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Thèses sur le sujet « Gothic Arth »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 27 juillet 2025

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1

Favà, Monllau De Cèsar. "Els retaules del Corpus Christi a la Catalunya dels segles XIV i XV." Doctoral thesis, Universitat Autònoma de Barcelona, 2018. http://hdl.handle.net/10803/482015.

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La tesi doctoral que aquí es presenta respon a l’objectiu d’estudiar una de les múltiples conseqüències artístiques de la devoció medieval a l’eucaristia en els bisbats catalans: el mobiliari d’altar del Corpus Christi. Més en concret, la seva principal pretensió és la d’analitzar els programes iconogràfics que van ser-hi representats, fonamentalment a partir de les obres conservades dels segles xiv i xv, però també dels testimonis documentals coneguts. Amb la intenció de comprendre les circumstàncies que van originar l’aparició d’aquestes obres i d’aprofundir en el coneixement de la seva ic

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Compton, Mark Daniel. "Neo-Raconteur: Allocating Southern-Gothic Symbolism into Design Media." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etd/1394.

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I created the term Neo-Raconteur to convey my interest in medium theory to support the artistic custom of revealing cultural conventions for allocation into artistic genres. The term evolved from the French word "Raconteur," meaning: somebody who tells stories or anecdotes in an interesting or entertaining way. In the past a Raconteur's anecdotes were verbally volleyed, ever voluble, yet quip. Neo-Raconteurs may decide not to speak at all choosing their anecdotal expression to manifest itself through singular or multiple means, manners, or methods of design and technology as well as or involv

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Banyard, Kylie Jane Art College of Fine Arts UNSW. "Phantom in the corner: staging a gothic spectacle." Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/43082.

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My research proposes an analytical engagement with the central functions of Phantasmagoria and the Wunderkammer, namely atmosphere and display. My paper is divided into six chapters; Chapter one proposes spectatorship as a common thread linking the Phantasmagoria to the Wunderkammer and offers an overview of the similarities and disparities between the two. Chapters two, three and four focus on constructs, definitions and implications of Gothicity within the context of Phantasmagoria, Horror films and contemporary art. Aligning my studio-based practice with contemporary artists' who engage wit

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Wilson, Mary E. "Gothic cathedral as theology and literature." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0002826.

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5

Krakenberg, Jasmin. "Gothic art and German modernism Max Beckmann and "Transzendente objektivitat" /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2005. http://hdl.handle.net/10355/4265.

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Thesis (M.A.)--University of Missouri-Columbia, 2005.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (December 13, 2006) Includes bibliographical references.

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6

Rivera, Alexandra. "Human Monsters: Examining the Relationship Between the Posthuman Gothic and Gender in American Gothic Fiction." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1358.

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According to Michael Sean Bolton, the posthuman Gothic involves a fear of internal monsters that won't destroy humanity apocalyptically, but will instead redefine what it means to be human overall. These internal monsters reflect societal anxieties about the "other" gaining power and overtaking the current groups in power. The posthuman Gothic shows psychological horrors and transformations. Traditionally this genre has been used to theorize postmodern media and literary work by focusing on cyborgs and transhumanist medical advancements. However, the internal and psychological nature of posthu

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Hilton, Laura Jayne. "The Gothic double in the contemporary graphic novel." Thesis, University of Birmingham, 2011. http://etheses.bham.ac.uk//id/eprint/928/.

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This thesis examines the role of the Gothic double as articulated within the contemporary graphic novel. Discussing representations, interpretations and subversions of the Gothic double, the analysis will apply a synthesised theoretical framework of the psychoanalytical double and literary double to five key works from three canonical creators: Neil Gaiman, Frank Miller and Alan Moore. The discussion will be divided into three sections in order to focus on three recurring motifs in the image-text hybrid of the contemporary graphic novel. Firstly, a discussion of superheroes, SF and the Gothic

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Goodwin, Mitchell John. "Dark Euphoria: The Neo-Gothic Narrative of Millennial Technoculture." Thesis, Griffith University, 2014. http://hdl.handle.net/10072/367689.

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This is a project in two parts. The text presented here is the major component. This exegetical document provides the theoretical context for a series of media art works that were produced between 2011 and 2012 in response as much as in parallel to this analysis. The creative work, the online media assemblage Dark Euphoria: Unclassified Media (archived at http://darkeuphoria.info), should be seen in a non-traditional sense – a research-led practice component – contextualised by the broader theoretical narrative. Together, these two components produce a visual communication analysis of historic

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9

Fields, Yvonne. "Trapped: Spatial Confinement as a Metaphor for Female Subjugation in Two Representative Nineteenth-Century Novels." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2019. http://digitalcommons.auctr.edu/cauetds/160.

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From early eighteenth-century literature to contemporary Gothic literature, the existence of Gothic conventions is evident. These Gothic conventions include family secrets, ruins or isolated mansions, hidden passageways, and bad weather. During an era when women were viewed as inferior and were expected to conform to the domestic expectations of their male counterparts, some female writers took it upon themselves to use their writing as a way to voice and illustrate the conditions that women endured. A thorough examination of Gothic Trappings in Charlotte Brontë’s Jane Eyre and Hannah Crafts’

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Lindfield, Peter Nelson. "Furnishing Britain : Gothic as a national aesthetic, 1740-1840." Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3490.

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Furniture history is often considered a niche subject removed from the main discipline of art history, and one that has little to do with the output of painters, sculptors and architects. This thesis, however, connects the key intellectual, artistic and architectural debates surfacing in 'the arts' between 1740 and 1840 with the design of British furniture. Despite the expanding corpus of scholarly monographs and articles dealing with individual cabinet-makers, furniture making in geographic areas and periods of time, little attention has been paid to exploring Gothic furniture made between 17

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Ma, Ho-yan, and 馬昊欣. "The Art of Gothic Terror: a study of Edgar Allan Poe's tales." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31952240.

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12

Potter, Franz. "Twilight of a genre : art and trade in Gothic fiction, 1814-1834." Thesis, University of East Anglia, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.273419.

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Ma, Ho-yan. "The Art of Gothic Terror : a study of Edgar Allan Poe's tales /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21161744.

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14

Stuart-Clark, Lucy Bena. "Fragments of modernity, shadows of the gothic : questions of representation and perception in William Kentridge's "I am not me, the horse is not mine" (2008)." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/71622.

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Thesis (MPhil)--Stellenbosch University, 2012.<br>ENGLISH ABSTRACT: Contemporary South African artist William Kentridge’s experimentation with the visual strategies of European modernism and nineteenth-century optical devices, particularly the fragmented figure and shadow perception, has been well documented in contemporary cultural discourse. It is, however, something for which he is often criticized. In this dissertation I will demonstrate that Kentridge’s enduring interest in European modernism and the processes of human perception are in fact inextricably linked. I will further argue that

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Marx, Nadia Lares. "Images of Adam and Engagements with Antiquity in Romanesque and Gothic Sculpture." Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493288.

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In the abundant literature on the afterlife of classical forms in the Middle Ages, medieval “classicism” has generally been understood as a series of stylistic borrowings and iconographic quotations, occurring as either isolated instances of individual genius or as the result of a momentary cultural flourishing—a “renascence” to use Erwin Panofsky’s term. This dissertation reconfigures this discourse on antiquity and the Middle Ages. It frames medieval classicism as a set of expressive possibilities that encode and transmit culturally contingent meaning, arguing that classical models were invo

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16

Graupera, Graupera Joaquim. "L’art gòtic al Baix Maresme (segles XIII al XVI). Art i promoció artística en una zona perifèrica del comtat de Barcelona." Doctoral thesis, Universitat de Barcelona, 2012. http://hdl.handle.net/10803/80834.

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Aquest treball, pretén presentar un estudi monogràfic i de síntesi sobre l’art gòtic al Maresme. El primer objectiu proposat era presentar una anàlisi intentant superar les monografies locals d’edificis més o menys estudiats i intentar aconseguir una visió general inèdita més àmplia de l’estil a la comarca, evidenciant els seus ritmes constructius i els seus elements definidors. Això comportava també una revisió de les monografies ja publicades per tal d’actualitzar les noves recerques i replantejar algunes coses acceptades des de fa anys i que potser calia qüestionar. Un segon objectiu, v

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Harwood, Jarel M. ".(In|Out)sider$." BYU ScholarsArchive, 2014. https://scholarsarchive.byu.edu/etd/3967.

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This thesis explores the insider/outsider dynamic experienced by individuals as they enter diverse social situations. The shift from insider to outsider is evoked through an art installation of 18 sculptures drawing influence from "goth" subculture, as the viewer enters and interacts with the art space. The subjects of culture and identity are discussed as they pertain to insider/outsider status.

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Macdonell, Cameron. "Haunted by the gothic: deconstructing the new St. Mary's Anglican church, Walkerville, Ontario." Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=114416.

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Ralph Adams Cram (1863–1942) was among the rare Gothicists who practiced both Gothic architecture and literature. He designed several Gothic-Revival churches and campuses across North America, and he wrote a book of Gothic ghost stories in 1895, calling the collection Black Spirits and White. Traditionally, scholars have assumed that the discourses of modern, Anglo-Gothic architecture and literature parted company after the 1830s. Scholars have based that assumption on two interrelated arguments. First, the Victorian Gothic novel evolved beyond the distinctly medieval; whereas, Victorian Gothi

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Olson, Karleah May. "A wreck of seabirds: Entrapment and isolation within the Australian coastal gothic landscape." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2024. https://ro.ecu.edu.au/theses/2851.

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This thesis explores the concepts of entrapment and isolation as they relate to the Australian Gothic literary mode and coastal landscapes. It does so through a creative work, a novel entitled A Wreck of Seabirds, and an accompanying exegesis, which examines these concepts alongside the shift of the Gothic to Australian landscapes and ultimately to coastal settings, and their representation in fiction. It examines ways in which elements and tropes of the Gothic are utilized in Australian Coastal fiction, particularly through depictions and metaphors of entrapment and isolation. A Wreck of Seab

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Springer, Mary Ruth. "American Collegiate Gothic architecture: the birth of a style and its architects, patrons, and educational associations, 1806-1906." Diss., University of Iowa, 2017. https://ir.uiowa.edu/etd/5640.

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Collegiate Gothic architecture can be found on many American campuses, yet its beginnings in nineteenth-century United States are something of a mystery. As the nation’s colleges and universities grew more innovative in their modernized curricula and research, strangely, their architecture became more anachronistic with Collegiate Gothic being the most popular. Around the greens of their campuses, Americans built quadrangles of crenellated buildings and monumental gate towers with stained-glass windows, gargoyles, pointed arches, turrets, and spires, thus transforming their collegiate grounds

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Quarini, Carol Ann. "The domestic veil : exploring the net curtain through the uncanny and the gothic." Thesis, University of Brighton, 2015. https://research.brighton.ac.uk/en/studentTheses/c98b83af-0bc6-4f81-b661-d9ef5a48b9f7.

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This research aims to develop original creative practice, using the net curtain to reconsider the domestic, through the lenses of the uncanny and the gothic. The net curtain, hanging in the liminal space between the public and the private, is used to embody Freud’s 1919 definition of the uncanny, as the point of slippage between the homely and the unhomely. Also central to this research are ideas about the gothic and gendered domesticity, in particular, the gothic fiction of the mid-nineteenth century that critiqued the idea of ‘separate spheres’.

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Kemp, Joshua M. "Heartwood: Spiritual homebuilding and white-vanishing in Australian gothic fiction." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2022. https://ro.ecu.edu.au/theses/2549.

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This thesis represents the spiritual connection between a non-Aboriginal Australian and the Australian natural landscape through a creative work, Heartwood, and an exegesis, which engages with the white-vanishing trope in Australian Gothic fiction. It critically examines ways in which this trope has been used in Australian literature to, consciously or not, represent Aboriginal characters as Other, peripheral or absent, and sometimes appropriated their religious beliefs. Heartwood (2021) is an Australian Gothic novel which features two white Australian characters and their spiritual connection

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23

Kearley, Miranda S. "Traumatic desire in three gothic texts : The Monk, Dracula, and Lost." Honors in the Major Thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1096.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Humanities<br>English Literature

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Garrett, Elizabeth Ann. "The Ancient Art of Smile-Making." TopSCHOLAR®, 2014. http://digitalcommons.wku.edu/theses/1366.

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If I am anything, I am a Kentuckian, which means I appreciate a good storyteller. In my writing, I hope to bring back some dignity to the “lost cause” of the good values from a broken culture. While I am not quite “southern” enough to qualify as a writer of Southern Gothic fiction, I can relate to this brand of identity crisis in which someone wants to maintain an archaic mindset in a culture charging towards “progress.” As technology and corporate success take precedence over a genteel and pastoral soul, our collective competitiveness has crippled a quaint future of back porch comforts. Being

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Kim, Hyejin. "The Gothic as counter-discourse : Mark Twain, Charles Chesnutt and Toni Morrison." [Tampa, Fla] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0001952.

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Haskell, Diane. "Preparing the Way: Confraternal Art in the Oratory of San Giovanni Battista in Urbino, 1390-1440." Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17648.

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This dissertation examines the decorative program in the Oratory of San Giovanni Battista in Urbino, the meeting place of a homonymous flagellant confraternity founded in 1350. The Urbino oratory, built in the late fourteenth century, is an early instance of an independent confraternal meeting house, and one of an even smaller number that has survived with large portions of its pictorial decoration intact. This cycle was completed between 1390 and 1440 in a series of interventions by different artists, including celebrated Marchigian painters Lorenzo and Jacopo Salimbeni. Scholarship to date h

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Vice, President Research Office of the. "Art of Darkness." Office of the Vice President Research, The University of British Columbia, 2006. http://hdl.handle.net/2429/2666.

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Ribeiro, Sandra Stephanie Holanda Ponte. "Cartografias do sombrio: arte, subjetividades e performances no universo gÃtico de Fortaleza." Universidade Federal do CearÃ, 2016. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=18992.

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Conselho Nacional de Desenvolvimento CientÃfico e TecnolÃgico<br>Nesta dissertaÃÃo, acompanho as trajetÃrias de jovens âafinadosâ com o gÃtico em seus circuitos de lazer na cidade de Fortaleza, a fim de observar como eles vivenciam uma experiÃncia com esse mundo artÃstico em diferentes espaÃos e eventos musicais. Trago para a pesquisa os seguintes questionamentos: como esses jovens produzem uma experiÃncia com o gÃtico a partir desses encontros? O que distingue ou caracteriza essa experiÃncia? O trabalho compreende uma descriÃÃo das trajetÃrias, eventos, performances, consumos e afetos que con

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Nakhai, Farzad 1947. "From Classic to Gothic: The interplay between the universals and the particulars in the European architectural history." Thesis, The University of Arizona, 1991. http://hdl.handle.net/10150/291943.

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This thesis deals with the development of and the interaction between the ideals of classical universalism and the ideas of Gothic particularism. Part One traces the birth and the development of classical universalism; Part Two, medieval particularism. Part Three deals with the renaissance of the classical formulas, the adversary position the Renaissance held against medievalism and its consequences for the succeeding centuries. Part Four deals with the ideas of particularism making a come-back, leading to the formation of the Gothic Revival Movement. The Gothic Revival Movement and its advers

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Pun-Chuen, Lia Criselda Lim. "Social Disruption in the Gothic Novels of Horace Walpole, Elizabeth Inchbald, and Jane Austen." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etd/1018.

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The Gothic novel plays on the exaggeration of prescribed sex roles and uses various narrative techniques to produce a social commentary on gender politics and to illustrate the consequences of a destroyed social structure. Through the examination of the construct of the Gothic narrative and its fragmentary style, the novels of Horace Walpole, Elizabeth Inchbald, and Jane Austen reveal similar treatments of the sexuality of their characters. The implementation of key Gothic elements—such as the castle, tyrannical father, and distressed damsel—serve to propel the novels’ questioning of the patri

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Smith, Rebecca Avery. "Measuring the past: the geometry of Reims Cathedral." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6289.

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Reims Cathedral holds a great deal of significance for the history of Gothic architecture, as well as the larger history of France as the coronation church. Given the historic significance of Reims, it is not surprising that much scholarship has been dedicated to the building’s sculpture, glass, and architecture. Most studies dealing with the cathedral’s architecture are based on stylistic and archaeological analysis, augmented by the use of surviving documents related to the construction. Although much fruitful work has been done in this vein, important questions about the building’s chronolo

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Binkhorst, Caitlin E. "A Game of Love and Chess: A Study of Chess Players on Gothic Ivory Mirror Cases." Kent State University Honors College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1367695601.

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McEleney, Freebury Rachel M. "Beneath the money tree and nature is a haunted house: A novel and exegesis." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2022. https://ro.ecu.edu.au/theses/2579.

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This thesis comprises of an arts-based creative work Beneath the Money Tree and an exegesis, Nature is a Haunted House. Beneath the Money Tree is an Australian Gothic style novel that explores the downward spiral of Jack, who is haunted by his dead wife Maya. The couple and their three children live on a large property in Walpole, Western Australia. During a violent argument Jack murders Maya and buries her under a marijuana plant on the family property. The novel responds to the works of colonial authors such as Barbara Baynton and Mary Fortune and seeks to subvert the Australian Gothic tradi

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Palumbo, Maria. "Il soggiorno di Gherardo Starnina in Spagna." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/398755.

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La misteriosa storia di Gherardo di Jacopo Starnina ha affascinato la critica per quasi un secolo, tale maestro che alla fine del Trecento viaggiò in Spagna lavorando a Toledo e Valenza per poi tornare a Firenze dove ottenne fama e successo e il merito di una biografia del Vasari, gode di una ampia serie di studi che presentano ancora dei punti oscuri soprattutto riguardo al suo soggiorno spagnolo. La molteplicità di opere attribuitegli dopo la sua riunificazione con l'altro misterioso pittore detto il Maestro del Bambino Vispo hanno in parte chiarito il mistero che ruotava attorno a questo ar

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Kerrigan, Steven James. "Normandy's role in the development of the Flamboyant style: decoration, meaning, and exchange in Late Gothic architecture." Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/2542.

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This dissertation explores the significance of Norman Flamboyant architecture by considering its origins, its local meanings, and its place in the larger narratives of late medieval architectural history. This examination of Normandy's role in the development of the Flamboyant style includes a brief assessment of the historiography of the Late Gothic period, with emphasis on questions of regional and national identity. Since many elements of the Flamboyant style had been imported from the Decorated Style that developed in

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Gooding, Ava E. "McCarthy's Outer Dark and Child of God as Works of Appalachian Gothic Fiction." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/honors/79.

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In both Outer Dark and Child of God, McCarthy does a masterful job of blending the elements of Appalachian Gothic to present a novel that is darkly suspenseful and grimly thought-provoking. Outer Dark focuses on the complex incestuous relationship between a brother and sister and their interaction with others. The novel follows the two on a journey through the wilderness where they must cope with the unknown qualities of that wilderness, as well as the guilt stemming from their own behaviors. In Child of God, McCarthy explores the grotesque nature of a life lived in isolation and poverty in th

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DiSimone, Cori Beth. "The Rabi Yehuda Halevy: The Physical and Conceptual Space of a Sephardic Synagogue in Mexico City." Thesis, The University of Arizona, 2007. http://hdl.handle.net/10150/193233.

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This thesis analyzes Rabi Yehuda Halevy synagogue, which Victor Babani designed and Francisco Canovas built from 1941 to 1942 in the Colonia Roma Sur of Mexico City. I focus on its formal characteristics, as well as its socio-historical context. I examine late-nineteenth century to mid-twentieth century life for Sephardic Jews in Mexico: their cause for immigration, experience in their new homeland, and relations with other Jewish groups and non-Jews in the city. I explore the use of style and iconography in the synagogue in relation to the history and prior employment of these architect

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Mock, Markus Leo. "Kunst unter Erzbischof Ernst von Magdeburg." Berlin : Lukas, 2007. http://catalog.hathitrust.org/api/volumes/oclc/85842098.html.

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Drapeau, Samuel. "L'église Saint-Michel, la fabrique d'un monument : étude historique, artistique et archéologique de l'église Saint-Michel de Bordeaux." Thesis, Bordeaux 3, 2016. http://www.theses.fr/2016BOR30041.

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L’église Saint-Michel de Bordeaux est construite à la fin du Moyen Âge au centre d’une paroisse urbaine très dynamique. L’activité portuaire et commerciale fait vivre de nombreux artisans et enrichit les puissants marchands du quartier de la Rousselle. Ils sont investis dans le gouvernement de la commune et financent copieusement le chantier de leur église paroissiale. Leurs pratiques pieuses et leur activité à la tête de l’administration de la fabrique et des confréries sont représentatives de la religion civique à la fin du Moyen Âge. L’église accueille depuis la fin du XVe siècle un collège

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Leonhard, Aimee E. H. "The Amesbury Psalter : an exploration in contexts /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1420933.

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Macías, Prieto Guadaira. "La pintura aragonesa de la segona meitat del segle XV relacionada amb l’escola catalana: dues vies creatives a examen." Doctoral thesis, Universitat de Barcelona, 2014. http://hdl.handle.net/10803/132372.

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La historiografia clàssica va considerar que, cap a mitjan segle XV, influències foranes, vehiculades principalment per Jaume Huguet i Bartolomé Bermejo, van capgirar el curs de la pintura aragonesa, que llavors vivia els darrers moments del gòtic internacional i començava a assumir alguns elements del nou realisme flamenc. Aquesta divisió de l’escola pictòrica aragonesa de la segona meitat del segle XV en dos grans corrents, un dels quals estretament vinculat al context català, ha estat avaluada i matisada per diversos historiadors al llarg dels darrers anys, i en aquesta línia s’inscriu tamb

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Vallor, Honor Penelope. "How Gothic Influences and Eidetic Imagery in Eight Color Plates and Key Poems by William Blake Figuratively Unite Body and Soul by Dramatizing the Visionary Imagination." PDXScholar, 1992. https://pdxscholar.library.pdx.edu/open_access_etds/4659.

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A study of Gothic influences and eidetic imagery evident in eight Blake color plates to demonstrate that, when interpreted together with key Blake poems, unity of body and soul can be accomplished by means of the visionary imagination.

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McCabe, Bryan Thomas. "Cars, collisions, and violence in Southern literature." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0003133.

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Popp, Sigrid. "Die Fresken von St. Vigil und St. Zyprian Studien zur Bozner Wandmalerei um 1400 /." Access full-text online, 1996. http://edocs.tu-berlin.de/diss/1996/popp%5Fsigrid.pdf.

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Nobbs, Garrett Brandon. "The St. Johns Bridge: a prayer in steel." Thesis, University of Iowa, 2010. https://ir.uiowa.edu/etd/865.

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The St. Johns Bridge is a 1,207 foot span suspension bridge crossing the Willamette River in Portland, Oregon, connecting the Portland communities of St. Johns and Linnton on the eastern and western banks, respectively. Commissioned in 1928, the bridge was completed in 1931, with much fanfare in the local community. The two neighborhoods are some distance from downtown Portland, and the bridge brought prestige to an otherwise nondescript locale. It was designed by the New York-based firm of Steinman & Robinson. David Barnard Steinman (1886-1960) acted as the public face for the firm, however,

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Ableman, Joslyn Elise. "Imago Clipeata, the Liturgy, and Giovanni Pisano's Man of Sorrows Lectern: A Classical Reappropriation in the Gothic Era." BYU ScholarsArchive, 2021. https://scholarsarchive.byu.edu/etd/9018.

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The monumental sculpture, especially the pulpits, of the father and son duo, Nicola and Giovanni Pisano, have often been compared to ancient Roman and early Christian sarcophagi. Giovanni produced a pulpit with two accompanying lecterns for the Pisa Cathedral, which is just a few steps away from the Camposanto, a "holy field", or cemetery, built around sacred soil from Golgotha which serves to house a huge collection of sarcophagi. Iconography, composition, relief style, and even the materiality of Giovanni's Pisa pulpit is in part governed by, and connected to, these sarcophagi. This influenc

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Brunello, Maria <1992&gt. "Alcuni portali veneziani gotici: “grammatica” e “sintassi” di un particolare linguaggio architettonico." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/20028.

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Il presente lavoro si fonda sul presupposto che l’architettura possa essere considerata una forma particolare di linguaggio dotato di una sua propria grammatica e di una sua propria sintassi. In questa ottica viene proposta l’illustrazione di alcuni portali veneziani gotici, considerati nella loro dimensione religiosa, civile e privata. All’analisi strettamente architettonica, che privilegia l’aspetto funzionale e formale, si affianca, laddove possibile, una ricostruzione storico-culturale dei portali presi in esame, allo scopo di far emergere, sulla base di quanto offerto da ricerche di natur

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Newman, Jay M. "Dear Goth." Youngstown State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1433505706.

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Chan, Amy Beth. "Trembling Earth." VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/1248.

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This thesis details the literary and visual influences in my work, the definition of American Gothic, and its connection it to my work. Literary sources such as Edgar Allan Poe and Fanny Kemble help spark a vision of the landscape. Visual influences include Japanese woodblock prints, scenic wallpapers, vintage postcards and Victorian mourning pictures. My regional explorations span the James River, Tidewater swamps and architecture within the city of Richmond.My work depicts local history and ecology inspired by Richmond and the surrounding region. Subtle Gothic elements add anxiety to the oth

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Williams, Gilda. "Towards a definition of the Gothic in contemporary art : haunted time and dark vision in the work of Andy Warhol, Louise Bourgeois, and Tacita Dean." Thesis, Open University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.579802.

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This dissertation will consider how 'gothic' might be applied within contemporary art discourse beyond the motif-heavy assumptions which clutter its habitual usage today. I explore the term historically across its principal disciplines: firstly, art and architecture, from Renaissance to twentieth-century accounts of the Middle Ages alongside its stylistic revival during the Romantic era; and secondly, its now-predominant reference, the eponymous literature of terror emerging in the mid-eighteenth century, later strongly related to horror film, My first premise is that the term's original art-b

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