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Littérature scientifique sur le sujet « GIRISH KARNAD »

Auteur : Grafiati

Publié le 18 mai 2024

Mis à jour le 25 juillet 2025

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Articles de revues sur le sujet "GIRISH KARNAD"

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Saxena, Ritu. "Girish Karnad : A Tribute." Dialogue: A Journal Devoted to Literary Appreciation 15, no. 1-2 (2019): 1–4. http://dx.doi.org/10.30949/dajdtla.v14i1-2.1.

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Girish Karnad is a writer, dramatist, director and actor par excellence. He belongs to a generation that has produced Dharamveer Bharati, Mohan Rakesh and Vijay Tendulkar who have created a national theatre for modern India, which is the legacy of his generation. Jnanpitha Awardee, Karnad is the author of many well known plays in Kannada and English. He has represented Indian art and culture in foreign lands. Girish Karnad was a conscious writer, who had keenly observed cultural and political upheavals in India and brings in a new equation in his plays. In this paper, I propose to analyze the

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P.R., Shivakumara. "CONTRIBUTION OF GIRISH KARNAD TO KANNADA LITERATURE-A STUDY." Shanlax International Journal of Arts, Science and Humanities 6, S2 (2019): 236–43. https://doi.org/10.5281/zenodo.7664470.

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<em>Girish Karnad, the eminent playwright, acknowledges to Apama Dharwadker, in these words, his skill of writing. Karnad belongs to that generation of writers who were the first to come of age in post-independent India. At that time, the country was facing tensions between the cultural and colonial past, Western thoughts and its own traditions. This historical context gave rise to Karnad’s plays and those of his contemporaries. His plays hold a mirror unto life and show a relevance of the past to the present, the subject matter resonating in modem experience and relating itself to prese

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R.Rajeswari and E.Geethapriya. "The Dramatic Technique Symbolism in Girish Karnad's Tughlaq." Shanlax International Journal of English 7, no. 1 (2019): 30–32. https://doi.org/10.5281/zenodo.3451752.

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This paper is an attempt to study Girish Karnad’s Tughlaq as a history play. Tughlag is a play of many wonderful facts. A countless evidence of Karnad’s dramatic achievement in Tughlaq is its immediate success and its secret lies in the techniques employed by playwright. It is immensely serious and also entertaining. It is the result of a magni cent effort of both intellectual energy and poetic imagination. It is full of pathos and sympathy. In order to produce such effects in the theatre  Karnad, very skillfully employed various devices like spectacle, quick shift of scenes,

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Dr., Anshu Teotia, and Vrinda Sawhney Ms. "History Myths and Society in Girish Karnad's Plays: A Study." International Journal of Trends in English Language and Literature (IJTELL) 2, no. 2 (2024): 10–13. https://doi.org/10.5281/zenodo.13283901.

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Girish Karnad is well known modernIndian Playwright and is considered oneof the foremost outstanding practitionersof the humanistic discipline. He had actedin movies, directed and produced movies,documentaries, and TVserials in Kannada,Hindi, and English. This dissertation maybe a modest plan to study Girish Karnadas a contemporary Indian Dramatist.Girish Karnad is one of the fashionableplaywrights who experimented with dramaand created a replacement wave to Indiandrama history. He is not only a Kannadaplaywright but also an acclaimed Indianwriter who had a distinctive voice in theliterary sce

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Dr., Anshu Teotia, and Vrinda Sawhney Ms. "History Myths and Society in Girish Karnad's Plays: A Study." History Myths and Society in Girish Karnad's Plays: A Study 2, no. 2 (2024): 10–13. https://doi.org/10.53413/IJTELL.2021.2203.

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Girish Karnad is well known modernIndian Playwright and is considered oneof the foremost outstanding practitionersof the humanistic discipline. He had actedin movies, directed and produced movies,documentaries, and TVserials in Kannada,Hindi, and English. This dissertation maybe a modest plan to study Girish Karnadas a contemporary Indian Dramatist.Girish Karnad is one of the fashionableplaywrights who experimented with dramaand created a replacement wave to Indiandrama history. He is not only a Kannadaplaywright but also an acclaimed Indianwriter who had a distinctive voice in theliterary sce

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J., Priya, and Anuradha K. "Self-Awakening of The Psyche in Girish Karnad's Yayati." Shanlax International Journal of English 7, S1 (2019): 29–32. https://doi.org/10.5281/zenodo.3461749.

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Girish Karnad is one of the most prominent Indian dramatists of contemporary  Indian Drama. His plays are truly a critique of modern Indian society but his major aim is the exploitation of human relationships and psychology. What is unique about Karnad is his use of history and myth, the juxtaposition of the past and present and various innovations that he has brought into modern Indian Drama. Girish Karnad reworks on the actual myth and adds contemporary attachments with it. Karnad modifies the myth in a way to suit his own plot. And this myth was transformed to reflect the contemporary

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., Dr Manju Singh. "Girish Karnad “Yayati”: The Cultural Values." International Journal for Research in Applied Sciences and Biotechnology 6, no. 1 (2019): 4–5. http://dx.doi.org/10.31033/ijrasb.6.1.2.

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Mrityunjoy Mondal. "Masking and Unmasking: A Study of Girish Karnad’s The Fire and the Rain." Creative Launcher 5, no. 5 (2020): 145–53. http://dx.doi.org/10.53032/tcl.2020.5.5.19.

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Girish Karnad was a versatile genius. He was a prolific Kannada writer, a brilliant playwright, a fantastic actor, a talented film director and a meritorious scholar. His long stay in Europe has confirmed him that the Western theatre has nothing to provide him. Therefore, in search of a new mode of expression, he has used ancient Indian myths and history to represent the contemporary issues. The Fire and the Rain is one of the most successful drama of Karnad. In this drama, Karnad has made a brilliant and innovative use of mask. In Indian dramatic culture, masks were used frequently to represe

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Shashi, Kumar P., and Sanjeeva Raja N. "Girish Karnad's Evolutionary Impact on Indian Cinema: A Comprehensive Study." AKSHARASURYA 05, no. 01 (2024): 96 to 103. https://doi.org/10.5281/zenodo.13870902.

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Girish Karnad, a luminary in Indian cinema, has left an indelible mark on the industry through his multifaceted contributions as an actor, playwright, director, and cultural commentator. This abstract delves into the evolutionary impact of Karnad’s work on Indian cinema, presenting a comprehensive study of his enduring influence.  Karnad’s journey began in the 1960s, where he pioneered a shift in the Indian cinematic landscape by blending traditional storytelling with contemporary themes. As a playwright, his works like “Tughlaq” and “Hayavadana” introd

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Manju, Manju, and Dr Nempal Singh. "Thematic Concern and Technical Features in Karnad’s Tale-Danda." International Journal of Teaching, Learning and Education 2, no. 4 (2023): 8–14. http://dx.doi.org/10.22161/ijtle.2.4.2.

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Girish Karnad, a writer, explores Kalyan-Kranti's last days in his play Tale-danda. Girish hopes to draw attention to the divisions in Indian society and government. The centuries-old societal problem of caste is given the attention it deserves. Sharana's effort to outlaw it was brought to life. The plot revolves on the unconventional union of a Brahmin bride and a Cobbler groom. The failed marriage and its aftermath highlight the crude nature of the caste system. Sovidev's political plotting against his own father, Bijjal, is emblematic of the universal lust for power. Karnad brilliantly illu

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Thèses sur le sujet "GIRISH KARNAD"

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Bhattacharyya, Joydeep. "THE PLAYS OF VIJA Y TENDULKAR AND GIRISH KARNAD: CRITIQUING POST-INDEPENDENCE INDIAN SOCIETY." Thesis, University of North Bengal, 2013. http://hdl.handle.net/123456789/1505.

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Khan, Amara. "The use of masks in Indian and Nigerian theatre : a comparative study of Girish Karnad and Wole Soyinka." Thesis, University of Leeds, 2015. http://etheses.whiterose.ac.uk/13435/.

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Livres sur le sujet "GIRISH KARNAD"

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Jaydipsinh, Dodiya, ed. The plays of Girish Karnad: Critical perspectives. Prestige, 1999.

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Potsangbam, Amita. Myth and psychology in the plays of Girish Karnad. Sunmarg Publishers & Distributors, 2017.

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Peyma, Nasser Dasht. Postcolonial drama: A comparative study of Wole Soyinka, Derek Walcott, and Girish Karnad. Rawat Publications, 2009.

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Peyma, Nasser Dasht. Postcolonial drama: A comparative study of Wole Soyinka, Derek Walcott, and Girish Karnad. Rawat Publications, 2009.

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Sudhakar, Pandey, and Barua Freya, eds. New directions in Indian drama: With special reference to the plays of Vijay Tendulkar, Badal Sircar, and Girish Karnad. Prestige, 1994.

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Girish Karnad: History and folklore. B.R. Pub. Corp., 2011.

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Girish Karnad: Poetics and aesthetics. B.R. Pub. Corp., 2011.

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Girish Karnad and Mahesh Dattani: Methods and motives. Yking Books, 2012.

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The Indian imagination of Girish Karnad: Essays on Hayavadana. Prestige Books, 2000.

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Joshi, Vivek Vishnupant. History, Myth & Folktales in the Plays of Girish Karnad. Lulu Press, Inc., 2018.

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Chapitres de livres sur le sujet "GIRISH KARNAD"

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"Girish Karnad b. 1938." In Name Me a Word. Yale University Press, 2019. http://dx.doi.org/10.12987/9780300235654-029.

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Chatterjee, Abhinaba. "Karnad, Girish (1938–2019)." In Routledge Encyclopedia of Modernism. Routledge, 2025. https://doi.org/10.4324/9780415249126-rem2184-1.

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The origin of modernism, though highly contested, is generally assumed to be in the West. Such terms as ‘alternative modernities’ have come forth in the postcolonial countries in their attempt to decolonise themselves from the ‘neo-colonialism’. By means of a study of the existential modernity in the theatrical praxis of Girish Karnad, this article proposes to analyse the subversion of the ‘Western Modernity’. The plays of Girish Karnad are rooted in the cultural ethos of India and evolve out of the Indian knowledge systems. The plays dramatise Indian mythology and dramatise these myths by ama

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"Girish Karnad and an Indian theatre of roots." In An Introduction to Post-Colonial Theatre. Cambridge University Press, 1996. http://dx.doi.org/10.1017/cbo9780511627675.009.

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"INTERCULTURAL EPIC IN PERFORMANCE: PETER BROOK AND GIRISH KARNAD." In Performance and Performativity in Contemporary Indian Fiction in English. Brill | Rodopi, 2015. http://dx.doi.org/10.1163/9789004292604_005.

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Hasan, Anjum. "Ambiguous Journeys and Halfway Homes in Ramanujan, Narayan, Karnad, and Ananthamurthy." In The Oxford Handbook of Modern Indian Literatures. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780197647912.013.28.

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Abstract This chapter is a reading of the ambivalent, playful, and embodied relationship to the binaries of tradition and modernity, rural and urban, past and present, in four great Karnataka writers and contemporaries—A. K. Ramanujan (1929–1993), R. K. Narayan (1906–2001), U. R. Ananthamurthy (1932–2014), and Girish Karnad (1938–2019). Using Ashis Nandy’s idea of the journey between the village and city (and back) as the archetypal anxiety of Indian civilization, the chapter analyzes how this bind has been a creative source for the fiction, playwriting, and poetry of these four writers. Their

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Acharya, Swati. "Girish Karnads Nagamandala: Liebesspiel mit einer Cobra." In Tiere vor der Kamera. edition text + kritik im Richard Boorberg Verlag, 2024. https://doi.org/10.5771/9783967079531-65.

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ÇELİK, Suat. "Karma Yöntem Araştırmaların Temel Özellikleri." In Karma Yöntem Araştırmalarına Giriş. Pegem Akademi Yayıncılık, 2017. http://dx.doi.org/10.14527/9786053184720.01.

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ÇELİK, Suat. "Karma Yöntem Araştırma Tasarım Adımları." In Karma Yöntem Araştırmalarına Giriş. Pegem Akademi Yayıncılık, 2017. http://dx.doi.org/10.14527/9786053184720.02.

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ÇELİK, Suat. "Karma Yöntem Araştırmasını Yürütmek İçin Gerekli Olan Beceriler." In Karma Yöntem Araştırmalarına Giriş. Pegem Akademi Yayıncılık, 2017. http://dx.doi.org/10.14527/9786053184720.03.

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ACAR, İbrahim H. "Temel ve Gelişmiş Karma Yöntem Desenleri." In Karma Yöntem Araştırmalarına Giriş. Pegem Akademi Yayıncılık, 2017. http://dx.doi.org/10.14527/9786053184720.04.

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Actes de conférences sur le sujet "GIRISH KARNAD"

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KARACA, Erdem. "«Das Interessante Blatt» Özelinde Resimlerle Gazi Mustafa Kemal Paşa (1920-1938)." In 10. Uluslararası Atatürk Kongresi. Atatürk Araştırma Merkezi Yayınları, 2024. http://dx.doi.org/10.51824/978-975-17-6042-5.26.

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Avusturya’da çıkan «Das interessante Blatt», 1882-1939 yılları arasında haftalık bir gazete olarak yayın hayatını sürdürmüştür. Haberlerin birçoğunda resim kullanımına yer veren gazete, Gazi Mustafa Kemal Paşa (Atatürk) söz konusu olduğunda da aynı anlayışı devam ettirmiştir. Yapılan taramalar sonucunda, 1920-1938 yıllarına ait resimler tespit edilerek okuyucularla ve araştırmacılarla buluşturulmak istenmiştir. Resimlerin hangi durumlarla ilgili olduğuna bakıldığında ise, şu gelişmelerin ön plana çıktığı görülmektedir: Türkiye’nin milli kıyamı. Türk Zaferi – Küçük Asya’da Yunan ordusunun çöküş

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Çelik, Hilal, and Ahmet Çınar. "Karar Ağacı Algoritması ile E-ticaret Uygulaması." In International Students Science Congress. Izmir International Guest Student Association, 2021. http://dx.doi.org/10.52460/issc.2021.025.

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İnternet kullanımının büyük bir ivme ile arttığı son yıllarda internet sadece bir araştırma ve veri depolama ortamı olmaktan ziyade birer alış veriş merkezi haline dönüştü. E-ticaret olarak adlandırılan bu kavram iş dünyası pazarına farklı bir boyut kazandırdı. Özellikle sosyal medya siteleri son zamanlarda birden fazla e- ticarete dönüşmüştür. Gelişen e-ticaret dünyasında doğru müşteri kitlesine daha yüksek doğruluk payıyla ulaşmaya çalıştığımız bu çalışmada amaç sisteme yeni giriş yapan bir müşteriye eldeki mevcut ürünün satışı yapılabilir mi? Bu çalışma Knime platformu üzerinde KDD veri bil

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