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Littérature scientifique sur le sujet « Home invasion – Fiction »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Home invasion – Fiction"

Rahman, Anisur. "Ideological Conflict and Perpetrators’ Trauma in the Works of Haruki Murakami." IAFOR Journal of Arts & Humanities 11, no. 1 (2024): 9–23. http://dx.doi.org/10.22492/ijah.11.1.01.

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PITS (Perpetration-induced Trauma Stress) or perpetrator trauma is a form of posttraumatic stress disorder (PTSD) and a subject of debate in trauma discourse, where it is regarded as an unwelcome ghost that carries a heavy load of moral and ethical ambiguity. The issue arises from the question of how one can experience traumatic stress when one wilfully commits immoral or unlawful acts. In this sense, it must be remembered that perpetrators are not always willful murderers, especially in the case of a war when young men are drafted against their will. The Japanese invasion of China is one such

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Jacobsen, Louise Brix. "Vitafiction and virality: Celebrities fictionalizing the self online." Convergence: The International Journal of Research into New Media Technologies 26, no. 4 (2018): 912–26. http://dx.doi.org/10.1177/1354856518818081.

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Celebrities playing fictionalized versions of themselves in commercials, campaigns, and video spots have become an increasingly viral phenomenon. The George Clooney commercials for Nespresso are circulated and promoted on various media platforms, segments from The Tonight Show Starring Jimmy Fallon are released on NBC.com and shared on YouTube, and some videos are explicitly created to go viral and even published on social media sites. In this article, I draw on recent work in fictionality studies and studies of virality to investigate how the celebrity trend of ‘vitafiction’ possesses a viral

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Djohar, Hasnul Insani. "FOLKTALES AND RITES OF PASSAGE IN RANDA JARRAR'S A MAP OF HOME." Poetika 7, no. 2 (2019): 148. http://dx.doi.org/10.22146/poetika.v7i2.51160.

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This paper examines the struggle of American-Muslim women to negotiate their identities in literary works published after the invasion of Iraq (20 March-1 May 2003). In this case, I examine Randa Jarrar’s A Map of Home (2008) in order to investigate how Jarrar both negotiates her identity through folktales, naming, and rites of passages. By engaging with postcolonial studies, and working within the frameworks of cultural studies, this paper aims to investigate aesthetic strategies that Jarrar (Egyptian-Palestinian-American) deploys in her writing. Jarrar also respects her Muslim intellectual f

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Addison-Smith, Helen. "E.T. Go Home: Indigeneity, Multiculturalism and ‘Homeland’ in Contemporary Science Fiction Cinema." Papers: Explorations into Children's Literature 15, no. 1 (2005): 27–35. http://dx.doi.org/10.21153/pecl2005vol15no1art1257.

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Readings of films involving alien invasions do not take into account the fact that in many science fiction films, notably 'E. T', aliens are benign and friendly, are trapped in human societies, and desire above all to return to their homelands. A key to understanding such good aliens is the idea of the 'Indian', a figure widely used in the US to encode ideas about home, belonging and identity, often through the deployment of New Age discourses.

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Apriliyanti, Bunga, Kamaluddin Abunawas, Muhsin Ahmad, and Aprilia Kastang. "Analysis of Genetic Structuralism in the Novel Alf Syams Musyriqah by Khaled Hosseini." International Journal of Religion Education and Law 4, no. 1 (2025): 19–32. https://doi.org/10.57235/ijrael.v4i1.4436.

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This research presents four problem formulation items, namely: First, what is the structure of the novel Alf Syams Musyriqah? Second, what are the social facts in Alf Syams Musyriqah's novel? Third, what is the collective subject in Alf Syams Musyriqah's novel? Fourth, what is Khaled Hosseini's world view in Alf Syams' novel Musyriqah? This type of research is library research. The approach used is a literary sociology approach using the theory of genetic structuralism as an analytical tool. The data collection method used in this research is literature study. The data analysis technique used

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Mekh, Nataliia. "Interpretation of the Tiger Trappers Novel by Ivan Bahrianyi in the Ukrainian Cinematography of the 1990s and Musical Theatre of the 2020s." Folk Art and Ethnology, no. 2 (June 30, 2024): 35–43. http://dx.doi.org/10.15407/nte2024.02.035.

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Attention is paid in the article to the landmark event of modern Ukrainian culture – the book celebrating its anniversary in 2024 – Ivan Bahrianyi’s novel the Tiger Trappers and the rethinking, interpretation of this work in the modern Ukrainian artistic space, in particular in cinematographic and theatrical texts. This year, 80 years have passed since the world saw the adventure work with autobiographical elements, which resonated not only at home, but also abroad. And this is not surprising, because Tiger Trappers has been translated into many languages of the world and had a circulation of

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Shaista, Dr Shaista Andleeb, and Dr Muhammad Asif Khan Muhammad Asif Khan. "The Use of Irony as a Feministic Device to Deter Gender-Nationalistic Duo in Meatless Days." International Journal of Linguistics and Culture 2, no. 2 (2021): 197–214. http://dx.doi.org/10.52700/ijlc.v2i2.62.

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The analogy of critical representation of the feminine issues prohibits the sustained continuation of the ideological manuscript of gender division in Pakistan. The Postcolonial nativity, the charisma of nationalism, the rigid concentration of aristocratic Westernization create a hard line between the social, cultural, and political identification of regional/national roles after the establishment of Pakistan. Bhabha (1994) reminds us that ‘postcoloniality is a salutary reminder of the persistent neo-colonial relations within new world order’(p.06). The structure of crucial gender boundaries i

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Yoon, Hye-Joon. "Area Studies and Desire: Towards a Genealogy." International Area Review 1, no. 1 (1997): 52–65. http://dx.doi.org/10.1177/223386599700100104.

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Area studies, as a newly fashionable field of academic research, needs to recognize its less likely precedents if it is going to secure for itself a fresh start. The question of “desire” is relevant here because it indicates the less value-free aspects in its genealogy. As shown in Emma Bovary's embellished representation of Paris at her provincial home, an understanding of an area often reflects the particular needs and desires of the one who understands that area. Such restricted and restricting views of an area repeats itself outside the world of literary fictions, as is shown by the exampl

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Villon, Renata Coutinho. "Ruínas em solo terrestre: uma análise de Piquenique na estrada, inumanidade e Antropoceno." Revista Interfaces 33, no. 2 (2024): 93–114. http://dx.doi.org/10.60001/ricla.v33.n2.7.

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Em Piquenique na Estrada, de Boris e Arkadi Strugátski, uma ameaça alienígena desconhecida e inexplicável deixa zonas igualmente inexplicáveis e altamente mortíferas em alguns espaços delimitados ao redor do planeta. O presente trabalho analisa a obra tendo como foco o confronto entre uma humanidade até então soberana e esse outro não nomeado que agora ocupa seu espaço, de forma a refletir a respeito do próprio significado de “ser humano” e a destruição por ele efetuada no planeta – ou Gaia, como veremos principalmente a partir das observações de Viveiros de Castro e Danowski. Para tal, movime

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Бортновски, А. "THE IMAGE OF THE CITY IN “THE WHITE GUARD” BY MIKHAIL BULGAKOV AND IN “THE CITY” BY VALERYAN PIDMOGILNY." Русистика и компаративистика, no. 15 (February 2, 2022): 72–91. http://dx.doi.org/10.25688/2619-0656.2021.15.05.

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В статье сопоставлены образы Киева в романах Михаила Булгакова «Белая гвардия» и Валерьяна Пидмогильного «Город». Оба произведения были написаны в 1920-е гг. и отражают специфику киевской действительности в момент исторических перемен. Цель исследования — указание ключевых различий в изображении города русским и украинским писателями, которые обусловлены как национальным, так и социальным происхождением авторов. В статье также рассматривается вопрос, являются образы Киева в анализируемых романах комплементарными или взаимоисключающими. The article compares the images of the city in the novels

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Livres sur le sujet "Home invasion – Fiction"

Johnstone, William W. Home invasion. Kensington Publishing Corp., 2010.

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Fielding, Joy. Home invasion. Grass Roots Press, 2011.

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Crais, Robert. The first rule. G.P. Putnam's Sons, 2010.

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Crais, Robert. The first rule. G.P. Putnam's Sons, 2010.

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Crais, Robert. The first rule. G.P. Putnam's Sons, 2010.

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Slaughter, Karin. The good daughter. William Morrow, 2017.

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Cole, Samantha A. Watching from the shadows. [CreateSpace Independent Publishing Platform], 2016.

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Little, Jean. Invasion of the Mind Swappers from Asteroid 6! Atheneum Books for Young Readers, 2002.

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Little, Jean. Invasion of the Mind Swappers from Asteroid 6. Atheneum Books for Young Readers, 2002.

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Little, Jean. Invasion of the Mind Swappers from Asteroid 6. Scholastic, 2003.

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Chapitres de livres sur le sujet "Home invasion – Fiction"

O’Neil, Catherine. "Contemporary Russophone Literature of Ukraine in the Changing World of Russian Literature." In Translating Russian Literature in the Global Context. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0340.40.

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This chapter examines the careers of two of Kyiv’s most prominent Russophone authors, Andrei Kurkov and Alexei Nikitin, who had very different publication experiences both at home and abroad. I focus on the reception of their prose fiction in English translation in the US; since Russia’s full-scale invasion of Ukraine on 24 February 2023, I have updated this chapter to address some of the sweeping, ongoing changes in Russophone culture and its perception in the west. My analysis draws on my extensive personal and professional relations with literary and scholarly figures in Ukraine, including

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Bhabha, Homi K. "The World and The Home." In Extraterritorialities in Occupied Worlds. punctum books, 2016. https://doi.org/10.21983/p3.0131.1.18.

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In the House of Fiction you can hear, today, the deep stirring of the “unhome-ly.” You must permit me this awkward word — the unhome-ly — because it captures something of the estranging sense of the relocation of the home and the world in an unhallowed place. To be unhomed is not to be homeless, nor can the “unhomely” be easily accommodated in that familiar division of social life into private and the public spheres. The unhomely moment creeps up on you stealthily as your own shadow and suddenly you find yourself with Henry James’s Isabel Archer “taking the measure of your dwelling” in a state

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Atkinson, Rowland, and Sarah Blandy. "Fear, crime and the home." In Domestic Fortress. Manchester University Press, 2016. http://dx.doi.org/10.7228/manchester/9781784995300.003.0005.

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This chapter focuses on fear of crime, and particularly on the fear of home invasion (burglary). It links back to the ways in which we are taught to fear in our childhood homes, and the contemporary forces which continue to boost the perceived need for home defence. Data on burglary rates and fear of crime are deconstructed, and the interconnected roles of the media and of government in feeding fear are analysed. We suggest that the news media's singular focus on rare and horrific events have a cumulative and traumatic effect on our perceptions of the relative safety of the home. The chapter a

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Ellmann, Maud. "Borderation: Fictions of the Northern Irish Border." In The Edinburgh Companion to Irish Modernism. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474456692.003.0005.

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This chapter examines the impact on recent Irish fiction of the border dividing British Northern Ireland from the Irish Republic, ‘the most militarised border in the archipelago’. This border is deplored as a spatial heresy by Irish nationalists who envision a united Ireland, but defended as an orthodoxy by Unionists who insist on their political allegiance to the British state. This chapter compares two thrillers set in borderland territory, Eugene McCabe’s Victims and Benedict Kiely’s Proxopera, with Anna Burns’s deconstructed bildungsroman No Bones, set in Belfast. While McCabe’s and Kiely’

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Buchakjian, Gregory. "The City of Disasters and Dreams: Experiencing Beirut and its Urban Geography in Light of Jocelyne Saab’s Beirut, My City and A Suspended Life." In ReFocus: The Films of Jocelyne Saab. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474480413.003.0016.

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Jocelyne Saab’s first feature film A Suspended Life (1985), tells the story of a teenage girl whose family finds refuge in an abandoned palace in Beirut. Saab’s own home was initially supposed to serve as film set, but it was destroyed on the first day of the Israeli invasion of Lebanon in June 1982. Its ruins appear in the opening view of Beirut My City (1982), a documentary shot during the siege of the Lebanese capital that lasted until the evacuation of the Palestinian forces, 21 August 1982. This chapter proposes to read Beirut My City and A Suspended Life as a diptych. The first, a docume

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Cull, Nicholas John. "War Comes to America: the road to pearl harbor,augest to December 1941,." In Selling War. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195085662.003.0007.

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Abstract Hope added Caught in the Draft. Even Walt Disney injected a hint of belligerence into Dumbo. In the film’s closing moments, the baby elephant’s giant ears inspire a breakthrough in military aviation: “Dum bombers for our defense!” Of all Britain’s allies in Hollywood, Walter Wanger remained the most enthusiastic. But Britain could not always repay his devotion. Hitchcock recalled Sidney Bernstein gently explaining to Wanger that he could not be given exclusive film rights to the Nazi invasion of Britain.115 The year 1941 brought a more serious strain on the Mol’s romance with Wanger.

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