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Littérature scientifique sur le sujet « Howard French (Firm) »

Auteur : Grafiati
Publié le 25 juillet 2024
Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Howard French (Firm)"

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Staender, Anna, and Edda Humprecht. "Topics (Disinformation)." DOCA - Database of Variables for Content Analysis, March 26, 2021. http://dx.doi.org/10.34778/4d.

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The topic variable is used in research on disinformation to analyze thematic differences in the content of false news, rumors, conspiracies, etc. Those topics are frequently based on national news agendas, i.e. producers of disinformation address current national or world events (e.g. elections, immigration, etc.) (Humprecht, 2019). Field of application/theoretical foundation: Topics are a central yet under-researched aspect of research on online disinformation (Freelon & Wells, 2020). The research interest is to find out which topics are taken up and spread by disinformation producers. Th
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Davies, Elizabeth. "Bayonetta: A Journey through Time and Space." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1147.

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Art Imitating ArtThis article discusses the global, historical and literary references that are present in the video game franchise Bayonetta. In particular, references to Dante’s Divine Comedy, the works of Dr John Dee, and European traditions of witchcraft are examined. Bayonetta is modern in the sense that she is a woman of the world. Her character shows how history and literature may be used, re-used, and evolve into new formats, and how modern games travel abroad through time and space.Drawing creative inspiration from other works is nothing new. Ideas and themes, art and literature are f
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Thomas, Peter. "Anywhere But the Home: The Promiscuous Afterlife of Super 8." M/C Journal 12, no. 3 (2009). http://dx.doi.org/10.5204/mcj.164.

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Consumer or home use (previously ‘amateur’) moving image formats are distinguished from professional (still known as ‘professional’) ones by relative affordability, ubiquity and simplicity of use. Since Pathé Frères released its Pathé Baby camera, projector and 9.5mm film gauge in 1922, a distinct line of viewing and making equipment has been successfully marketed at nonprofessional use, especially in the home. ‘Amateur film’ is a simple term for a complex, variegated and longstanding set of activities. Conceptually it is bounded only by the negative definition of nonprofessional (usually inte
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Bruner, Michael Stephen. "Fat Politics: A Comparative Study." M/C Journal 18, no. 3 (2015). http://dx.doi.org/10.5204/mcj.971.

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Drawing upon popular magazines, newspapers, blogs, Web sites, and videos, this essay compares the media framing of six, “fat” political figures from around the world. Framing refers to the suggested interpretations that are imbedded in media reports (Entman; McCombs and Ghanem; Seo, Dillard and Shen). As Robert Entman explains, framing is the process of culling a few elements of perceived reality and assembling a narrative that highlights connections among them to promote a particular interpretation. Frames introduce or raise the salience of certain ideas. Fully developed frames typically perf
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Simpson, Catherine Marie, and Katherine Wright. "Ecology and Collaboration." M/C Journal 15, no. 3 (2012). http://dx.doi.org/10.5204/mcj.538.

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Ecology has emerged as one of the most important sites of political struggle today. This issue of M/C invited authors to engage with “ecology” not as a siloised field of scientific enquiry, but rather as a way of contemporary thinking and a conceptual mode that emphasizes connectivity, conviviality, and inter-dependence. Proposing a radical revision of anthropocentrism in When Species Meet, Donna Haraway emphasises the dynamism of ecology as an entangled mesh, observing that, “the world is a knot in motion.” The “infolding” of human bodies with what we call “the environment” has never been cle
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Tofts, Darren, and Lisa Gye. "Cool Beats and Timely Accents." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.632.

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Ever since I tripped over Tiddles while I was carrying a pile of discs into the studio, I’ve known it was possible to get a laugh out of gramophone records!Max Bygraves In 1978 the music critic Lester Bangs published a typically pugnacious essay with the fighting title, “The Ten Most Ridiculous Albums of the Seventies.” Before deliciously launching into his execution of Uri Geller’s self-titled album or Rick Dees’ The Original Disco Duck, Bangs asserts that because that decade was history’s silliest, it stands to reason “that ridiculous records should become the norm instead of anomalies,” tha
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Franks, Rachel. "A Taste for Murder: The Curious Case of Crime Fiction." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.770.

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Introduction Crime fiction is one of the world’s most popular genres. Indeed, it has been estimated that as many as one in every three new novels, published in English, is classified within the crime fiction category (Knight xi). These new entrants to the market are forced to jostle for space on bookstore and library shelves with reprints of classic crime novels; such works placed in, often fierce, competition against their contemporaries as well as many of their predecessors. Raymond Chandler, in his well-known essay The Simple Art of Murder, noted Ernest Hemingway’s observation that “the goo
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Holleran, Samuel. "Better in Pictures." M/C Journal 24, no. 4 (2021). http://dx.doi.org/10.5204/mcj.2810.

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While the term “visual literacy” has grown in popularity in the last 50 years, its meaning remains nebulous. It is described variously as: a vehicle for aesthetic appreciation, a means of defence against visual manipulation, a sorting mechanism for an increasingly data-saturated age, and a prerequisite to civic inclusion (Fransecky 23; Messaris 181; McTigue and Flowers 580). Scholars have written extensively about the first three subjects but there has been less research on how visual literacy frames civic life and how it might help the public as a tool to address disadvantage and assist in re
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Tofts, Darren John. "Why Writers Hate the Second Law of Thermodynamics: Lists, Entropy and the Sense of Unending." M/C Journal 15, no. 5 (2012). http://dx.doi.org/10.5204/mcj.549.

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If you cannot understand my argument, and declare “It’s Greek to me,” you are quoting Shakespeare.Bernard LevinPsoriatic arthritis, in its acute or “generalised” stage, is unbearably painful. Exacerbating the crippling of the joints, the entire surface of the skin is covered with lesions only moderately salved by anti-inflammatory ointment, the application of which is as painful as the ailment it seeks to relieve: NURSE MILLS: I’ll be as gentle as I can.Marlow’s face again fills the screen, intense concentration, comical strain, and a whispered urgency in the voice over—MARLOW: (Voice over) Th
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Walker, Ruth. "Double Quote Unquote: Scholarly Attribution as (a) Speculative Play in the Remix Academy." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.689.

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Many years ago, while studying in Paris as a novice postgraduate, I was invited to accompany a friend to a seminar with Jacques Derrida. I leapt at the chance even though I was only just learning French. Although I tried hard to follow the discussion, the extent of my participation was probably signing the attendance sheet. Afterwards, caught up on the edges of a small crowd of acolytes in the foyer as we waited out a sudden rainstorm, Derrida turned to me and charmingly complimented me on my forethought in predicting rain, pointing to my umbrella. Flustered, I garbled something in broken Fren
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Livres sur le sujet "Howard French (Firm)"

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Hock, Stephen, ed. Trump Fiction. Lexington Books, 2019. https://doi.org/10.5040/9781978738935.

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Trump Fiction: Essays on Donald Trump in Literature, Film, and Television examines depictions of Donald Trump and his fictional avatars in literature, film, and television, including works that took up the subject of Trump before his successful presidential campaign (in terms that often uncannily prefigure his presidency) as well as those that have appeared since he took office. Covering a range of texts and approaches, the essays in this collection analyze the place Trump has assumed in literary and popular culture. By investigating how authors including Bret Easton Ellis, Amy Waldman, Thomas
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Rice, Christina. Mean...Moody...Magnificent! University Press of Kentucky, 2021. http://dx.doi.org/10.5810/kentucky/9780813181080.001.0001.

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By the early 1950s, Jane Russell (1921-2011) should have been forgotten. Her career was launched on what is arguably the most notorious advertising campaign in cinema history, which invited filmgoers to see Howard Hughes's The Outlaw (1943) and to "tussle with Russell." Throughout the 1940s, she was nicknamed the "motionless picture actress" and had only three films in theaters. With such a slow, inauspicious start, most aspiring actresses would have given up or faded away. Instead, Russell carved out a place for herself in Hollywood and became a memorable and enduring star.Christina Rice offe
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Chapitres de livres sur le sujet "Howard French (Firm)"

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Rice, Christina. "J. R. in 3D." In Mean...Moody...Magnificent! University Press of Kentucky, 2021. http://dx.doi.org/10.5810/kentucky/9780813181080.003.0019.

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The chapter covers The French Line and the battles Howard Hughes had with the Production Code Administration and the Catholic Church over the musical number "Looking for Trouble." Also discussed is the costume for the number, designed by Michael Woulfe, that prompted a major battle Jane and Howard Hughes. Also discussed is Underwater!, Jane’s last film for Howard Hughes which featured a literal underwater premiere in Florida.
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Powrie, Phil. "The Nostalgia Film." In French Cinema in the 1980s. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198711186.003.0002.

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Abstract ONE of the most successful types of film in the 1980s in the UK was the quality costume drama, labelled heritage film by Andrew Higson. This trend was inaugurated early in the decade by the TV series Brideshead Revisited (1981), and the film Chariots of Fire (1981). Subsequent years saw a series of such films, often based on novels by E. M. Forster, doing extremely well at the box office (Another Country, 1984; A Passage to India, 1985; A Room with a View, 1986; Maurice, 1987; A Handful of Dust, 1987; Little Dorrit, 1987; Where Angels Fear to Tread, 1991; Howard’s End, 1992). In Franc
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"The Building of a Reputation." In Alfred Hitchccocks’ Psycho, edited by Robert Kolker. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195169195.003.0005.

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Abstract To understand Psycho, and its growing reputation as a major work of American film, we need to understand some basics of the auteur theory. Auteurism was developed by a group of French film enthusiasts, including future filmmakers such as Franrois Truffaut and Jean-Luc Godard, who watched in day-long screening orgies American films that had been embargoed during World War II. They didn’t understand English and therefore depended on the films’ visuals. They discovered in a number of filmmakers-Howard Hawks, John Ford, and Alfred Hitchcock, among others-that no matter who wrote the film,
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Sutherland, Doris V. "From Cagliostro to Imhotep: The Writing Process." In The Mummy. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325956.003.0003.

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This chapter examines how The Mummy (1932) took shape at Universal Pictures, and the significant transformations that it underwent along the way. When Howard Carter discovered Tutankhamun's tomb in November of 1922, he started a wave of cultural enthusiasm for all things ancient Egyptian. ‘Tutmania’ had peaked by the start of the 1930s, but it was sufficiently fresh in the public mind for Universal's head of production, Carl Laemmle Jr., to sense a commercial opportunity. And so, in early 1932, Laemmle decided that Universal's next horror film would have an Egyptian theme. The first requiremen
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