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1
Petit, Aimé. « L'anachronisme dans les romans antiques du XIIe siècle : le "Roman de Thèbes", le "Roman d'Énéas", le "Roman de Troie", le "Roman d'Alexandre / ». Paris : H. Champion, 2002. http://catalogue.bnf.fr/ark:/12148/cb388862146.
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2
Amand, Emilie. « Le roman de la contre histoire : entre contestation et tradition ». Thesis, Lille 3, 2018. http://www.theses.fr/2018LIL3H051/document.
Texte intégralRésumé :
Cette thèse se propose de travailler à la définition d'un sous-genre du roman historique en expansion : le roman de la contre histoire, aussi appelé roman historique subversif. Les œuvres choisies permettent une analyse diachronique du problème, en commençant par la naissance du roman historique et allant jusqu'à nos jours. Pour cela, nous aborderons les œuvres de Scott, Hampâté Bâ, Roa Bastos, et Chamoiseau, s'attachant ainsi à différents continents et cultures, avec l'Europe, l'Afrique, mais également l'Amérique Centrale et l’Amérique du Sud. Pour cette recherche, il est nécessaire d'étudier le contexte de naissance de ces romans, ainsi que les moyens mis en place à l'écriture de cette histoire autre. Nous en viendrons à travailler sur le glissement de l'écriture de l'Histoire à celle d'une identité, ce qui nous poussera à nous interroger sur la place de la littérature dans la constitution de l'identité nationale. Nous ferons ici face à des controverses, étant donné que les romans vont partiellement à l'encontre des Histoires officielles, ce qui permettra de voir l'importance que peut avoir le point de vue autre dans la construction identitaire. La présence des contes et du folklore, sera étudiée afin de déterminer leur rôle dans la création de l'identité. Une étude de la réception de ces œuvres sera menée afin de voir l'impact concret de ces textes sur la construction identitaire. Ceci permettra donc d'avoir une vision totale de ce sous-genre en plein essor, et de voir son réel impact, amenant à une réflexion sur la place de la littérature dans la société actuelle ainsi que sur son rapport à l'histoireThis thesis proposes to work on the definition of a sub-genre of the expanding historical novel: the novel of the counter-history, also called subversive historical novel. The selected works allow a diachronic analysis of the problem, starting with the birth of the historical novel and going until our days. For this, we will cover the works of Scott, Hampâté Bâ, Roa Bastos, and Chamoiseau, thus focusing on different continents and cultures, with Europe, Africa, but also Central America and South America . For For this research, it is necessary to study the birth context of these novels, as well as the means put in place to write this other story. We will come to work on the shift from the writing of history to that of an identity, which will push us to question the place of literature in the constitution of national identity. We will face controversy here, since the novels go partially against the official histories, which will allow to see the importance that the other point of view can have in the construction of identity. The presence of tales and folklore will be studied to determine their role in the creation of identity. A study of the reception of these works will be conducted to see the concrete impact of these texts on the construction of identity. This will allow us to have a total vision of this sub-genre booming, and see its real impact, leading to a reflection on the place of literature in today's society and its relationship to history
3
Fox, Matthew. « Roman historical myths : the regal period in Augustean literature / ». Oxford : Clarendon press, 1996. http://catalogue.bnf.fr/ark:/12148/cb37670567g.
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4
Cunningham, Graeme James. « Law, rhetoric, and science : historical narratives in Roman law ». Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/41030/.
Texte intégralRésumé :
Historical narratives have limited scholarly appreciation of the impact of rhetoric on the development of Roman law in the late Republican period. This thesis challenges these narratives and attempts to re-evaluate the role of rhetoric in Roman law.
5
Salvatore, John Pamment. « Roman Republican castrametation : a reappraisal of historical and archaeological sources / ». [Oxford] : Tempus reparatum, 1996. http://catalogue.bnf.fr/ark:/12148/cb36690477s.
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6
Corio, Alec Stephen. « Historical perceptions of Roman Catholicism and national identity, 1869-1919 ». Thesis, Open University, 2013. http://oro.open.ac.uk/54715/.
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This thesis seeks to illustrate and explain the fundamental changes which occurred in English attitudes to Roman Catholicism, and in the construction of English national identity, in the late nineteenth and early twentiethcentury. It argues that the excltisivist Protestant identity of the nation, which had hitherto been maintained by an anti-Catholic historical narrative, was challenged by the development of a confident Roman Catholic historical consciousness which was believed to be based on an authoritative, 'scientific' appreciation of England's medieval past. The thesis offers the first systematic analysis of Francis Gasquet's historical works. It examines their intellectual origins and formation, and situates Gasquet in relation to the increasingly respected academic discipline of history. It argues that his writing played an important role in reshaping scholarly and popular attitudes to the role Roman Catholics had played in the national past, and should play in the contemporary public sphere. Gasquet's historical credentials were essential to the English Roman Catholic Church's campaign to secure a papal condemnation of Anglican orders. This thesis analyses the role historical consciousness played in the inter-Church polemics of the 1890s. It argues that these texts reinforced popular recognition of the historical consistency of Roman Catholicism, and transferred much of England's residual anti-Catholic animus to Anglican ritualism. The thesis concludes by exploring how Anglo-Vatican diplomacy, stimulated by the national security imperatives of World War One, highlighted the political value of the new position of the Roman Catholic Church in the English public sphere. Through a study of the British Mission to the Holy See based on extensive use of British and Roman archives, it argues that English national identity was finally freed from its traditional opposition to the role of the papacy within Roman Catholicism.
7
Collins, Amanda. « Cola di Rienzo (1312-1354) : the revolution in historical perspective ». Thesis, University of Oxford, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361843.
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8
Shannon, Kelly E. « Religion in Tacitus' Annals : historical constructions of memory ». Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:89df3c1b-46d6-431e-af4c-aaf6f9023657.
Texte intégralRésumé :
I examine how religion is presented in the Annals of Tacitus, and how it resonates with and adds complexity to the larger themes of the historian’s narrative. Memory is essential to understanding the place of religion in the narrative, for Tacitus constructs a picture of a Rome with ‘religious amnesia.’ The Annals are populated with characters, both emperors and their subjects, who fail to maintain the traditional religious practices of their forebears by neglecting prodigies and omens, committing impious murders, and even participating in the destruction of Rome’s sacred buildings. Alongside this forgetfulness of traditional religious practice runs the construction of a new memory – that of the deified Augustus – which leads to the veneration of living emperors in terms appropriate to gods. This religious narrative resonates with and illuminates Tacitean observations on the nature of power in imperial Rome. Furthermore, tracing the prominence of religious memory in the text improves our understanding of how Tacitus thinks about the past, and particularly how he thinks about the role of the historian in shaping memory for his readers. I consider various religious categories and their function in Tacitus’ writings, and how his characters interact with them: calendars (do Tacitus’ Romans preserve or change the traditional scheduling of festivals?), architecture (what determines the building of or alterations to temples and other religious monuments?), liturgy (do they worship in the same ways their ancestors did?), and images (how do they treat cult statues?). I analyze the patterns of behaviour, both in terms of ritual practice and in how Tacitus’ characters think about and interpret the supernatural, and consider how Rome’s religious past features in these patterns. The thesis is structured according to the reigns of individual emperors. Four chapters chart Tiberius’ accession, Germanicus’ death, its aftermath, and Sejanus’ rise to power; one chapter examines the religious antiquarian Claudius; and the final chapter analyzes Nero’s impieties and their consequences.
9
Mallan, Christopher Thomas. « A historical and historiographical commentary on Cassius Dio's Roman History book 57.1-17.8 ». Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:6ed64b29-f881-4de2-a647-6212cf0dc7c0.
Texte intégralRésumé :
This thesis is a historical and historiographical commentary on Book 57 (Chs. 1-17.8) of Cassius Dio's Roman History. It comprises two sections, an Introduction followed by the Commentary itself. The introduction is sub-divided into three chapters. The first of these introductory chapters (The Roman Historian at Work) presents a discussion of the historical material available for Dio's Tiberian narrative, and a discussion of the factors which were instrumental in Dio's writing and shaping his narrative of the reign of Tiberius. The second chapter (Dio on Tiberius) is an analysis of Dio's portrayal of Tiberius and of the historian’s understanding of Tiberius in the historical context of the early Principate. These chapters are followed by some brief Notes on the Text of Book 57, which considers the manuscript tradition of Book 57, and comments on portrayal of the reign of Tiberius in the Dionian tradition, and in particular the Excerpta Constantiniana, Xiphilinus, and Zonaras. The second part of the thesis, the commentary, presents an analysis of Dio's narrative from both historical and historiographical perspectives.
10
Boroughs, R. J. C. « Eumolpus : literary and historical approaches to characterisation in Petronius ». Thesis, University of Cambridge, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.318352.
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11
Alcock, Susan Ellen. « Greek society and the transition to Roman rule : archaeological and historical approaches ». Thesis, University of Cambridge, 1989. https://www.repository.cam.ac.uk/handle/1810/283664.
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12
Yirga, Felege-Selam Solomon. « The Chronicle of John of Nikiu : Historical Writing in Post-Roman Egypt ». The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1594681955418996.
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13
Ahmmed, Tanjil. « Study of historical mortars from Villa Romana of Frielas, Portugal ». Master's thesis, Universidade de Évora, 2021. http://hdl.handle.net/10174/31470.
Texte intégralRésumé :
The Roman villa of Frielas is an archaeological site from 3rd
– 6
th century AD located in
Loures, Portugal. The villa is on excavation since 1997. The site is an area of 3500 m2
. The
area still under excavation corresponds to the villa's urban pars. The villa has two
construction phases, the first phase is very limited with structural evidence and mostly
destroyed during the construction of 2nd phase. The 2nd phase has evidence of architectural
features with functionality mainly, some compartments surrounding the peristyle with
portico and mosaic floor passages. And its abandonment occurred at the beginning of the 7th
century A.D. The abandonment phase has no remarkable architectural features, except some
unfinished walls or destruction of earlier phases.
A total of eighteen mortar samples were collected from the different structures of the villa
with different functional uses (render, filler, and floor) and analyzed by a multi-analytical
approach by means of Optical Microscopy, (Stereo zoom and Petrographic microscope), X ray Diffraction (XRD), Variable Pressure Scanning Electron Microscopy coupled with
Energy Dispersive X-ray Spectroscopy (VP-SEM-EDS), Thermogravimetric analysis (TGA DTG), Acid attack and Granulometric analysis.
The results revealed a similar composition of calcitic aerial binder, while differences in
aggregates allowed to establish 4 groups. Raw materials are local and within a radius of 5Km.
There was no prominent variation that can suggest a different chronology between the four
groups. Though, it is assumed that there might be some renovation, restoration, or partial
rebuilding that occurred in the same period. In terms of production technology, it is evident
that the Vitruvius rules were not followed; R E S U M O:
Estudo de argamassas históricas da villa romana de Frielas (Loures, Portugal)
A villa romana de Frielas é um sítio arqueológico do século III ao IV DC localizado em
Loures, Portugal. A villa romana está em escavação desde 1997. O local tem uma área de
3500 m2
. A área ainda em escavação corresponde à área urbana da villa. Esta apresenta duas
fases de construção sendo que a primeira fase é muito limitada com poucas evidências
estruturais e/ou destruídas durante a construção da 2ª fase. A 2ª fase apresenta evidências de
características arquitetónicas com funcionalidade principalmente, alguns compartimentos
circundando o peristilo com passagens de pórtico e piso de mosaico. E seu abandono ocorreu
no início do século 7 d.C. A fase de abandono não tem características arquitetônicas notáveis,
exceto algumas paredes inacabadas ou destruição de fases anteriores.
Um total de dezoito amostras de argamassas com usos funcionais distintos (reboco,
enchimento e assentamento) foram recolhidas, em diferentes estruturas da villa, e analisadas
por uma abordagem multi-analítica compreendendo a Microscopia Ótica
(estereomicroscopia e petrografia), a Difração de raios X (DRX), a Microscopia Eletrónica
de Varrimento – Espectroscopia de Energia Dispersiva de raios X (MEV-EDS), a Análise
Termogravimétrica (ATG-DTG), o Ataque Ácido e a Análise Granulométrica.
Os resultados revelaram que as argamassas estudadas apresentam uma composição
semelhante, ligante de cal calcítica, enquanto que as diferenças nos agregados permitiram
estabelecer 4 grupos. As matérias-primas são locais e num raio de 5km. Não se verificaram
variações significativas que possam sugerir uma cronologia diferente entre os quatro grupos.
Porém, presume-se que pode ter havido alguma renovação, restauro ou reconstrução parcial
ocorrida no mesmo período. Em termos de tecnologia de produção, é evidente que as regras
de Vitruvius não foram seguidas.
14
Morton, A. « The historical development of Roman religion in Pannonia from AD 9 to 285 ». Thesis, University of Wales Trinity Saint David, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683048.
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15
Girardon, Sheila Patricia. « Italic votive terracotta heads from the British Museum : a stylistic appraisal in their religious and historical settings ». Thesis, University College London (University of London), 1994. http://discovery.ucl.ac.uk/1349436/.
Texte intégralRésumé :
The thesis aims to examine a collection of Italic votive terracotta heads, dated between the early 4th and the late 2nd centuries B.C., in the British Museum. The study proposes a stylistic appraisal of the terracotta heads in their religious and historical settings divided into three parts. The first part includes the introduction and five chapters. In the first chapter is discussed the religious background: Greek healing gods) Italic and Roman healing cults and Aesculapios. The second chapter is concerned with the religiousness of the Italic peoples: their devoutness; the cults; the practice of the caput velatum. Chapter three deals with the notion of votive offering in the ancient world: the origin; in the Greek religious sphere; the votive offerings as an exchange, as substitution, as gifts; their place in the sanctuary; in the Italic religious sphere and their distribution on the Italian territory; the specialisation of sanctuaries; the anatomical ex-votos; miniaturisation of votives as substitution; fertility, puberty and well-being. Chapter four deals with ancient medicine and the anatomical votives: the dawn of medical science; the evidence of the anatomical votives; medical interpretation of the votives; representation of diseased organs. In chapter five are considered the sanctuary and the worshippers: the types of sanctuaries; the identification and location of sanctuaries; the evidence for healing cults; the votive deposits; the appearance and disappearance of anatomical votive terracottas; the historical background. The second part includes three chapters. Chapters ix considers the various stylistic influences: in pre-Roman Etruria; in central and southern Italy; the Roman influence; copies of famous sculptures and their relationship with votive terracottas. Chapter seven is a survey of the jewellery displayed on the female heads: crowns; diadems; earrings; necklaces. Chapter eight is a survey of the hairstyles displayed on both female and male heads. Chapter nine examines the technique of manufacture of the votive heads: the problems of mass-production; the workshops and the artisans; the specific, heads in the British Museum. The third part of this study includes an extensive catalogue of the female and male heads divided into groups according to their stylistic affinities. The catalogue is introduced by a section on the classification and terminology. The thesis is concluded by a synopsis of the focal points of part one and two integrated by the observations on the groups of heads in the catalogue.
16
Gendrel, Bernard. « Le roman de moeurs en France (1820-1855) : du roman historique au roman réaliste ». Thesis, Tours, 2010. http://www.theses.fr/2010TOUR2015.
Texte intégralRésumé :
Après avoir distingué trois aspects explicatifs propres au roman (aspects psychologique, social ou romanesque) et défini, grâce à eux, trois types de romans (romans de caractères, de mœurs ou d’intrigue), ce travail s’intéresse plus particulièrement au roman de mœurs à l’époque de la Restauration et de la Monarchie de Juillet. Héritant de toute une tradition, ce genre s’illustre particulièrement dans le roman historique à la Walter Scott, puis dans le roman contemporain des physiologies. Balzac, d’abord influencé par le roman de mœurs en tant que tel, développe dans La Comédie humaine une forme hybride (mêlant aspects social et psychologique, roman de caractères et roman de mœurs), que l’on peut appeler roman réaliste (on y note un surinvestissement du vraisemblable romanesque). Cette définition du réalisme n’aplanit en rien les différences entre tel ou tel auteur ; elle permet, au contraire, de prendre la mesure des poétiques bien particulières développées par des romanciers comme Stendhal, George Sand ou ChampfleuryAfter having distinguished three explicative aspects of the novel (the psychological, social and plot-driven aspects) and defined three corresponding types of novels (novels of characters, manners and plot), this work focuses on the novel of manners during the Bourbon Restoration and the July Monarchy. Heir to quite an old tradition, this genre is at its peak with the Scottian historical novel and the novel of contemporary manners of the 1820’s. Balzac, first influenced by the novel of manners, develops in The Human Comedy a hybrid form (combining social and psychological aspects, novel of characters and novel of manners), which we may call the realistic novel (characterized by an overloading of verisimilitude). This definition of realism does not erase the differences between the authors; it allows, on the contrary, to appreciate the specific poetics developed by Stendhal, George Sand or Champfleury
17
Lovejoy, Laura Ann Miller. « The Christian Church and the Roman Catholic Church an historical understanding of their unique similarities / ». Theological Research Exchange Network (TREN), 1994. http://www.tren.com.
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18
Luke, Brandon Thomas. « ROMAN POMPEII, GEOGRAPHY OF DEATH AND ESCAPE : THE DEATHS OF VESUVIUS ». Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1384891685.
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19
Meyer-Spasche, Rita Antonie. « The recovery of benefits conferred under illegal or immoral transactions : a historical and comparative study with particular emphasis on the law of unjustified enrichment ». Thesis, University of Aberdeen, 2002. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU153297.
Texte intégralRésumé :
The thesis deals with the recovery of benefits that have been transferred under illegal or immoral transactions, in particular from the perspective of the law of unjustified enrichment. The rules governing this area of law in all the legal systems that are studied originate in classical Roman law, which principally granted a remedy for the recovery of benefits conferred under a tainted cause (the so-called condictio ob turpem vel iniustam causam). Only where both parties were involved in an immoral transaction was recovery barred, according to the maxim in pari delicto potior est possidentis. However, modern law usually applies the bar to recovery not only to immoral but also to illegal transactions. This extension of the bar, as well as its strict legal consequence of completely barring recovery, can lead to overly harsh results. The comparison of two civilian legal systems, Germany and Italy, will demonstrate modern civilian approaches on how to mitigate the strict consequences of the bar. The study of English law identifies a very different approach to the solution of the same problem. The law of the mixed legal system of Scotland started from a civilian basis in this area. However, it subsequently came under the influence of the common law, which received only the bar to recovery, and developed it into a principle of non-recovery in cases of illegality. The thesis argues that it is undesirable to follow the common law influences in the Scots law of unjustified enrichment. Scots law should rather develop its civilian roots and proceed on the assumption that transfers made under immoral and illegal transactions are recoverable in principle. It is also argued that Scots law has sufficient authority to restrict the pari delicto rule to its original scope and thereby apply the bar to recovery only to cases of mutual turpitude.
20
Chen, Ying 1961. « Roman et histoire dans "Les dieux ont soif" ; suivi de, Les fleurs de lotus ». Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60464.
Texte intégralRésumé :
This master's thesis in creative work includes two parts: A tale and a critical study. The creative work is entitled Les fleurs de lotus, which delineates the life of a Chinese woman from the last Empire to the communist regime. The story unfolds around the bound-feet of the central character. The feet, in the different period of time, have different consequences for her. The world changes, so does the prejudice against her in various forms. The tale questions the destiny of human being in history.The critical work explores historical novel through the study of France's novel, Les dieux ont soif. Having demonstrated that history is the main subject of this novel, I contend that skepticism forges France's vision about revolution and the destiny of human being. Then I detect some literary techniques such as repetition, contrast and irony that France uses in expressing his contemplation about historical processes.
21
Badini-Confalonieri, Luca. « The relevance of democratic thought and practice to Roman Catholic ecclesiology : an historical, theological, and philosophical case ». Thesis, Durham University, 2011. http://etheses.dur.ac.uk/882/.
Texte intégralRésumé :
This work draws from history, theology, and political philosophy to address the question of whether it is possible to democratize the polity of the RC Church. Its historical part investigates two hypotheses. First, neither exegesis nor history warrants the absolute necessity for church unity of the political function of ἐπισκοπή: and much less do they provide sufficient evidence for upholding that such a function should be fulfilled exclusively or even only primarily by means of a top-down monarchical hierarchy. Second, in structuring their own faith community, Christians throughout history have adopted and at times critically adapted insights as well as structures from political philosophy and the human polity respectively. Next, it examines the few central insights political philosophy has advanced concerning the socio-ethical conditions for the individual’s cooperation in the common action of a group to be responsible. Particular attention is paid to the principle of subsidiarity which, it is argued, entails a precise understanding of ‘delegation’, as something justified only and exclusively with regard to decisions which the individual or lower levels deem beyond their capacity to make responsibly, because they lack either the relevant knowledge or the resources to implement them. The important implication is that the division between what can be decided autonomously and what should be decided by delegation must be determined by the delegating individual or group and not by the higher levels: it is only the former, in effect, who has the responsibility to decide on the appropriateness and extent of the delegation. The result is an original understanding of democracy’s distinctiveness as consisting in its enabling and fostering the rationality and responsibility of the delegation of authority, rather than exclusively or even primarily in the number of people to whom ultimate decisional power has been freely, intelligently, and responsibly delegated. The final section assesses the compatibility of those political insights with the ecclesial constitution on the basis of the scriptural and traditional evidence concerning the structural aspect of the Christian community. It highlights the potential hospitality of Christian ecclesiology to key insights of democratic political philosophy. This work improves on the current state of ecclesiological research in two main ways. The first contribution is to supply a broad historical mapping of the symbiosis between the Christian and the human polities, as well as ecclesiology and political philosophy, complementary to the many already existing specific case-studies. At the theoretical level the work blends a variety of arguments developed in different domains, and thus also bridges several bodies of literature. To analyse the distinctiveness of the Christian community, it builds on traditional theological insights concerning the distinctiveness of the Christian individual qua Christian, as well as on political insights into the formation and development of community and of the cooperation it serves. In so doing the work links two related but—currently at least, although not in the past—largely disconnected literatures: that on ecclesiology, and that on political philosophy. The genuine insights the latter has developed throughout history retain a lasting significance which Christians in general and ecclesiologists in particular ignore at their own risk. This work is an initial attempt to suggest concretely why the traditional symbiosis between those two disciplines is still valid and can bear fruit toward the solution of their shared problems.
22
Beaujard, Marion. « Traduire la culture dans le roman irlandais contemporain - le cas du roman historique ». Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA010.
Texte intégralRésumé :
Ce travail analyse les rapports complexes qui se tissent entre traduction et culture, et plus particulièrement les problématiques qui émergent de la traduction de références culturelles étrangères. Il prend pour objet d’étude un corpus de romans historiques contemporains irlandais traduits en français. Ce corpus se compose de cinq romans écrits par Sebastian Barry, Dermot Bolger, Roddy Doyle et William Trevor, dont l’intrigue se déroule pendant une même période historique, la première moitié du vingtième siècle. Ce cadre historique partagé garantit la présence d’un socle de références culturelles communes. L’étude à la fois descriptive et contrastive des solutions adoptées pour traduire ces références permet donc d’une part de rendre compte des zones de résistance spécifiques de la culture irlandaise au transfert interculturel, et d’autre part de tenter de dégager certaines tendances, certains systématismes au sein des différentes traductions. En outre, les romans du corpus révisent tous un certain nombre de constructions historiques, identitaires et culturelles, notamment la vision homogène et exclusive d’une irlandité catholique, gaélique et rurale. Cette approche commune constitue une clé de compréhension importante et donc un enjeu non négligeable pour la traduction des références culturelles de ces romans. Cette thèse s’attache donc également à examiner les déformations que subissent ces représentations culturelles spécifiques au cours du processus de traduction. Les recherches effectuées dans les domaines de la traductologie, mais aussi de la littérature et de l’histoire irlandaises viennent appuyer et compléter l’étudeThis study analyses the complex relationship between translation and culture, and more specifically the issues arising from the translation of cultural references into a different language. It focuses on a body of contemporary Irish historical novels translated into French. This corpus comprises five novels written by Sebastian Barry, Dermot Bolger, Roddy Doyle and William Trevor. All five novels take place during the same historical period, namely the first half of the twentieth century. This shared historical context guarantees the presence of a base of cultural references common to all novels. This study will therefore take on both a descriptive and comparative approach in order to analyse the range of solutions that were implemented to translate these references. It will aim at uncovering the areas of Irish culture that demonstrate a particular resistance to intercultural transfer, as well as foregrounding recurring translational trends within the translated texts. Additionally, the novels under study all revise a number of historical, cultural and identity constructs, in particular the idea of a homogeneous Irishness that is exclusively Gaelic, Catholic and rural. This approach constitutes an essential key to understanding the novels and therefore represents a significant issue and challenge for the translation of cultural references. Accordingly, the study also attempts to examine the modifications undergone by these specific cultural representations during the translation process. It is supported and completed by researches carried out in the fields of translation studies as well as Irish literature and history
23
Stiebel, Guy Daniel. « Armis et litteris : the military equipment of Early Roman Palestine, in light of the archaeological and historical sources ». Thesis, University College London (University of London), 2007. http://discovery.ucl.ac.uk/1445976/.
Texte intégralRésumé :
To date, no systematic study of the military equipment from the celebrated conflict sites of the Bella Judaica has been offered. Based on a large assemblage of military equipment that originated from over 70 sites throughout Palestine a typological database of the equipment was formed, the majority of which is hitherto unpublished. The arid conditions of the eastern sectors of Palestine have contributed to an excellent preservation of equipment made of perishable materials. Additionally, rare discoveries like the panoply of a Roman legionary enabled us to illustrate the images of the Roman soldiers and their opponents in the Early Roman east. But this study draws beyond the narrow typological approach. The militaria of Roman Palestine is examined against its contextual background. This corpus enriches the archaeology of conflict, as the analysis of the material yielded indications for the tactics and types of weapons employ ed, among which are remnants of unique siege tools. The exploration of the spatial distribution of the militaria provided new data concerning the course of battles and revealed the identity of the participating forces and provides a platform for critical discussion about the credibility of historical sources. By reviewing the wider historical and social contexts through the spectacles of military equipment we obtain now a tool which extends and improves our understanding of the big picture, namely how the interrelations between the struggling societies were mediated and moulded by social, political and economic conditions and practices. Militaria appears to be a useful indicator for the status of warriors within their military society and in the eyes of the civil society which is manifested in the rabbinic literature. It further sheds light upon production and technological aspects, which appear to echo the complex Romano-Jewish interrelations and the resistance of the oppressed side to the cultural Romanisation process.
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Dauler, Clara. « Entre Hispanité et Caribéanité : les enjeux identitaires du roman historique ». Thesis, Antilles, 2018. http://www.theses.fr/2018ANTI0316/document.
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Le roman historique, genre littéraire à succès est fortement controversé par son caractère hybride entre Littérature et Histoire. D’une part, situé entre fiction et réalité, entre « vrai » et « faux », il suscite, la méfiance de certains historiens parce qu’il est capable de façonner la mémoire collective en exploitant les marges de l’Histoire officielle. D’autre part, classé au registre de la paralittérature par certains critiques littéraires, beaucoup de romanciers préfèrent nier l’existence du genre. Le roman historique n’en reste pas moins depuis son émergence au XIXe siècle, un support de lecture populaire qui assure des revenus encore très confortables aux maisons d’éditions. De plus, sous l’influence de la philosophie postmoderne, des « Subaltern studies » et des « Post-colonial studies », l’heure est à la vigilance face aux vérités établies et à la défense des identités menacées par les effets de la mondialisation. Le roman historique, positionné dans les marges de l’Histoire, offre alors l’opportunité de représenter les événements autrement en mettant en avant des voix subalternes que les élites de la société ont longtemps occultées pour favoriser une certaine vision de l’identité nationale et préserver ainsi des intérêts d’ordre le plus souvent politique.Cette étude propose une analyse comparée d’œuvres espagnoles et caribéennes afin de prouver l’existence du roman historique, réactualiser ses critères de définition en contexte postmoderne et décolonial et montrer son impact sur le processus de construction identitaire des sociétés espagnole et caribéenneThe historical novel, a successful literary genre is highly controversial by its hybrid character between Literature and History. On the one hand, situated between fiction and reality, between "true" and "false", it arouses, the mistrust of some historians because it is able to shape the collective memory by exploiting the margins of the official History. On the other hand, classified as para-literature by some literary critics, many novelists prefer to deny the existence of the genre. The historical novel remains nonetheless since its emergence in the nineteenth century, a popular reading medium which still guarantees very comfortable revenues for publishers.Moreover, under the influence of Postmodern Philosophy, Subaltern Studies and Post-Colonial Studies, it is time to be vigilant in the face of established truths and the defense of identities threatened by the effects of globalization. The historical novel that is positioned in the margin of History, then offers the opportunity to represent history differently by putting forward the lower voices that the elites of society have long concealed to promote a certain vision of national identity and thus preserve interests of a mostly political order.This study proposes a comparative analysis of Spanish and Caribbean literary works in order to prove the existence of the historical novel, update its definition criteria in a postmodern and decolonial context and show its impact on the identity-building process of Spanish and Caribbean societies
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Petrova, Anastassia. « L'attribution du "Roman de Violette" ». Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040067.
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L’attribution d’un style à un auteur peut constituer un enjeu problématique. Certains « cas » surprennent, tel le cas du Roman de Violette. Au-delà de l’enjeu socio-littéraire, un enjeu stylistique s’impose. Trois voies de la recherché s’ouvrent : celle de l’analyse de l’écriture selon chacun des « auteurs supposés », celle de l’analyse biographique et historique; celle de la composition et configuration linguistique du matériau verbal constituant le « style » où l’analyse quantitative apporte sa contribution. À partir du corpus étudié (Le Roman de Violette, Une Aventure d’amour d’Alexandre Dumas et Les Cousines de la colonelle de la Marquise de Mannoury d’Ectot) la question a été posée de l’attribution de l’oeuvre publiée sous les noms d’Alexandre Dumas-père et de la Marquise de Mannoury d’Ectot. Pour atteindre cet objectif, il a été nécessaire d’appliquer plusieurs méthodes de type philologique : enquête biographique et contextuelle, analyse des biographies et des correspondances, analyse linguistique et stylistique couplée à des méthodes d’analyses quantitatives.Pour l’attribution des œuvres, la thèse croise diverses approches statistiques. Celle liée à la « théorie de reconnaissance des formes » élaborée au laboratoire d’Études linguistiques appliquées de l’Université d’État de Saint-Pétersbourg – expérimentée pour la première fois sur la langue française – est apparue décisive quant aux résultats obtenus. Elle permet de conclure, à partir de l’analyses systématique d’éléments syntaxiques, que Le Roman de Violette appartient à Mannoury d’Ectot. Or, les résultats de l’analyse littéraire et biographique laissent à supposer que l’idée du texte est à DumasThe attribution of a style to an author may constitute a problematic stake. Certain "cases" surprise, such as the case of Le Roman de Violette, published under the names of Alexandre Dumas-father and Henriette de Mannoury d’Ectot. Beyond the socio-literary stake, a stylistic stake leads. Three different ways open to the search: first, the biographic analysis; second, the stylistic analysis; third, the composition and the linguistic configuration of the verbal material constituting the "style", a search for which the quantitative analysis will be used. From the studied corpus (Le Roman de Violette, Les Cousines de la colonelle of Henriette de Mannouryd’Ectot, Une aventure d’amour of Dumas) the question of the role of Dumas and Mannoury d’Ectot in the creation of Le Roman de Violette was asked. To reach this objective, it turned out necessary to apply several methods of philological analysis: biographic anaysis, analysis of archival documents, linguistic and stylistic analysis coupled with quantitative methods. For the attribution of the novel, the thesis crosses different approaches. That based on the "theory of pattern recognition” elaborated in the Laboratory of Applied Linguistic Studies of the Saint-Petersburg State University - used for the first time on the French language - seemed decisive to obtain our results. This method allows to conclude, from the systematic analysis of syntactical elements, that the novel «Le Roman de Violette» was created by Mannoury d’Ectot, however the literary analysis gives a handle to suppose that the plot of the novel belong to Alexandre Dumas
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Thomas, Christopher Felstead. « Feeding the frontiers : logistical limitations of Roman imperialism in the West ». Thesis, University of Auckland, 2004. http://hdl.handle.net/2292/2369.
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This thesis is an examination of the importance of army supply in deciding the success and failure of the frontiers of the Roman Empire with particular emphasis on those frontiers in the Rhine-Danube provinces. It will look at logistics as the reason for the end of expansion of the Roman Empire and the frontiers forming where they did. It will also argue that the failure of logistics was a major factor in the collapse of those same frontier defences and the ultimate fall of the western part of the empire. The need to feed and supply large numbers of troops and their dependents dictated where they could be based. Because of the impossibility of supplying the whole army with imported goods, the suitability of local land for food production was also paramount. The need to have reliable sources of supply locally was met by placing veterans on retirement in villae rusticae in frontier zones. This had the effect of controlling those local sources of supply and also satisfying the increasingly expensive needs of the army praemia militiae. The increased warfare and periodic invasions from the reign of Marcus Aurelius especially on the upper Rhine and upper Danube made supply more difficult. The army placed an increasing number of beneficiarii consularis on important points on the transport network to control and direct the flow of army supplies. The more frequent invasions across the frontiers from the third century caused greater dislocation to the agricultural infrastructure not only on the frontiers but deeper into the more settled and richer provinces. This destroyed the sources of local supply and also often the source of imported supply, forcing Roman armies to stay well inside the imperial boundaries more often than before. The loss of their logistic superiority spelt the loss of their military advantage, and the loss of empire.
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Mutorwa, John. « The establishment of the Nyangana Roman Catholic Mission Station during the reign of Hompa (Chief) Nyangana an historical enquiry / ». Windhoek : Gamsberg Macmillan, 1996. http://catalog.hathitrust.org/api/volumes/oclc/36783024.html.
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Olsson, Caroline. « L’époque des Vikings et de la conversion dans le roman historique suédois ». Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040102.
Texte intégralRésumé :
La naissance du roman historique en Suède, traditionnellement située en 1828, coïncide avec un mouvement national-romantique vouant un véritable culte à la figure de l’ancien Scandinave. Mais dans cette première moitié du XIXe siècle, le genre historique est encore en mal de reconnaissance et les auteurs désireux d’évoquer le Haut Moyen Âge septentrional semblent avoir préféré se tourner vers des formes littéraires plus prestigieuses, telles que la poésie ou le théâtre. Dès le début du XXe siècle, les romans situés à l’âge des Vikings se multiplient. Une étude thématique de ces œuvres révèle que de nombreux écrivains ont été fascinés par des personnages types censés incarner la période : la figure de l’ancêtre et ses différents avatars (héros civilisateur, pionnier, patriarche) et celle de l’aventurier, dont la personnification la plus emblématique est le navigateur viking. Par souci de réalisme historique et pour rompre avec une tradition de glorification sans retenue, ces personnages vont subir une désidéalisation importante au cours du XXe siècle. D’autres romanciers ont choisi de s’intéresser à l’époque viking, car il s’agit d’une période de grands bouleversements religieux et politiques dans l’Histoire des pays scandinaves. Ces auteurs s’attachent à dépeindre le processus de christianisation et les conflits religieux entre païens et convertis. Dans une moindre mesure, ils évoquent aussi les mutations sociales et politiques. De façon générale, les représentations du Haut Moyen Âge nordique et de ses habitants trahissent les prises de position des romanciers suédois. Ceux-ci dévoilent leur vision du passé et n’hésitent pas à se livrer à une véritable relecture de l’HistoireThe birth of the historical novel in Sweden, traditionally dated from 1828, coincides with a national-romantic movement exalting the figure of the ancient Scandinavian. But in this first half of the nineteenth century, the historical novel is still in want of recognition and authors wishing to recount the Nordic Early Middle Ages seem to favour more prestigious literary forms, such as poetry or theatre. In the beginning of the twentieth century, works depicting the Viking Age become more numerous. A thematic study of these novels reveals that many writers are fascinated by typical figures seen to embody this period: the figure of the ancestor and its different forms (the civilizing hero, the pioneer, the patriarch) and the one of the adventurer, the most illustrative personification of which is the Viking navigator. Yearning for historical realism and for emancipation from a tradition of unlimited glorification, their characters will undergo a significant de-idealization during the twentieth century. Other novelists take an interest in the Viking Age because it is a period rife with religious and political changes in the History of Scandinavian nations. These authors attempt to depict the process of Christianization and the ensuing religious conflict between pagans and converts. To a lesser extent, they also deal with the social and political transformations. Generally speaking, the representations of the Nordic Early Middle Ages and their inhabitants disclose the Swedish novelists’ views and stances. These authors hence reveal their vision of the past and do not shy away from reinterpreting history
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Annandale, Robert. « Historiography, post-colonial theory, and Roman North Africa, a study of the impact of cultural beliefs on historical knowledge ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/MQ62685.pdf.
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Bergquist, Anders Karim. « The emergence of a pre-Roman state in Dacia : the archaeological and historical sources for Transylvania, 800B.C.- A.D.106 ». Thesis, University of Cambridge, 1990. https://www.repository.cam.ac.uk/handle/1810/250971.
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Balzat, Jean-Sébastien. « Greek elites and Roman citizenship : a historical analysis of the distribution of the civitas in Greece (48 BC-69 AD) ». Thesis, University of Newcastle Upon Tyne, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.557593.
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Åkerblom, Josefin. « The Fear of Little Men : On the Prehistorical and Historical Treatment of Individuals with Dwarfism ». Thesis, Högskolan på Gotland, Institutionen för kultur, energi och miljö, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hgo:diva-1963.
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Den här uppsatsens syfte har varit att kartlägga skillnader i representation av individer med dvärgväxt, från antikens Egypten fram till renässansen. Forskning har gjorts på detta utanför Sverige, men de fyra svenska människorna med dvärgväxt har inte tillfogats och jämförts med det utländska materialet innan denna uppsats. Metoden har varit en litterär jämförelse där andra författare har analyserats. De förhistoriska och historiska litterära verken som dessa författare undersökt har bland annat innefattat egyptiska papyrus, grekisk och romersk lagstiftning och medeltida dokument. Konst från dessa tider har också undersökts. Resultatet av uppsatsen har varit att uppfattningen av dvärgväxt har undergått stor variation genom förhistorien och historien. Ju längre tillbaka vi går desto högre tolerans finner vi. Dvärgar var populära i Egypten på ett sätt som återkommer i medeltidens och renässansens Europa, då hovdvärgar är på modet. Hur det har sett ut i Skandinavien är svårt att säga trots de mänskliga kvarlevorna som påträffats av individer med dvärgväxt. I uppsatsen tas även myter och folklore om dvärgar upp för att måla en djupare förståelsebild av acceptansen i samhället och hur legender kan antingen hjälpa eller stjälpa i sammanhanget.
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Wilkinson, Jennifer. « Mark and his Gentile audience : a traditio-historical and socio-cultural investigation of Mk 4.35-9.29 and its interface with Gentile polytheism in the Roman Near East ». Thesis, Durham University, 2012. http://etheses.dur.ac.uk/4428/.
Texte intégralRésumé :
This thesis takes a novel, inter-disciplinary approach to an examination of the Markan evangelist’s portrayal of Jesus’ interface with Gentiles in a central section of his Gospel (Mk 4.35-9.29). As a framework to this section, Mark created a connected account of Jesus’ itinerary that included trips to perform miracles in the Gentile territories of Gerasa, Tyre, Bethsaida, the wider Decapolis and Caesarea Philippi. This thesis examines the role of these pericopae in the narrative as a whole and challenges the view that Mark’s geographical references were largely symbolic, rural and for the most part aimed at Jewish followers. The study scrutinizes Mark’s choice of geographical locations, systematically examines recent research on the religious milieu in these specific locations and brings this research into connection with the Gentile mission portrayed by Mark. The polytheistic and social environment in which Mark’s first century audience functioned has received little attention in recent scholarship and represents a lacuna in New Testament historical-critical research which this study addresses. A detailed exegesis of this section of the narrative concludes that Mark (a) deliberately redacts his text to place miracles in geographical regions where Gentiles predominate; (b) emphasizes obduracy and faithlessness on the part of Jewish officialdom and the Jewish disciples, in contrast to an implied understanding on the part of the Gentiles; (c) orchestrates a prolonged and sustained Jesus mission to the Gentiles as a precursor to his own community’s mission, to respond to their need for support and reassurance and (d) formulates his narrative to engage with his intended first century audience's Graeco-Roman religious and social worldview, inviting them to make comparison between the activities of Jesus and other contemporary miracle-performing men and polytheistic gods.
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Revol, Laurence. « L'ironie dans la poétique du roman L'Homme qui rit de Victor Hugo ». Thesis, Grenoble, 2011. http://www.theses.fr/2011GRENL002.
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Cette thèse se propose d'étudier les différentes manifestations de l'ironie dans la poétique romanesque de L'Homme qui rit de Victor Hugo selon trois axes d'étude. Le premier s'organise autour d'une analyse de l'énonciation polyphonique dans le roman. Qui prend en charge le récit et avec quelles intentions? Les propos des personnages sont souvent empreints d'ironie, et sont commentés par le narrateur ou l'auteur. Nous observons surtout la fonction de ses paroles dans l’énoncé : comment leur insertion influence-elle le déroulement du récit? Pourquoi favorisent-elles les manifestations de l’ironie? Puis, le deuxième axe de notre réflexion s'interroge sur le mélange des genres qui favorise également l’émergence de la parole ironique. L'utilisation de l’ironie permet à Victor Hugo de porter un regard critique sur son travail d'écrivain en reconsidérant ses pratiques d’écriture. Dans son roman L'Homme qui rit,il se veut, d’abord, poète en proposant une écriture proche de celle du texte poétique où l’image figure les idées et favorise aussi le registre ironique. L’auteur endosse aussi le rôle de dramaturge en mettant en scène la parole pour la rendre plus ironique et, en même temps, le travail de sape permanent de l’ironie ne fait qu’amplifier les visées politiques et littéraires de l’auteur. Victor Hugo dénonce certaines pratiques politiques afin de remettre en question aussi sa propre expérience d’homme politique. Enfin, le dernier axe de cette étude se propose d'observer la dimension métaphysique de l’ironie au cœur de la poétique en soulignant les différentes influences des mouvements de pensées philosophiques. Dans L’Homme qui rit, on peut distinguer deux choses : l’ironie classique, définie et utilisée au cours de l’Antiquité, et l’ironie moderne, apparaissant à la fin du 18ème siècle, qui correspond à l’émergence de l’ironie romantique. Dans le roman, l’ironie verbale s’inspire des procédés rhétoriques employés par les philosophes de l’Antiquité mais aussi de l’antiphrase, arme favorite des philosophes des Lumières pour qui la littérature ne se présente plus seulement comme un témoignage ou la critique d’une époque, mais elle devient aussi un intermédiaire entre l’écrivain et son lectorat afin que ce dernier s’interroge davantage sur sa condition et sur tout ce qui l’entoure. Dans L'Homme qui rit, l’utilisation de l’ironie n'a pas seulement pour vocation de railler, elle permet au lecteur d’étendre et d’approfondir sa réflexion sur sa propre conditionThis thesis suggests studying the various appearances of irony in the romantic poetics of The Man who laughs by Victor Hugo according to three axes of study. The first one gets organized around an analysis of the polyphonic statement in the novel. Who takes care of the narrative and what are the intentions? The comments of the characters are often tinged with irony, and are commented upon by the narrator or the author. We observe especially the function of his words in the statement: how does their insertion influence the unfolding of the narrative? Why do they favor the demonstrations of irony? Then, the second axis of our reflection leads us to wonder about the mixture of the genres which also favors the emergence of the ironic word. The use of irony allows Victor Hugo to take a critical look at his work of writer by reconsidering his practices of writing. In his novel The Man who laughs, he is meant to be, at first, a poet by proposing a writing close to that of the poetic text where the image represents the ideas and also favors the ironic register. The author also assumes the role of playwright by staging the word to make it more ironic and, at the same time, the permanent undermining of irony is only amplifying the political and literary aims of the author. Victor Hugo denounces some political practices to question also his own experience as a politician
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Rubio, José Antonio. « An historical survey and theological analysis of the relationship of Roman Catholics and Pentecostals in the Latino community in the United States ». Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.
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Brink, Lucille. « Geskiedenis vasgevang in ’n net van fiksie : Harry Mulisch se Siegfried as postmodernistiese historiese roman ». Thesis, Stellenbosch : University of Stellenbosch, 2006. http://hdl.handle.net/10019.1/1632.
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Thesis (MA (Afrikaans and Dutch))—University of Stellenbosch, 2006.During an interview, the author Rudolf Herter in Harry Mulisch’s novel Siegfried states that Hitler would only be comprehended if an imaginative experiment is conducted by capturing him in a net of fiction. This is indeed what Mulisch does in this novel. The combination of historical and fictional data resulting from this strategy is typical of the conventional historical novel, while Siegfried also manifests modernist characteristics. In this study, however, special attention is paid to aspects such as metafictionality, selfreflexivity, subjectivity and an emphasis on ideology which Siegfried shares with other postmodern historical novels, with specific reference to Linda Hutcheon’s view on historiographic metafiction and Lies Wesseling’s definition of uchronian fiction. The focus in this study lies, inter alia, on the ways in which Mulisch utilizes open spaces in history and fits the fictitious data like pieces into the puzzle of the history of the Second World War in general and specific events surrounding Hitler in particular. Mulisch’s play with autobiographical data in the novel further diminishes the boundaries between fact and fiction. Of particular importance is the metafictional statements about the nature of history which Mulisch delivers in the process. Not only the political side of history, but also its subjective and one-sided nature is emphasised. Finally a question is posed about Mulisch’s intentions and aspirations in writing another novel about Hitler, who as a character in this novel awakens sympathy on the one hand and on the other is demonized as inhuman with superhuman qualities. This demonstrates the problems involved in gaining insight into the real Hitler. My opinion is that, in the final instance, Mulisch intentionally magnifies the enigma surrounding Hitler in his characterization of the man who can be regarded as one of the most destructive people of the 20th century.
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Fortes, Fabio da Silva 1983. « Sintaxe greco-romana = Prisciano de Cesareia e Apolônio Díscolo na história do pensamento gramatical antigo = Graeco-roman syntax : Priscian of Cesarea and Apollonius Dyscolus in the history of ancient grammatical thought ». [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270893.
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Orientador: Marcos Aurelio PereiraTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-20T10:06:51Z (GMT). No. of bitstreams: 1 Fortes_FabiodaSilva_D.pdf: 2771238 bytes, checksum: 7a06bb102f796bda45206df1abd22a5e (MD5) Previous issue date: 2012
Resumo: Em nossa tese, examinamos os dois livros finais (XVII e XVIII) das Institutiones grammaticae de Prisciano (séc. VI), intitulados De constructione, a partir de dois eixos fundamentais: (1) a maneira pela qual os temas gramaticais desenvolvidos por Prisciano na constituição de sua "sintaxe" se relacionam com os temas das artes grammaticae dos séculos III, IV e V; 2) as relações textuais e teóricas entre o De constructione e o seu modelo...Observação: O resumo, na íntegra, poderá ser visualizado no texto completo da tese digital
Abstract: In our thesis, we examine the two final books (XVII and XVIII) in Priscian's Institutiones grammaticae (c. VI AD) - De constructione - from two fundamental perspectives: (1) the way grammatical themes developed by Priscian for the constitution of his "syntax" relates to grammatical subjects within the artes grammaticae from c. III, IV and V AD; 2) the textual and theoretical relationship between his De constructione and its model...Note: The complete abstract is available with the full electronic document
Doutorado
Linguistica
Doutor em Linguística
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Van, Horne Mary. « CARVING A PLACE IN THE CANADIAN IMAGINATION : (RE)WRITING CANADA'S FORGOTTEN HISTORY IN A SELECTION OF CHINESE CANADIAN HISTORICAL FICTION ». Thesis, Université Laval, 2010. http://www.theses.ulaval.ca/2010/27668/27668.pdf.
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Coutsoumpos, Panayotis. « Paul's teaching of the Lord's Supper : a socio-historical study of the Pauline account of the Last Supper and its Graeco-Roman background ». Thesis, University of Sheffield, 1996. http://etheses.whiterose.ac.uk/5996/.
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The Lord's Supper was understood as a memorial of Christ's sacrificial death on the basis of a tradition handed down to the Corinthians by Paul, who reminded them of its real significance based on Jesus' Last Supper with his disciples. Paul makes it clear that the Corinthians are not maintaining the Christian tradition associated with the Lord's Supper. The main focus in 1 Corinthians 11 is behaviour that calls for correction. The problem is that socio-cultural customs prevailed over Christian distinctives at the Meal. The Corinthians behaved in accordance with the social norms of the Graeco-Roman society. In I Corinthians 11: 17-26 Paul highlights and summarizes directives to regulate the church's practice. A careful exegesis of these verses provides a basis for the explanation of the whole of chapter 11. The examination of previous works in chapters 2 and 3 indicates that scholars disagree on the influence of mystery religious meals and social meals in the Graeco- Roman world on the Lord's Supper. However, the social customs in the church demonstrate that the Corinthian practice of the Lord's Supper was in tune with the common practice of the Graeco-Roman society. For instance, the eranos meal (a common social meal in the Hellenistic world) at Corinth was a "potluck dinner.” Chapter 4 attempts to reconstruct aspects of the social setting that affected Corinthian attitudes. For both the weak and the strong Christians, eating meat sacrificed to idols created problems (I Cor. 8,10). A gluttony and drunkenness on the part of the richer and socially more powerful members created tension between groups. Paul attempted to correct the problem and promote social integration rather than divisiveness. The exegesis in chapters 5 and 6 suggests that the Lord's Supper as a rite was not intended to be a personal or social meal only for a special group, but a meal for the benefit and fellowship of the whole church. As it has been proposed in this thesis, the tension at the Lord's Supper in the Corinthian Church was mainly caused by the difficulty of some of the members' adapting to their new social and religious community.
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Llewellyn-Jones, Edward. « The Church and the military dictatorship in Chile : a study of the Roman Catholic bishops' reponse to Pinochet in its historical and theological context ». Thesis, University of Nottingham, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.410461.
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Ekström-Sotto, Caroline. « Le roman historique contemporain est-il convaincant ? : Une analyse sur l'interaction entre la fiction et le factuel dans trois Prix Palatine ». Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-43930.
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The focus of this study is to analyze in what way the historical novel can be convincing and if the interaction between fictional and factual narration within this genre influences the degree to which it can be convincing. The three novels chosen are Les Naufragés De L’Île Tromelin by Irène Frain, Les Enfants d’Alexandrie by Françoise Chandernagor and Bison by Patrick Grainville, for which all three authors received Le Grand Prix Palatine. In the introduction are presented the general characteristics of the genre as well as its capability of being convincing, outlining that there is a possibility for a fictional work to seem more convincing than a purely factual one. Also defined are differences between the contemporary and the classical historical novel. This is done in order to take into account in the analysis what might be learnt from the contemporary historical novel. The theoretical framework consists of the semantic definitions of fictional versus factual narration as presented by Jean-Marie Schaeffer, as well as theory of how the reader’s immersive experience enables ontological crossings. What the analysis is able to show is that all three novels include four types of truth claims, that the reader can be convinced of all four and that this conviction is connected to the context to which the reader associates the historical/literary character. The analysis also brings forth what can be thought of as the historiographical pact, a term analogous with Philippe Lejeune’s term ‘the autobiographical pact’, which establishes a referential link with history. What is in the end considered the most convincing literary device is the inclusion of factual markers referencing real-world sources. In all three novels, it is also possibly to identify truth claims concerning human nature.
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Pouyaud, Stéphane. « Parodie et création romanesque dans les littératures européennes (Antiquité-XVIIIe siècle) : essai de poétique historique ». Thesis, Reims, 2018. http://www.theses.fr/2018REIML008/document.
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L’objet de ce travail est de montrer le rôle capital qu’a joué la parodie dans la construction du genre romanesque, le seul de ce que l’on considère aujourd’hui comme les grands genres à ne pas être théorisé jusqu’à la fin du XVIIe siècle. La parodie est considérée comme une pratique facile et gratuite, comme une attaque déloyale visant à détruire sans pitié un modèle supérieur. Pourtant, on peut plaider en faveur de son pouvoir habilement corrosif et régénérateur : en critiquant une esthétique, elle en dénonce les défauts et invite à la renouveler. Tournée vers le passé du texte qu’elle imite, elle est aussi tournée vers l’avenir et porte en germe, dans sa critique, la suggestion de voies de renouvellement. Cette capacité de la parodie de régénérer par-delà la critique explique que le roman, en l’absence de théorisation, se soit largement défini par la parodie. Son rôle a, de ce fait, été crucial aux époques où le roman n’était ni théorisé ni accepté et elle a constitué un des lieux majeurs de la réflexion sur le genre romanesque. Non seulement la parodie bouscule le genre du roman et, par ce geste même, le constitue comme genre, mais elle permet aussi de mettre en évidence la conscience générique d’une époque et les formes qu’elle adoptait. Œuvre de lecteur, elle reflète la vision qu’a eue une époque du roman et les manières dont elle entendait le renouveler : elle est donc doublement théoricienne. Il s’agit ici de voir comment la parodie, du roman grec au roman du XVIIIe siècle a été le laboratoire du genre romanesque, situé dans un fragile équilibre entre la destruction des esthétiques qui l’ont précédé et la promotion de nouvelles formulesThe aim of this dissertation is to show the decisive role that parody played in the construction of the novel as a genre, that has not been theorized before the end of the XVIIth century (a unique case within the main forms of literatures). Parody is often considered as an easy process, an unfair and merciless way to attack a superior model. However, its defenders can valuably argue for its caustic and regenerative impact : by criticizing the novel’s aesthetic, parody points out its weaknesses and thus shows the way to renew it. By the process of imitation, parody inevitably confines the parodied text into the past; but at the same time it looks towards the future and suggests, in its criticism itself, new territories to explore. This fertile feature of parody explains why it has largely helped to define the novel in the absence of theoricians. At times when the novel was neither theorized, nor even accepted, parody has played a crucial role, concentrating most of the intellectual reflection about the novel. Not only has parody shaken the form of the novel – which by the way helped establishing it as a genre, it has also highlighted how conscious people were of the existence of this genre, the forms it took. Being a reader’s work, parody reflects how an audience considered the novel and how it intended to renew it : in that sense it has a double contribution to theory. Our objective is to see how, from the greek novel to the XVIIIth century, parody has been a think tank for the novel, in a fragile balance between the destruction of former aesthetics and the promotion of new formulas
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Song, Ge. « Indes néerlandaises et culture chinoise. Deux traductions malaises du Roman des Trois Royaumes (1910-1913) ». Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCF036/document.
Texte intégralRésumé :
Au début des années 1880, un grand nombre de traductions malaises de romans chinois émanant de descendants de Chinois (appelés en malais peranakan) parurent aux Indes néerlandaises sous la forme d’ouvrages imprimés. Nous avons choisi d’en étudier deux, parues simultanément pendant les années 1910-1913, à un moment où la communauté chinoise d’Insulinde essayait de repenser son identité culturelle et politique, sous les angles littéraire, philologique, historique et sociologique. Il s’agit de deux traductions complètes du Sanguo yanyi 三国演义, le plus remarquable des romans historiques chinois traitant de la période des Trois Royaumes. Une analyse textuelle, nous a permis de constater que les traducteurs des deux Sam Kok (titre abrégé couramment utilisé en Indonésie pour désigner le « Roman des Trois Royaumes »), qui n’avaient pourtant qu’une éducation chinoise du premier degré et une connaissance du malais en usage dans les milieux urbains de Java, mais une grande volonté, ont réussi à exprimer toutes les valeurs littéraires et culturelles du Sanguo yanyi. Afin d’examiner l’impact des Sam Kok sur communauté chinoise, nous les avons replacés dans leur contexte historique et dans l’ensemble des traductions parues pendant les années 1880-1910. Nous sommes parvenue ainsi à montrer que grâce à ces traductions, et particulièrement celles du « Roman des Trois Royaumes », les peranakan ont pu obtenir une certaine compréhension de l’histoire et de la culture du pays de leurs ancêtres, lesquelles constituaient aussi une partie de leur passéIn the early 1880s, the descendants of Chinese immigrants (called Peranakan in Malay) achieved and printed a large number of Malay translations of Chinese novel in the Dutch Indies. We chose to study two translations published simultaneously during the years 1910-1913 when the Chinese community of Insular Southeast Asia was trying to rethink its cultural and political identity from the literary, philological, historical and sociological angles. The research is about two complete translations of the Sanguo yanyi 三国演义, the most remarkable Chinese historical novels that depict the period of Three Kingdoms. Through textual analysis, we found that although the translators of two Sam Kok (abbreviated title commonly used in Indonesia to refer to the “Romance of the Three Kingdoms”) had some rudimentary Chinese education and knowledge of the language Malay used in the urban areas of Java, they exhibited a great willingness to express all the literary and cultural values of the novel Sanguo yanyi. In order to examine the impact of Sam Kok on the Chinese community, we have put them in their historical context and compare them with other Malay translations published during 1880-1910. Consequently, we are able to assert that, through those translations, especially those of Romance of the Three Kingdoms, the peranakan have acquired some understanding of the history and culture of their ancestral country, which also constituted their past
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Fossard, Stéphane. « Plaisirs du texte et plaisirs du sexe : l'érotisation de l'histoire dans les récits historiques de Paul Lacroix (1829-1835) ». Thesis, La Réunion, 2017. http://www.theses.fr/2017LARE0004/document.
Texte intégralRésumé :
Les années 1830 sont marquées par l'émergence d'une jeune génération romantique. Parmi ces nouveaux écrivains se trouve Paul Lacroix, jeune homme ambitieux qui désire marquer la littérature de son temps. Il connaît le succès grâce à ses romans historiques publiés sous le pseuadonyme de « Bibliophile Jacob », vieil érudit amateur de livres. Il exprime à travers son œuvre la volonté de donner à son public le goût de l'histoire, science réputée austère et exigeante. Il cherche également à se démarquer de ses illustres aînés et à devenir le « Walter Scott français ». Il joue pour cela sur l'attrait de l'érotisme et introduit ses lecteurs au cœur des secrets les plus intimes de l'histoire de France. Érotiser l'histoire est une manière pour Paul Lacroix de proposer une définition personnelle du roman historique, de s'interroger sur l'esthétique romantique et d'exprimer ses revendications idéologiques. Cette approche plurielle permettra de cerner au mieux les enjeux de son écriture et de montrer les limites de son projetThe 1830's are caracterized by the emergence of a young romantic generation. Among those new writers is Paul Lacroix, young ambitious man who desires to influence the litterature of his own time. He succeds to do so thanks to the historical novels he published under the pseudonym of « Bibliophile Jacob », old erudite book lover. He expresses through his work his will to give his public a taste for history, known to be an austere and demanding science. He also tries to stand out from his illustrious predecessors in becoming the « french Walter Scott ». Then, he plays on the attraction of eroticism and leads to his readers into the heart of the most intimate secrets of France history. By showing of the erotic side of history, Paul Lacroix gives his personal definition of the historical novel. That way, he brings up question about romantic aesthetic and expresses ideologicals claimings. This plural approach will enable to identify the issues of his writing and to show the limits of his project
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Petit, Aimé. « L'anachronisme dans les romans antiques du XIIe siècle ». Lille : Centre d'études médiévales et dialectales de l'Université de Lille III, 1985. http://catalog.hathitrust.org/api/volumes/oclc/13978956.html.
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De, Wet Michelle. « Fiction en tant qu histoire : une etude de l evolution des roles de la femme dans le vingtieme siecle dans le roman La Poussiere des Corons par Marie-Paul Armand ». Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/d1008392.
Texte intégralRésumé :
Georges Duby and Michelle Perrot’s work, Histoire des femmes en Occident, Antoine Prost and Gérard Vincent’s work A History of Private Life as well as Chantal Antier’s work Les Femmes dans la Grande Guerre and Carol Mann’s work Femmes dans la Guerre, show that women have been largely ignored in the annals written about the twentieth century. This period was one marked by two World Wars, which had an enormous impact on women, especially in terms of their roles in society. These events resulted in women moving from the home to the world of work. These writers acknowledge that women in the twentieth century were mostly excluded from history. In contrast to others who have written about this time, these writers consider women and their roles in society and how these roles have changed as a consequence of the historical events of the time. Marie-Paul Armand was a popular writer of French fiction. At first glance her novels seem to be enjoyable historical, romantic fiction for readers who enjoy sentimental love stories. However on closer examination one can see that she rigorously researched the period in which her novels are set. These novels reconstitute the reality of women’s lives during the twentieth century. In her first award-winning novel La poussière des corons, Armand depicted the life of her main character, Madeleine, through the various stages of a woman’s life from her birth at the turn of the century, early childhood, adolescence during the First World War until old age in the 1960s. This novel mirrors the life of a woman in working class French mining society from the beginning of the twentieth century until the fifties and sixties when Western women underwent an unprecedented metamorphosis of their role. These novels would appeal to a wider readership than works by Historians with the same subject matter.
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Demirdjian, Héléna. « Les Sociétés secrètes dans le roman historique du XIXè siècle (Scott, Dumas, Raffi) ». Thesis, Montpellier 3, 2019. http://www.theses.fr/2019MON30094.
Texte intégralRésumé :
Le développement du roman historique dans l'Europe du XIXème siècle a partie liée avec l'émergence et l'identité des identités nationales. En France, la question de la genèse de la Nation sur la longue durée, jusqu'à l'événement décisif de la Révolution, permet de penser les tensions et les paradoxes d'une société post-révolutionnaire à la recherche de sa propre intelligibilité. Comment faire émerger l'idée de la collectivité nationale par le biais de l'action de sociétés secrètes, dont le principe et l'action sont souvent largement anti-démocratiques ? Il conviendra de comprendre comment Scott, Dumas et Raffi résolvent chacun à leur manière ce paradoxeIn Europe, the development of the historical novel in the nineteenth-century is relied to the emergence of the national identities. In France, the question of the genesis of the nation over a long period, until the decisive event of the Revolution, makes it possible to think about the tensions and paradoxes of a post-revolutionary society looking for its own intelligibility. How can the idea of the national community emerge through the action of secret societies whose principle and action are often largely undemocratic? It will be necessary to understand how Scott, Dumas and Raffi solve this paradox in their own way
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Razza, Henri. « L'appréhension historique du déclin de l'Empire Romain chez Saint Jérôme ». Thesis, Aix-Marseille, 2013. http://www.theses.fr/2013AIXM1051.
Texte intégralRésumé :
C’est pendant une période très troublée que Saint Jérôme (347-419) exerce son activité intellectuelle surabondante.Remarqué par le pape Damase en 382, ce dernier lui confie la lourde tâche de refaire la traduction latine des textes de la Bible. Cette traduction sera connue sous le nom de Vulgate. Certes Saint Jérôme n’est pas un juriste de formation, mais son érudition et ses solides connaissances juridiques lui permettent d’analyser le déclin de l’Empire Romain avec une double approche : à la fois religieuse et institutionnelle. Cette analyse met en exergue un véritable sens de l’histoire propre au saint Docteur de l’Eglise.Ainsi après une lutte acharnée contre les hérésies, Saint Jérôme va s’attacher à peindre le tableau de ce monde romain s’effondrant sous les coups répétés des barbares : « Mon cœur frémit en abordant les désastres de notre temps. Voilà plus de vingt ans qu’entre Constantinople et les Alpes Juliennes, le sang romain coule tous les jours ». (Epist. IX, 16). Les écrits de Jérôme, avec notamment les fameuses Correspondances, en disent beaucoup sur le désarroi éprouvé par un peuple entier.Grâce à l’éclairage d’autres auteurs, nous étudierons cette période cruciale de l’Antiquité, qui a vu l’éclosion des plus grands esprits de l’époque et dont Saint Jérôme est l’une des figures les plus marquantesIt was during a very troubled period that Saint Jerome (347-419) operated his abundant intellectual activity.Noticed by Pope Damasus in 382, he entrusted him the arduous task of re-translation of Latin texts of the Bible. This translation will later be known as the Vulgate. Although Saint Jerome is not a lawyer by training, his erudition and solid legal knowledge enable him to analyze the decline of the Roman Empire with a dual approach : both religious and institutional. This analysis demonstrakes a true vision of History in this Church Father’s mind.Thus after a fierce fight against heresies, Saint Jerome will focus on the disaster of the Roman’s world collapse, under the repeated blows of the barbarians : « My heart trembles in thinking of the disasters of our time. For over twenty years, between Constantinople and the Julian Alps, the Roman blood has been flowing every day ». (Epist. IX, 16). Jerome’s writings, including the famous « Correspondances », say much about the distress experienced by an entire people.With the lighting of other authors, we will examine this crucial period of antiquity, which saw the emergence of the greatest minds of our time, which Saint Jerome is one of the most significant
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Dorotte, Juliette. « La naissance du roman américain (1789-1819) : poétique de l’hybridité ». Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040180.
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Cette étude propose de réviser le postulat selon lequel le roman américain ne naît que dans les années 1820, pour suggérer que cette forme émerge plus tôt, entre 1789 et 1819. La période qui suit la fin de la guerre d’Indépendance n’est pas favorable à la naissance du roman : les élites craignent alors la déchéance de la jeune République, et la fiction risque de faire basculer le pays dans l’anarchie. Les œuvres des premiers auteurs américains sont fortement façonnées par l’impératif de didactisme et d’utilité sociale et morale qui pèse alors sur la création littéraire. Toutefois, le roman qui émerge dans les années 1790 demeure une forme sombre, plurielle et paradoxale qui résiste à toute tentative de recadrage et de maîtrise, comme en témoigne particulièrement l’œuvre de Charles Brockden Brown. Alors qu’une première tradition littéraire a commencé à se mettre en place au tournant du siècle, le roman subit une transformation esthétique majeure au cours des années 1800 et 1810. Il dépeint à présent avec nostalgie, dans une forme lisse, mesurée et linéaire, une Amérique qui n’existe plus ou qui n’a jamais existé, dans laquelle tout est perpétuellement ordonné et transparent. Ces ouvrages ne marquent pourtant pas l’avènement du roman américain, car leur équilibre est artificiel et les éléments sombres sont toujours lisibles au cours de ces deux décennies. Nous concluons qu’un roman spécifiquement américain se développe effectivement entre 1789 et 1819, qui, au moyen de deux esthétiques opposées mais complémentaires, s’interroge sur l’individualité, le temps et l’écriture, dans une quête perpétuelle d’équilibre et de maîtrise qui ne se réalise jamais vraimentAlthough critics still widely consider the American novel only emerges in the 1820s, this dissertation invalidates this assertion and suggests that it rises between 1789 and 1819 and has specific aesthetic characteristics. The period that follows the close of the Revolution is not favorable to the development of the novel: the elites fear the fall of the early Republic, and the novel might precipitate the nation into anarchy. The first American authors’ works are fashioned by the social and moral imperatives that influence writing at that time. Despite these measures, the novels published in the 1790s are dark, fragmented and paradoxical and resist any attempt at order and control, as Charles Brockden Brown’s works show. While the 1790s seem to witness the development of a specifically American tradition, the novel undergoes a major aesthetic change at the beginning of the 19th century. Long fictions now depict, with nostalgia and in a smooth, balanced, strongly linear form, an ordered and transparent American nation that is no more or that never existed. Yet these works do not indicate that the American novel has reached its mature form, as their balance is purely artificial and unruly elements are still at work during those decades. We conclude that a specifically American novel emerges during the thirty years following the Revolution: under two different but complementary aesthetics, this genre questions matters linked to individuality, time and writing, and is haunted by a quest for control and balance that never really comes to completion
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Rodrigues-Sobreira, Luís Alexandre. « Le Romantisme portugais : contrastes et résonances ». Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040209.
Texte intégralRésumé :
L’image institutionnelle du Romantisme portugais, souvent calquée sur la vision nationaliste des chefs de file de ce mouvement et tournée vers les textes innovateurs, est une image tronquée, partiale et figée. Combinant l’analyse socio-littéraire de quatre œuvres de fiction, représentatives des principales lignes d’affrontement de l’époque en termes de valeurs esthétiques et idéologiques, avec l’analyse historique des traductions, cette étude fait émerger les différents pôles constitutifs du champ littéraire portugais entre 1840 et 1860 et démontre sa complexité polyphonique. On y décèle ainsi, au niveau de “la littérature civique” (symboliquement dominante), incarnée par A Virgem da Polónia, de J.J.R. Bastos, et Eurico, O Presbítero, d’Alexandre Herculano, un conflit entre modèles sociaux et littéraires conservateurs et progressistes. Quant à A Mão do Finado, d’Alfredo Possolo Hogan, elle permet d’éclairer l’émergence de l’”industrialisme littéraire”. Enfin, Maria! Não me mates, que sou tua mãe!, de Camilo Castelo Branco, représente la pérennité de la littérature de colportage et pour son auteur le début d’une carrière de “professionnel des lettres”. La partie finale est consacrée à l’examen de la littérature traduite (raisons du succès ou de l’absence de certains auteurs) et de la méthode de nationalisation que Castilho lui appliqua afin de perpétuer l’ordre instituéModeled on the vision of the nationalist movement’s leaders and oriented towards the literary innovative texts, the institutional image of the Portugese Romanticism is a distorted, partial and a static one. Combining the socio-literary analysis of four works of fiction, representative of the main lines of confrontation both for their aesthetic and ideological values, and the historical analysis of book translations, this study brings to the foreground the various constituent poles of the Portuguese literary field between 1840 and 1860 and shows its polyphonic complexity. A conflict between social models and literary conservatives and progressives is therefore depicted through the « civic literature » (symbolically dominant) and incarnated by A Virgem da Polónia, by J.J.R.Bastos, and Eurico, O Presbitero, by Alexandre Herculano. As for A Mão do Finado, by Alfredo Possolo Hogan, it sheds light on the emergence of the “literary industrialism”. Finally, Maria! Não me mates, que sou tua mãe!, by Camilo Castelo Branco, represents the sustainability of the chapbooks and for its author the beginning of a career of «professional of letters». The last section is devoted to the consideration of translated literature (reasons for success or absence of some authors) and the method of nationalization that Castilho applied to it in order to perpetuate the established order