Bibliographies thématiques / Instrumental music (Schubert, Franz)

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Littérature scientifique sur le sujet « Instrumental music (Schubert, Franz) »

Auteur : Grafiati
Publié le 25 juillet 2024
Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Instrumental music (Schubert, Franz)"

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Perry, Jeffrey. "The Wanderer's Many Returns: Schubert's Variations Reconsidered." Journal of Musicology 19, no. 2 (2002): 374–416. http://dx.doi.org/10.1525/jm.2002.19.2.374.

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Franz Schubert composed four instrumental movements that form a distinct repertoire: the "Trout" Quintet D. 667/iv; the Octet D. 803/ iv; Piano Sonata in A minor, D. 845/ii; and the Impromptu in B-flat, D. 935/iii. Each of them comprises a set of variations on a major-key theme. Each includes (not unexpectedly) one variation in the parallel minor and (more remarkably) a variation in VI followed by a retransition leading to a dominant interruption that prepares the final tonickey variation. Examination of these movements reveals the intimate relationship and common derivation of variation set,
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Hettrick, William E. "Johann Herbeck’s Edition of Choral Works by Franz Schubert: History and Analysis." Nineteenth-Century Music Review 16, no. 3 (2018): 349–82. http://dx.doi.org/10.1017/s1479409818000010.

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Johann Herbeck (1831–1877) served in his native Vienna as conductor of the leading choral and instrumental organizations. He showed his devotion to the legacy of Franz Schubert in his performances and also in his edition, published by C.A. Spina and successors, of 51 selected works of the master for men’s, women’s and mixed chorus. Originally conceived as part-songs for ensembles of soloists, this repertoire had become choral music by Herbeck’s time. Included also are arrangements by Herbeck and others of pieces originally written for different performing media. Surviving copies of numbers in
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Sobaskie, James William. "The ‘Problem’ of Schubert's String Quintet." Nineteenth-Century Music Review 2, no. 1 (2005): 57–92. http://dx.doi.org/10.1017/s1479409800001567.

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Eschewing the polemic surrounding Franz Schubert's private life, as well as the habit of judging his art by Beethovenian criteria, many musicians now have chosen to focus on unique aspects of the composer's œuvre in order to illuminate its distinctive aesthetic values. In particular, some have sought to isolate and explain contextual processes responsible for compelling perceptions of drama and unity in Schubert's later instrumental works. The objects of their inquiries consist of progressive sequences of internally defined musical elements, relations and events that confer effects of internal
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Dyatlov, D. A. "F. SCHUBERT'S LAST PIANO SONATA: THE IMAGE OF A BORDERLINE EXISTENCE." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 26, no. 97 (2024): 51–58. http://dx.doi.org/10.37313/2413-9645-2024-26-97-51-58.

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The article is dedicated to the last piano sonata by Franz Schubert. The Sonata B-flat major is written in the composer’s last year of life. The first great compositor of the era of musical romanticism inherited from the Viennese classics sonata form, principles of musical drama, characteristic features of the polyphonic tissue organization. At the same time, in the sonata he introduces elements of variation development that extensively expand the sonata’s allegro. The song and dance genres characteristic of Schubert’s instrumental music play an important role in the Sonata B-flat major. Multi
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Lee, M. Owen. "Fierrabras. Franz Schubert." Opera Quarterly 8, no. 2 (1991): 179–81. http://dx.doi.org/10.1093/oq/8.2.179.

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Jellinek, George. "Fierrabras. Franz Schubert." Opera Quarterly 8, no. 4 (1991): 137–38. http://dx.doi.org/10.1093/oq/8.4.137.

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Rast, N. "Franz Schubert: Music and Belief." Music and Letters 87, no. 3 (2006): 439–41. http://dx.doi.org/10.1093/ml/gci241.

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Solomon, Maynard. "Schubert: Family Matters." 19th-Century Music 28, no. 1 (2004): 3–14. http://dx.doi.org/10.1525/ncm.2004.28.1.3.

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Certain anomalous events in the history of Franz Schubert's family raise the possibility that he and his family inhabited a more tumultuous and conflict-ridden domestic universe than has been suspected. Among these are a series of painful losses in his mother's early life, the out-of-wedlock conception of Schubert's eldest brother, Ignaz, and Ignaz's subsequent omission from a schedule of heirs to some family property, along with his extended relegation to the lowly post of assistant teacher for more than a quarter century, until the death of his father, Franz Theodor Schubert, in 1830. In the
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Kramer, Richard. "Posthumous Schubert: Drei grosse Sonaten fur das Pianoforte . Franz Schubert. ; Der Graf von Gleichen . Franz Schubert, Ernst Hilmar." 19th-Century Music 14, no. 2 (1990): 197–216. http://dx.doi.org/10.1525/ncm.1990.14.2.02a00060.

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Rastl, Peter. "Schubert-Liedertexte." Die Musikforschung 71, no. 2 (2021): 166–73. http://dx.doi.org/10.52412/mf.2018.h2.305.

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Anhand der Recherche bisher unbekannter Textquellen wird für Franz Schuberts Vokalmusik illustriert, welche Möglichkeiten die literarische Quellenforschung durch die bereits digitalisierten Quellen möglich sind. So können einige der bisher offenen Fragen über Textdichter und Textquellen beantwortet werden.
 bms online (Cornelia Schöntube)
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Thèses sur le sujet "Instrumental music (Schubert, Franz)"

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Biancolino, Ticiano [UNESP]. "A evocação de sonoridades instrumentais na escrita para piano no ciclo Winterreise de Franz Schubert." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/95120.

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Made available in DSpace on 2014-06-11T19:27:26Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-06-27Bitstream added on 2014-06-13T19:56:12Z : No. of bitstreams: 1 biancolino_t_me_ia.pdf: 8518794 bytes, checksum: e0883b41634079e4cc679ac8ef255b1d (MD5)<br>Os escritos estéticos dos autores do Frühromantik (Primeiro Romantismo), surgidos a partir das duas últimas décadas do século XVIII, constituíram a base do pensamento do Romantismo musical alemão. De vital importância dentro desta nova concepção estética foi o entendimento da música instrumental como a manifestação mais nobre das arte
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Biancolino, Ticiano. "A evocação de sonoridades instrumentais na escrita para piano no ciclo Winterreise de Franz Schubert /." São Paulo : [s.n], 2008. http://hdl.handle.net/11449/95120.

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Orientador: Marcos Fernandes Pupo Nogueira<br>Banca: Lia Vera Thomás<br>Banca: Sidney Molina<br>Resumo: Os escritos estéticos dos autores do Frühromantik (Primeiro Romantismo), surgidos a partir das duas últimas décadas do século XVIII, constituíram a base do pensamento do Romantismo musical alemão. De vital importância dentro desta nova concepção estética foi o entendimento da música instrumental como a manifestação mais nobre das artes, algo que ia contra o preceito que vigorara até então, segundo o qual a música sem voz possuía pouco valor, por ser incapaz, apenas por meio de sons, de imita
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Hyland, Anne Margaret. "Tautology or teleology? : towards an understanding of repetition in Franz Schubert's instrumental chamber music." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609771.

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Bjurström, John. "Skriva improvisationsmusik med Franz Schubert." Thesis, Kungl. Musikhögskolan, Institutionen för jazz, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2814.

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During this project I have studied piano music by Franz Schubert (1797-1828) to thereafter use a couple of his harmonic structures as a foundation for composing music for piano trio. To write music that encourages improvisation and interaction between the band members has been a central focus while the broad goal of the project has been to develop myself as a musician and person. The project started in the fall of 2017, a senior recital was performed in Lilla Salen at KMH the 28th of February and was followed by time for reflection which can be found documented in my paper.             Somethi
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Mussard, Timothy S. "Embellishing Schubert's Songs : a performance practice /." Thesis, Connect to this title online; UW restricted, 1987. http://hdl.handle.net/1773/11217.

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Madsen, Charles Arthur. "The Schubert-Liszt transcriptions : text, interpretation, and Lieder transformation /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3080592.

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Thesis (Ph. D.)--University of Oregon, 2003.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 477-487). Also available for download via the World Wide Web; free to University of Oregon users.
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Meggison, Natalie Rebecca. "Situating Schubert's Ossian settings, music, literature, and culture (Franz Schubert, Austria)." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ60383.pdf.

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HAM, INA. "FRANZ SCHUBERT'S IMPROMPTUS D.899 AND D.935: AN HISTORICAL AND STYLISTIC STUDY." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1114981145.

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Kim, SeonJu. "Challenges faced by modern violists when preparing the F. Schubert Arpeggione sonata for performance /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/11422.

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Enhamre, Sebastian. "Franz Schubert: Sonat i a-moll, D 845 - En tolkning." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3459.

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Denna kandidatuppsats handlar om den österrikiske tonsättaren Franz Schubert (1797 - 1828) och hans pianosonat i a-moll, D 845. Mer specifikt har sonaten i fråga analyserats, med syftet att göra en tolkning av den i synnerhet och Franz Schuberts konstnärskap i allmänhet, utifrån ett perspektiv där Schuberts roll och relation till musikhistorien och idéhistorien undersöks. För att få bättre förståelse för musiken har Schuberts liv, samt några av hans sånger och idéer som kan ha påverkat honom, studerats. Jag har även gjort en analys av verkets fyra satser, där jag tittat på sonatens genomgående
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Livres sur le sujet "Instrumental music (Schubert, Franz)"

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Michael, Raab. Franz Schubert: Instrumentale Bearbeitungen eigener Lieder. W. Fink, 1997.

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1952-, Jando? Jeno?, Verhey Emmy, Dechenne Danielle, et al., eds. Masters of classical music: Vol. 9 : Franz Schubert. LaserLight, 1988.

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M, Reul Barbara, and Bodley Lorraine Byrne 1968-, eds. Unknown Schubert. Ashgate, 2008.

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Brinkmann, Reinhold. Franz Schubert, Lindenbäume und deutsch-nationale Identität: Interpretation eines Liedes. Picus, 2004.

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1936-, Newbould Brian, ed. Schubert studies. Ashgate, 1998.

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Klaus, Stahmer, ed. Franz Schubert und Gustav Mahler in der Musik der Gegenwart. Schott, 1997.

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1935-, Hackenbracht Elisabeth, and Internationale Hugo-Wolf-Akademie für Gesang, Dichtung, Liedkunst e.V. Stuttgart., eds. 1797-1997: Der Flug der Zeit : Franz Schubert : ein Lesebuch. H. Schneider, 1997.

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author, Uhde Jürgen, ed. Schubert: Späte Klaviermusik : Spuren ihrer inneren Geschichte. Bärenreiter, 2014.

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Franz Schubert and the Music of Modernity (Competition) (6th 2006 Universität für Musik und Darstellende Kunst Graz). Franz Schubert und die Musik der Moderne: Dokumentation : 6. Internationaler Wettbewerb, 15.-24.2.2006 = Franz Schubert and the music of modern times : documentation : 6th international competition, 15.-24.02.2006. Universität für Musik und darstellende Kunst, 2007.

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1936-, Newbould Brian, ed. Schubert the progressive: History, performance practice, analysis. Ashgate, 2003.

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Chapitres de livres sur le sujet "Instrumental music (Schubert, Franz)"

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Black, Brian. "Lyricism and the Dramatic Unity of Schubert’s Instrumental Music:." In Drama in the Music of Franz Schubert. Boydell & Brewer, 2019. http://dx.doi.org/10.2307/j.ctv6jm9rg.18.

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Davies, Joe. "Stylistic Disjuncture as a Source of Drama in Schubert's Late Instrumental Works." In Drama in the Music of Franz Schubert. Boydell and Brewer Limited, 2019. http://dx.doi.org/10.1017/9781787444393.015.

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Davies, Joe. "Stylistic Disjuncture as a Source of Drama in Schubert’s Late Instrumental Works." In Drama in the Music of Franz Schubert. Boydell & Brewer, 2019. http://dx.doi.org/10.2307/j.ctv6jm9rg.21.

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Davies, Joe. "13 Stylistic Disjuncture as a Source of Drama in Schubert’s Late Instrumental Works." In Drama in the Music of Franz Schubert. Boydell and Brewer, 2019. http://dx.doi.org/10.1515/9781787444393-019.

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Black, Brian. "Lyricism and the Dramatic Unity of Schubert's Instrumental Music: The Impromptu in C Minor, D. 899/1." In Drama in the Music of Franz Schubert. Boydell and Brewer Limited, 2019. http://dx.doi.org/10.1017/9781787444393.012.

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Black, Brian. "10 Lyricism and the Dramatic Unity of Schubert’s Instrumental Music: The Impromptu in C Minor, D. 899/1." In Drama in the Music of Franz Schubert. Boydell and Brewer, 2019. http://dx.doi.org/10.1515/9781787444393-016.

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"FRANZ SCHUBERT." In The Classical Music Lover's Companion to Orchestral Music. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv9b2wqr.54.

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"Franz Schubert (1797–1828)." In The Classical Music Lover's Companion to Orchestral Music. Yale University Press, 2019. http://dx.doi.org/10.12987/9780300242720-052.

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McKay, Elizabeth Norman. "La Dolce Vita (1820-1822)." In Franz Schubert. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198165231.003.0005.

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Abstract With reliable and supportive friends like Josef von Spaun, Johann Mayrhofer, and Anselm Hiittenbrenner, and influential patrons of the calibre of Johann Michael Vogl and Ignaz Sonnleithner, the outlook for Schubert at the start of 1820 was promising indeed. Helped by his friends, his reputation in musical circles was growing, particularly as a composer of songs, but also of orchestral and church music; and by the end of 1820 he had already made some impression in Vienna with his music for the theatre. In 1821 he was to enjoy remarkable advances in his profession, with more, and some p
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McKay, Elizabeth Norman. "Success and Sickness (1828)." In Franz Schubert. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198165231.003.0011.

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Abstract IF Schubert’s health was causing concern during 1828, there are no recorded references to illness or indisposition until he moved to his brother’s new apartment early in September. To what extent his family and friends were aware of his sickness before this must remain conjectural. To all intents and purposes, and apart from the persistent headaches and later giddiness, which a few of his friends do seem to have known about, he appeared to be reasonably fit and leading a normal life. Further retrospective comments, however, suggest that he was to some degree neglecting himself, spendi
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Actes de conférences sur le sujet "Instrumental music (Schubert, Franz)"

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Лю, Хаосюань. "Franz Schubert as the founder of the Romantic tradition in World music and training of musicians." In Социально-гуманитарные исследования: векторы развития науки и образования: материалы IX научно-практической конференции с международным участием, г. Москва, МПГУ, 25–26 апреля 2024 г. Crossref, 2024. https://doi.org/10.37492/isgo.2024.058.

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в этой статье анализируется связь уникальности музыкального творчества Шуберта с романтическими музыкальными чертами его произведений, понимаются факторы, влияющие на формирование романтического стиля в творчестве Шуберта. Автор делает вывод, что Франц Шуберт оказал революционное влияние на европейскую и мировую музыкальную культуру, а его творческие инновации способствовали созданию системы воспитания молодых художников и композиторов. this article analyzes the relationship between the uniqueness of Schubert's music creation and the romantic musical characteristics of his works, understands t
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Deisinger, Marko. "Fortschrittliche Technologie im Dienste eines Antimodernisten. Heinrich Schenker und der österreichische Rundfunk." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.52.

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The Viennese music theoretician Heinrich Schenker opposed modernity during his entire life. At first, this opposition applied to new technologies as well. Despite his skepticism, he purchased a radio shortly after the Austrian Broadcasting Corporation (RAVAG) started broadcasting in October 1924 and soon became an avid radio listener. Schenker quickly grasped the advantages of this new transmission medium and used it to further his own interests, aided by personal contacts with the RAVAG. In 1928, his associate Otto Erich Deutsch delivered a radio lecture co-authored with Schenker about the go
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Vasić, Aleksandar. "Dragutin Gostuški as a Music Critic and an Essayist: The Book Art in the Lack of Evidence." In Iskošeni ugao Dragutina Gostuškog. Muzikološki institut SANU Beograd, 2024. https://doi.org/10.46793/dgost23.259v.

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In 1977, The Serbian Literary Guild (Srpska književna zadruga) published a book by Dragutin Gostuški – Art in the Absence of Evidence. It is the author’s second book, and also the last one published during his lifetime. Like the first, Time of Art, published in 1968, it has remained a sought-after piece of literature, but it has not been reprinted to date. Art in the Absence of Evidence represents the author’s work in a double sense: it brings a selection of texts by D. Gostuški, and a selection made by the author himself. This book is a collection of essays, music criticism, consideration of
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