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Articles de revues sur le sujet « Guitar picking »

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1

KATO, Tomoaki, and Yoshihiro SHIMOMURA. "Muscle activity during guitar picking." Japanese Journal of Ergonomics 58, Supplement (2022): 2E2–04–2E2–04. http://dx.doi.org/10.5100/jje.58.2e2-04.

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Zebua, Candra Gunawan. "PENERAPAN TEKNIK PERMAINAN GITAR ELEKTRIK GLASSGOW KISS KARYA JOHN PETRUCCI PADA LAGU LEBIH DARI PEMENANG." Areopagus : Jurnal Pendidikan Dan Teologi Kristen 17, no. 2 (2019): 34–54. http://dx.doi.org/10.46965/ja.v17i2.250.

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Abstract - The purpose of this study was to describe the playing technique of electric guitar in one of John Petrucci works. The subject of this study is John Petrucci Glassgow Kiss score which has been transcribed into an electric guitar. While the object of his research is John Petrucci Glassgow Kiss guitar playing technique. So that the researcher will apply some of these techniques to a praise song more than the winner. Data analysis techniques are carried out with the stages of analysis before in the field and at the time in the field consisting of data reduction (data reduction), display
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Machfudz, Shoiful, Supriando Supriando, and Yon Hendri. "Interpretasi Repertoar Sonata No.1, Dondang Sayang, dan Pagan Part II pada Pertunjukan Gitar (Interpretation of the Repertoire of Sonata No.1, Dondang Sayang, and Pagan Part II on Guitar Performance)." Musica: Journal of Music 3, no. 1 (2023): 19. http://dx.doi.org/10.26887/musica.v3i1.3471.

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ABSTRAKRepertoar musik dari berbagai era seperti modern, melayu dan popular dikemas kedalam sebuah pertunjukan solis gitar dengan menggunakan kaidah pertunjukan konvensional. Repertoar dalam pertunjukan ini terdiri dari repertoar pada berbagai era. Repertoar pertama dalam pertunjukan adalah repertoar era modern atau pada abad 19 yang berjudul Sonata No.1 dengan komposer Leo Brouwer yang diciptakan pada tahun 1990, karya ini didedikasikan Leo Brouwer untuk Julian Bream. Repertor kedua adalah Dondang Sayang merupakan lagu melayu Negeri Malaka yang diciptakan oleh NN (No Name). Repertoar terakhir
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Annie, Blessie Thangaraj Annie Blessie Thangaraj, and Prasanna K.Jothi Prasanna K.Jothi. "Risk Prediction associated with Carpal Tunnel Syndrome in picking hand among Guitarist." International Journal of Scientific Development and Research 8, no. 2 (2023): 112–16. https://doi.org/10.5281/zenodo.10103306.

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Introduction: Awkward postures of guitarist such as working with the joints near their end range of motion; uneven loading and static muscle activity increase the biomechanics stress on the muscles and the surrounding joint. Carpal tunnel syndrome often results from physical job activities that involve using tools and hand-held vibrating equipment's. This study aimed to predict risk associated with symptoms of carpal tunnel syndrome in picking hand of guitarist. Materials and Method: 100 participants of both gender with age range of 15-35 years from various music academy with experience of mor
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TANIDA, Ryo, Keita UCHINO, and Yuichi MATSUMURA. "740 Generation mechanism of transient response by picking the strings of the guitar with a pick." Proceedings of the Dynamics & Design Conference 2010 (2010): _740–1_—_740–6_. http://dx.doi.org/10.1299/jsmedmc.2010._740-1_.

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Rigg, John L., Randy Marrinan, and Mark A. Thomas. "Playing-related Injury in Guitarists Playing Popular Music." Medical Problems of Performing Artists 18, no. 4 (2003): 150–52. http://dx.doi.org/10.21091/mppa.2003.4026.

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Playing a musical instrument involves the repetitive use of muscles, often at their extreme range of motion. Consequently, musicians in general are at an increased risk for the development of pain syndromes related to nerve or musculoskeletal damage. Acoustic and electric guitars are among the most popular instruments in the world today, with a large population of musicians at risk of injury. This article examines the results of a survey completed by 261 professional, amateur, and student guitarists to determine the most common anatomic locations of playing-related pain and its relationship to
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Nadeak, Salam Irianto, Yusmar Ali, and Djaka Suryadi. "An Interactive Medium to Introduce Sasando Traditional Music Using Multimedia Development Life Cycle Method." Jurnal Riset Informatika 5, no. 2 (2023): 229–36. http://dx.doi.org/10.34288/jri.v5i2.518.

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ActionScript-based programming is one of the software which includes applications that teachers widely use to create interactive learning media in the world of education. ActionScript-based programming technology is a type of graphic animation software that can create a graphic object that can be animated without using other supporting software. At present, there are many educational circles to expedite the process of learning activities, especially for students. Interactive learning media is one means of delivering subject matter that is very important to apply today. In implementing student
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Nadeak, Salam Irianto, Yusmar Ali, and Djaka Suryadi. "An Interactive Medium to Introduce Sasando Traditional Music Using Multimedia Development Life Cycle Method." Jurnal Riset Informatika 5, no. 2 (2023): 229–36. http://dx.doi.org/10.34288/jri.v5i2.214.

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ActionScript-based programming is one of the software which includes applications that teachers widely use to create interactive learning media in the world of education. ActionScript-based programming technology is a type of graphic animation software that can create a graphic object that can be animated without using other supporting software. At present, there are many educational circles to expedite the process of learning activities, especially for students. Interactive learning media is one means of delivering subject matter that is very important to apply today. In implementing student
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Murphy, Jim, James McVay, Paul Mathews, Dale A. Carnegie, and Ajay Kapur. "Expressive Robotic Guitars: Developments in Musical Robotics for Chordophones." Computer Music Journal 39, no. 1 (2015): 59–73. http://dx.doi.org/10.1162/comj_a_00285.

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This article provides a history of robotic guitars and bass guitars as well as a discussion of the design, construction, and evaluation of two new robotic chordophones, with a focus on different techniques to extend the expressivity of robotic guitars. Swivel and MechBass, two new robots we built, are discussed. Construction techniques likely to interest other musical roboticists are included. These robots use a variety of techniques, both new and inspired by prior work, to afford composers and performers the ability to precisely control pitch and string-picking parameters. Both new robots are
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Rahmanadia, Hyunisa. "PRAGMATIC MARKERS AS CONTEXT BOUNDARIES IN INDONESIAN HUMOROUS TALK SHOWS DISCOURSE." Italiano LinguaDue 15, no. 2 (2023): 179–92. http://dx.doi.org/10.54103/2037-3597/22026.

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In building a successful conversation, speakers are bound to bring proper linguistic devices to keep the hearer’s understanding in processing the appropriate inferences beyond the utterances. This study aims to investigate the function of pragmatic markers in creating context boundaries in the cognitive process (Kecskes & Zang, 2014). Pragmatic markers are believed not only to serve the coherence of the discourse but also to signal the speaker’s cognitive process (Blakemore, 1987:144). In this case, pragmatic markers function to guide the hearers in picking up the interlocutor’s knowledge
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Nazuri, Nur Shuhamin, Mohd Roslan Rosnon, Sara Shakilla Mohd Salim, Mohamad Firdaus Ahmad, Siti Shazwani Ahmad Suhaimi, and Nur Syazwani Zulaikha Safwan. "Promoting Economic Empowerment Through Effective Implementation and Linking Social Capital in Urban Agriculture Programs." Journal of Law and Sustainable Development 11, no. 11 (2023): e726. http://dx.doi.org/10.55908/sdgs.v11i11.726.

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Akhter, J., & Cheng, K. (2020). Sustainable empowerment initiatives among rural women through microcredit borrowings in Bangladesh. Sustainability, 12: 2275. Ani, F., Ramlan, N., Yusoff, R., & Damin, Z.A. (2018). Measuring the level of participation and its relationship with psychological empowerment through community based organisation (CBO) activities. International Journal of Academic Research in Business and Social Sciences, 8: 647-658. Barker, J., & Thomson, L. (2015). Helpful relationships with service users: Linking social capital. Australian Social Work, 68: 130-145. Bisaga
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Maia, Marcos, and Carlos Fiorini. "Hybrid Picking Applied to Classical Guitar." Per Musi, no. 37 (April 24, 2018). http://dx.doi.org/10.35699/2317-6377.2017.5226.

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Hybrid picking refers to the practice of using the pick, held between the thumb and index fingers, in a combined action with right-hand medium, ring and pinky fingers. This enables the performance of rhythmic-harmonic accompaniment, as well as polyphonic textures and melodic lines. This work presents the contextualization of this technique applied to classical guitar by discussing historical aspects and indicating musical examples of various genres and composers. For those guitarists who use the pick exclusively, hybrid picking allows the performance of a mostly varied repertoire.
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Matsushita, Soichiro, and Ayaka Takamoto. "Fundamental Picking Analysis System for Electric Guitar Using Wrist-Worn Inertial Motion Sensors." IEEE Sensors Journal, 2025, 1. https://doi.org/10.1109/jsen.2025.3526983.

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Ryan, Robin Ann. "Forest as Place in the Album "Canopy": Culturalising Nature or Naturalising Culture?" M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1096.

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Every act of art is able to reveal, balance and revive the relations between a territory and its inhabitants (François Davin, Southern Forest Sculpture Walk Catalogue)Introducing the Understory Art in Nature TrailIn February 2015, a colossal wildfire destroyed 98,300 hectares of farm and bushland surrounding the town of Northcliffe, located 365 km south of Perth, Western Australia (WA). As the largest fire in the recorded history of the southwest region (Southern Forest Arts, After the Burn 8), the disaster attracted national attention however the extraordinary contribution of local knowledge
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Stewart, Jon. "Oh Blessed Holy Caffeine Tree: Coffee in Popular Music." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.462.

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Introduction This paper offers a survey of familiar popular music performers and songwriters who reference coffee in their work. It examines three areas of discourse: the psychoactive effects of caffeine, coffee and courtship rituals, and the politics of coffee consumption. I claim that coffee carries a cultural and musicological significance comparable to that of the chemical stimulants and consumer goods more readily associated with popular music. Songs about coffee may not be as potent as those featuring drugs and alcohol (Primack; Schapiro), or as common as those referencing commodities li
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