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Littérature scientifique sur le sujet « Kreis (Group of artists) »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Kreis (Group of artists)"

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Poorthuis, Marcel. "The Forte-Kreis." Religion & Theology 24, no. 1-2 (2017): 32–53. http://dx.doi.org/10.1163/15743012-02401003.

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Just before the outbreak of World War 1, a group of writers, artists and philosophers decided to establish a spiritual rule over Europe, the Forte Kreis. The group aimed at a reconciliation in Europe, by establishing pacifism, but also between East and West by creating a new language. Their thoughts have been documented a several archives in Europe. By bringing them together, a picture emerges of a blend of elitist naiveté and prophetic foresight. The need for a supra-national spiritual guidance seems as relevant today as it was hundred years ago.

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Cole, Thomas B. "Group of Artists." JAMA 307, no. 7 (2012): 642. http://dx.doi.org/10.1001/jama.2012.99.

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Green, Alison. "Citizen Artists: Group Material." Afterall: A Journal of Art, Context and Enquiry 26 (January 2011): 17–25. http://dx.doi.org/10.1086/659292.

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Kreis, Heidi Nicole, Ayoola Ajani, Logan Leggett, and Lynne Murphy. "Social & Emotional Impact of Group Engagement in Occupations Among Cancer Survivors." American Journal of Occupational Therapy 77, Supplement_2 (2023): 7711510326p1. http://dx.doi.org/10.5014/ajot.2023.77s2-po326.

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Abstract Date Presented 04/21/2023 A cancer survivorship program of occupation-based group intervention is described, including the impact on participants’ levels of distress, meaning and purpose, and psychosocial impact of illness. Primary Author and Speaker: Heidi Nicole Kreis Additional Authors and Speakers: Ayoola Ajani, Logan Leggett, Lynne Murphy

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Sturken, Marita. "Women Artists’ Group Fights Discrimination." Afterimage 25, no. 6 (1998): 5. http://dx.doi.org/10.1525/aft.1998.25.6.5.

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Fowler, Joan. "Women Artists Action Group Seminar." Circa, no. 41 (1988): 26. http://dx.doi.org/10.2307/25557339.

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Cummins, Pauline. "The women artists action group." Women's Studies International Forum 11, no. 4 (1988): 403–4. http://dx.doi.org/10.1016/0277-5395(88)90093-3.

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Rawstrone, Annette. "We've explored…artists." Nursery World 2024, no. 2 (2024): 28–29. http://dx.doi.org/10.12968/nuwa.2024.2.28.

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Lee, Tae-Ho, and Dae-Hoon Lee. "A Study on the ESG Management activities and Tenant Behavior of Logistics Real Estate : Focusing on the mediating effect of customer value by level of management activities." KOREA REAL ESTATE INDUSTRY SOCIETY 7, no. 2 (2024): 25–59. https://doi.org/10.56409/kreis.2024.7.2.25.

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The purpose of this study is to verify the influence of ESG (Environmental, Social, and Governance) management activities of logistics real estate lessors on tenant behavior, and to conduct an empirical analysis of the mediating effect of customer value according to different levels of ESG management activities. Through this, the study aims to raise awareness of the importance of ESG management activities and customer value management in logistics real estate, while proposing strategies for improving operational income and enhancing asset value. For the qualitative research methods required fo

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Butler, Allison. "Earthworks: Visual Artists for the Earth Group." Leonardo 20, no. 2 (1987): 205. http://dx.doi.org/10.2307/1578353.

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Thèses sur le sujet "Kreis (Group of artists)"

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Apte, Savita. "Unchallenged dichotomies : modernism and the Progressive Group in India." Thesis, SOAS, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.504469.

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Duran, Adrian R. "Il Fronte Nuovo delle Arti realism and abstraction in Italian painting at the dawn of the Cold War, 1944--1950 /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 0.87 Mb., p, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3220804.

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Thorpe, Josh. "Here hear my recent compositions in a context of philosophy and western 20th century experimental art /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ59209.pdf.

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Roza, Alexandra M. "Towards a modern Canadian art 1910-1936 : the Group of Seven, A.J.M. Smith and F.R. Scott." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=20178.

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During the 1910s, there was an increasing concerted effort on the part of Canadian artists to create art and literature which would affirm Canada's sense of nationhood and modernity. Although in agreement that Canada desperately required its own culture, the Canadian artistic community was divided on what Canadian culture ought to be. For the majority of Canadian painters, writers, critics and readers, the future of the Canadian arts, especially poetry and painting, lay in Canada's past. These cultural conservatives championed art which mirrored its European and Canadian predecessors. Their do

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Cass, Jeremy Leeds. "FASHIONING AFROCUBA: FERNANDO ORTIZ AND THE ADVENT OF AFROCUBAN STUDIES, 1906-1957." Lexington, Ky. : [University of Kentucky Libraries], 2004. http://lib.uky.edu/ETD/ukyhpst2004d00216/cassdissertation.pdf.

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Thesis (Ph. D.)--University of Kentucky, 2004.<br>Title from document title page (viewed Jan. 7, 2005). Document formatted into pages; contains v, 253 p. Includes abstract and vita. Includes bibliographical references (p. 236-250).

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Borders, Elizabeth Furlong. "Working in an Artist Collective in Portland Oregon: The artistic benefits of cooperation and place in an underground art world." PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/188.

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This ethnography explores the underground art world in Portland, Oregon by showing how a Portland area artist collective, Oregon Painting Society, navigates their art world. Participant observation, in-depth interviews, and a short latent content analysis triangulate data to show the features and values of the underground art world. Using Becker's concept of art worlds, I show how artists working outside of a traditional art career in a commercial gallery system do their work by exploring how Portland's art world is structured and sustained. I find that group work, cooperation, and resource sh

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Stokes, Justine Frances. "We're Changing the Way We Do Business: A Critical Analysis of the Dixie Chicks and the Country Music Industry." Oxford, Ohio : Miami University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1228361434.

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Dessy, Clément. "Les écrivains devant le défi nabi: positions, pratiques d'écriture et influences." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209795.

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En 1888, une communauté de peintres s’associe sous l’appellation « Nabis ». Ce terme, issu de l’hébreu, signifie à la fois les « prophètes » et les « initiés ». Paul Sérusier qui vécut sa rencontre avec Paul Gauguin comme une révélation est à l’origine de la formation du groupe. Une année auparavant, le symbolisme littéraire triomphe en France et suscite l’émulation parmi une nouvelle génération d’écrivains qui se cristallise autour de /La Revue Blanche/ et le /Mercure de France/. Entre les Nabis et les symbolistes s’établit dès lors un intense réseau de collaborations. Tant dans l’élaboration

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Goldman, Noémie. "Un Monde pour les XX: Octave Maus et le groupe des XX :analyse d'un cercle artistique dans une perspective sociale, économique et politique." Doctoral thesis, Universite Libre de Bruxelles, 2012. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209691.

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Notre thèse se concentre sur la question des mécanismes de restructuration du système du monde de l’art à Bruxelles à la fin du XIXe siècle. Nous cherchons à démontrer comment une nouvelle scène artistique construite autour du cercle des XX à Bruxelles, dont l’épanouissement sera pris en charge par l’animateur d’art Octave Maus, produit un art qui est influencé par les enjeux sociaux et politiques portés par un milieu défini de manière sociale, culturelle et générationnelle.<p>Nous avons ainsi voulu replacer le groupe des XX dans son contexte économique, politique et social. La diversification

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McBride, Margaret. "Changing the art culture of Newcastle: the contribution of the Low Show Group of artists." Thesis, 2010. http://hdl.handle.net/1959.13/928250.

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Research Doctorate - Doctor of Philosophy (PhD)<br>Beginning in 1961, the Low Show Group was an active collective of women artists, exhibiting in Newcastle. The group members were Norma Allen, Mary Beeston, Betty Cutcher (Beadle), Elizabeth Martin, Lillian Sutherland and Rae Richards. Madeleine Scott Jones and Lovoni Webb also exhibited in later Low Show Group exhibitions. These artists continued to work independently and Richards is still making and exhibiting art. This study examines the context in which the group was formed and how this impacted on their decision to form a collective. Their

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Livres sur le sujet "Kreis (Group of artists)"

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1967-, Trummer Thomas, Schiele Egon 1890-1918, and Österreichische Galerie Belvedere, eds. Die Tafelrunde: Egon Schiele und sein Kreis. DuMont, 2006.

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Windecker, Sabine. Gabriele Münter: Eine Künstlerin aus dem Kreis des "Blauen Reiter". Reimer, 1991.

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Birgit, Suk, Kreis (Artist group : Nuremberg, Germany), and Kunsthalle Nürnberg, eds. Der Kreis: Eine Künstlergruppe in Nürnberg 1947-1997 : Kunsthalle Nürnberg. Verlag für Moderne Kunst, 1997.

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KunstKulturQuartier, ed. 70 Jahre Künstlergruppe "Der Kreis": Ein Längsschnitt durch die Kunst in Nürnberg seit 1947. Verlag für Moderne Kunst, 2017.

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Fürst, Edeltraud. Die Künstlervereinigung "Der Kreis": Maler und Bildhauer am Bodensee 1925-1938. R. Gessler, 1992.

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Kunsthaus im KunstKulturQuartier (Nuremberg, Germany), ed. 70 Jahre Künstlergruppe "Der Kreis": In den Raum : Symposium und Ausstellung, Kunsthaus im KunstKulturQuartier Nürnberg. Verlag für moderne Kunst, 2017.

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Christine, Frick-Gerke, Bell Vanessa 1879-1961, and Walton Allan 1892-1948, eds. Inspiration Bloomsbury: Der Kreis um Virginia Woolf. Fischer Taschenbuch Verlag, 2003.

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Tony, Bradshaw, Bloomsbury Workshop, and Sherborne House (Sherborne, Dorset, England), eds. The Bloomsbury group artists. Sherborne House, 2002.

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Dingwerth, Shaun Thomas. The Richmond Group artists. Indiana University Press, 2014.

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Gallery, Delhi Art, ed. Continuum: Progressive artists' group. Delhi Art Gallery, 2011.

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Chapitres de livres sur le sujet "Kreis (Group of artists)"

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Clarke, Paul. "Performing Art History: Non-Linear, Synchronous and Syncopated Times in Performance Re-Enactment Society’s Group Show (Arnolfini, Bristol 2012)." In Artists in the Archive. Routledge, 2018. http://dx.doi.org/10.4324/9781315680972-13.

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Werner, Meike G. "Youth and Politics at the End of the Great War: Rudolf Carnap’s Politische Rundbriefe of 1918." In Veröffentlichungen des Instituts Wiener Kreis. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-84887-3_6.

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AbstractThis essay traces Rudolf Carnap’s intellectual development from a political participant in various groups of the German Youth Movement to a political activist on the left in 1918, and places this development in the context of his experiences as volunteer in World War One on both the eastern and western front as well as his time working for a military institute in Berlin. Carnap’s political turn towards socialism is discussed by presenting, for the first time, the Politische Rundbriefe (Political Circulars) he sent to a group of friends for discussion in 1918. The first four of the nine

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Kiliszek, Joanna. "Living Simulacrum." In Cultural Inquiry. ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_22.

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The Neoplastic Room at the Muzeum Sztuki in Łódź was originally designed in 1948 by the avant-garde artist Władysław Strzemiński. Destroyed in 1950 and reconstructed in 1960, it became the focal point of the museum, with the ‘International Collection of Modern Art’ by the a.r. group being exhibited there. At the same time, it became a point of reference for contemporary artists and a strategy for building a permanent collection for the museum, as well as a reflection on how the past can give a vision of the future. This essay focuses on the gesture of ‘re-curating’ the Neoplastic Room in relat

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Mazzanti, Anna. "Operazione Arcevia. Existential Community. The Reality of the Experience and the Utopia of the Vision." In Springer Series in Design and Innovation. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_54.

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AbstractOperazione Arcevia (OA) is an urban settlement project, born for the purpose of the social, economic, and touristic regeneration of a marginal area in the Marchigiane hills, characterized by its postwar exodus. Conceived between 1972 and 1974 on the initiative of the businessman Italo Bartoletti, like every newly constituted city it was designed with a political and cultural identity by the architect Ico Parisi in collaboration with two renowned critics (Cripolti and Restany), a psychologist, and a large number of artists (Arman, César, Ceroli, Soto, Staccioli, among others). OA remain

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Cangiano, Serena, Davide Fornari, and Azalea Seratoni. "Re-search, Re-enactment, Re-design, Re-programmed Art." In Cultural Inquiry. ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_15.

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Kinetic and programmed art has been a trend of contemporary arts that flourished in the 1950s and 1960s. Kinetic artworks often incorporated technology, at that time still immature, and involved the audience in the production of visual, sound, and somatic effects. Gruppo T was the pioneering group at the forefront of this groundbreaking vision of art as reproducible, participatory, and interactive. Through an action research project and the methodological tool of reenactment, a group of researchers, designers, and artists has proposed an alternative way to conserve Gruppo T artworks. The proje

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"Ottoline Morrell: Artists Revels." In The Bloomsbury Group, edited by S. P. Rosenbaum. University of Toronto Press, 1995. http://dx.doi.org/10.3138/9781487573768-057.

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"The Black Artists’ Group." In Flyboy 2. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822373995-007.

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"The Black Artists’ Group." In Flyboy 2. Duke University Press, 2016. http://dx.doi.org/10.1215/9780822373995-014.

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"Problems of Deranged Minds, Artists, and Psychiatrists." In The Cybernetics Group. The MIT Press, 1991. http://dx.doi.org/10.7551/mitpress/2260.003.0008.

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"The Collective Impossible: Erfurt’s Women Artists Group." In Parallel Public. The MIT Press, 2022. http://dx.doi.org/10.7551/mitpress/12748.003.0008.

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Actes de conférences sur le sujet "Kreis (Group of artists)"

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Reiser, Susan, and Phill Conrad. "A processing primer for artists." In SIGGRAPH '17: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2017. http://dx.doi.org/10.1145/3084863.3107579.

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"Session details: SIGGRAPH Core: HDRi for artists." In SIGGRAPH '08: Special Interest Group on Computer Graphics and Interactive Techniques Conference, edited by Kirt Witte, Christian Bloch, Hilmar Koch, Zap Andersson, and Gary M. Davis. ACM, 2008. http://dx.doi.org/10.1145/3260713.

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Mokhov, Serguei A., Miao Song, Sudhir P. Mudur, and Peter Grogono. "Dataflow VFX Programming and Processing for Artists and OpenISS." In SIGGRAPH '20: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2020. http://dx.doi.org/10.1145/3388763.3407760.

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Eales, R. T. Jim, and Dharani Perera. "Creativity Support: Insights from the Practices of Digital-Atomic Artists." In Proceedings of HCI 2007 The 21st British HCI Group Annual Conference University of Lancaster, UK. BCS Learning & Development, 2007. http://dx.doi.org/10.14236/ewic/hci2007.3.

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Kashina, M. A. "BEST PRACTICES OF CREATIVE INDUSTRIES: SUCCESS FACTORS OF THE SOUTH KOREAN BOY BAND BTS IN RUSSIA (BASED ON THE MATERIALS OF A SOCIOLOGICAL STUDY)." In CONVERSION PROBLEMS AND REGULATION OF REGIONAL SOCIO-ECONOMIC SYSTEMS. INSTITUTE OF PROBLEMS OF REGIONAL ECONOMICS OF THE RUSSIAN ACADEMY OF SCIENCES, 2023. http://dx.doi.org/10.52897/978-5-7310-6198-8-2023-52-37-51.

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The success of the South Korean entertainment agency HYBE, which was valued at $9.5 billion in 2020, makes studying its marketing and business strategy relevant. An analysis of the data of an online survey of 2.5 thousand Russian BTS fans (the main artists of HYBE) shows that the key factors of popularity are technological and personal ones. First factors are a large amount of video in various social net-works, high-quality video clips, beau-tiful, non-standard (Asian) appearance of artists, the inclusion of BTS creativity in the Korean wave as a whole (links, tags). Second factors are the con

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Dias, Mariana, Pedro Coelho, Rui Figueiredo, Rita Carvalho, Veronica Orvalho, and Alexis Roche. "Creating Infinite Characters From a Single Template: How Automation May Give Super Powers to 3D Artists." In SIGGRAPH '24: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2024. http://dx.doi.org/10.1145/3641233.3664339.

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"Session details: Professional Development and Education: Know your rights: a legal primer for software developers, artists and content creators." In SIGGRAPH '08: Special Interest Group on Computer Graphics and Interactive Techniques Conference, edited by Gil Irizarry, Gregory P. Silberman, and Neer Gupta. ACM, 2008. http://dx.doi.org/10.1145/3260717.

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Lord, Francois. "An OpenUSD Production Pipeline with Very Little Coding: Empowering 3D artists with a parallel workflow using off-the-shelf software." In SIGGRAPH '24: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2024. http://dx.doi.org/10.1145/3641233.3664307.

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Forrest, Brent James. "The Time Filter System: Advanced Time Manipulation for Animators and Effects Artists: How I Learned to Stop Worrying and Love Matrix Math." In SIGGRAPH '23: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2023. http://dx.doi.org/10.1145/3587421.3595412.

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Frémontier-Murphy, Camille. "At the Sources of an Artistic Mutation towards Science: the First Years of the Journal Leonardo (1968-1981) as a Forum for the Pioneers of Digital Art." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-8-short-fremontier-murphy-artistic-mutation-towards-science.

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SHORT PAPER. The journal Leonardo was founded in 1968 by Frank Malina, a pioneer of light art in Paris and of aerospace science in the United States. Leonardo encouraged artists to publish their work in the manner of scientists. It was a new initiative developed in the revolutionary context of the 1960s and that allowed artists, scientists, psychologists to exchange on the subjects of art, perceptions, science, society... Many pioneers of digital art took part in the adventure, including Vera Molnar, Zdenek Sykora, Charles Csuri, and the artist-novelist Herbert Franke, who became the advocate

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Rapports d'organisations sur le sujet "Kreis (Group of artists)"

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Sequeira, Dora María, Ileana Alvarado V., and Félix Angel. Young Costa Rican Artists: Nine Proposals. Inter-American Development Bank, 2007. http://dx.doi.org/10.18235/0006438.

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Nine artists, all living in Costa Rica, were selected out of thirty-four who responded to an open call to present portfolios. The selection criteria is to be forty years of age or younger, have had at least one individual show, and have participated in a minimum of three group exhibitions. The exhibition has been organized by the IDB Cultural Center in collaboration with the Foundation of the Central Bank Museums of Costa Rica. Works include installations and interactive digital art, digital graphics, conventional photography, ceramics, painting, wire drawing and design objects manufactured wi

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Kupfer, Monica E. Perceptive Strokes: Women Artists of Panama. Inter-American Development Bank, 2013. http://dx.doi.org/10.18235/0006215.

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The IDB Cultural Center is proud to host this exhibit honoring the Republic of Panama, host country of the IDB Annual Meeting, which will take place from March 14¿20, 2013. The exhibition highlights the history of modern and contemporary art by Panamanian women and will include paintings, photographs, sculptures, and video art from the 1920s to the present. The 22 artworks, selected by Panamanian curator Dr. Monica E. Kupfer, reveal the ways in which a varied group of female artists have experienced and represented significant geopolitical events in the nation¿s history. Their interpretations

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Pollock, Wilson. Pivot the Future Makers: Building our People and Places. Edited by Musheer O. Kamau, Sasha Baxter, and Golda Kezia Lee Bruce. Inter-American Development Bank, 2021. http://dx.doi.org/10.18235/0003188.

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Pivot is a movement of radical ideas for the Caribbean of the future. In 2020, the IDB and its partners (Caribbean Climate Smart-Accelerator (CCSA), Destination Experience (DE), and Singularity University) launched The Pivot Movement and asked the people of the Caribbean to think of big ideas to transform the region. A small group came together at The Pivot Event to design 9 moonshots for electric vehicles, digital transformation and tourism. Pivot: The Future Makers is a comic book produced by the Pivot partners and illustrated by Caribbean artists. In it, the 9 moonshots have been developed

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Graphics from Latin America and the Caribbean: September 10 - November 15, 2002. Inter-American Development Bank, 2002. http://dx.doi.org/10.18235/0005919.

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20 lithographs, etchings, linocuts, woodcuts, silkscreens and other works in various graphic techniques by artists from the Americas were presented at the Robert V. Fullerton Art Museum, California State University, San Bernardino, California. This is the first group exhibition organized by the museum of works on paper by some of the most recognized artists of the 20th century from Latin America and the Caribbean. It includes graphics by José Clemente Orozco, Diego Rivera, David Alfaro Siqueiros; Roberto Sebastián Matta; Enrique Grau, and others.

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A Century of Painting in Panama. Inter-American Development Bank, 2003. http://dx.doi.org/10.18235/0005898.

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An exhibition of exceptional paintings by 25 outstanding artists selected from a survey of a wide-ranging group of art connoisseurs, historians, critics, professors and art dealers in Panama gave the public an overview of the development of painting in Panama over the 20th century. The selection included early 20th century artists such as Roberto Lewis, Humberto Ivaldi, and Manuel Amador; and painters from Mid-century and end of the 20th century. Dr. Mónica E. Kupfer, Former Curator of the Panama's Museum of Contemporary Art, was invited as Associate Curator for this exhibition.

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