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Littérature scientifique sur le sujet « Jewelry, Ancient »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 29 juillet 2024

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Articles de revues sur le sujet "Jewelry, Ancient"

GÜNEY, Hilmi, Menekşe SAKARYA, Hamide Tuba KIZILKAYA, and Esra VAROL. "EXAMINATION OF THE NECKLACE AND PENTANDS FOUND IN NİĞDE MUSEUM." Zeitschrift für die Welt der Türken / Journal of World of Turks 14, no. 2 (August 15, 2022): 259–72. http://dx.doi.org/10.46291/zfwt/140214.

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The tradition of using jewelry has always preserved its importance as a means of adornment. The most precious metals and gemstones have been used in the making of jewelry for a long time, and they have been produced by developing special techniques. Gemstone and precious metal processing started in ancient times as well as in every period with the aim of providing faith, fertility, magic, and good luck; In addition to these meanings from time to time, religious rituals also included purposes such as presenting gifts to the gods or the dead, an indicator of social privilege and status, an expre

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Henig, Martin, Adriana Calinescu, and Catherine Johns. "Ancient Jewelry and Archaeology." American Journal of Archaeology 101, no. 4 (October 1997): 808. http://dx.doi.org/10.2307/506863.

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Taylor, JV, E. Wright, A. Miller, and R. Stein. "SEM of Ancient Jewelry." Microscopy and Microanalysis 15, S2 (July 2009): 1512–13. http://dx.doi.org/10.1017/s1431927609099000.

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Chorievna, Gulmira Kattaeva. "The Lapis Lazuli Beads In Sapalli Culture And Ancient Near East." American Journal of Social Science and Education Innovations 03, no. 01 (January 31, 2021): 539–51. http://dx.doi.org/10.37547/tajssei/volume03issue01-95.

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Lapis lazuli is one of the most attractive semi-precious stones. Due to its peculiar blue color and its rareness, it has been used since the Neolithic Period for the manufacturing of precious objects and jewels (beads, gems, seals, small decorative artworks, etc.). Scientific analysis of jewelry which was made of the lapis lazuli can help to explore deeper cultural, economic, and political relations between the ancient oases of Central Asia and the Ancient Eastern civilizations. In this article, it is cited scientific pieces of evidence about the earliest and still existing deposits of lapis l

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SIMPSON, E. "Ancient Gold Jewelry at the Dallas Museum of Art * Ancient Jewelry and Archaeology." Journal of Design History 12, no. 3 (January 1, 1999): 293–97. http://dx.doi.org/10.1093/jdh/12.3.293.

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Rutkowska, Joanna. "Motywy roślinne i zwierzęce w nazwach biżuterii." Język. Religia. Tożsamość. 1, no. 29 (June 5, 2024): 121–30. http://dx.doi.org/10.5604/01.3001.0054.5830.

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Modern jewelry has its origins in ancient times. Among the jewelry motifs used by jewelers and other artists, some of the most popular are elements of fauna and flora, as evidenced by the assortment offered by the companies: Aparat, Kruk and Yes. Due to the very large cross-section and diversity of the analyzed material, it is difficult to make specific calculations regarding individual motifs. Most often, they appear in a series whose name includes the type of jewelry, the material from which the element is made, and the name of the floristic or faunal element, which means that all nomination

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Барбалат, О. В., та О. В. Школьна. "ВІЗАНТІЙСЬКО-КИЄВОРУСЬКІ ЕМАЛЬЄРНІ ТРАДИЦІЇ У ДИЗАЙНІ СУЧАСНИХ ЮВЕЛІРНИХ ВИРОБІВ УКРАЇНИ". Art and Design, № 2 (21 вересня 2020): 14–26. http://dx.doi.org/10.30857/2617-0272.2020.2.1.

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The purpose of this research is to understand the integration of the Byzantium-Kyivan Rus enameling traditions in modern Ukrainian jewelry design. The research is applied historical-cultural and artistic-design scientific approaches in combination with comparative and presentation methods. The results of the research prove the influence of Byzantine and Kyivan Rus enamel traditions on modern Ukrainian jewelry. The stylistic and artistic features of the items were examined on example of outstanding enamel jewelry of Byzantine and Kyivan Rus time. As a result the main principles of design requir

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Chernetsov, A. V. "Treasures of Staraya Ryazan’: Two Hundred Years of Research and New Discoveries." Herald of the Russian Academy of Sciences 92, S8 (December 2022): S684—S694. http://dx.doi.org/10.1134/s1019331622140039.

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Abstract This article is dedicated to study of the jewelry craft of Staraya Ryazan’. It has been prepared for the 200th anniversary of the discovery of the first hoard there (1822), which marked the beginning of the study of ancient Russian towns, the most important area in the science of Russian antiquities. The marks of the individual style of a craftsman who served representatives of the princely family (interpretation of the images of animals, birds, anthropomorphic figures, and elements of ornamentation, as well as features of the technique) are considered. Jewelry made by him was found i

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Jones, W. LaBier. "GEMME NUMMARIE." Sculpture Review 49, no. 2 (June 2000): 20–23. http://dx.doi.org/10.1002/j.2632-3494.2000.tb00132.x.

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The use of coins as personal adornments began at the end of the first century in ancient Rome when the imperial coinage was mounted as jewels. These were worn in rings, pendants, and brooches, conveying class and cultural distinction. In modern times Bulgari, one of the world's most highly regarded jewelry firms, continues this tradition of using ancient Greek and Roman coins in its designs. Bulgari refers to these as gemme nummarie, or coin gems.

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Choi, Jin. "An Inquiry into the Ancient Jewelry of Ancient Egypt Myth." Journal of the Korea Contents Association 9, no. 7 (July 28, 2009): 171–83. http://dx.doi.org/10.5392/jkca.2009.9.7.171.

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Thèses sur le sujet "Jewelry, Ancient"

Pinckernelle, Kathia. "The iconography of Ancient Greek and Roman jewellery." Connect to e-thesis. Edited version, 2008. http://theses.gla.ac.uk/318/.

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Thesis (MPhil(R)) - University of Glasgow, 2008. MPhil(R) thesis submitted to the Department of History of Art, Faculty of Arts, University of Glasgow, 2008. Includes bibliographical references. Print version also available.

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Harley, Felicity. "Images of the crucifixion in late antiquity : the testimony of engraved gems." Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phh285.pdf.

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Bibliography: leaves 289-313. A study which takes as its focus five gemstones, each engraved with an image of the Crucifixion and previously dated to the Late Antique period. The study undertakes an examination of the gems' iconographic as well as compositional, physical and epigraphic evidence, and demonstrates the way in which critical information regarding the evolution of the Crucifixion image in Late Antiquity has been seriously obstructed in previous studies through the dismissal, misapplication and misinterpretation of the gems. Focusing on iconography, it presents a revised chronology

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Limmer, Abigail Susan. "The social functions and ritual significance of jewelry in the Iron Age II southern Levant." Diss., Tucson, Ariz. : University of Arizona, 2007. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu_etd_2190_1_m.pdf&type=application/pdf.

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Klop, Damian J. R. "Beneath the raptor’s wings : the avian composition grasping the symbol for eternity in Egypt." Thesis, Stellenbosch : University of Stellenbosch, 2008. http://hdl.handle.net/10019.1/2724.

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Thesis (MPhil (Ancient Studies)--University of Stellenbosch, 2008. A particular motif in Egyptian art is that of avians. This is frequently depicted in a significant number and variety of visual sources from the tomb of Tutankhamun (KV 62) (1336-1327 BC) and other find contexts throughout Egyptian history from c. 3000 BC, but is little understood. The motif mostly depicts an avian creature with wings outstretched, talons grasping the Egyptian hieroglyph symbol for eternity (shen). In some instances the avian’s falcon or vulture body or parts of the body is/are replaced with parts of a

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Almirall, Arnal Elena. "Los dones de Rea: Utilización de gemas en la Antigua Grecia." Doctoral thesis, Universitat de Barcelona, 2019. http://hdl.handle.net/10803/667220.

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El objetivo de esta tesis doctoral es analizar el uso de las gemas en el mundo griego, en base principalmente a las fuentes clásicas. Para ello, se ha dividido la investigación en tres bloques claramente diferenciados. El primero consiste en un estudio sobre la utilización práctica o civil de las mismas así como sobre su uso terapéutico o mágico. Para ello, se han investigado, por un lado, tanto los sellos como las joyas u otros objetos domésticos, las lentes y las lupas, los ojos de las estatuas y, finalmente, la fabricación de pigmentos a partir de ciertas piedras; y, por otro lado, se ha ex

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Baines, Robert, and robert baines@rmit edu au. "The Reconstruction of Historical Jewellery and its Relevance as Contemporary Artefact." RMIT University. Art, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20070419.153736.

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The dating of ancient jewellery is given by the archaeological context. Technology applied by the ancient goldsmith is traceable through archaeometallurgy. The aim of this research is to analyse historical jewellery and to construct copies based on the known technology of the era. Resultant laboratory constructions with their historical correctness and the new knowledge of jewellery structures will then be available for reworking to convey a contemporary visual relevance and a statement of history. The results of these analyses and reconstructions will form the basis of metalwork objects in wh

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Bagherpour, Kashani Natascha [Verfasser], Thomas [Gutachter] Stöllner, and Philip G. [Gutachter] Kreyenbroek. "Studies of ancient depositional practices and related jewellery finds, based on the discoveries at Veshnaveh / Natascha Bagherpour Kashani ; Gutachter: Thomas Stöllner, Philip G. Kreyenbroek." Bochum : Ruhr-Universität Bochum, 2015. http://d-nb.info/1142001318/34.

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Harley, Felicity. "Images of the crucifixion in late antiquity : the testimony of engraved gems / Felicity Harley." Thesis, 2001. http://hdl.handle.net/2440/21742.

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Bibliography: leaves 289-313. v, 316 leaves., 17 p. of plates : ill. (some col.) ; 30 cm. A study which takes as its focus five gemstones, each engraved with an image of the Crucifixion and previously dated to the Late Antique period. The study undertakes an examination of the gems' iconographic as well as compositional, physical and epigraphic evidence, and demonstrates the way in which critical information regarding the evolution of the Crucifixion image in Late Antiquity has been seriously obstructed in previous studies through the dismissal, misapplication and misinterpretation of th

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Harris, Stephanie Joan. "Decoding ancient Egyptian diadems: symbolism and iconography as a means of interpreting feminine identity." Diss., 2018. http://hdl.handle.net/10500/24936.

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Text in English Ancient Egyptian distinctive headdresses made from precious or semi-precious materials date to prehistoric times, indicating a growing sense of individuality and hierarchy. Women’s headdresses were indicators of rulership, divinity, social status, cultic affiliation and wealth. Visual evidence indicates that female identity was emphasised by external and outward appearance and headdresses in the form of diadems followed recognised stylistic dictates throughout the Dynastic Period. The floral and faunal motifs used in the embellishment were believed to have protective amuleti

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Chen, Yen-ching, and 陳妍青. "A Study on the Materials of Jewel Cases for Imitating the Ancient Styles." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/06866474701021401411.

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碩士 大同大學 工業設計學系(所) 96 The recent cottage style is accomplished not only by using natural materials and warm colors, but also by carving and roughing the furniture surface to express the beauty of hand craftsmanship and usage marks. This trend is becoming popular in specific types of products that deliver wonderful memory to the new life. The objective of this research is to study the essential elements of materials and surface textures that enhance the quality of the products by imitating the ancient. First, through questionnaire survey and interview, the author analyzed users’ op

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Livres sur le sujet "Jewelry, Ancient"

Andrews, Carol. Ancient Egyptian jewelry. New York: H.N. Abrams, 1991.

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Ogden, Jack. Ancient jewellery. Berkeley: University of California Press, 1992.

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1941-, Calinescu Adriana, and Indiana University, Bloomington. Art Museum., eds. Ancient jewelry and archaeology. Bloomington: Indiana University Press, 1996.

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Andrews, Carol. Ancient Egyptian jewellery. London: British Museum Publications, 1990.

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Pavesi, Giuseppina. Arte e materia: Studi su oggetti di ornamento di età romana. Bologna: Cisalpino, 2001.

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Pavesi, Giuseppina. Arte e materia: Studi su oggetti di ornamento di età romana. Milano: Cisalpino, 2001.

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Köroğlu, Gülgün. Anadolu uygarlıklarında takı. İstanbul: Türk Eskiçağ Bilimleri Enstitüsü Yayınları, 2004.

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Dept, Runestone Press Geography. Dazzling!: Jewelry of the ancient world. Minneapolis: Runestone Press, 1995.

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Bollen, Elizabeth. Beauty & betrayal: Ancient and neo-classical jewellery. Sydney: Nicholson Museum, University of Sydney, 2010.

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Williams, Dyfri. Il tesoro di Santa Eufemia: Gioielli lametini al British Museum : Museo archeologico lametino 13 novembre 1998-13 gennaio 1999. Roma: Meridiana libri, 1998.

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Chapitres de livres sur le sujet "Jewelry, Ancient"

Zimmermann, Thomas. "Ancient Jewelry in Turkey." In Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures, 1–14. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-3934-5_10188-1.

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Zimmermann, Thomas. "Ancient Jewelry in Turkey." In Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures, 310–20. Dordrecht: Springer Netherlands, 2016. http://dx.doi.org/10.1007/978-94-007-7747-7_10188.

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Ogden, Jack. "The Ancient World." In The Jewelry Design Source Book, 12–31. Boston, MA: Springer US, 1989. http://dx.doi.org/10.1007/978-1-4684-6617-1_2.

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Higgins, R. A. "Ancient Metallurgy." In Greek and Roman Jewellery, 3–7. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003482857-2.

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Virgili, V., and M. F. Guerra. "Analysis of Gold Jewellery by PIXE and SEM–EDS: A Comparison of Ancient and Modern Productions." In Proceedings of the 37th International Symposium on Archaeometry, 13th - 16th May 2008, Siena, Italy, 637–41. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-14678-7_93.

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"Jewelry:." In Ancient Carved Ambers in the J. Paul Getty Museum, 4–7. J. Paul Getty Trust, The, 2020. http://dx.doi.org/10.2307/jj.6142262.4.

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Scurlock, JoAnn. "“Not Even Her Own Jewelry”:." In Law and (Dis)Order in the Ancient Near East, 242–69. Penn State University Press, 2021. http://dx.doi.org/10.5325/j.ctv1g80975.24.

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Patton, Laurie L. "Introduction." In Jewels of Authority, 3–10. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195134780.003.0001.

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Abstract The pages of this book glitter with the images of jewelry. Yet its chapters are not concerned only with the colorful worlds of Indian myth, epic, and poetry. They are also the ritual manuals of the ancient Indian sacrifice, the legal texts of the Dharma Sastras, the Tamil commentaries of medieval Vaisnavas, and the Hindi manuals of contemporary organizations of Hindu nationalists. Why does jewelry bring together such disparate topics? If there is any one thing that symbolizes the relationship between women and the brahminical textual tradition of India, it is their jewelry.

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Esparza, Rodrigo. "THE OBSIDIAN JEWELRY OF THE TEUCHITLÁN TRADITION:." In Cultural Dynamics and Production Activities in Ancient Western Mexico, 69–84. Archaeopress Publishing Ltd, 2016. http://dx.doi.org/10.2307/j.ctvxw3nnb.8.

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"Kyme: An Ancient Center of Jewelry Production in Asia Minor." In The Adventure of the Illustrious Scholar, 525–36. BRILL, 2018. http://dx.doi.org/10.1163/9789004361713_028.

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Actes de conférences sur le sujet "Jewelry, Ancient"

Orlov, I. I., S. A. Shennikov, O. S. Pavlova, and A. V. Martinova. "Historiography of the problem of jewelry design of the 20-th century." In Global science. Development and novelty. НИЦ "LJournal", 2022. http://dx.doi.org/10.18411/gsdn-03-2022-07.

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Abstract: Jewelry is one of the most sought after destinations since ancient times. The article provides a brief overview of the historiography of the jewelry design problem of the second half of the 20th century. The search and development of technology that will allow you to create jewelry with elements of exact copies of plant material in metal is relevant in modern jewelry design.

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Орлов, Игорь Иванович, and Сергей Анатольевич Щенников. "A BRIEF HISTORIOGRAPHY OF THE PROBLEM OF JEWELRY DESIGN OF THE 20TH CENTURY." In Образование. Культура. Общество: сборник избранных статей по материалам Международной научной конференции (Санкт-Петербург, Апрель 2021). Crossref, 2021. http://dx.doi.org/10.37539/ecs296.2021.21.58.003.

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Ювелирные украшения является одним из самых востребованных направлений с давних времен. В статье делается краткий обзор историографии проблемы ювелирного дизайна второй половины 20 столетия. Поиск и разработка технологии, которая позволят создавать ювелирные изделия с элементами точных копий растительного материала в металле является актуальной в современном дизайне ювелирных изделий. Jewelry is one of the most sought after destinations since ancient times. The article provides a brief overview of the historiography of the jewelry design problem of the second half of the 20th century. The sear

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Щенников, Сергей Анатольевич, and Игорь Иванович Орлов. "THE MAIN TRENDS IN JEWELRY FASHION OVER THE PAST TEN YEARS OF THE 21ST CENTURY." In Высокие технологии и инновации в науке: сборник избранных статей Международной научной конференции (Санкт-Петербург, Сентябрь 2021). Crossref, 2021. http://dx.doi.org/10.37539/vt193.2021.30.16.005.

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Ювелирные украшения является одним из самых востребованных направлений с давних времен. Господствующая в данный период мода всегда диктовала свои приоритеты в создание композиционных решений художникам-ювелирам. В данной статье делается краткий обзор историографии проблемы ювелирного дизайна периода с 2010 по 2020 годы. Выделены тренды, которые господствовали в ювелирной моде и как трансформировался процесс создания украшений при помощи новых технологий. Поиск и разработка новых технологий, которые позволят создавать ювелирные изделия с элементами точных копий растительного материала в металле

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Yuan, Xiaowei. "The Inspiration of Ancient Aesthetics on Modern Jewelry Design Take a Case Study of the Song Dynasty Aesthetics." In 2nd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/iccessh-17.2017.136.

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A., TISHKIN, SHNAIDER S., BARANOVA S., CHERNONOSOV A., ERSHOVA O., SRYVKINA Ju., and KOVAL V. "ON THE POSSIBILITY OF USING ZOOMS-ANALYSIS IN THE STUDY OF ANCIENT LEATHER GOODS (ON THE EXAMPLE OF FINDS FROM THE BUGRY SITE)." In MODERN SOLUTIONS TO CURRENT PROBLEMS OF EURASIAN ARCHEOLOGY. Altai State Univercity, 2023. http://dx.doi.org/10.14258/msapea.2023.3.18.

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This publication discusses perspectives and individual experiences in the study of ancient leather goods or their preserved remains. The largest number of finds from organic materials was found in frozen graves of the Pazyryk culture. Special attention was paid to the found fur coats. Besides them there is a substantial array of jewellery, different things and devices made of leather, which can be studied by ZooMS-analysis (Zooarchaeology by Mass Spectrometry analysis). Fragments from leather clothing were recorded in burial No. 4 at the Bugry site, dated to the Scythian-Sarmatian period and a

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Allegranti, Ivan. "PROPERTY LAW: CASE STUDIES AND JURISPRUDENTIAL PROBLEMS IN RELATION TO THE WORLD OF JEWELS DURING THE ANCIENT ROMAN ERA." In 6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscah.2019.2/s01.008.

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Terenzi, Benedetta, Valeria Menchetelli, Giacomo Pagnotta, and Ludovica Avallone. "Connection between AI and product design - Potentials and critical issues in the text-to-image software-assisted design experience." In Intelligent Human Systems Integration (IHSI 2024) Integrating People and Intelligent Systems. AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004511.

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Driven by the demand for innovation, design is constantly evolving and is increasingly focused on integrating new technologies into design processes. Technological innovations have proven to be of fundamental importance, both in speeding up and improving production processes and managing and enriching the ideational process.We are now surrounded by software in which the participation of artiﬁcial intelligence is constant, but although it has become pervasive, we often do not even notice its presence. In the field of product design, several software exploiting artiﬁcial intelligence have been d

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Boido, Cristina. "Il disegno della città ideale: Cosmopolis." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11465.

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The representations of the ideal town: CosmopolisIn 1548, under the Florentine lordship of the Medici, Charles V gave Cosimo I de 'Medici the task of defending the territories of Elba and the commercial traffic of the Tyrrhenian Sea. The Duke, who strongly believed in the potential of the island and wanted to transform it into the center of Florentine rule over the Tyrrhenian, decided to fortify the ancient city of Ferraia, the current Portoferraio. A real jewel of military town planning that took the name of Cosmopolis was born by the architect Giovanni Battista Bellucci and by the engineer G

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Fuentes, O., and G. Pincon. "PARIETAL AND MOBILE ART OF ROC-AUX-SORCIERS ROCK SHELTER (MIDDLE MAGDALENIAN, VIENNE, FRANCE)." In Знаки и образы в искусстве каменного века. Международная конференция. Тезисы докладов [Электронный ресурс]. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-308-4.15-16.

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The rock shelter of the Roc-aux-Sorciers at Angles-sur-lAnglin (Vienne, France) is one of the archaeological reference sites for the Upper Paleolithic. The sculpted, painted and engraved frieze was gradually brought to light in its archaeological context by Susanne Cassou de Saint-Mathurin and Dorothy Garrod from 1949 onwards (Saint-Mathurin, Garrod, 1950). A wealth of archaeological material was discovered alongside the parietal art, comprising numerous works of portable art, tools made of animal bone, jewellery, etc. It was very rapidly observed that the portable art and the parietal art sha

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