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Articles de revues sur le sujet « Infanticide – fiction »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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1

Madland, Helga Stipa. "Infanticide as Fiction: Goethe's Urfaust and Schiller's "Kindsmorderin" as Models." German Quarterly 62, no. 1 (1989): 27. http://dx.doi.org/10.2307/407033.

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Roth, Sarah N. "‘The Blade Was in My Own Breast’: Slave Infanticide in 1850s Fiction." American Nineteenth Century History 8, no. 2 (2007): 169–85. http://dx.doi.org/10.1080/14664650701387896.

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Jefferies, Diana, Debbie Horsfall, and Virginia Schmied. "Blurring reality with fiction: Exploring the stories of women, madness, and infanticide." Women and Birth 30, no. 1 (2017): e24-e31. http://dx.doi.org/10.1016/j.wombi.2016.07.001.

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Sy, Ousseynou. "Writing Fiction through the Camera Lens: Toni Morrison’s Intermedial Poetics." Metacritic Journal for Comparative Studies and Theory 9, no. 2 (2023): 32–50. http://dx.doi.org/10.24193/mjcst.2023.16.03.

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This paper analyzes the intermedial discourse in Morrison’s novel Beloved. It brings to the fore the cinematic tropes with which Morrison’s “politics of affect”, to borrow from Massumi’s syntagm, is interwoven. Drawing on Müller’s concept of intermediality which shows the appropriations of art forms, this paper decodes Morrison’s intermedial poetics. To engage with the trauma of history and the “Archive Fever,” Morrison resorts to a visual medium, cinema, to weave a hybrid literary discourse that lies at the heart of the postcritical turn in cultural, literary and media studies. Filmic techniq

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Swanson, Lucy. "(Re-)Framing the Midwife: Rewriting Archival and Postcolonial Intertexts in Rosalie l’infâme." Journal of Haitian Studies 28, no. 2 (2022): 142–65. http://dx.doi.org/10.1353/jhs.2022.a901947.

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Abstract: This article examines how Évelyne Trouillot’s 2003 novel Rosalie l’infâme rewrites the narratives of two historical figures, the prerevolutionary hero Makandal and an Arada midwife who committed infanticide to spare children from a life of enslavement. Close readings contrast Rosalie ’s representation of the legal trials against these figures with the accounts given in colonial source texts and prior postcolonial rewritings. This comparison reveals how Trouillot reimagines these narratives to restore their emotional weight, and uses the celebrated Makandal legend to frame the midwife

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BÉDARD, MYLÈNE. "FLATTÉE ET POURFENDUE." Dossier 42, no. 3 (2017): 39–52. http://dx.doi.org/10.7202/1041046ar.

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Si la fiction traverse le journal au xixe siècle, outrepassant les divisions entre les rubriques — ce que Marie-Ève Thérenty conçoit comme une forme de « littérarisation du journal » (2007) —, une réflexion sur les rapports entre les genres sexués reste encore à faire. S’intéressant aux effets provoqués par l’imaginaire et la fictionnalisation du féminin dans la presse canadienne-française de la deuxième moitié du xixe siècle, cet article examine les impacts de la compartimentation du masculin et du féminin dans des rubriques particulières sur les modalités du discours et la construction de la

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Schweitzer, Zoé. "Violences, identités et consentement. Jeunes filles violentées et femmes infanticides dans quelques tragédies des années 1550." Revue de littérature comparée 387, no. 3 (2024): 259–74. http://dx.doi.org/10.3917/rlc.387.0005.

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C’est à la jonction d’une interrogation anthropologique et d’un questionnement poétique que souhaite se situer cette étude qui entreprend d’analyser comment la représentation des crimes dans les tragédies de l’ultra-violence met en lumière une pensée des genres voire en interroge les fondements et les présupposés, faisant par là des fictions dramatiques des outils euristiques efficaces. Il s’agit notamment de se demander si la violence est susceptible d’être agrégée au genre et de s’intéresser aux cas et aux formes de consentement à partir d’un corpus de tragédies représentant des femmes viole

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Eyring, Mary Kathleen. "Choosing Death: The Making of Martyrs in Early American Criminal Narratives." American Literature 91, no. 4 (2019): 691–719. http://dx.doi.org/10.1215/00029831-7917272.

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Abstract In 1701 Puritan minister John Rogers published the criminal narrative of Esther Rodgers, who had been convicted of infanticide and executed. Esther Rodgers appears in Rogers’s Death the Certain Wages of Sin not as a depraved criminal or even a repentant sinner but as a courageous Christian martyr. Much of the productive recent scholarship on Rodgers studies the way her criminal status operated in the public sphere generally or print culture specifically, but the literary construction of her legal criminal status reveals a larger negotiation over marginalized individuals’ ability to co

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Rallu, Jean-louis. "Tahiti Population (Re)Estimates and Ideologies." Population and Economics 8, no. (2) (2024): 231–62. https://doi.org/10.3897/popecon.8.e116822.

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The question of Tahiti population at contact was first addressed by assessing the reliability of early and later estimates, and then by a retrodiction based on the first reliable censuses and data on trends. Cook's famous estimate of 204,000 Tahitians, affected by a wrong number of districts, has been reworked based on his own and the Forsters' observations, using coast length and the age and sex structure of Tahiti population at contact in relation to infanticide, resulting in a range of 156,000-188,000 persons in 1774, before Boenechea's flu in 1772 and the 1774 flu epidemics. The discrepanc

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Collins, Eleanor. "The Limits of the Human: Fictions of Anomaly, Race, and Gender in the Long Eighteenth Century by Felicity A. NussbaumIncest and the English Novel, 1684-1814 by Ellen PollakWriting British Infanticide: Child-Murder, Gender, and Print, 1722-1859 by Jennifer Thorn." Modern Language Review 101, no. 4 (2006): 1094–97. http://dx.doi.org/10.1353/mlr.2006.0315.

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Henningsen, Gustav, and Jesper Laursen. "Stenkast." Kuml 55, no. 55 (2006): 243–78. http://dx.doi.org/10.7146/kuml.v55i55.24695.

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CairnsIn Denmark, the term stenkast (a ‘stone throw’) is used for cairns – stone heaps that have accumulated in places where it was the tradition to throw a stone. A kast (a ‘throw’) would actually be a more correct term, as sometimes the heaps consist of sticks, branches, heather, or peat, rather than stones – in short, whichever was at hand at that particular place. A kast could also consist of both sticks and stones.The majority of the known Danish cairns were presented by August F. Schmidt in 1929. Since then, numerous new ones have been discovered, and we now know of around 80 cairns, cf.

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Drixler, Fabian, and Reo Matsuzaki. "Façade Fictions: False Statistics and Spheres of Autonomy in Meiji Japan." Politics & Society, August 8, 2024. http://dx.doi.org/10.1177/00323292241253135.

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Around 1900, at least 97 percent of homicide victims in Japan were newborn children. Official statistics obscured this fact by reporting only a handful of infanticides each year, but they also preserved it in the guise of impossibly frequent stillbirths. We argue that this striking failure of law enforcement did not reflect insufficient state capacity. The statistics are best understood as the result of a performance, jointly delivered by subjects and officials to reconcile two conflicting values—the omote (façade) of the state's legal protection of newborns and the naishō (tacit arrangement)

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Panteleimon Tsiokos. "Palimpsestuous Manifestations of Slavery-Inflicted Somatic and Psychological Trauma in Toni Morrison’s Beloved (1987)." Pivot: A Journal of Interdisciplinary Studies and Thought 9, no. 1 (2022). http://dx.doi.org/10.25071/2369-7326.40334.

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My essay explores Toni Morrison’s Beloved ability to map out the often irrepresentable consequences of slavery-inflicted trauma on the survivors’ bodies and souls. In particular, it discusses the inextricability of the physical and psychological element in the changing same of the African American condition in the U.S.A. With references to the Middle Passage, slave scar-branding, freed slaves’ infanticide and inability to escape the vortex of somatic and psychological trauma, Beloved provokes its audience to reflect on the history of racism and slavery-inflicted trauma in the U.S.A. Morrison’s

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Coull, Kim. "Secret Fatalities and Liminalities: Translating the Pre-Verbal Trauma and Cellular Memory of Late Discovery Adoptee Illegitimacy." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.892.

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I was born illegitimate. Born on an existential precipice. My unwed mother was 36 years old when she relinquished me. I was the fourth baby she was required to give away. After I emerged blood stained and blue tinged – abject, liminal – not only did the nurses refuse me my mother’s touch, I also lost the sound of her voice. Her smell. Her heart beat. Her taste. Her gaze. The silence was multi-sensory. When they told her I was dead, I also lost, within her memory and imagination, my life. I was adopted soon after but not told for over four decades. It was too shameful for even me to know. Impri

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Jones, Timothy. "The Black Mass as Play: Dennis Wheatley's The Devil Rides Out." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.849.

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Literature—at least serious literature—is something that we work at. This is especially true within the academy. Literature departments are places where workers labour over texts carefully extracting and sharing meanings, for which they receive monetary reward. Specialised languages are developed to describe professional concerns. Over the last thirty years, the productions of mass culture, once regarded as too slight to warrant laborious explication, have been admitted to the academic workroom. Gothic studies—the specialist area that treats fearful and horrifying texts —has embraced the growi

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