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Bibliographies thématiques / Gustavo modena

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Littérature scientifique sur le sujet « Gustavo modena »

Auteur : Grafiati

Publié le 10 mars 2023

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Thèses sur le sujet "Gustavo modena"

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SILVA, Regina Cláudia Oliveira da. "A ação educacional e o legado cultural de Gustavo Barroso para a moderna museologia brasileira." www.teses.ufc.br, 2014. http://www.repositorio.ufc.br/handle/riufc/9498.

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SILVA, Regina Cláudia Oliveira da. A ação educacional e o legado cultural de Gustavo Barroso para a moderna museologia brasileira. 2014. 310f. – Tese (Doutorado) – Universidade Federal do Ceará, Programa de Pós-graduação em Educação Brasileira, Fortaleza (CE), 2014.<br>Submitted by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2014-10-17T17:24:18Z No. of bitstreams: 1 2014_tese_rcosilva.pdf: 4177032 bytes, checksum: 926206db391a4b3870dedba757cf77a5 (MD5)<br>Approved for entry into archive by Márcia Araújo(marcia_m_bezerra@yahoo.com.br) on 2014-10-20T14:07:19Z (GMT) No. of bitstreams: 1 2

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Michaël, Elsa. "Le rôle du mythe dans Onistsha de Jean-Marie Gustave Le Clezio." Thesis, University of Ottawa (Canada), 1994. http://hdl.handle.net/10393/10343.

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Vandici, Gratian Daniel. "The idea of freedom and the political theologies of Wolfhart Pannenberg and Gustavo Gutiérrez." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:49836940-1f24-419f-8587-d280b83d1f62.

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The question guiding the argument of my thesis is whether it is possible to articulate a political theology in terms of the idea of freedom. This possibility is explored through an analysis and evaluation of the political dimension of the theologies of Wolfhart Pannenberg and Gustavo Gutiérrez. For both these theologians, the idea of freedom emerges from reflection on the process of historical experience, which itself delimits the horizon of political activity. The relevance of theology for politics consists in its competence in interpreting the individual desire for liberty within the context

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Rodriguez, Jose. "Écfrasis y Lecturas Icono-textuales en las "Leyendas" de Gustavo Adolfo Bécquer." FIU Digital Commons, 2015. http://digitalcommons.fiu.edu/etd/1822.

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The relationship between literature and the visual arts is ancient and it has been studied from different conceptual frames. Scholars agree that both have a descriptive function and therefore share the common goal of portraying a fictional or nonfictional reality. Based on this correspondence between two different modes of artistic expression, the Roman poet Horace coined the well-known simile ut pictura poesis --as is painting so is in poetry-- which in turn functions as the theoretical underpinning of ekphrasis, a rhetorical device through which one medium of art tries to describe the essenc

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Roy, Mélanie. "Le 'comique qui ne fait pas rire' dans «Bouvard et Pécuchet» de Gustave Flaubert." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=67009.

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The topic of this thesis is a reading of Gustave Flaubert's Bouvard et Pécuchet (1881), through the lenses of the "comic that does not make laugh". The starting point of this thesis is a question: how is it that the comic in Bouvard et Pécuchet, explicitly claimed by the novelist from the very first steps of the project, has confused many critics, as if it were not adequate to the novel? We'll see how this hesitation – is Bouvard and Pécuchet funny or not ? – is inscribed in the novel, which unfolds a space, Chavignolles, ambiguous and indocile, within which any form of the c

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Dieckmann, Hubertus-Emmanuel. "Überpositives Recht als Prüfungsmassstab im Geltungsbereich des Grundgesetzes? : eine kritische Würdigung der Rezeption der Radbruchschen Formel und des Naturrechtsgedankens in der Rechtsprechung /." Berlin : Duncker & Humblot, 2006. http://www.bsz-bw.de/rekla/show.php?mode=source&eid=UNI_0_257443576inh.

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Montes, Vargas Pablo. "La ontología materialista de Schopenhauer. Interpretación de la ontología schopenhaueriana desde las coordenadas del materialismo filosófico de Gustavo Bueno." Tesis, Universidad de Chile, 2015. http://repositorio.uchile.cl/handle/2250/133908.

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Tesis para optar al grado de Magíster en Filosofía<br>Autor no autoriza el acceso a texto completo de su documento.<br>Para llevar a cabo la interpretación de la ontología schopenhaueriana a partir de las coordenadas del materialismo filosófico, primero nos ocuparemos (capítulo I) de exponer grosso modo los elementos conceptuales necesarios, para esta tesis, del materialismo filosófico. Para cumplir nuestro propósito hemos explicitado la distinción entre ontología general y especial, esto es, la Idea de Materia y la Doctrina de los Tres Géneros de Materialidad, así como la noción de simploké.

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Miller, Hannah Elizabeth. "A Partner in Their Suffering: Gustav Klimt's Empowered Figure in Hope II." BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/6429.

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Although much of Gustav Klimt's work is well recognized, his painting Hope II (1907-1908) has received little attention in academic studies. Rejected by his peers on its initial exhibition, this work was found offensive by even his staunchest supporters. Second wave feminists have also been critical of his painting, finding in it an objectification of women. This is likely due in part to the central subject of the piece involving pregnancy. Klimt was unafraid to paint images that shocked and diverged from traditional aesthetic styles. During a time of rapid social change and development of the

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Vacari, Priscila Duarte Baldini. "Uma leitura da problemática da heroína em Madame Bovary, de Gustave Flaubert." Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/153305.

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Submitted by Priscila Duarte Baldini Vacari null (priscila_duartebaldini@yahoo.com.br) on 2018-04-02T01:42:53Z No. of bitstreams: 1 Dissertação de Priscila Duarte Baldini Vacari - VERSÃO ENTREGUE.pdf: 1013078 bytes, checksum: d4fe1d8e21c1d277486b95393b6a2db5 (MD5)<br>Approved for entry into archive by Elza Mitiko Sato null (elzasato@ibilce.unesp.br) on 2018-04-02T13:11:23Z (GMT) No. of bitstreams: 1 vacari_pdb_me_sjrp.pdf: 1013078 bytes, checksum: d4fe1d8e21c1d277486b95393b6a2db5 (MD5)<br>Made available in DSpace on 2018-04-02T13:11:23Z (GMT). No. of bitstreams: 1 vacari_pdb_me_sjrp.pdf: 1

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Caporello, Marta <1995&gt. "Giardini Inglesi, la geografia del gusto in un secolo: Inghilterra 1630-1730." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/16795.

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Nel 1780 Horace Walpole scrisse: “We have discovered the point of perfection. We have given the true model of gardening to the world... original in it’s elegant semplicity” in questa frase l’autore mostra tutto l’orgoglio degli inglesi per aver creato un'arte dal sapore britannico che non copiava quello di altre nazioni. Infatti dalla metà del XVII secolo fino ai primi decenni del XVIII secolo lo stile dei giardini inglesi, ebbe una lenta evoluzione che portò alla nascita del Landscape Garden. Questo stile, tipicamente inglese, nacque dall’incontro di nuove idee maturate, nell’arco di un sec

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