Bibliographies thématiques / Korean choral music

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Littérature scientifique sur le sujet « Korean choral music »

Auteur : Grafiati
Publié le 4 juin 2021
Mis à jour le 11 février 2022

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Articles de revues sur le sujet "Korean choral music"

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문베티. "A Study on Contemporary Korean Choral Music Using Arirang Melody." journal of Ewha Music Research Institute 21, no. 3 (2017): 43–90. http://dx.doi.org/10.17254/jemri.2017.21.3.002.

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Thèses sur le sujet "Korean choral music"

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Cha, Yeong Hoi. "An analytical study of Korean-based sacred choral music : Korean traditional music and its relation to fourteen selected Korean sacred choral works /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/11379.

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Noh, Wonil. "A Conductor's Guide to Hyo-Won Woo's Choral Music as Reflected in "Oh! KOREA"." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1404580/.

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The choral music of Hyo-won Woo, the composer of Oh! KOREA, is being widely performed by universities and professional choruses in Korea, as well as throughout the world. The work exhibits Woo's remarkable compositional style, which displays traditional Korean musical influences. Hyo-Won Woo's Oh! KOREA consisting of four movements, is for chorus, two pianos, and both Eastern and Western percussion instruments. Woo's Oh! KOREA employs an excellent introduction to the Korean choral repertoire for Western audiences, rooted in traditional Korean folk tunes. As today's choral conductors, singers,
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CHOI, YOUNG JU. "SURVEY OF CHORAL MUSIC BY SELECTED TWENTIETH-CENTURY KOREAN COMPOSERS." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1116369655.

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Chang, Yoonchung. "Korean Traditional Elements and Contemporary Compositional Techniques in Hyowon Woo’s Choral Music As Reflected in Gloria." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc149552/.

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Among native Korean choral composers, Hyowon Woo has emerged as one of the most significant representatives of choral genre, both in Korea and internationally. She has created a new style of choral music that combines traditional Korean musical elements with contemporary Western compositional techniques, in a synthesis that generates new sonorities and effects. Her choral music falls into three basic categories: music employing direct quotation of Korean folk tunes or other elements, which produce typical Korean sonorities; music using Western practices, which produce modern and Western flavor
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Ryu, Hanpil. "A Conductor's Guide to Un-Yung La's Choral Music as Reflected in Easter Cantata." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc862841/.

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Un-Yung La was one of the first Korean composers of Western style choral music who used Korean folk elements in his composers. According to Un-Yung La's musical theory, which he demonstrated in Easter Cantata. Korean-style melody and rhythm were created based on Korean traditional scales and he also used Western-style harmonization. He attempted a new Korean style of expression through Sikimsae technique in Korean traditional vocal music genres: Pansori and Sijo. The purpose of this paepr is to discuss traditional Korean performance elements related to melody, harmony, and rhythm as employed i
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Yi, Chung-han. "A Performance Guide to Heejo Kim's Choral Arrangements Based on Traditional Korean Folk Tunes and Rhythmic Patterns." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc9818/.

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Heejo Kim (1920-2001) is one of the most prominent Korean composers of the twentieth century. He is primarily known for his works that incorporate aspects of traditional Korean music. However, at the same time, his efforts in choral arrangements, especially of Korean folk tunes are highly acclaimed by professional choirs and conductors. The purpose of this study is to provide performance guidance on Heejo Kim's choral work, Bat-no-rae, by presenting his biographical background, discussing the use of traditional Korean rhythmic patterns (Jangdan) and modes, and the appropriate application of tr
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Yi, Chung-han. "A performance guide to Heejo Kim's choral arrangements based on traditional Korean folk tune and rhythmic patterns." connect to online resource, 2009. http://digital.library.unt.edu/permalink/meta-dc-9818.

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Hesselink, Nathan Douglas. "A tale of two drummers : percussion band music in North Cholla Province, Korea." Thesis, SOAS, University of London, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267712.

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Livres sur le sujet "Korean choral music"

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Musical design in Sophoclean theater. Dartmouth College, 1996.

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Chapitres de livres sur le sujet "Korean choral music"

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Ling-Tam, Jing, and Gene J. Cho. "Choral music in East Asia: China, Japan, and Korea." In The Cambridge Companion to Choral Music. Cambridge University Press, 2012. http://dx.doi.org/10.1017/ccol9780521111737.011.

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