Littérature scientifique sur le sujet « Guitar picking »

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Articles de revues sur le sujet "Guitar picking"

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KATO, Tomoaki, and Yoshihiro SHIMOMURA. "Muscle activity during guitar picking." Japanese Journal of Ergonomics 58, Supplement (2022): 2E2–04–2E2–04. http://dx.doi.org/10.5100/jje.58.2e2-04.

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Zebua, Candra Gunawan. "PENERAPAN TEKNIK PERMAINAN GITAR ELEKTRIK GLASSGOW KISS KARYA JOHN PETRUCCI PADA LAGU LEBIH DARI PEMENANG." Areopagus : Jurnal Pendidikan Dan Teologi Kristen 17, no. 2 (2019): 34–54. http://dx.doi.org/10.46965/ja.v17i2.250.

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Abstract - The purpose of this study was to describe the playing technique of electric guitar in one of John Petrucci works. The subject of this study is John Petrucci Glassgow Kiss score which has been transcribed into an electric guitar. While the object of his research is John Petrucci Glassgow Kiss guitar playing technique. So that the researcher will apply some of these techniques to a praise song more than the winner. Data analysis techniques are carried out with the stages of analysis before in the field and at the time in the field consisting of data reduction (data reduction), display
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Machfudz, Shoiful, Supriando Supriando, and Yon Hendri. "Interpretasi Repertoar Sonata No.1, Dondang Sayang, dan Pagan Part II pada Pertunjukan Gitar (Interpretation of the Repertoire of Sonata No.1, Dondang Sayang, and Pagan Part II on Guitar Performance)." Musica: Journal of Music 3, no. 1 (2023): 19. http://dx.doi.org/10.26887/musica.v3i1.3471.

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ABSTRAKRepertoar musik dari berbagai era seperti modern, melayu dan popular dikemas kedalam sebuah pertunjukan solis gitar dengan menggunakan kaidah pertunjukan konvensional. Repertoar dalam pertunjukan ini terdiri dari repertoar pada berbagai era. Repertoar pertama dalam pertunjukan adalah repertoar era modern atau pada abad 19 yang berjudul Sonata No.1 dengan komposer Leo Brouwer yang diciptakan pada tahun 1990, karya ini didedikasikan Leo Brouwer untuk Julian Bream. Repertor kedua adalah Dondang Sayang merupakan lagu melayu Negeri Malaka yang diciptakan oleh NN (No Name). Repertoar terakhir
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Annie, Blessie Thangaraj Annie Blessie Thangaraj, and Prasanna K.Jothi Prasanna K.Jothi. "Risk Prediction associated with Carpal Tunnel Syndrome in picking hand among Guitarist." International Journal of Scientific Development and Research 8, no. 2 (2023): 112–16. https://doi.org/10.5281/zenodo.10103306.

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Introduction: Awkward postures of guitarist such as working with the joints near their end range of motion; uneven loading and static muscle activity increase the biomechanics stress on the muscles and the surrounding joint. Carpal tunnel syndrome often results from physical job activities that involve using tools and hand-held vibrating equipment's. This study aimed to predict risk associated with symptoms of carpal tunnel syndrome in picking hand of guitarist. Materials and Method: 100 participants of both gender with age range of 15-35 years from various music academy with experience of mor
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TANIDA, Ryo, Keita UCHINO, and Yuichi MATSUMURA. "740 Generation mechanism of transient response by picking the strings of the guitar with a pick." Proceedings of the Dynamics & Design Conference 2010 (2010): _740–1_—_740–6_. http://dx.doi.org/10.1299/jsmedmc.2010._740-1_.

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Rigg, John L., Randy Marrinan, and Mark A. Thomas. "Playing-related Injury in Guitarists Playing Popular Music." Medical Problems of Performing Artists 18, no. 4 (2003): 150–52. http://dx.doi.org/10.21091/mppa.2003.4026.

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Playing a musical instrument involves the repetitive use of muscles, often at their extreme range of motion. Consequently, musicians in general are at an increased risk for the development of pain syndromes related to nerve or musculoskeletal damage. Acoustic and electric guitars are among the most popular instruments in the world today, with a large population of musicians at risk of injury. This article examines the results of a survey completed by 261 professional, amateur, and student guitarists to determine the most common anatomic locations of playing-related pain and its relationship to
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Nadeak, Salam Irianto, Yusmar Ali, and Djaka Suryadi. "An Interactive Medium to Introduce Sasando Traditional Music Using Multimedia Development Life Cycle Method." Jurnal Riset Informatika 5, no. 2 (2023): 229–36. http://dx.doi.org/10.34288/jri.v5i2.518.

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ActionScript-based programming is one of the software which includes applications that teachers widely use to create interactive learning media in the world of education. ActionScript-based programming technology is a type of graphic animation software that can create a graphic object that can be animated without using other supporting software. At present, there are many educational circles to expedite the process of learning activities, especially for students. Interactive learning media is one means of delivering subject matter that is very important to apply today. In implementing student
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Nadeak, Salam Irianto, Yusmar Ali, and Djaka Suryadi. "An Interactive Medium to Introduce Sasando Traditional Music Using Multimedia Development Life Cycle Method." Jurnal Riset Informatika 5, no. 2 (2023): 229–36. http://dx.doi.org/10.34288/jri.v5i2.214.

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ActionScript-based programming is one of the software which includes applications that teachers widely use to create interactive learning media in the world of education. ActionScript-based programming technology is a type of graphic animation software that can create a graphic object that can be animated without using other supporting software. At present, there are many educational circles to expedite the process of learning activities, especially for students. Interactive learning media is one means of delivering subject matter that is very important to apply today. In implementing student
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Murphy, Jim, James McVay, Paul Mathews, Dale A. Carnegie, and Ajay Kapur. "Expressive Robotic Guitars: Developments in Musical Robotics for Chordophones." Computer Music Journal 39, no. 1 (2015): 59–73. http://dx.doi.org/10.1162/comj_a_00285.

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This article provides a history of robotic guitars and bass guitars as well as a discussion of the design, construction, and evaluation of two new robotic chordophones, with a focus on different techniques to extend the expressivity of robotic guitars. Swivel and MechBass, two new robots we built, are discussed. Construction techniques likely to interest other musical roboticists are included. These robots use a variety of techniques, both new and inspired by prior work, to afford composers and performers the ability to precisely control pitch and string-picking parameters. Both new robots are
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Rahmanadia, Hyunisa. "PRAGMATIC MARKERS AS CONTEXT BOUNDARIES IN INDONESIAN HUMOROUS TALK SHOWS DISCOURSE." Italiano LinguaDue 15, no. 2 (2023): 179–92. http://dx.doi.org/10.54103/2037-3597/22026.

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In building a successful conversation, speakers are bound to bring proper linguistic devices to keep the hearer’s understanding in processing the appropriate inferences beyond the utterances. This study aims to investigate the function of pragmatic markers in creating context boundaries in the cognitive process (Kecskes & Zang, 2014). Pragmatic markers are believed not only to serve the coherence of the discourse but also to signal the speaker’s cognitive process (Blakemore, 1987:144). In this case, pragmatic markers function to guide the hearers in picking up the interlocutor’s knowledge
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Thèses sur le sujet "Guitar picking"

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Maia, Marcos da Silva. "Tecnica hibrida aplicada ao violão." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285051.

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Orientador: Carlos Fernando Fiorini<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-10T11:50:06Z (GMT). No. of bitstreams: 1 Maia_MarcosdaSilva_M.pdf: 1288060 bytes, checksum: 0d432b91de9c8e88dcfd6fb1d21df8d0 (MD5) Previous issue date: 2007<br>Resumo: Cordofones beliscados são instrumentos musicais que apresentam características variadas de timbres, advindas de suas formas, tamanhos, qualidade das cordas e diferentes maneiras de fazê-las vibrar. Desde a Antigüidade, as preferências oscilam entre o som obtido pelo pulsar
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Livres sur le sujet "Guitar picking"

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Stump, Joe. Guitar sweep picking & arpeggios. Berklee Press, 2017.

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Kaufman, Steve. My first bluegrass guitar picking songs. Mel Bay, 2010.

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Sokolow, Fred. The dictionary of strum & picking patterns. H. Leonard Corp., 1995.

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Johnson, Chad. Guitarist's guide to economy picking: Learn to play fast, lean and clean with the picking techniques of the masters. Hal Leonard, 2017.

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Hanson, Mark. The art of contemporary Travis picking: How to play alternating-bass fingerpicking style. Accent on Music, 1986.

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Economy Picking Guitar Technique. www.fundamental-changes.com, 2021.

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Brasil, Gustavo Assis. Hybrid Picking for Guitar. Gustavo Assis Brasil Music, 2005.

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Guitar Picking Tunes - Spirituals. Mel Bay Publications, Incorporated, 2022.

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Gambale, Frank. Speed Picking - Frank Gambale. Hal Leonard Corporation, 1994.

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Harman, Bill. The Picking Guru (Guitar Guru). Guru Books, 1998.

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Chapitres de livres sur le sujet "Guitar picking"

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Keebler, Joseph R., Travis J. Wiltshire, Dustin C. Smith, and Stephen M. Fiore. "Picking Up STEAM: Educational Implications for Teaching with an Augmented Reality Guitar Learning System." In Virtual, Augmented and Mixed Reality. Systems and Applications. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-39420-1_19.

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"Basic Picking and Plucking Patterns." In Acoustic Guitar Styles. Routledge, 2013. http://dx.doi.org/10.4324/9780203827901-11.

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"More Flat-picking and Fingerpicking Patterns." In Acoustic Guitar Styles. Routledge, 2013. http://dx.doi.org/10.4324/9780203827901-14.

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"Using Alternating Bass Notes to Vary Picking and Strumming Patterns." In Acoustic Guitar Styles. Routledge, 2013. http://dx.doi.org/10.4324/9780203827901-12.

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Coelho, Victor Anand. "Picking through cultures: a guitarist's music history." In The Cambridge Companion to the Guitar. Cambridge University Press, 2003. http://dx.doi.org/10.1017/ccol9780521801928.002.

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Starr, Larry. "Accompanying Bob Dylan." In Listening to Bob Dylan. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043956.003.0006.

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In this chapter, Bob Dylan’s very conscious decisions about the instruments, playing styles, and players with which to accompany his singing voice and harmonica receive consideration. His own picking and strumming of an acoustic guitar, his choice of piano, beginning with “Black Crow Blues” (1964), and his historic switch to electric guitar and employment of a rock band on Bringing It All Back Home and Highway 61 Revisited (both 1965), are all examined in terms of their impact on the sound of his recorded work and their significance for the songs he played. Backing singers first appeared on Dy
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Actes de conférences sur le sujet "Guitar picking"

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Matsushita, Soichiro. "Single-Note Electric Guitar Picking Detection by Using Wrist-Worn Inertial Motion Sensors." In 2024 IEEE 13th Global Conference on Consumer Electronics (GCCE). IEEE, 2024. https://doi.org/10.1109/gcce62371.2024.10760263.

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Yoshida, Nozomu, and Katsutsugu Matsuyama. "A picking interface seamlessly connecting passive and active performance on guitar." In International Workshop on Advanced Imaging Technologies 2020 (IWAIT 2020), edited by Phooi Yee Lau and Mohammad Shobri. SPIE, 2020. http://dx.doi.org/10.1117/12.2566285.

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Matsushita, Soichiro. "A wrist-worn motion evaluation system for fast and powerful down picking of heavy metal guitar." In UbiComp '19: The 2019 ACM International Joint Conference on Pervasive and Ubiquitous Computing. ACM, 2019. http://dx.doi.org/10.1145/3341163.3347726.

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