Littérature scientifique sur le sujet « House for Contemporary Culture (Maastricht, Netherlands) »

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Articles de revues sur le sujet "House for Contemporary Culture (Maastricht, Netherlands)"

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Notícias, Transfer. "Noticias." Transfer 12, no. 1-2 (2021): 219–32. http://dx.doi.org/10.1344/transfer.2017.12.219-232.

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“Transfer” XII: 1-2 (mayo 2017), pp. 212-225. ISSN: 1886-554 212 NOTICIAS / NEWS (“transfer”, 2017) 1) CONGRESOS / CONFERENCES: 1. 8th Asian Translation Traditions Conference: Conflicting Ideologies and Cultural Mediation – Hearing, Interpreting, Translating Global Voices SOAS, University of London, UK (5-7 July 2017) www.translationstudies.net/joomla3/index.php 2. 8th International Conference of the Iberian Association of Translation and Interpreting (AIETI8), Universidad de Alcalá, Madrid, Spain (8-10 March 2017) www.aieti8.com/es/presentation 3. MultiMeDialecTranslation 7 – Dialect translat
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Harris, Anna. "The Sensory Archive." October 13, 2016. https://doi.org/10.1080/17458927.2016.1212473.

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Is it important, or even possible, to archive the sensory? To collect, preserve, keep sensory experience? Not only the words and descriptions of what is heard-felt-smelt-tasted-seen, but the sensations themselves? Not only to catalogue and store, but also to retrieve. And why would anyone want to do such a thing? What can be learned from attempts in sensory archiving? These age-old questions are raised beautifully and anew in a series of recent exhibitions and events at Marres House for Contemporary Culture, in Maastricht, the Netherlands. Under the directorship of Valentijn Byvanck, the publi
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van der Meulen, Sjoukje, and Nathalie Zonnenberg. "The Borders of Europe – Editorial." Stedelijk Studies Journal 1 (2018). http://dx.doi.org/10.54533/stedstud.vol006.art01.

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This issue of Stedelijk Studies aims to contribute to the historical and critical discourse on the European Union and the European integration project since 1992 in the specific field of contemporary art. In that year the Treaty on European Union (TEU) was signed in Maastricht—hence the “Maastricht Treaty”—which established the foundation of the EU. Comprising ten essays by international scholars, writers, and artists with a European nationality, background, or strong affiliation with European topics (from countries as varied as Belgium, Greece, Germany, the Netherlands, Romania, Turkey, and t
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Nott, John. "Architecture for Anatomy: History, Affect, and the Material Reproduction of the Body in Two Medical School Buildings." Body & Society, April 10, 2023, 1357034X2311613. http://dx.doi.org/10.1177/1357034x231161312.

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Medical schools are among the most important spaces for the history of the body. It is here that students come to know the anatomical bodies of their future patients and, through a process of cognitive and embodied practice, that the knowing bodies of future clinicians are also shaped. Practical and theoretical understandings of medicine are formed in these affective and historied buildings and in collaboration with a broad material culture of education. Medical schools are, however, both under-theorised and under-historicised. This article integrates ‘materialist’ considerations of the body w
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Sheridan, Alison, Jane O'Sullivan, Josie Fisher, Kerry Dunne, and Wendy Beck. "Escaping from the City Means More than a Cheap House and a 10-Minute Commute." M/C Journal 22, no. 3 (2019). http://dx.doi.org/10.5204/mcj.1525.

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IntroductionWe five friends clinked glasses in our favourite wine and cocktail bar, and considered our next collaborative writing project. We had seen M/C Journal’s call for articles for a special issue on ‘regional’ and when one of us mentioned the television program, Escape from the City, we began our critique:“They haven’t featured Armidale yet, but wouldn’t it be great if they did?”“Really? I mean, some say any publicity is good publicity but the few early episodes I’ve viewed seem to give little or no screen time to the sorts of lifestyle features I most value in our town.”“Well, seeing a
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Capucao, Dave, and Rico Ponce. "Individualism and Salvation: An Empirical-Theological Exploration of Attitudes Among the Filipino Youth and its Challenges to Filipino Families." Scientia - The International Journal on the Liberal Arts 8, no. 1 (2019). http://dx.doi.org/10.57106/scientia.v8i1.102.

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Previous studies contend that Philippines is still a ‘collectivist’ society (Cf. Hofstede Center; Cukur et al. 2004:613-634). In this collectivist or community-oriented society, individualism is not something that is highly valued. Being ‘individualistic’ is often associated to being narcissistic, loner, asocial, selfish, etc. However, one may ask whether the youth in the Philippines are not spared from this insidious culture of individualism, notwithstanding the seemingly dominant collective and communitarian character of the society. Although the overwhelming poverty is still the main proble
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Costa, Rosalina Pisco. "Pride and Prejudice in Contemporary Marriages: On the Hidden Constraints to Individualisation at the Crossroad of Tradition and Modernity." M/C Journal 15, no. 6 (2012). http://dx.doi.org/10.5204/mcj.574.

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IntroductionContemporary theorisations of family often present change in marriage as an icon of deinstitutionalisation (Cherlin). This idea, widely discussed in sociology, has been deepened and extended by Giddens, Beck and Beck-Gernsheim, Beck-Gernsheim and Bauman, considered to be the main architects of the individualisation, detraditionalisation and risk theses (Brannen and Nielsen). According to these authors, contemporary family is an ephemeral, fluid, and fragilereality, and weakening as a traditional institution. At the same time, and partly as a result of the changes to this institutio
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Ibrahim, Yasmin. "Weblogs as Personal Narratives." M/C Journal 9, no. 6 (2006). http://dx.doi.org/10.5204/mcj.2690.

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 Introduction In not dismissing the personal narratives of individuals, Frederic Jameson describes the ‘telling of the individual story and individual experience as ultimately involving the whole laborious process of telling of the collectivity itself’ (cf. Bhabha 292). The construction of a nation involves a process of selection and textual mediation which binds an imagined community to a constructed past. Homi Bhabha refers to the ‘cultural construction of nationness as a form of social and textual affiliation’ (292). He observes how narratives employ a host of complex st
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Melleuish, Greg. "Of 'Rage of Party' and the Coming of Civility." M/C Journal 22, no. 1 (2019). http://dx.doi.org/10.5204/mcj.1492.

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There is a disparity between expectations that the members of a community will work together for the common good — and the stark reality that human beings form into groups, or parties, to engage in conflict with each other. This is particularly the case in so-called popular governments that include some wider political involvement by the people. In ancient Greece stasis, or endemic conflict between the democratic and oligarchic elements of a city was very common. Likewise, the late Roman Republic maintained a division between the populares and the optimates. In both cases there was violence as
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Kadivar, Jamileh. "Government Surveillance and Counter-Surveillance on Social and Mobile Media: The Case of Iran (2009)." M/C Journal 18, no. 2 (2015). http://dx.doi.org/10.5204/mcj.956.

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Human history has witnessed varied surveillance and counter-surveillance activities from time immemorial. Human beings could not surveille others effectively and accurately without the technology of their era. Technology is a tool that can empower both people and governments. The outcomes are different based on the users’ intentions and aims. 2,500 years ago, Sun Tzu noted that ‘If you know both yourself and your enemy, you can win numerous (literally, "a hundred") battles without jeopardy’. His words still ring true. To be a good surveiller and counter-surveiller it is essential to know both
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Livres sur le sujet "House for Contemporary Culture (Maastricht, Netherlands)"

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Netherlands), DUO vertaalburo (Maastricht, ed. Sensing art, training the body: Marres program 2017-2021. Marres, House for Contemporary Culture, 2021.

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