translation als Mythos." Lebende Sprachen 49, no. 5 (2020): 237–56. http://dx.doi.org/10.1515/les-2020-0018.

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AbstractThis paper investigates the reception history of the Danish Poet and fairytale writer Hans Christian Andersen in 19th-century Germany and its influence on his (auto)biographical depiction. Like many Scandinavian poets, Andersen discovered Germany’s literary potential and took advantage of it to further his career. In most cases, he was pictured as a genius who suffered systematic underestimation in Denmark. This narrative which determined his reception plays a central role in his German autobiography Märchen meines Lebens (Fairy Tale of my Life). Analyzing Andersen’s autobiographical d

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Kuznetsov, V. I. "The German and Austrian Historiography on Russia's Participation in the Holy League War." MGIMO Review of International Relations 14, no. 6 (2021): 127–39. http://dx.doi.org/10.24833/2071-8160-2021-6-81-127-139.

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German and Austrian historiography of the Holy League war is an essential source because German and Austrian historians have analyzed Russia's participation in this war since the 18th century. The discussion revolves around three main questions: about the moment of Russia's accession to the Holy League de jure and de facto; about the qualification of the Holy League as an international anti-Turkish and anti-Crimean alliance; finally, about the peculiarities of social and technological cooperation between the Venetian Republic, the Holy Roman Empire, and Russia. The German and Austrian historio

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Беличенко, Наталия. "Магнификат И. С. Баха BWV243a, Es-dur: диалог с традицией". Проблеми взаємодії мистецтва, педагогіки та теорії і практики освіти, № 47 (1 листопада 2017): 292–308. https://doi.org/10.5281/zenodo.2535666.

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В статье определены границы и рассмотрены принципы взаимодействия «традиционного» и «нового» на содержательном и структурно-композиционном уровнях в Магнификате И.С. Баха BWV243a. Отмечено, что баховская трактовка учитывает самые разнообразные подходы к композиционному плану цикла в целом, сформированные предшествующей генерацией немецких композиторов – И. Кунау, К. Граупнером, Г. Шютцем и др. Уточнены взаимосвязанные жанровоисторические вопросы, касающиеся как внешнего, так и внутристилевого планов произведения. Установлено, что И.С. Бах, применяя унаследованный

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Jørgensen, Karsten. "Ekebergparken, landskap og demokrati." Nordlit, no. 36 (December 10, 2015): 129. http://dx.doi.org/10.7557/13.3683.

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<p>The article reflects on the relationship between landscape architects, influential clients, and public involvement in Ekeberg, a publicly owned area of Oslo, where significant changes have taken place since the beginning of World War II. “Ekebergparken” was established as a public sculpture park in 2013. The park is funded entirely by private funds owned by the investor Christian Ringnes. The plans for the park sparked a public debate about private investor influence over public space, and protesters organized demonstrations against the establishment. After the opening of the park, th

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Deibl, Jakob Helmut. "Speaking of God in the Realm of Aesthetics: Religion in Hölderlin." Religions 14, no. 11 (2023): 1422. http://dx.doi.org/10.3390/rel14111422.

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This article considers the work and reception of Friedrich Hölderlin with regard to the impact of German Idealism on religion. To this end, two questions must be clarified in advance: can Hölderlin, who is known primarily as a poet, also be placed in the context of German Idealism, and does his work have a significant relationship to religion? I argue that both questions should be answered in the affirmative. Ernst Cassirer’s study Hölderlin und der deutsche Idealismus (1918/19) clearly laid the foundation for appreciating Hölderlin’s place within German Idealism, and the question of God is a

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Węgrzynek, Krystian. "Wizerunki polityczne a literackie kreacje Wojciecha Korfantego. Zestawienie porównawcze." zaranie Śląskie. Seria druga 9 (2023): 91–142. http://dx.doi.org/10.24917/zaranieslaskie.9.5.

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The author analyses the images of Wojciech Korfanty created from the beginning of his political career until its end. He focuses on the portraits created in works of literature and journalism, confronting them with those created during political campaigns. He distinguishes five images depicting the Silesian politician in a favourable light (defender of the Upper Silesian people in the German Empire; plebiscite commissioner and insurrectionary leader; political leader in the Second Polish Republic; prisoner of the Polish Republic; Christian leader and defender of the Polish Alsatians) and five

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Pollard, John F. "The Pope, Labour, and the Tango: Work, Rest, and Play in the Thought and Action of Benedict XV (1914-22)." Studies in Church History 37 (2002): 369–84. http://dx.doi.org/10.1017/s0424208400014868.

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Ever since Leo XIII promulgated his encyclical Rerum novarum, ‘On the Conditions of the Working Classes’, in 1891, successive popes have added to the corpus of Catholic teaching on social/ labour questions. Pius X, for example, published an encyclical specifically addressing the vexed question of ‘interconfessional’ Christian trade unions in Germany, and Pius XI published no fewer than three encyclicals on social questions in the space of twelve months – Quadragesimo anno of May 1931, Nova impendet of October 1931, and Cantate Christi compulsi of May 1932. Recent popes, John XXIII, Paul VI, an

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Jančar, Drago. "Slovene Exile." Nationalities Papers 21, no. 1 (1993): 91–105. http://dx.doi.org/10.1080/00905999308408259.

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The new era of Slovene spiritual, cultural and, in a certain sense, political history, is marked by the condition of exile. The first Slovene book, printed in 1550, was written by Primož Trubar, a Protestant, emigrant and exile par excellence. Trubar and his followers translated, wrote, made plans, and worked, “for the prosperity of their homeland,” in exile; therefore, the fundamental document of Judeo-Christian civilization and culture—the Holy Bible—was translated into Slovene, in exile. Books were sent to the homeland in barrels, and young people were invited to be educated at German unive

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Thèses sur le sujet "German Christmas plays"

Heintzelman, Matthew Zitzewitz. "The Acts of Pilate as an isolating force in the Frankfurt passion play of 1493 /." 2000. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:9965089.

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Livres sur le sujet "German Christmas plays"

Schärmeli, Yvonne. Königsbrauch und Dreikönigsspiele im Welschen Teil des Kantons Freiburg. Universitätsverlag Freiburg Schweiz, 1988.

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Bergmann, Rolf. Katalog der deutschsprachigen geistlichen Spiele und Marienklagen des Mittelalters. In Kommission bei der C.H. Beck'schen Verlagsbuchhandlung, 1986.

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Rosenstock, Hans-Jörg. Bibliodrama Bibliographie: Personen - Themen - Bibeltexte : kommentiert und nach Bibelstellen und Sachthemen sortiert, mit einigen ausgewählten Rezensionen : bis einschliesslich 2002. EB-Verlag, 2003.

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Kai-Uwe, Nielsen, and Bayerische Benediktinerakademie Historische Sektion, eds. Ottobeuren: Bau- und Ausstattungsgeschichte der Klosteranlage 1672-1802. Eos Verlag, 2011.

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Roald, Dahl. James et la grosse Pêche. Gallimard, 1992.

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Roald, Dahl. James and the giant peach. Galaxy, 2006.

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Roald, Dahl. James and the Giant Peach: A Children's Story. Penguin Group, 1996.

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Roald, Dahl. James and the giant peach. HarperCollins, 1991.

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Roald, Dahl. James et la grosse pêche. Gallimard jeunesse, 2002.

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Roald, Dahl. James und der Reisenpfirsch. Rowohlt, 2001.

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Chapitres de livres sur le sujet "German Christmas plays"

Ivory, Yvonne. "Prussian Discipline and Lesbian Vulnerability: Christa Winsloe’s Children in Uniform at the Gate." In Cultural Convergence. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-57562-5_8.

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Abstract This chapter examines the Dublin production and critical reception of Christa Winsloe’s Children in Uniform, which ran to full houses at the Gate for three weeks in April 1934. The play, which deals with the love between a Prussian schoolgirl and her female teacher, had premiered in Leipzig (1930), run successfully in Berlin (1931), and been adapted for the screen as Mädchen in Uniform (1931) before it was translated into English for a successful London run in 1932-1933. Edwards and mac Liammóir probably saw the original German play in Berlin in 1931. Using the prompt copy, lighting p

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Dordanas, Stratos N., and Vaios Kalogrias. "Liman von Sanders and the German Plans for the Christians in Asia Minor during World War I." In The Genocide of the Christian Populations in the Ottoman Empire and its Aftermath (1908-1923). Routledge, 2023. http://dx.doi.org/10.4324/9781003207221-6.

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D'Alessio, Silvana. "European Stage Plays." In Masaniello. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463721455_ch15.

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This chapter describes seventeenth century plays about the revolt. It ranges across scripts by the Englishman known as T.B., by the Netherlander Thomas Asselijn, and by the German Christian Weise, each adapting the story to his ends. In such works, we can speak of a ‘Giraffi effect’, given the influence of the account most often translated, and read, in Europe. It surfaces in the extraordinary dialogue in the Afterlife, between William Tell and the Neapolitan capopopolo, by David Faßmann.

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Rumore, Paola. "Secunda et adversa fortuna." In Christian Wolff's German Ethics. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780192869562.003.0016.

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Abstract The chapter focuses on a central topic in eighteenth-century German philosophy, namely the meaning of fortune and misfortune within God’s government of the world. It also considers the role these concepts play in orienting moral actions. Since the debate is relatively wide, the chapter discusses a specific episode, namely the criticism raised by Georg Friedrich Meier in the early 1750s against a common view that goes back to Wolff’s statements in his ethical work. I will argue that their divergent opinions concerning the possibility of considering fortune and misfortune as proper mean

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Prunea-Bretonnet, Tinca. "Wolff and Crusius on the Duty to Love." In Christian Wolff's German Ethics. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780192869562.003.0017.

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Abstract This chapter examines Crusius’s critical reception of Wolff’s German Ethics through his treatment of the duty to love in the Guide to Living Rationally. It argues that Crusius takes up central elements of the traditional doctrine of caritas ordinata and rearticulates them within a conception where not only Thomasius’s legacy but also Wolff’s views on perfection and the positive influence of the understanding on the will play a significant role. The distinction between duties of virtue and rules of prudence allows Crusius to advance a nuanced reception of Wolff’s theses on the duty to

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Attfield, Nicholas. "‘Der alte treue Meister Antonius’: mysticism, nation, and the Weimar ‘Bruckner cult’." In Challenging the Modern. British Academy, 2017. http://dx.doi.org/10.5871/bacad/9780197266137.003.0005.

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Twenty-five years after Anton Bruckner’s death, groups formed in Germany to revise the composer’s biography, highlighting Bruckner as a German mystic in the medieval tradition of Meister Eckhart and his successors, and thus a figure newly divorced from the facts of his (Austrian) life. Through reference to monographs from this 1920s Bruckner renaissance—by Karl Grunsky, Oskar Lang, Erich Schwebsch, and Richard Wetz —this chapter demonstrates that, despite their ‘anti-modern’ rhetoric, these authors engaged mystic doctrine to advocate connection to a new sense of community above the individual

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Robbins, Keith. "Land Warfare." In The First World War. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780192803184.003.0002.

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Abstract Despite the forecasts made by some strategists, the war was not over by Christmas 1914. It had appeared, for a time, that the British and French were going to be defeated in northern France and Belgium, with a similar fate awaiting the Germans on their Eastern front and the Serbs on their northern front, but in all cases the defenders had averted disaster. The fortunes of the Habsburg forces fluctuated, but they too had not been completely routed. For the moment, at any rate, the attackers had lost the upper hand and could not sustain their impetus. The ambitious initial plans of the

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Tuttle, William M. "Children Play War Games." In “Daddy’s Gone to War”. Oxford University PressNew York, NY, 1993. http://dx.doi.org/10.1093/oso/9780195049053.003.0008.

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Abstract Whether Chanted while jumping rope or skipping on the way to school, or read from the ubiquitous Burma-Shave signs by the side of the road, for children rhymes became an important connection to the war. In their rhymes and jingles, children put words to age-old tunes as well as to those of more recent vintage, such as “Whistle While You Work” from Walt Disney’s 1937 film Snow White and the Seven Dwarfs. Related to rhyming and chanting was another of the children’s homefront activities-telling war jokes. One of the homefront girls recalled that a popular joke among the boys was: What d

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Troy, Michele K. "Spies for England." In Strange Bird. Yale University Press, 2017. http://dx.doi.org/10.12987/yale/9780300215687.003.0003.

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This chapter focuses on Hans Otto's campaign against Albatross Press, highlighted by his attempt to portray Max Christian Wegner and John Holroyd-Reece as partners in deceit. It became evident to Otto that Albatross filled the vacancy that Bernhard Tauchnitz had left open. Albatross, he worried, “can make a mere cat's leap from Paris and work at the source against us, without us noticing anything at all or first noticing when it's too late.” Otto could see only one way to proceed: to play up Tauchnitz's German loyalties in hopes of keeping its German readers from defecting to Albatross. This c

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Bergeron, David M. "A Valentine wedding." In Shakespeare's London 1613. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781526115461.003.0006.

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This chapter focuses on the elaborate wedding of Elizabeth and Frederick, which took place on 14 February 1613. This account details the entertainments that battened onto this event. Elizabeth was the first royal child in decades to marry. The fireworks and sea battle on the Thames between the ‘Christian’ and ‘Turkish’ forces form a colorful part of the celebration. The wedding itself was spectacular, followed in subsequent days by masques by Campion, Chapman, and Beaumont, filling several nights of entertainment. A couple of weeks after the wedding, Elizabeth and Prince Charles requested perf

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