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Articles de revues sur le sujet « Inuit Small art works »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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1

White, William J. "Playing House in a World of Night: Discursive Trajectories of Masculinity in a Tabletop Role-playing Game." International Journal of Role-Playing, no. 2 (March 27, 2011): 18–31. http://dx.doi.org/10.33063/ijrp.vi2.192.

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This study uses excerpts from the transcript of a tabletop role-playing game (RPG) session to examine how male players enact ideas about masculinity. The game is a non-traditional, small-press “indie” game called Ganakagok designed by the author; in the game, the characters are men and women from a quasi-Inuit culture living on an island of ice in a world lit only by starlight. As the game begins, the imminent arrival of the Sun is announced, and game-play is about how the people of this culture deal with the approaching dawn. In one such game, the players of three male characters went through

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Jørgensen, Anne Mette. "Jørgen Meldgaard’s film works and books on art from the Arctic." Études/Inuit/Studies 37, no. 1 (2014): 127–45. http://dx.doi.org/10.7202/1025258ar.

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L’archéologue danois Jørgen Meldgaard (1927-2007) était un cinéaste passionné. Les archéologues d’aujourd’hui pourraient s’inspirer de sa passion pour ce médium qu’est le film. Il a produit trois documentaires incontournables au cours de sa carrière, chacun d’eux illustrant une tendance importante de la représentation scientifique de l’Autre durant la seconde partie du XXe siècle. Cet article analyse ses films en portant une attention particulière à la manière dont Meldgaard est passé d’une représentation des Inuit en tant qu’objets à une représentation en tant que sujets. Il effectue égalemen

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Castor, Laura. "Decolonial Interruptions of Settler Time in Tanya Tagaq’s Art." Ecozon@: European Journal of Literature, Culture and Environment 16, no. 1 (2025): 206–23. https://doi.org/10.37536/ecozona.2025.16.1.5315.

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This article discusses two texts by the Inuit musician and writer Tanya Tagaq to demonstrate the need for honoring Inuit relationships with other-than-human beings through decolonial interruptions of settler time in Canada: a well-publicized photograph Tagaq posted on Twitter in March 2014 of her infant daughter beside a freshly killed seal, and the genre-crossing book Split Tooth. Using Walter Mignolo’s approach to decolonial gestures, I explore the #sealfie photograph and the novel as textured evocations of the Inuit worldview that was rendered invisible in much of the commentary on Twitter

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Konopka, Emiliana. "Antropologia sztuki rdzennej ludności regionu nordyckiego: reprezentacja Kalaallit Nunaat i Sápmi w muzeach skandynawskich." Porta Aurea, no. 22 (December 29, 2023): 154–71. http://dx.doi.org/10.26881/porta.2023.22.08.

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This essay is an attempt to present the most important points of the current discussion about the cultural remains of colonialism in Scandinavia by analyzing the representation of indigenous art in museums. I would like to focus on the reasons why Saami and Inuit art was usually excluded from the traditional art history narrative and placed almost exclusively in collections of ethnographic or historical museums. On the examples of the strategies applied by three museums: the National Museum of Denmark in Copenhagen, Nordic Museum in Stockholm, and the National Museum of Art, Architecture and D

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Dwyer, Melva J. "Art book publishing in Canada." Art Libraries Journal 17, no. 3 (1992): 34–37. http://dx.doi.org/10.1017/s030747220000794x.

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Canadian publishing was inhibited from the beginning by Canada’s colonial origins and dependence on Great Britain and the USA. Few art books were published until quite recently; the relatively small, scattered population, the flooding of the market with British, American and (in Quebec) French books, and limited (at best) or non-existent sales outside Canada continue to be constraining factors. The necessity to include both English and French texts adds to the cost of book production in Canada. The publication of art books, and of exhibition catalogues, depends on the availability of governmen

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Romanenkova, Yulia. "Art Language of Small Plastic Art by Arkady Pugachevsky." Bulletin of KNUKiM. Series in Arts, no. 36 (June 10, 2017): 107–17. https://doi.org/10.31866/2410-1176.36.2017.157684.

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The purpose of the article. The article is dedicated to the later period of creativity of Ukrainian artist Arkady Pugachevsky. Pugachevsky-older is known in the area of lovers of graphic arts primarily as an expert of technician of printmaking. Specializing in high printing, he gives preference to the engraving on the plastic. Methodology of investigation. The research methodology consists in complex using of biographical, historical, comparative methods of analysis, used for comprehensive coverage of case material. Scientific novelty of article is in the introduction into scientific use of wo

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Grussani, Linda, Rachel E. Smith, Garance Nyssen, et al. "Exhibition Reviews." Museum Worlds 12, no. 1 (2024): 241–60. https://doi.org/10.3167/armw.2024.120118.

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In 2022, the MacKenzie Art Gallery in Regina, Saskatchewan, Canada, organized and launched the ground-breaking exhibition Radical Stitch, North America's largest ever beadwork exhibition to feature contemporary First Nations, Métis, Inuit, and Native American artists. The exhibition, which has been awarded the 2024 Canadian Museums Association/Association des Musées Canadiens Award of Outstanding Achievement, is curated by an esteemed Indigenous curatorial team comprising Sherry Farrell Racette (University of Regina), Cathy Mattes (University of Winnipeg), and Michelle LaVallee (National Galle

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Adi, Sigit Purnomo. "PELATIHAN PEMBUATAN MINIPRINT DENGAN MENGGUNAKAN MEDIA TRIPLEK DI KOMUNITAS MAKMOER ART PROJECT SUKOHARJO." Abdi Seni 12, no. 1 (2021): 45–50. http://dx.doi.org/10.33153/abdiseni.v12i1.3748.

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Abstract Miniprint is one of the print size formats in graphic arts that is not yet very popular in Indonesia. Miniprint format prints in small sizes both matrix and paper. Printing in small sizes is fun. Small format requires patience and technical skill in visualizing the artist's ideas and ideas. Considering that miniprints have many features apart from a small format, they can also be carried everywhere and can also be used as an aesthetic element or room decorator and have good selling power, encouraging the author to hold a workshop or training on making miniprints in the Makmoer Art Pro

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Gentle, Paul, and Marco Giliberti. "Were valuable art works an economic form of money during the German Third Reich Period and its aftermath?" Public and Municipal Finance 6, no. 4 (2017): 33–38. http://dx.doi.org/10.21511/pmf.06(4).2017.04.

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This examines the special use of art works as a store of value in Germany during the Third Reich era. Some Jews were able to buy their freedom, as the fascists closed in. Then as the Third Reich fell, some escaping fascists used art works to secure freedom outside of Germany. One of the characteristics of money is a store of value. When confidence in a currency is present, the more conventional form of money takes precedence. A respected, economic form of currency and coin has all three elements of money: medium of exchange, store of value and unit of account. This last trait is especially abs

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Shalem, Avinoam. "“What a Small World”: Interpreting Works of Art in the Age of Global Art History." Getty Research Journal 13 (January 1, 2021): 121–42. http://dx.doi.org/10.1086/713432.

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Muhammad Arief and Yasrul Sami. "Rang Gelandang Tuo sebagai Ide Penciptaan Karya Lukis Kontemporer." Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual. 2, no. 1 (2025): 111–17. https://doi.org/10.62383/misterius.v2i1.547.

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This final work aims to visualize the various negative impacts that arise from small communities, from how they earn a living to ending up as midfielders and the impact of small communities' behavior in contemporary works of painting. The hope of this work is to increase public knowledge and awareness and enrich ideas in realizing contemporary painting art. The method the author uses is the art concert method which consists of: (1) Preparation, in the form of observation, gathering information and ideas. (2) Elaboration, to determine the main idea through analysis, abstraction, generalization

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Bowen, Barbara C. "A Neglected Renaissance Art of Joking." Rhetorica 21, no. 3 (2003): 137–48. http://dx.doi.org/10.1525/rh.2003.21.3.137.

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This article proposes that we add to the small number of Renaissance works on the art of creating or using facetiae an almost unknown De arte iocandi by an almost unknown Mattheus Delius, who died young. The work is a poem in four books, in Ovidian elegiac couplets, obviously inspired by the De arte bibendi of Vincentius Obsopoeus; both works have been assumed to be paradoxical encomia but arein fact seriousalbeit playful compendia of rules. Delius is interested not in the rhetorical use of jokes as weapons, but in something very close to Erasmus's festivitas. The preface by Melanchthon almost

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Thomas, Leslie. "ART WORKS Projects: Claiming Public Space for Human Rights." Revista Electrónica de Derecho Internacional Contemporáneo 3, no. 3 (2020): 167–70. http://dx.doi.org/10.24215/2618303xe013.

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ART WORKS Projects (AWP) was born out of desperation. A photo of a small boy who had been murdered in a genocidal attack against civilians in Darfur by a Sudanese government intent upon their eradication led to the formation first of the DARFUR/DARFUR exhibition of large-scale exterior projections and eventually to AWP. The founders, by and large architects, filmmakers, editors, photographers, lawyers, and designers, weren’t naive enough to believe that art can always end genocide (or any other grave human rights abuse), but they knew it impacted them and so they theorized that the same could

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Yang, Zeyin. "Application and Development of Digital Enhancement of Traditional Sculpture Art." Scientific Programming 2022 (February 3, 2022): 1–8. http://dx.doi.org/10.1155/2022/9095577.

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Sculpture art, as an important carrier of spiritual civilization, also portrays a prosperous scene as an industry with urban and cultural development. Three-dimensional technology offers a new platform for sculpture creation, allowing for the digitization of sculpture works via electronic information technology, and the display of sculpture works in front of people via displays, facilitating the exchange and dissemination of information and promoting the growth and progress of the entire sculpture creation industry. We plan to use digital enhancement technology to conduct small-scale creation

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Akimov, Dmytro. "Marketing researches and promotion works of art in the fine art’s marketing." Almanac "Culture and Contemporaneity", no. 1 (August 31, 2021): 139–44. http://dx.doi.org/10.32461/2226-0285.1.2021.238609.

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The purpose of the article. Research and analysis of marketing technology algorithms by means of market segmentation in fine arts marketing. The methodology of the study is to apply comparative, empirical, and theoretical methods. This methodological approach allows us to analyze the processes of segmentation of the fine arts market with the subsequent use of research results in the marketing processes of promoting works of art from artist to consumer. The scientific novelty consists in expanding the notions about the research of marketing processes in the art market. The article establishes t

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Pan, Liang. "Trends in the development of institutions and forms of artistic communication in modern St. Petersburg." Философия и культура, no. 4 (April 2024): 127–40. http://dx.doi.org/10.7256/2454-0757.2024.4.70254.

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The subject of the study is the works of contemporary St. Petersburg artists of different generations and creative trends, as well as the forms and features of their communication with each other and with the general as well as professional public. The trends of artistic communication in the city are determined by the activities of such institutions as art and non-art museums, art galleries and exhibition centers, which are a classic form of presentation of contemporary art; alternative venues such as creative spaces and art clusters. The field of attention also includes the attraction of St.

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Gromov, Mikhail N. "Methodology of the Study of Ancient Russian Art and Culture." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 65 (2022): 269–78. http://dx.doi.org/10.37816/2073-9567-2022-65-269-278.

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Old Russian art and Old Russian philosophy have many similar typological features. Therefore, the consideration of ancient Russian art, from a philosophical point of view, has a certain methodological significance. Old Russian texts can be divided into three groups according to the degree of saturation of their philosophical and aesthetic content. The first group consists of the most serious books, including: “The source of knowledge” by John of Damascus, “Dioptra” by Philip the Hermit, “The logic of Aviasaph” and a number of others. The second group, the most numerous, includes the works of M

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Agratina, Elena E. "Jean-Honoré Fragonard: The New in the Notions of “Sketchiness” and “Completeness”." Observatory of Culture 18, no. 2 (2021): 174–85. http://dx.doi.org/10.25281/2072-3156-2021-18-2-174-185.

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The second half of the 18th century was a time of active changes in the perception of art, rethinking many concepts and phenomena. One of them was the pictorial sketch, which transformed from a preparatory stadium work into an independent, complete piece of art. Many art theorists and critics, as well as painters themselves had contributed to this rethinking. Many young artists, bored of historical painting and indifferent to all the academic principles, were searching for new media of expressiveness, using the sketch-like pictorial manner to give their works a new dynamism and an impression o

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Segal, Orna. "Beyond Bezalel: Expressions of Jewish Identity in the Art of Female Israeli National Religious Graduates." Ars Judaica 20 (November 2024): 139–59. https://doi.org/10.3828/arsjudaica.2024.20.8.

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Artists from the National-Orthodox sector have become more prominent in the Israeli art scene in recent years. I here present research on the expression of Jewish identity in the works of three active artists who studied in religious educational institutions, as reflected in interviews with them, and in works that contain elements related to their identity and the world from which they emerged. The study investigates the extent of expression of Jewish-religious identity in their art, how it is expressed, and whether the goals of the promotion of art within the religious education system are re

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Freeman, Lindsey. "Small Elegies for America." Imaginations: Journal of Cross-Cultural Image Studies 15, no. 2 (2025): 65–94. https://doi.org/10.17742/image29683.

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Miniatures open us up to childhood memories, daydreaming, and nostalgia, but they can also alert us to the dangers and disappointments of our times. Many contemporary artists are utilizing small-scale artworks to represent difficult truths of contemporary American life, such as alienation, disenchantment, precarious housing, and economic insecurity writ large. In this essay, focusing on the artists Michael Paul Smith, Thomas Dolye, and James Casebere, the imaginations that encircle homes, neighborhoods, and small towns are complicated through utopian and dystopian art works that draw attention

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Harbie, Putri R. A. E. "Curation and Presentation to Enrich Value on Intermedia Art in a Contamporary Art Exhibition." IMOVICCON Conference Proceeding 1, no. 1 (2019): 108–15. http://dx.doi.org/10.37312/imoviccon.v1i1.12.

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The moving image has evolved into a very common medium used in both narrative and non-narrative way, exhibited in a film festival or art exhibition. Narrative film nowadays distributed digitally and can be exhibited in both the big screen and small screen (such as mobile phone, laptop screen, mini projector) without possibly losing any storytelling value. While non-narrative film/video mostly exhibited in a special treatment to enrich the main message. The small screen was commonly used to present this medium in an art exhibition. Art manager has a responsibility to curate and presents the int

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Kravcenko, Vladimir. "Some issues on the development of digital art in the Republic of Moldova." Arta 30, no. 1 (2021): 124–29. http://dx.doi.org/10.52603/arta.2021.30-1.18.

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The paper examines the creative segment of digital art, which has been carried out by professional graphic artists in the independent Republic of Moldova, including finished artworks produced in big and small print runs, and also unique graphic works. Sketches and technical drawings of any kind are excluded from the study. Important data is provided about different images (chiesel works, book illustrations, caricatures, postage stamps, ex-librises), which were rendered digitally both in full and in part. Also, concise information is offered on the professionals practicing the respective type o

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Trinkert, Julia. "Art centres in the Lower Rhine and the Maasland revisited: research potential of a methodological reorientation of medieval art history." Journal of Art Historiography 2020, no. 22 (2020): 22—JT1. https://doi.org/10.5281/zenodo.5075090.

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The medieval wooden sculptures in the Lower Rhine and the Maasland region have been the focus of much art historical interest. Various inventory and exhibition projects in the twentieth century comprehensively recorded and arranged the numerous works available in the region and assigned them to different known or unknown artists or art landscape groups of works, according to the status of the respective research claim. The basis for a revision of the Lower Rhine and Maasland medieval wooden sculptures lies in the application of large-scale research efforts toward medieval wooden sculpture and

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Qu, Yifeng. "Interpretations of Rice Paper Watercolor Painting in Art Teaching." Review of Educational Theory 3, no. 1 (2020): 62. http://dx.doi.org/10.30564/ret.v3i1.1635.

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The ricepaperplant pith is also known as Tetrapanax papyrine, Akebia, or tall gastrodia fruit, a kind of shrub or small tree of the Araliaceous. It is native to south China and Taiwan Prov., the raw material of rice paper. Extract its central tissue from the stem to make pith slices which could be made as the watercolor painting paper. It arose in Guangzhou in the 19th century, and the themes are mainly focused on reflecting the social life scenes as well as various characters in late Qing Dynasty, such as officials, soldiers, juggling, weaving, playing instrument, etc. The works are lively, v

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Ірина, Грицюк. "Символізм у творчості Стефанії Шабатури". ВІСНИК Львівської національної академії мистецтв, № 34 (10 лютого 2018): 202–14. https://doi.org/10.5281/zenodo.1170642.

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The article is dedicated to complex research of artistic heritage of Stephaniya Shabatura. The works of different genres and periods of execution have been analyzed. There has been suggested a division of her masterprieces into five cycles: the first – graphics, the second – tapestries, тhe third – watercolors, the fourth – embroidered bookmarks and the fifth – small woolen blankets. Every cycle consists of series of works which are united the common theme. In the artist's early works, which were had done in weaving technique, we can find a traditional in folk

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Romanenkova, Yuliia, and Nataliya Ursu. "The image of a musician in the works of Ukrainian artists of the Pugachevsky dynasty." Arta 33, no. 2 (2024): 82–90. https://doi.org/10.52603/arta.2024.33-2.07.

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The article is focused on the representation of musical motifs and the image of a musician in the works of Ukrainian artists, representatives of the Kyiv school, Arkady (father) and Gennady (son) Pugachevsky. The artistic activity of these masters is positioned as a method of popularizing Ukrainian art in the foreign artistic space. The main storylines of free graphics, printed graphics, and small sculptures of the artists are analyzed. The problem of preserving the classical traditions of letterpress printing techniques is being updated. The image of a musician is emphasized as one of the mai

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Liu, Zhuang Zhuang, Zhi Feng Liu, and Guo Ping An. "Geometric Mobiles Innovative Design Method Based on the Computer Simulation Environment." Applied Mechanics and Materials 248 (December 2012): 190–96. http://dx.doi.org/10.4028/www.scientific.net/amm.248.190.

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Geometric mobiles is a new kinetic art which become a new technique combined with basic science and modern art. Geometric mobiles design and calculation by mechanics and mathematics in order to have a slowly and elegant movements. An innovative and efficient design method is first established based on virtual technology and polymorphs small cell centroid point analytical rule. The method reveals the intrinsic relationship between Geometric mobiles and mathematics & mechanics modeling, provides the mathematics foundation for art works innovative and next research.

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Jackson, Philip W. "Dewey's 1906 Definition of Art." Teachers College Record: The Voice of Scholarship in Education 104, no. 2 (2002): 167–77. http://dx.doi.org/10.1177/016146810210400201.

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This paper contains an appreciative exegesis of a single sentence extracted from a speech that John Dewey delivered to an audience of teachers in 1906. The sentence was selected for analysis because of the extraordinarily concise manner in which it tacitly connects to a wide variety of Deweyan doctrines, particularly those having to do with Dewey's vision of human flourishing. The overall goal of the analysis is simply to bring the sentence to the attention of a wider audience. By displaying the hidden richness of this small string of words, delivered almost nonchalantly, one suspects, and on

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Ontano, Giacomo. "Dialogue between art and architecture, Paul Klee and Carlo Scarpa." Zwitscher-Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee-Studien, ISSN 2297-6809 11 (April 1, 2022): 60–68. https://doi.org/10.5281/zenodo.6406531.

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This work stems from an interest in exploring the works of the architect <strong>Carlo Scarpa</strong> and how contemporary art may have influenced his architecture. It mainly focuses on Scarpa’s installations for the Venice Biennale, after World War II, when contemporary art found new spaces of dissemination. Carlo Scarpa collaborated for more than 20 years with the Venice Biennale, but it was only in 1948, at the first postwar Biennale, that he made his first experience in the field of painting exhibition. He was nominated to design the exhibitions of a few Italian contemporary artists

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Чап, А. А. "SACRED SIGNIFICANCE OF MATERIALS IN SMALL PLASTIC ART OF TUVA." SCIENTIFIC REVIEW OF SAYANO-ALTAI, no. 2(42) (July 8, 2024): 19–23. http://dx.doi.org/10.52782/kril.2024.2.42.003.

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В статье делается попытка проанализировать сакральную значимость дерева и камня агальматолита (чонар- даша) - основных материалов, используемых при создании произведений тувинской малой пластики. Упоминания о деревьях и связанные с ними поверья встречаются во многих легендах, сказаниях; существуют красивые легенды о происхождении поделочного камня агальматолита. Сакральное мировоззрение тувинцев сегодня - это отражение взаимоотношений человека как с окружающей действительностью, так и его отношение к сверхъестественному, тому, что принято относить к «миру духов». The article attempts to analyz

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Park, Jung A. "A Study on the Status of Digital Work Recognition Based on NFT: Focusing on text mining analysis." Korea Institute of Design Research Society 7, no. 2 (2022): 9–19. http://dx.doi.org/10.46248/kidrs.2022.2.9.

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Recently, NFT, an irreplaceable token called convergence art that combines digital technology and art, is attracting attention in the field of design and art. The purpose of this study is to analyze NFT technology-based digital works that are rapidly growing along with rapid demand for IT technology through issues of the times, the development of cryptocurrency blockchain technology, and the trend change in the art market through text mining. As a method of research, text mining is conducted by setting the last year as a collection period from March 2021 to February 2022, when NFT grew the mos

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Nguyen Thi Thanh, Nga. "A SURVEY ON THE RESEARCH OF TRADITIONAL CULTURAL SYMBOLS APPEARED IN THE Y.KAWABATA NOVELS IN VIETNAM." Journal of Science Social Science 65, no. 11 (2020): 54–63. http://dx.doi.org/10.18173/2354-1067.2020-0071.

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Kawabata is one of Japan’s leading writers. Kawabata’s works are a place to preserve and preserve old traditional values becoming a miraculous bridge to bring Japan across the ocean to the whole world, and to bring the world to the land of beautiful cherry blossoms. Therefore, his works have been the object of many large and small research projects domestically and internationally. Within the scope of the article, we have conducted surveys of works and articles on traditional cultural symbols in Kawabata’s novels under the following angles: Biography, Poetry, Psychoanalysis and Culture, thereb

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Tsiuliupa, Natalia, Victoria Bytsyak, and Larisa Smyk. "PECULIARITIES OF WORKING ON WORKS OF SMALL FORM IN THE PIANO CLASS." Мистецька освіта та розвиток творчої особистості, no. 2 (2023): 74–77. http://dx.doi.org/10.32782/art/2023-2-13.

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Zimmermann, Julia. "Ambivalenzen der Darstellung und Zirkelschlüsse der Interpretation. Die Tanzdarstellung Hiltbolts von Schwangau im ‚Codex Manesse‘ und der Reigen höfischer Tugenden im ‚Roman de la Rose‘." Das Mittelalter 23, no. 2 (2018): 427–46. http://dx.doi.org/10.1515/mial-2018-0022.

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AbstractNumerous studies covering courtly dancing and its portrayal in medieval European religious art and literature seem to have, to a large extent, exhausted this subject. Nevertheless, works on courtly dances remain, for the most part, more speculative in nature than apparent at first glance. This is amazing when we consider the importance of courtly dance in literature and art dating from the Middle Ages, as there are only few Middle High German poems in which collective dance is not mentioned. Contrasting with this great number and wide range of references to dance is its small footprint

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Walden, George. "Contemporary Art, Democracy, and the State." Royal Institute of Philosophy Supplement 45 (March 2000): 85–95. http://dx.doi.org/10.1017/s1358246100003325.

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Not long before the change of Government in Britain in 1997, the then Heritage Secretary, Virginia Bottomley, made a speech in which she praised British contemporary art, describing it as the most exciting and innovatory in the world. Unexciting as it seemed, her observation was profoundly innovatory, indeed in its small way historic. To my knowledge no British Cabinet Minister, still less a Conservative, has ever given an official seal of approval to what is conventionally regarded as avant-garde art. The Labour Government has echoed its predecessor's praise at a higher volume, as if determin

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Sung, Gum-Ju, and Yong-Mi Jin. "A Study on Hair Art with the Motif of Winter Flowers." Journal of the Korean Society of Cosmetology 27, no. 6 (2021): 1307–12. http://dx.doi.org/10.52660/jksc.2021.27.6.1307.

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The purpose of this study is to increase the artistic value of hair art. And it is about providing basic data and expanding contributions to follow-up research. Hair art works reinterpret the inner beauty of winter flowers that bloom in full bloom in the cold winter. The research method collected prior studies and references based on winter flowers. Also, we selected four types of winter flowers and analyzed their shapes and colors. I created 4 pieces of hair art. As a result, the colorful color of work 1 increased the aesthetic effect due to its high chroma. Works 2 expresses the elegance of

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Krasnova, I. V. "FORMATION OF THEIR OWN STYLE IN THE WORK OF ARTISTS OF CHUGUEV." Topical Issues of Culture, Art, Education 4, no. 38 (2023): 7–24. http://dx.doi.org/10.32340/2949-2912-2023-4-7-24.

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The article is devoted to the study of the life and work of representatives of the art school of painting in Chuguev. Due to the huge losses of their heritage, it still remains a blank spot in the history of national culture. The uniqueness of the masters of the brush of a small military settlement, which was Chuguev in the 19th century, consists in the fact that they came from a soldier and peasant environment. Mastering various technical techniques of painting, they worked in different genres. This allowed the Chuguev artists to create works of a secular and spiritual nature, including icons

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Jiang, Bingchao, and Min-Lyoung Choi. "A Study on Water-based Paints Applied for Art Makeup." Journal of the Korean Society of Cosmetology 28, no. 5 (2022): 1054–71. http://dx.doi.org/10.52660/jksc.2022.28.5.1054.

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In creating works of ‘Art Makeup’ called ‘the pinnacle of makeup’ specific and systemic learning is required for inexperienced beginners or students to acquire basic knowledge or quality of art makeup. For this reason, we analyzed characteristics of water-based paints in order to examine what changes in colors there were when these paints mixed with water were applied to the skin and became completely dry in a certain time. We also looked into their consistency-how long they lasted against drying speed, stimulation or contact. The findings are as follows. First, in the water-based paints we an

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Abramkin, Ivan A. "Comparing Literary Criticism and Art History: The Problem of Sentimentalism in Russian Historiography." Vestnik of Saint Petersburg University. Arts 13, no. 1 (2023): 188–206. http://dx.doi.org/10.21638/spbu15.2023.109.

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The article is devoted to the historiography of sentimentalism in the Russian scientific tradition. The purpose of the research is to compare the methods used in literary and art studies to overview this phenomenon. The uncertainty of ideas about sentimentalism in the visual arts requires an appeal to literary studies. A careful analysis of works on sentimentalism in this field revealed the special role of the works of M. M. Bakhtin and G. N. Pospelov, who created original concepts of this phenomenon, and has made it possible to state a wide range of methods. Consideration of the sentimentalis

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Grishchenko, Anton Borisovich. "Architectural heritage of Belarus in fine art and cinema." Vestnik of Saint Petersburg State University of Culture, no. 2 (63) (2025): 104–9. https://doi.org/10.30725/2619-0303-2025-2-104-109.

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The article is devoted to identification the features of artistic reflection of architectural heritage of Belarus in fine art and cinema in the paradigm of comparative analysis. This art study method was developed by V. P. Prokoptsova. The relevance of the article is determined by the lack of complex studies in art history devoted to the artistic reflection of the architectural heritage of Belarus in fine art and cinema. It is noted that in fine art the architectural heritage of Belarus is artistically reflected in architectural and historical landscapes, portraits. The compositional features

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Dudkiewicz, Margot, and Uliana Havryliv. "Experiencing art in city space on the example of the environment of the Galeria Labirynt in Lublin." Przestrzeń Urbanistyka Architektura 2022, no. 2 (2022): 49–66. http://dx.doi.org/10.37705/pua/2/2022/04.

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Art in public space is still untapped potential. The garden at ‘Labirynt’ Gallery is an opportunity to publish a work of art and a place for a wide range of artistic activities. Here, access to works will be free and universal, and the art exhibited in public space will enter into a dialogue with the viewer. The design concept was influenced by the terrain, the existing vegetation, and the gallery building style. A new communication system, elements of small architecture, plantings, and illuminations were designed. The design of the Gallery’s surroundings was to make the facility recognizable

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SCHEDEL, MARGARET ANNE. "Alternative venues for computer music: SoundGallery_Living Room_ARTSHIP." Organised Sound 9, no. 3 (2004): 301–3. http://dx.doi.org/10.1017/s1355771804000500.

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The audience for contemporary classical music is small – the audience for computer music is even smaller. Traditional concert halls are failing to generate interest in new instrumental music, much less computer music, while museums are having much more success with new art, including art with a technological component. By marketing our music to art galleries and museums, we can reach an audience predisposed to accept the new and unusual in artistic expression. Presenting the works of music outside a traditional proscenium setting also helps shatter any a priori definitions of ‘music’ audiences

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Marter, Joan M. "The Engineer Behind Calder’s Art." Mechanical Engineering 120, no. 12 (1998): 53–57. http://dx.doi.org/10.1115/1.1998-dec-2.

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This article reviews the significance of Alexander Calder’s, a renowned sculptor, technical and engineering expertise that has become increasingly clear in recent years. Calder’s most important innovation in the development of wire sculpture was the suspension of his wire forms from a single wire thread. A small wood-and-wire caricature of a monkey was the first, soon followed by several caricatures of Josephine Baker, the star of La Revue N è gre at the Folies Bergè re and an international sensation in 1925. Like Leonardo da Vinci, Calder was primarily interested in problem solving, in experi

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Heckenberg, Kerry. "Conflicting Visions: The Life and Art of William George Wilson, Anglo-Australian Gentleman Painter." Queensland Review 13, no. 1 (2006): 1–21. http://dx.doi.org/10.1017/s1321816600004244.

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Research for this paper was prompted by the appearance of a group of nine small landscape paintings of the Darling Downs area of Queensland, displayed in the Seeing the Collection exhibition at the University Art Museum (UAM), University of Queensland from 10 July 2004 until 23 January 2005. Relatively new to the collection (they were purchased in 2002), they are charming, small works, and are of interest principally because they are late-colonial depictions of an area that was of great significance in the history of Queensland.

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Lee, Jennifer. "Portable Prototypes: Canterbury Badges and the Thomasaltar in Hamburg." Arts 10, no. 3 (2021): 51. http://dx.doi.org/10.3390/arts10030051.

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Pilgrims’ badges often depicted works of art located at a cult center, and these cheap, small images frequently imitated monumental works. Was this relationship ever reversed? In late medieval Hamburg, a painted altarpiece from a Hanseatic guild narrates the life of Thomas Becket in four scenes, two of which survive. In 1932, Tancred Borenius declared this altarpiece to be the first monumental expression of Becket’s narrative in northern Germany. Since then, little scholarship has investigated the links between this work and the Becket cult elsewhere. With so much visual art from the medieval

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Zhao, Yuanyuan. "Formation and Schema Analysis of Oil Painting Style Based on Texture and Color Texture Features under Few Shot." Computational Intelligence and Neuroscience 2022 (June 13, 2022): 1–10. http://dx.doi.org/10.1155/2022/4125833.

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Texture has strong expressiveness in picture art, and color texture features play an important role in composition. Together with texture, they can convey the artistic connotation of portrait, especially in oil painting. Therefore, in order to make the picture form oil painting style and oil painting schema, we need to study the texture and color texture in combination with the previous oil painting art images. But now, there are few samples of good oil paintings, so it is difficult to study the texture and color texture in oil paintings. Therefore, in order to form a unique artistic style of

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Alieva, Olga O. "The Images, Technique and Stylistic Features of the Baroque Style in the Works of the Urals Stonecutters." ICONI, no. 1 (2021): 40–51. http://dx.doi.org/10.33779/2658-4824.2021.1.040-051.

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The article examines the particularities of the development in the Urals region of the genre of fi gurative sculpture of small forms from assembled stone by means of comparison with the art of the Italian masters from the baroque period, the establishers of this type of stonecutting art. The small fi gurative sculpture from assembled stone (polylite), which has developed as an independent genre of the art of stonecutting in the 17th century in Italy, acquired further development not only in Western Europe, but also in Russia, in the large-scale centers of artistic elaboration of stone in the c

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Bulak, Ksenia A. "The Theme of the High North in the Art of Krasnoyarsk Artist Stepan Fedorovich Turov." Vestnik of Saint Petersburg University. Arts 14, no. 1 (2024): 78–96. http://dx.doi.org/10.21638/spbu15.2024.105.

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Stepan Fedorovich Turov was drawing artist who has served an important purpose of the development of book illustration at the Krasnoyarsk Krai, he was an artist who has been famous in his own lifetime at home and abroad. Works of art on the theme of the North forms a large part of Turov’s heritage but no one research that characterized specificity of realization of the North at Turov’s creative work has been published until the present. There is very small amount of published works about the artist. I. M. Davydenko’s opening chapter of the catalogue of posthumous exhibition of Turov of the 198

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Bilson, Tom. "The Courtauld’s Witt and Conway Photographic Libraries: Two approaches to digitisation." Art Libraries Journal 45, no. 1 (2020): 35–42. http://dx.doi.org/10.1017/alj.2019.38.

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The Courtauld Institute of Art is two years into a digitisation project of the Witt and Conway photograph archives (in addition to other, smaller collections) – a massive project that will make accessible over three million images of works of art from these internationally important photo collections. This article looks closely at the digitisation project and in particular, at the small army of volunteers assembled to carry out the digitisation and how this element of public engagement is essential to the success of the project.

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Magnatta, Sarah. "Marking Impermanence." HIMALAYA 43, no. 2 (2024): 64–80. https://doi.org/10.2218/himalaya.2024.8956.

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This essay explores works by contemporary artist Sonam Dolma Brauen through two lenses: as the result of ongoing and changing functions of an object, and as part of a broader dialogue about indexical imagery in contemporary art. Sonam Dolma’s family escaped from Tibet to India when she was young, carrying few possessions on their difficult journey through the Himalayas. One of these items, a small metal tsa tsa mold used in Tibetan Buddhist rituals, would later become an instrument of creation in Sonam Dolma’s art practice. Comprised of multiple plaster casts made from the original object, the

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