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Articles de revues sur le sujet « Home invasion – Fiction »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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1

Rahman, Anisur. "Ideological Conflict and Perpetrators’ Trauma in the Works of Haruki Murakami." IAFOR Journal of Arts & Humanities 11, no. 1 (2024): 9–23. http://dx.doi.org/10.22492/ijah.11.1.01.

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PITS (Perpetration-induced Trauma Stress) or perpetrator trauma is a form of posttraumatic stress disorder (PTSD) and a subject of debate in trauma discourse, where it is regarded as an unwelcome ghost that carries a heavy load of moral and ethical ambiguity. The issue arises from the question of how one can experience traumatic stress when one wilfully commits immoral or unlawful acts. In this sense, it must be remembered that perpetrators are not always willful murderers, especially in the case of a war when young men are drafted against their will. The Japanese invasion of China is one such

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Jacobsen, Louise Brix. "Vitafiction and virality: Celebrities fictionalizing the self online." Convergence: The International Journal of Research into New Media Technologies 26, no. 4 (2018): 912–26. http://dx.doi.org/10.1177/1354856518818081.

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Celebrities playing fictionalized versions of themselves in commercials, campaigns, and video spots have become an increasingly viral phenomenon. The George Clooney commercials for Nespresso are circulated and promoted on various media platforms, segments from The Tonight Show Starring Jimmy Fallon are released on NBC.com and shared on YouTube, and some videos are explicitly created to go viral and even published on social media sites. In this article, I draw on recent work in fictionality studies and studies of virality to investigate how the celebrity trend of ‘vitafiction’ possesses a viral

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Djohar, Hasnul Insani. "FOLKTALES AND RITES OF PASSAGE IN RANDA JARRAR'S A MAP OF HOME." Poetika 7, no. 2 (2019): 148. http://dx.doi.org/10.22146/poetika.v7i2.51160.

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This paper examines the struggle of American-Muslim women to negotiate their identities in literary works published after the invasion of Iraq (20 March-1 May 2003). In this case, I examine Randa Jarrar’s A Map of Home (2008) in order to investigate how Jarrar both negotiates her identity through folktales, naming, and rites of passages. By engaging with postcolonial studies, and working within the frameworks of cultural studies, this paper aims to investigate aesthetic strategies that Jarrar (Egyptian-Palestinian-American) deploys in her writing. Jarrar also respects her Muslim intellectual f

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Addison-Smith, Helen. "E.T. Go Home: Indigeneity, Multiculturalism and ‘Homeland’ in Contemporary Science Fiction Cinema." Papers: Explorations into Children's Literature 15, no. 1 (2005): 27–35. http://dx.doi.org/10.21153/pecl2005vol15no1art1257.

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Readings of films involving alien invasions do not take into account the fact that in many science fiction films, notably 'E. T', aliens are benign and friendly, are trapped in human societies, and desire above all to return to their homelands. A key to understanding such good aliens is the idea of the 'Indian', a figure widely used in the US to encode ideas about home, belonging and identity, often through the deployment of New Age discourses.

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Apriliyanti, Bunga, Kamaluddin Abunawas, Muhsin Ahmad, and Aprilia Kastang. "Analysis of Genetic Structuralism in the Novel Alf Syams Musyriqah by Khaled Hosseini." International Journal of Religion Education and Law 4, no. 1 (2025): 19–32. https://doi.org/10.57235/ijrael.v4i1.4436.

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This research presents four problem formulation items, namely: First, what is the structure of the novel Alf Syams Musyriqah? Second, what are the social facts in Alf Syams Musyriqah's novel? Third, what is the collective subject in Alf Syams Musyriqah's novel? Fourth, what is Khaled Hosseini's world view in Alf Syams' novel Musyriqah? This type of research is library research. The approach used is a literary sociology approach using the theory of genetic structuralism as an analytical tool. The data collection method used in this research is literature study. The data analysis technique used

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Mekh, Nataliia. "Interpretation of the Tiger Trappers Novel by Ivan Bahrianyi in the Ukrainian Cinematography of the 1990s and Musical Theatre of the 2020s." Folk Art and Ethnology, no. 2 (June 30, 2024): 35–43. http://dx.doi.org/10.15407/nte2024.02.035.

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Attention is paid in the article to the landmark event of modern Ukrainian culture – the book celebrating its anniversary in 2024 – Ivan Bahrianyi’s novel the Tiger Trappers and the rethinking, interpretation of this work in the modern Ukrainian artistic space, in particular in cinematographic and theatrical texts. This year, 80 years have passed since the world saw the adventure work with autobiographical elements, which resonated not only at home, but also abroad. And this is not surprising, because Tiger Trappers has been translated into many languages of the world and had a circulation of

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Shaista, Dr Shaista Andleeb, and Dr Muhammad Asif Khan Muhammad Asif Khan. "The Use of Irony as a Feministic Device to Deter Gender-Nationalistic Duo in Meatless Days." International Journal of Linguistics and Culture 2, no. 2 (2021): 197–214. http://dx.doi.org/10.52700/ijlc.v2i2.62.

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The analogy of critical representation of the feminine issues prohibits the sustained continuation of the ideological manuscript of gender division in Pakistan. The Postcolonial nativity, the charisma of nationalism, the rigid concentration of aristocratic Westernization create a hard line between the social, cultural, and political identification of regional/national roles after the establishment of Pakistan. Bhabha (1994) reminds us that ‘postcoloniality is a salutary reminder of the persistent neo-colonial relations within new world order’(p.06). The structure of crucial gender boundaries i

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Yoon, Hye-Joon. "Area Studies and Desire: Towards a Genealogy." International Area Review 1, no. 1 (1997): 52–65. http://dx.doi.org/10.1177/223386599700100104.

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Area studies, as a newly fashionable field of academic research, needs to recognize its less likely precedents if it is going to secure for itself a fresh start. The question of “desire” is relevant here because it indicates the less value-free aspects in its genealogy. As shown in Emma Bovary's embellished representation of Paris at her provincial home, an understanding of an area often reflects the particular needs and desires of the one who understands that area. Such restricted and restricting views of an area repeats itself outside the world of literary fictions, as is shown by the exampl

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Villon, Renata Coutinho. "Ruínas em solo terrestre: uma análise de Piquenique na estrada, inumanidade e Antropoceno." Revista Interfaces 33, no. 2 (2024): 93–114. http://dx.doi.org/10.60001/ricla.v33.n2.7.

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Em Piquenique na Estrada, de Boris e Arkadi Strugátski, uma ameaça alienígena desconhecida e inexplicável deixa zonas igualmente inexplicáveis e altamente mortíferas em alguns espaços delimitados ao redor do planeta. O presente trabalho analisa a obra tendo como foco o confronto entre uma humanidade até então soberana e esse outro não nomeado que agora ocupa seu espaço, de forma a refletir a respeito do próprio significado de “ser humano” e a destruição por ele efetuada no planeta – ou Gaia, como veremos principalmente a partir das observações de Viveiros de Castro e Danowski. Para tal, movime

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Бортновски, А. "THE IMAGE OF THE CITY IN “THE WHITE GUARD” BY MIKHAIL BULGAKOV AND IN “THE CITY” BY VALERYAN PIDMOGILNY." Русистика и компаративистика, no. 15 (February 2, 2022): 72–91. http://dx.doi.org/10.25688/2619-0656.2021.15.05.

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В статье сопоставлены образы Киева в романах Михаила Булгакова «Белая гвардия» и Валерьяна Пидмогильного «Город». Оба произведения были написаны в 1920-е гг. и отражают специфику киевской действительности в момент исторических перемен. Цель исследования — указание ключевых различий в изображении города русским и украинским писателями, которые обусловлены как национальным, так и социальным происхождением авторов. В статье также рассматривается вопрос, являются образы Киева в анализируемых романах комплементарными или взаимоисключающими. The article compares the images of the city in the novels

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Melby, Christian K. "Rethinking British Militarism before the First World War: The Case of An Englishman’s Home (1909)." English Historical Review, February 7, 2023. http://dx.doi.org/10.1093/ehr/ceac258.

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Abstract British pre-First World War culture has often been described as militaristic. An Englishman’s Home, Guy du Maurier’s 1909 play about a German invasion of Britain, forms part of this picture. Yet the message of the play was not clear-cut, and Edwardian society reacted as much with bemusement and criticism to the idea that Britain could be invaded as with militaristic fervour. This article investigates the reactions to du Maurier’s play, and sets it in the context of the wider invasion-scare and future-war genre, a popular element in late Victorian and Edwardian culture. The play was qu

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Howell, Katherine. "The Suspicious Figure of the Female Forensic Pathologist Investigator in Crime Fiction." M/C Journal 15, no. 1 (2011). http://dx.doi.org/10.5204/mcj.454.

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Over the last two decades the female forensic pathologist investigator has become a prominent figure in crime fiction. Her presence causes suspicion on a number of levels in the narrative and this article will examine the reasons for that suspicion and the manner in which it is presented in two texts: Patricia Cornwell’s Postmortem and Tess Gerritsen’s The Sinner. Cornwell and Gerritsen are North American crime writers whose series of novels both feature female forensic pathologists who are deeply involved in homicide investigation. Cornwell’s protagonist is Dr Kay Scarpetta, then-Chief Medica

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De Vos, Gail. "News and Announcements." Deakin Review of Children's Literature 5, no. 2 (2015). http://dx.doi.org/10.20361/g2qk5x.

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Autumn is not only a gloriously colourful time of the year, it is a time when a plethora of children’s book related events and awards take place. Just see what is happening in the next few months:IBBY: “Silent Books: Final Destination Lampedusa” travelling exhibit In response to the international refugee crisis that began last year, the Italian arm of the International Board on Books for Young People has launched a travelling picture-book exhibit to support the first children’s library on the island of Lampedusa, Italy where many African and Middle Eastern refugees are landing. After stops in

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Haimed, Saber, and Vaishali Pradhan. "A disoriented homecoming: the scattered identity in Inaam Kachachi's The American Granddaughter." Journal of Translation and Language Studies 4, no. 2 (2023). http://dx.doi.org/10.48185/jtls.v4i2.795.

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The novel challenges the derealization loss in the context of Iraqi war fiction by trying to portray the dark reality of the US invasion. The American granddaughter is not only about war trauma, memories, atrocities, and the huge loss caused by an endless and unjust war waged against a sovereign country. It is about, as the paper argues, a disoriented homecoming and the scattered identity of Zeina, the protagonist, who appears to be a dissociative personality. This paper also explores how the protagonist’s dual identity crisis is of a unique type as it is being questioned through three stages.

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Levine, Michael, and William Taylor. "The Upside of Down: Disaster and the Imagination 50 Years On." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.586.

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IntroductionIt has been nearly half a century since the appearance of Susan Sontag’s landmark essay “The Imagination of Disaster.” The critic wrote of the public fascination with science fiction disaster films, claiming that, on the one hand “from a psychological point of view, the imagination of disaster does not greatly differ from one period in history to another [but, on the other hand] from a political and moral point of view, it does” (224). Even if Sontag is right about aspects of the imagination of disaster not changing, the types, frequency, and magnitude of disasters and their repres

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Caperna Lloyd, Susan. "Helmet." Delos: A Journal of Translation and World Literature 39, no. 1 (2024). http://dx.doi.org/10.5744/delos.2024.1011.

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In The General of the Dead Army (1963), Ismail Kadare narrates, in fictional form, a search for the bones/remains of Italian soldiers killed near Albania’s southern border during Italy’s invasion of Greece during WWII. They lie in quickly constructed mass graves at the sites of battle. In Kadare’s novel, an Italian general has the burdensome task of finding these remains; without adequate records of identification, he discovers to his frustration that the ‘bones” he finds overlap with those of other nations’ soldiers. But the familiesin Italy want the bones back home. Finding a WWII Italian Ar

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King, Ben. "Invasion." M/C Journal 2, no. 2 (1999). http://dx.doi.org/10.5204/mcj.1741.

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The pop cultural moment that most typifies the social psychology of invasion for many of us is Orson Welles's 1938 coast to coast CBS radio broadcast of Invaders from Mars, a narration based on H.G. Wells's The War of the Worlds. News bulletins and scene broadcasts followed Welles's introduction, featuring, in contemporary journalistic style, reports of a "meteor" landing near Princeton, N.J., which "killed" 1500 people, and the discovery that it was in fact a "metal cylinder" containing strange creatures from Mars armed with "death rays" which would reduce all the inhabitants of the earth to

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Kimberley, Maree. "Neuroscience and Young Adult Fiction: A Recipe for Trouble?" M/C Journal 14, no. 3 (2011). http://dx.doi.org/10.5204/mcj.371.

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Historically, science and medicine have been a great source of inspiration for fiction writers. Mary Shelley, in the 1831 introduction to her novel Frankenstein said she was been inspired, in part, by discussions about scientific experiments, including those of Darwin and Galvani. Shelley states “perhaps a corpse would be re-animated; galvanism had given token of such things: perhaps the component parts of a creature might be manufactured, brought together, and endued with vital warmth” (10). Countless other authors have followed her lead, from H.G. Wells, whose mad scientist Dr Moreau takes a

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Bond, Sue. "Heavy Baggage: Illegitimacy and the Adoptee." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.876.

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Teichman notes in her study of illegitimacy that “the point of the legitimate/illegitimate distinction is not to cause suffering; rather, it has to do with certain widespread human aims connected with the regulation of sexual activities and of population” (4). She also writes that, until relatively recently, “the shame of being an unmarried mother was the worst possible shame a woman could suffer” (119). Hence the secrecy, silences, and lies that used to be so common around the issue of an illegitimate birth and adoption.I was adopted at birth in the mid-1960s in New Zealand because my mother

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Pinder, Morgan. "Mouldy Matriarchs and Dangerous Daughters." M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2832.

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The Resident Evil video game series is especially notable for engaging with uncanny nature and monstrous reproduction, often facilitated through viral contamination. These third-person games usually feature an outbreak of some kind, instigated by a shadowy organisation, and star a member of law enforcement or the military as the protagonist. However, the seventh and eighth games of the franchise were different. While they explored many of the same themes and conventions as their predecessors, the technologies by which they evoked fear and suspense had become further immersed in the survival ho

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Bullock, Emily. "Re-Writing Suburbia." M/C Journal 5, no. 2 (2002). http://dx.doi.org/10.5204/mcj.1947.

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Whilst urban growth is generally accepted as a global phenomenon, this has numerous and ambivalent implications for Australia and its identity-work. Suburbia the site where the majority of Australians live, located somewhere between the privileged spaces of the city and the bush comes into focus as the emblematic topos through which the representational work of nation is articulated. Here, space becomes imbued with much current Australian political import. This article puts the discursive representation of Australian suburbia into juncture with hegemonic formations of nationness, and posits po

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Molnar, Tamas. "Spectre of the Past, Vision of the Future – Ritual, Reflexivity and the Hope for Renewal in Yann Arthus-Bertrand’s Climate Change Communication Film "Home"." M/C Journal 15, no. 3 (2012). http://dx.doi.org/10.5204/mcj.496.

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About half way through Yann Arthus-Bertrand’s film Home (2009) the narrator describes the fall of the Rapa Nui, the indigenous people of the Easter Islands. The narrator posits that the Rapa Nui culture collapsed due to extensive environmental degradation brought about by large-scale deforestation. The Rapa Nui cut down their massive native forests to clear spaces for agriculture, to heat their dwellings, to build canoes and, most importantly, to move their enormous rock sculptures—the Moai. The disappearance of their forests led to island-wide soil erosion and the gradual disappearance of ara

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Bode, Lisa. "Digital Doppelgängers." M/C Journal 8, no. 3 (2005). http://dx.doi.org/10.5204/mcj.2369.

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   The doppelgänger (literally ‘double-goer’) of 18th and 19th century European literature and lore is a sinister likeness that dogs and shadows a protagonist heralding their death or descent into madness – a ‘spectral presentiment of disaster’ (Schwartz 84). Recently the term ‘digital doppelgänger’ has been adopted by the English-speaking entertainment and technology press to refer to a digital image of an actor or performer; whether that image is a computer-generated wire-frame model, an amalgamation of old film footage and artistry, or a three dimensional laser scan of the

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Brien, Donna Lee. "“Concern and sympathy in a pyrex bowl”: Cookbooks and Funeral Foods." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.655.

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Introduction Special occasion cookery has been a staple of the cookbook writing in the English speaking Western world for decades. This includes providing catering for personal milestones as well as religious and secular festivals. Yet, in an era when the culinary publishing sector is undergoing considerable expansion and market segmentation, narratives of foods marking of one of life’s central and inescapable rites—death—are extremely rare. This discussion investigates examples of food writing related to death and funeral rites in contemporary cookbooks. Funeral feasts held in honour of the d

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Brammer, Rebekah. "Dark Laughs." M/C Journal 28, no. 1 (2025). https://doi.org/10.5204/mcj.3152.

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Introduction: From Classic Noir Parody to Aussie Comedy Noir However you choose to identify noir – as a genre, style, or cycle – over its 80 years from classic American film noir to neo-noir, neon-noir, national noirs, and television noir, it has undeniably seeped into popular culture. Exemplary of this is the way noir has hybridised with other genres and styles, true of comedy as much as its more serious pairings with science fiction, Western, and Gothic. This is not a new phenomenon: Sue Short points out that pastiche noir began appearing at the end of the classic cycle, citing Kiss Me Deadl

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Lambert, Anthony, and Catherine Simpson. "Jindabyne’s Haunted Alpine Country: Producing (an) Australian Badland." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.81.

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“People live here, they die here so they must leave traces.” (Read 140) “Whatever colonialism was and is, it has made this place unsettling and unsettled.” (Gibson, Badland 2) Introduction What does it mean for [a] country to be haunted? In much theoretical work in film and Cultural Studies since the 1990s, the Australian continent, more often than not, bears traces of long suppressed traumas which inevitably resurface to haunt the present (Gelder and Jacobs; Gibson; Read; Collins and Davis). Felicity Collins and Therese Davis illuminate the ways Australian cinema acts as a public sphere, or “

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Nunes, Mark, and Cassandra Ozog. "Your (Internet) Connection Is Unstable." M/C Journal 24, no. 3 (2021). http://dx.doi.org/10.5204/mcj.2813.

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It has been fifteen months since the World Health Organisation declared the COVID-19 outbreak a global pandemic and the first lockdowns went into effect, dramatically changing the social landscape for millions of individuals worldwide. Overnight, it seemed, Zoom became the default platform for video conferencing, rapidly morphing from brand name to eponymous generic—a verb and a place and mode of being all at once. This nearly ubiquitous transition to remote work and remote play was both unprecedented and entirely anticipated. While teleworking, digital commerce, online learning, and social ne

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Peaty, Gwyneth. "Power in Silence: Captions, Deafness, and the Final Girl." M/C Journal 20, no. 3 (2017). http://dx.doi.org/10.5204/mcj.1268.

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IntroductionThe horror film Hush (2016) has attracted attention since its release due to the uniqueness of its central character—a deaf–mute author who lives in a world of silence. Maddie Young (Kate Siegel) moves into a remote cabin in the woods to recover from a breakup and finish her new novel. Aside from a cat, she is alone in the house, only engaging with loved ones via online messaging or video chats during which she uses American Sign Language (ASL). Maddie cannot hear nor speak, so writing is her primary mode of creative expression, and a key source of information for the audience. Thi

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