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Littérature scientifique sur le sujet « Heritage Authenticity »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 8 février 2022

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Articles de revues sur le sujet "Heritage Authenticity"

Lawless, Julie Williams, et Kapila D. Silva. « Towards an Integrative Understanding of ‘Authenticity’ of Cultural Heritage : An Analysis of World Heritage Site Designations in the Asian Context ». Journal of Heritage Management 1, n^o 2 (décembre 2016) : 148–59. http://dx.doi.org/10.1177/2455929616684450.

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In the World Heritage Sites (WHS) designation, it is required to define the conditions that ‘authenticate’ the Outstanding Universal Value (OUV) of heritage sites. Initially, the notion of authenticity had been understood as an objective and measurable attribute inherent in the material fabric of sites. This perspective overlooked the fact that authenticity of a place is also culturally constructed, contextually variable and observer dependent. In 1994, United Nations Educational, Scientific and Cultural Organization (UNESCO) introduced a set of attributes that facilitate a holistic understanding of authenticity of heritage sites which considers both tangible and intangible aspects of heritage together. To find out the extent to which this holistic understanding of authenticity is currently applied in the WHS designations, we analyzed nomination dossiers of 31 sites from the Asian context that were designated as World Heritage between 2005 and 2014. The findings point towards the continuing need to apply systematic, holistic and integrative perspectives of authenticity standards to heritage sites.

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Andriotis, Konstantinos. « Genres of heritage authenticity ». Annals of Tourism Research 38, n^o 4 (octobre 2011) : 1613–33. http://dx.doi.org/10.1016/j.annals.2011.03.001.

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Zhang, Tao, Huijun Wen et Xi Li. « A Tourist-Based Model of Authenticity of Heritage Sporting Events : The Case of Naadam ». Sustainability 11, n^o 1 (25 décembre 2018) : 108. http://dx.doi.org/10.3390/su11010108.

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As one of the important forms of intangible cultural heritage, heritage sporting events are becoming a potential catalyst of tourism. Commodification of heritage sporting events becomes popular for local authorities to boost economic development and express cultural authenticity, given that authenticity creates genuine performances and moving tourism experiences. However, commodification of heritage is a double-edged sword. It is a dilemma to commercialize a heritage sporting event while keeping its authenticity. Therefore, this study proposes a tourist-based model of authenticity to solve this problem, in which the authenticity of heritage sporting events incorporates “cool” and “hot” factors. The model examines these factors and their impact on tourist satisfaction and loyalty using Naadam as the example. Seven hundred questionnaires were distributed at six sites located from east to west of the Inner Mongolia, China. Factor analysis shows there are two factors in cool and hot authenticity, respectively. Both factors of cool authenticity have direct impacts on hot authenticity, satisfaction, and loyalty. Though both intrapersonal and interpersonal factors of hot authenticity have direct positive impacts on tourist satisfaction, only the former affects loyalty directly. The results show the authenticity of event culture is the most important and effective authentic factor, while authentic auxiliary products—the direct expression of commodification—is indispensable for authenticity. This study is helpful for maintaining authenticity and cultural sustainability of heritage sporting events as a destination tourism attraction, given the fact that commodification and the marketing of heritage sporting events has become popular for heritage destination development.

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Bobot, Lionel. « Negotiating authenticity : Cathar heritage tourism ». Journal of Heritage Tourism 7, n^o 2 (mai 2012) : 163–77. http://dx.doi.org/10.1080/1743873x.2012.660943.

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Chhabra, Deepak, Robert Healy et Erin Sills. « Staged authenticity and heritage tourism ». Annals of Tourism Research 30, n^o 3 (juillet 2003) : 702–19. http://dx.doi.org/10.1016/s0160-7383(03)00044-6.

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Chhabra, Deepak, et Eunhye Grace Kim. « Brand authenticity of heritage festivals ». Annals of Tourism Research 68 (janvier 2018) : 55–57. http://dx.doi.org/10.1016/j.annals.2017.11.007.

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Jin, Liuhe, Honggen Xiao et Haili Shen. « Experiential authenticity in heritage museums ». Journal of Destination Marketing & ; Management 18 (décembre 2020) : 100493. http://dx.doi.org/10.1016/j.jdmm.2020.100493.

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Henriques, Cláudia Helena, João Albino Silva et Miriam de Oliveira Santos. « Fado Houses of Lisbon : Between Authenticity and Touristification ». Revista Rosa dos Ventos - Turismo e Hospitalidade 13, n^o 2 (18 avril 2021) : 460–88. http://dx.doi.org/10.18226/21789061.v13i2p460.

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Gastronomy has been valued as an intangible heritage that contributes to the valorization of tourist destinations. Experiencing gastronomy with other intangible heritages, such as Fado [World Heritage of Unesco], namely in Fado Houses of Lisbon, could enhance the authenticity of the city’s tourist experience. In this context, this chapter aims to analyse the House of Fado managers’ perspective regarding the characteristics of the cultural touristic supply, as well as the main transforming elements of that supply over time. In accordance, it is based on a case study methodology, highlighting the importance of the identity values of Fado and Gastronomy in the construction of cultural-gastronomic experiences.

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Su, Xiaoyan, Gary Gordon Sigley et Changqing Song. « Relational Authenticity and Reconstructed Heritage Space : A Balance of Heritage Preservation, Tourism, and Urban Renewal in Luoyang Silk Road Dingding Gate ». Sustainability 12, n^o 14 (20 juillet 2020) : 5830. http://dx.doi.org/10.3390/su12145830.

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Authenticity is a controversial concept in heritage studies. This is particularly the case where the reconstruction of heritage spaces is carried out to facilitate multiple objectives, namely, preservation, tourism development and improving the quality of life of local residents. Based on a qualitative methodology with a case study approach, this paper uses participant observation, in-depth interviews and textual analysis to explore the varying perceptions of authenticity for a reconstructed heritage site from the point of view of heritage experts, tourists and local residents. We identify a form of ‘relational authenticity’. Using the Dingding Gate, part of the Luoyang World Heritage section of the Silk Road, this paper highlights the phenomenon of ‘reconstructed heritage space’ with the relational authenticity of different actors in the Chinese context. We argue that relational authenticity is embedded in the networks between people, place, and (re)materialized space, which is the assemblage of excavated original objects and reconstructed buildings and spaces. Relational authenticity is acquired through a rematerializing process engaged by actors, who focus on the material qualities, instead of material authenticity and originality, of the original excavated objects and later reconstructed space.

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Wang, Xuan, et Sjaak Kroon. « The chronotopes of authenticity ». AILA Review 30 (31 décembre 2017) : 72–95. http://dx.doi.org/10.1075/aila.00004.wan.

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This paper examines the ways in which the ethnic minority group the Tujia in Enshi, China, engages with heritage tourism, as a complex project of designing authenticity. Authenticity is taken as part of the chronotopic phenomena of identity making: the complex interplay of multiple, nonrandom timespace frames of discourses and semiotic performances which condition and offer new potentials to the meanings of authenticity. We show ethnographically the chronotopic nature of the local production of “authentic” heritage for tourism in Enshi. This leads to a historical grounding of the Tujia in China’s nation-building and state politics of multiculturalism, which uncovers the anxiety of inauthenticity experienced by the Tujia in Enshi with their own minority status and cultural heritage, as well as their strategic chronotopic incorporation of both “authentic” and “inauthentic” aspects of local identity practices into a new order of authenticity afforded by heritage tourism as a form of new economy. Through such practices, we argue, the Tujia in Enshi chronotopically shift away from the periphery towards a new and reconfigured center of meaning-making, although this reappropriation of authenticity still must be understood within the “cunning of recognition” scheme, i.e. within the constraints of late modernity.

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Thèses sur le sujet "Heritage Authenticity"

Kang, Shin-Young. « Authenticity in heritage festivals in South Korea ». Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/11462.

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The aim of this study is to explore the role of authenticity in heritage festivals in Korea. It compares and critically evaluates the commodification of heritage festivals in Korea by investigating the tourists’, the performers’ (ethnic community) and the policy makers’ perceptions of authenticity based on comparative case studies and detailed empirical investigations of two contrasting heritage festivals in Korea. As one of the most debated issues in heritage tourism, authenticity has been an important topic of discussion. However, current authenticity research has been dominated by the naturalistic tradition with a strong emphasis on theory building. This study addresses the gap between conceptual and detailed empirical research in the area of authenticity. Therefore, this study identified stakeholders; visitors, performers and policy makers’ perception of authenticity in two comparative cultural heritage festival. The Baudeogi Festival in Anseong was selected as the first case study as it is representative of a commodified heritage festival. The Baudeogi Festival was started under deliberate government strategy in 2001 to promote local development. The second cases study, the Danoje Festival in Gangneung, was selected as representative of ancient forms of festivals. The Danoje festival is preserved and inherited from generation to generation for centuries by the local community and was registered as world intangible heritage by UNESCO in 2005. 800 visitor surveys were conducted with 17 interviews from festival performers and policymakers in both case festivals to identify their motivations for participating and their perceptions of authenticity. Several important findings emerged. Firstly, visitors’ characteristics at both festivals showed slight differences reflecting the character of the local area. Danoje visitors were younger than Baudeogi visitors while most Baudeogi visitors were with a family group whereas Danoje visitors also had a considerable number of friend/colleague groups. Regarding motivation, Baudeogi visitors generally showed stronger motivation than Danoje visitors about heritage festival visitation. The motivation to visit heritage festival were reduced through factor analysis to four each dimensions: cultural learning; escape/family togetherness; the need for authenticity; and enjoyment/socialisation factor at Baudeogi while enjoyment/novelty authenticity/cultural learning, family togetherness escape/socialisation were divers to those attending in the Danoje Festival. Secondly, authenticity was understood differently by stakeholders. Among visitors’ motivation, existential authenticity was identified as a strongest predictor for overall satisfaction from both festivals. Otherwise, performers and policy makers largely showed objective-related authenticity providers of the festival. However, there were tactical variations: performers and policy makers displayed existential authenticity as a means of engineering visitor satisfaction. Furthermore, the commodified Baudeogi festival was commonly perceived as staged authenticity (Cohen 1979) by visitors, where performers and local government viewed it as real in a staged setting whereas central and regional government perceived it as contrived authenticity, as a staged festival. In contrast, Gangneung Danoje Festival was perceived as an authentic experience by all levels of governments and by performers as real in a real setting, while it was perceived as denial of authenticity by visitors as staged festival. This result indicated that the perception of authenticity was identified as depending on personal judgement (Cohen 1988). Finally, through linear multiple regression analysis, visitors’ motivation and perception of authenticity was identified as an influence to visitors’ post-trip behaviours (satisfaction, recommendation and revisit). For the Danoje Festival, visitors’ perception of authenticity showed effective causal relationship to visitors’ intention of recommendation. Also, visitor satisfaction more strongly affected to intention of recommend and revisit. Keywords: Local Cultural Heritage Festival, Perception of Authenticity, Commodification, Stakeholders, Motivation, Satisfaction

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Lehmkuhl, Iva Lee. « Authenticity in portrayals of Navajo culture at two heritage sites ». Thesis, The University of Arizona, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1537215.

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The degree of accuracy in portrayals of Navajo culture at Salmon Ruins Heritage Park and Rock Art Ranch was assessed by comparing the Navajo structures assembled at each site to archaeological, ethnographic and historical data for traditional Navajo construction practices. Comparison and analysis revealed different degrees of accuracy in the portrayal of features with cultural and functional importance. Authentic practices were presented in a historical framework to permit the temporal characterization of each site. The aggregate of the temporal data from features at both sites was consistent with Navajo sites of the early twentieth century. The results of this study suggest a bias in contemporary portrayals of Navajo culture favoring the most extensively documented, and the more recent, aspects of Navajo culture.

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Chen, Fuwei. « Preservation, authenticity construction, and imagination of cultural heritage in Taipei ». Thesis, State University of New York at Buffalo, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3640736.

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This dissertation commences a critical examination of the issue of historical representation and draw on the fieldwork surrounding Bopiliao Historic District in Taipei to explore how the imagination and authentic sense of heritage influence the designation of historic sites and the way in which people use authenticity to negotiate their position in the progress of place making. The buildings cannot speak for themselves. Historical significance is not a given but something that needs to be interpreted and constantly reimagined. A sentimental yearning for a former time and place is not enough to explain the establishment of this historic district with twists and turns and the ambivalence over it expressed by the host community.

The first empirical chapter describes the historical background, preservation process, and the status quo of Bopiliao Old Street under the influence of the government-supported film Monga, which causes considerable controversy over heritage and culture representation and affects public image of the site and the host community. The second empirical chapter illustrates how an old urban neighborhood has been narrated, interpreted, and eventually certificated and accepted by the public as cultural heritage based on various social groups' heritage imagination and practice. The third empirical chapter examines how the stakeholders construct and employ the idea of authenticity to justify their viewpoint of cultural heritage and to strive for their position in the progress of place making.

My research seeks to contribute to the sociological literature on historic representation, heritage interpretation, and the construction of historical authenticity by exploring the increasingly central role played by media, activists and the locals. The tangible heritage is the production of the interaction between historic relics and the host community. Historical representation in the cinematographic media became a stimulus urging civil resistance to the existing official forms and strategy of historic preservation. Tourism continues to highlight the impact as well, for the opinions of the visiting tourists play an important role in reinforcing the image of destination. The contradiction in the sense of authenticity among social groups implies the existence of entirely different images of cultural heritage. The conflict represents the struggle of establishing local identity in contemporary Taiwan society. It is argued that the preserved heritage never denotes a successful end; rather, it is a start of the dialectical place-making process.

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Offeh, Francis. « Heritage tourism in the Ashanti Kingdom Ghana : Authenticity, commodification and tradition ». Thesis, University of Sunderland, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.528530.

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Wallis, Karen Julia. « Contrived authenticity : visitor attractions and the maritime heritage of Great Britain ». Thesis, Cardiff University, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390256.

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Annie, Jakobsson. « Is This the Real Deal ? : Authenticity for a True Heritage Experience ». Thesis, Linnéuniversitetet, Institutionen för organisation och entreprenörskap (OE), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-100201.

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This paper aims to explore and understand how locals and tourists perceive authenticity on a truly authentic heritage site. The empirical study was conducted with a sample of Scandinavians and South Africans that had or had not visited the heritage site in Cape Town, Republic of South Africa. The result indicated a correlation between authenticity and heritage experience. The most interesting finding was however when heritage was positioned somewhere else but the individuals' home countries. These findings provide insight into the ways tourists and locals perceive authenticity and the demand for heritage tourism and true authenticity, which highlights the importance of authenticity in tourism destinations.

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Lawrance, Robert A. « Defining and protecting cultural and heritage tourism authenticity in rural Nova Scotia ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0001/MQ39674.pdf.

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Joubert, Elize. « The relativity of authenticity : Notions of authenticity in the Cape Winelands cultural landscape and the impact of wine tourism on cultural heritage ». Master's thesis, University of Cape Town, 2015. http://hdl.handle.net/11427/21538.

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This study explores various notions of authenticity in tourism experience and seeks to establish if these notions are compatible with the concept of authenticity in conservation of the built environment. Three wine farms in the Cape Winelands cultural landscape, a proposed serial World Heritage Site, have been studied. The study suggests that object-related or material authenticity is being replaced with alternative notions of authenticity in tourism and that the toured object, for the purpose of winelands tourism in the Western Cape during this period, no longer needs to be authentic.

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Reich, Alene Wilmoth. « Utilitas and venustas : balancing utility and authenticity in the stewardship of our built heritage ». Texas A&M University, 2005. http://hdl.handle.net/1969.1/4857.

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This thesis examines the past, present, and potential future of the practice of Heritage Conservation. Beginning with ancient Roman Architect, Vitruvius, this study establishes a vocabulary for the ideals of preservation practice. Utilitas and venustas, as two of the defining features of good architecture, are also key features to consider in the stewardship of a historic building in active use. The data set used in this evaluation comes from a symposium given in November 2004 by the Association for Preservation Technology International (APT), the United States General Services Administration (GSA), and the United States National Park Service (NPS). Historical background is presented to give a context for the symposium, which includes foundations, policy, and practice in the United States. The Venice Charter, National Historic Preservation Act, NPS, and GSA have been chosen for the Literature Review to provide this background. With utilitas and venustas as additional criteria for evaluation, the symposium case studies were mined for examples of practice that could be used to make suggestions for the future. Based on these examples and the possibilities for improving practice, this study concludes that the United States should draft a new document outlining an updated philosophy and policy for preservation. Future research would serve to develop refinements of existing frameworks and to create a new standard for "best practice".

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He, Xinying, et 何欣縈. « Tradition vs. authenticity : the intangible cultural heritage of the Nianli Festival at Zaohu temple ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2014. http://hdl.handle.net/10722/208073.

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The Gaozhou area in Guangdong province has been recorded in history since the Qin (秦) dynasty. In these historical records, there are various kinds of traditional cultural practices passed from ancient times to modern days. Some of these practices represent the cultural tradition of southwestern Guangdong region and they are a combination of the Cantonese and Hakka cultural heritage. One of such combined Cantonese-Hakka heritage is Nianli, a most important festival taken by local people as the most important event in the year. However, few scholars pay attention to the Nianli Festival as an important representative cultural heritage. Hence, it is valuable to look the Nianli Festival and find out what are the intangible cultural values that make it so treasured by villagers that it is a widespread practice in southwestern Guangdong. The scope of the research is about how the Nianli Festival could be considered as intangible cultural heritage. On this basis, we can discuss further about the authenticity and the core values that have to be considered when protecting the heritage. The focus is about the tradition of the Nianli（年例）Festival. Nianli is a traditional practice popular among southwestern Guangdong, and in this dissertation, the case is adopting a villages communities surrounding the Zaohu Temple（皂湖庙）. The methodology of the research is by using cultural mapping to map the oral history and practice of villagers from the Zaohu Temple community about their Nianli Festival.
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Conservation
Master
Master of Science in Conservation

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Livres sur le sujet "Heritage Authenticity"

Weiler, Katharina, et Niels Gutschow, dir. Authenticity in Architectural Heritage Conservation. Cham : Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-30523-3.

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The divine authenticity of Scripture : Retrieving an evangelical heritage. Downers Grove, Ill : IVP Academic, 2008.

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Nara Conference on Authenticity in Relation to the World Heritage Convention (1994 Nara, Japan). Nara Conference on Authenticity in Relation to the World Heritage Convention : Proceedings, Nara, Japan, 1-6 November, 1994. Trondheim, Norway : Tapir Publishers, 1995.

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International Council on Monuments and Sites. U.S. Committee. et Getty Conservation Institute, dir. Proceedings of the Interamerican Symposium on Authenticity in the Conservation and Management of the Cultural Heritage of the Americas : San Antonio, Texas, March, 1996. Washington, DC : US/ICOMOS, 1996.

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Walsh, Bernadine M. Ritual reality ? - indigenous participation and its role in cultural sustainability and authenticity in a tourismproduct : A socio-cultural analysis of Maori cultural heritage tourism operation in New Zealand. [Guildford] : [University of Surrey], 1994.

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Chhabra, Deepak, dir. Authenticity and Authentication of Heritage. Routledge, 2021. http://dx.doi.org/10.4324/9781003130253.

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Mock, Steven J. Mapping Authenticity. Sous la direction de Angela M. Labrador et Neil Asher Silberman. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190676315.013.15.

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Debates in the study of public heritage are rooted in the field’s inherently interdisciplinary nature. Heritage is about both the past and the present; about tangible objects and intangible myths; about individuals, groups, institutions, and nations. Cutting through these challenges requires approaching heritage as the emergent product of dense interaction between diverse systems that operate on multiple levels of analysis. This chapter explores the utility of a method known as Cognitive-Affective Mapping, capable of tracking the interaction between tangible and intangible elements of the past and present where they must, by necessity, meet on common ground: as emotionally loaded representations in the human mind. Drawing from the examples of Switzerland and Israel, we examine how such a method can be used both to explain the authenticity of a given object to a national heritage, and to illuminate the emotional significance of this property in situations of inter-group conflict.

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Authentic Reconstruction : Authenticity, Architecture and the Built Heritage. Bloomsbury Academic, 2017.

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Kopec, Dak, et AnnaMarie Bliss. Place Meaning and Attachment : Authenticity, Heritage and Preservation. Taylor & Francis Group, 2020.

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Kopec, Dak, et AnnaMarie Bliss. Place Meaning and Attachment : Authenticity, Heritage and Preservation. Taylor & Francis Group, 2020.

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Chapitres de livres sur le sujet "Heritage Authenticity"

Silverman, Helaine. « Heritage and Authenticity ». Dans The Palgrave Handbook of Contemporary Heritage Research, 69–88. London : Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137293565_5.

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Meethan, Kevin. « Authenticity and Heritage ». Dans Tourism in Global Society, 90–113. London : Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-349-87747-8_5.

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Henrichsen, Christoph. « Authenticity in Japan ». Dans Authenticity in Architectural Heritage Conservation, 261–86. Cham : Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-30523-3_12.

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Lloyd, Caroline, et Friedemann Schaber. « Britishness : Heritage, Tradition and Authenticity ». Dans Fashion Communication in the Digital Age, 89–100. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15436-3_8.

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Mochocki, Michał. « Heritage authenticity meets game immersion ». Dans Role-play as a Heritage Practice, 24–39. Title : Role-play as a heritage practice : historical LARP, tabletop RPG and reenactment / Michal Mochocki. Other titles : Historical LARP, tabletop RPG and reenactment Description : Abingdon, Oxon ; New York, NY : Routledge, 2020. : Routledge, 2021. http://dx.doi.org/10.4324/9781003130956-21xa.

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Chhabra, Deepak. « Souveniring of heritage souvenirs ». Dans Resilience, Authenticity, and Digital Heritage Tourism, 182–99. London : Routledge, 2021. http://dx.doi.org/10.4324/9781003098836-11.

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Chhabra, Deepak. « Negotiated authenticity and vulnerability ». Dans Resilience, Authenticity, and Digital Heritage Tourism, 17–36. London : Routledge, 2021. http://dx.doi.org/10.4324/9781003098836-2.

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Gutschow, Niels. « Architectural Heritage Conservation in South and East Asia and in Europe : Contemporary Practices ». Dans Authenticity in Architectural Heritage Conservation, 1–71. Cham : Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-30523-3_1.

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Weiler, Katharina. « Aspects of Architectural Authenticity in Chinese Heritage Theme Parks ». Dans Authenticity in Architectural Heritage Conservation, 219–46. Cham : Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-30523-3_10.

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Fukuda, Mihō. « “Repair by Disassembly” (Jap. Kaitai Shūri) in Japan ». Dans Authenticity in Architectural Heritage Conservation, 247–60. Cham : Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-30523-3_11.

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Actes de conférences sur le sujet "Heritage Authenticity"

Tian, Qing. « Performing Heritage and Authenticity ». Dans ICDEL 2020 : 2020 the 5th International Conference on Distance Education and Learning. New York, NY, USA : ACM, 2020. http://dx.doi.org/10.1145/3402569.3402595.

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Rogers, Corinne. « Authenticity of digital records in practice ». Dans 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7419532.

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Innocenti, Perla. « The pursuit of authenticity in preserving digital art ». Dans 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7419540.

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Duranti, Luciana, et Adam Jansen. « Records in the Cloud : Authenticity and jurisdiction ». Dans 2013 Digital Heritage International Congress (DigitalHeritage). IEEE, 2013. http://dx.doi.org/10.1109/digitalheritage.2013.6744748.

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Koutsaftis, Christos, et Andreas Georgopoulos. « A serious game in the Stoa of Attalos : Edutainment, heritage values and authenticity ». Dans 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7419619.

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Riaubiene, Edita. « Evolution and Trends of Understanding of Authenticity in Heritage Preservation ». Dans Urban Heritage : Research, Interpretation, Education. Vilnius, Lithuania : Vilnius Gediminas Technical University Publishing House Technika, 2007. http://dx.doi.org/10.3846/uh20070925.77-82.

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Doganer, S., et W. Dupont. « Cultural heritage tourism and authenticity : San Antonio Missions Historic District ». Dans STREMAH 2013. Southampton, UK : WIT Press, 2013. http://dx.doi.org/10.2495/str130021.

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Ramos, Halley. « Authenticity of Historical Transformation : Applications of Mixed Reality in Historic Preservation ». Dans 2018 3rd Digital Heritage International Congress (Digital Heritage) held jointly with 2018 24th International Conference on Virtual Systems & Multimedia (VSMM 2018). IEEE, 2018. http://dx.doi.org/10.1109/digitalheritage.2018.8810074.

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Richter, Ashley M., Vid Petrovic, David Vanoni, Steven M. Parish, Falko Kuester et Thomas E. Levy. « Digital archaeological landscapes & ; replicated artifacts : Questions of analytical & ; phenomenological authenticity & ; ethical policies in cyberarchaeology ». Dans 2013 Digital Heritage International Congress (DigitalHeritage). IEEE, 2013. http://dx.doi.org/10.1109/digitalheritage.2013.6744826.

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Ciappei, Cristiano, Lamberto Zollo, Andrea Boccardi et Riccardo Rialti. « CUSTOMERS’ PERCEPTION OF HERITAGE AND AUTHENTICITY IN LUXURY FASHION BRAND : A STRUCTURAL PATH DIAGRAM ». Dans Bridging Asia and the World : Global Platform for Interface between Marketing and Management. Global Alliance of Marketing & Management Associations, 2016. http://dx.doi.org/10.15444/gmc2016.04.06.05.

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