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Articles de revues sur le sujet « Labor camps – fiction »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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1

Holden, Anca. "Remembering and Memorializing German-Romanian Gulag Victims in the USSR through Historical Documents and Historical Fiction." University of Bucharest Review. Literary and Cultural Studies Series 11, no. 2 (2021): 103–16. http://dx.doi.org/10.31178/ubr.11.2.8.

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This paper examines the memory of the Romanian-German victims of the Soviet Gulag as recorded in recent collections of testimonies and interviews, a museum exhibition, an audio-visual documentary project, and Herta Müller’s 2009 novel Atemschaukel. It employs Alexander Etkind’s notions of “soft memory” and “hard memory” to discuss some of the key historical and political events that have impeded the establishing of consensual remembrance policies of the Soviet Gulag in communist Romania. I show how both German and Romanian communities since 1990 have memorialized the Gulag and discuss Atemscha

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Bogumil, T. A. "TREE IMAGE OF SIBERIA: LARCH." Culture and Text, no. 46 (2021): 196–204. http://dx.doi.org/10.37386/2305-4077-2021-3-196-204.

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The dendroimage image of Siberia is considered in the context of geopoetics and ethnodendrology. For the first time the proposed analysis systematizes the motives associated with the image of larch, one of the main trees in the region. The research materials are scientific works on ethnography and folklore studies, Russian and Russian-language fiction about Siberia written in the XIX-XX centuries. The name of the tree reflects its dual status: coniferous and deciduous simultaneously. The “gender” of the larch is also indeterminate: male / female. The larch has an «intermediate» position in the

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Lityński, Adam. "Soviet Criminal Law in the Eyes of a Gulag Prisoner: Alexandr Solzhenitsyn’s Lecture on Criminal Law in Light of “The Gulag Archipelago”." Krakowskie Studia z Historii Państwa i Prawa 16, (Special Issues) (2023): 105–19. http://dx.doi.org/10.4467/20844131ks.23.038.18860.

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In his monumental non-fiction book, The Gulag Archipelago, Nobel Prize-winning author Alexandr Solzhenitsyn illustrates real events in Soviet labor camps in literary form. The depiction of EVIL is shocking. The totalitarian Soviet regime subjected millions of people to a horrific fate. As is generally well-known, A. Solzhenitsyn spent eight years in a Soviet concentration camp. Mass terror was the essence of Soviet totalitarianism. A. Solzhenitsyn included a lecture on Soviet criminal law in his book, stressing the importance of Article 58 of the Criminal Code of the Russian Soviet Federative

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Lityński, Adam. "Sowieckie prawo karne w oczach łagiernika. Aleksandra Sołżenicyna wykład o prawie karnym w świetle Archipelagu GUŁag." Krakowskie Studia z Historii Państwa i Prawa 15, no. 4 (2022): 577–91. http://dx.doi.org/10.4467/20844131ks.22.040.16737.

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Soviet Criminal Law in the Eyes of a Gulag Prisoner: Alexandr Solzhenitsyn’s Lecture on Criminal Law in Light of The Gulag Archipelago In his monumental non-fiction book, The Gulag Archipelago, Nobel Prize winning author Alexandr Solzhenitsyn illustrates real events in Soviet labor camps in literary form. The depiction of EVIL is shocking. The totalitarian Soviet regime subjected millions of people to a horrific fate. As is gener- ally well-known, Solzhenitsyn spent eight years in a Soviet concentration camp. Mass terror was the essence of Soviet totalitarianism. Solzhenitsyn included a lectur

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Morozova, Alla Yu. "Black cat, pink frogs and ‘obituaries as a memento’: Alexander Bogdanov’s Vologda exile." Historia provinciae – the journal of regional history 5, no. 4 (2021): 1092–142. http://dx.doi.org/10.23859/2587-8344-2021-5-4-2.

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The purpose of this article is to collect together separate pieces of information about A. Bogdanov’s exile in Vologda and retrace the conditions under which his formation as a politician and a thinker was taking place in those years. An outstanding scientist, philosopher, physician and revolutionary, Alexander Bogdanov spent three years in exile in Vologda (1901–03). A. Lunacharsky, A. Remizov, N. Berdyaev, B. Kistyakovsky, P. Shchegolev, B. Savinkov and his wife V. Uspenskaya, and many of the future prominent figures of the Bolshevik Party were in exile in Vologda during that period. For a y

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Vogel, Christina. "Scrittura postmemoriale: memoria e trauma nei romanzi di Herta Müller." Caietele Echinox 44 (June 1, 2023): 179–88. http://dx.doi.org/10.24193/cechinox.2023.44.12.

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Herta Müller’s The Hunger Angel/ Atemschaukel is an innovative attempt to remember and narrate traumatic experiences. The novel reads like a document and, at the same time, like fiction. Through a complex overlapping and poetic condensation of the most diverse memories, Herta Müller has created a place where she and her readers commemorate all those who perished or were exterminated in dictatorships, labour camps and death camps. The challenge is to keep lived memories alive by reinventing them in the process of post-memorial writing.

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Koleva, Daniela, and Tea Sindbæk Andersen. "Communist Prison Camps as Sites of Memory and Legacies of Dissent: Belene and Goli Otok in Bulgarian and Croatian Cultural Memory." East European Politics and Societies: and Cultures 38, no. 3 (2024): 910–30. http://dx.doi.org/10.1177/08883254231203733.

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This article investigates how two Communist forced labour camps, Belene in Bulgaria and Goli Otok in Croatia, became sites of memory and remain icons of political repression and state-organized torture. The article discusses how the public memory of the two camps has been shaped through vivid depictions in former inmates’ memoirs and in works of fiction. It analyzes recent debates about the preservation and institutionalization of these sites of memory and about what, whom, and how to commemorate. As a further step, it investigates how the camp sites have attracted visitors interested in so-ca

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Bakken, Børge. "The Great Wall of Confinement: The Chinese Prison Camp Through Contemporary Fiction and Reportage. By Philip F. Williams and Yenna Wu. [Berkeley, Los Angeles and London: University of California Press, 2004. xi+248 pp. $21.95; $55.00. ISBN 0-520-22779-4.]." China Quarterly 182 (June 2005): 437–39. http://dx.doi.org/10.1017/s0305741005260265.

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By the “Great Wall of Confinement,” the authors refer to the prison camp system established by the Chinese Communist Party after 1949. The two crucial components of this system are the laogai system (laodong gaizao, translated in the book to “remolding through labour” rather than the more often used “reform through labour”), and the laojiao system (laodong jiaoyang) or “reeducation through labour.” Let me say at once that this book is much more than an analysis of the literature surrounding the phenomenon of the prison camps. Through memoirs from former inmates and reportage literature we lear

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Smykovskaya, Tatyana Ye. "FICTION, POETRY AND OPINION JOURNALISM IN THE “BAMLAG” CORRECTIVE LABOUR CAMPS AS MANIFESTATIONS OF THE SOVIET IDEOLOGICAL PARADIGM OF THE 1930's." Scholarly Notes of Komsomolsk-na-Amure State Technical University 2, no. 19 (2014): 41–46. http://dx.doi.org/10.17084/2014.iii-2(19).7.

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Ruta, Magdalena. "The Gulag of Poets: The Experience of Exile, Forced Labour Camps, and Wandering in the USSR in the Works of Polish-Yiddish Writers (1939–1949)." Scripta Judaica Cracoviensia 18 (2021): 141–62. http://dx.doi.org/10.4467/20843925sj.20.010.13878.

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The literary output of the Polish-Yiddish writers who survived WWII in the Soviet Union is mostly a literary mirror of the times of exile and wartime wandering. The two major themes that reverberate through these writings are: the refugees’ reflection on their stay in the USSR, and the Holocaust of Polish Jews. After the war, some of them described that period in their memoirs and autobiographical fiction, however, due to censorship, such accounts could only be published abroad, following the authors’ emigration from Poland. These writings significantly complement the texts produced during the

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Atkinson, Colin, and Louise Brangan. "‘There is more than one sort of prison, Captain’: A popular criminology of prisons and penal regimes in Star Wars." Crime, Media, Culture: An International Journal, November 27, 2023. http://dx.doi.org/10.1177/17416590231212442.

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In this paper we emphasise how science fiction, as a projection of the possible, can forewarn of dystopic dangers in emergent and future penal regimes. In this popular criminology we explore three archetypes of the prison as they have appeared across the Star Wars franchise: the panoptic prison; the labour camp; and the smart prison. The panoptic prison of the Galactic Republic invokes reflective nostalgia; prompting critical discussion of the deficiencies of the modern prison. Under the Galactic Empire prisons become labour camps, recalling the horrors of the Gulag as violent and cruel manife

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Atkinson, Colin, and Louise Brangan. "'There is more than one sort of prison, Captain': A popular criminology of prisons and penal regimes in Star Wars." Crime, Media, Culture: An International Journal, November 27, 2023. https://doi.org/10.1177/17416590231212442.

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In this paper we emphasise how science fiction, as a projection of the possible, can forewarn of dystopic dangers in emergent and future penal regimes. In this popular criminology we explore three archetypes of the prison as they have appeared across the Star Wars franchise: the panoptic prison; the labour camp; and the smart prison. The panoptic prison of the Galactic Republic invokes reflective nostalgia; prompting critical discussion of the deficiencies of the modern prison. Under the Galactic Empire prisons become labour camps, recalling the horrors of the Gulag as

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Drumbl, Mark A. "The Kapo on Film: Tragic Perpetrators and Imperfect Victims." Griffith Journal of Law & Human Dignity 6, no. 1 (2018). http://dx.doi.org/10.69970/gjlhd.v6i1.982.

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The Nazis coerced and enlisted detainees into the administration of the labour and death camps. These detainees were called Kapos. The Kapos constitute a particularly contested, and at times tabooified, element of Holocaust remembrance. Some Kapos deployed their situational authority to ease the conditions of other prisoners, while others acted cruelly and committed abuse. This project explores treatment of the Kapo on film. This paper considers two films: Kapò (1959, directed by Pontecorvo, Italy) and Kapo (2000, directed by Setton, Israel). These two films vary in genre: Kapò (1959) is a fea

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Brabon, Katherine. "Wandering in and out of Place: Modes of Searching for the Past in Paris, Moscow, and St Petersburg." M/C Journal 22, no. 4 (2019). http://dx.doi.org/10.5204/mcj.1547.

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IntroductionThe wandering narrator is a familiar figure in contemporary literature. This narrator is often searching for something abstract or ill-defined connected to the past and the traces it leaves behind. The works of the German writer W.G. Sebald inspired a number of theories on the various ways a writer might intersect place, memory, and representation through seemingly aimless wandering. This article expands on the scholarship around Sebald’s themes to identify two modes of investigative wandering: (1) wandering “in place”, through a city where a past trauma has occurred, and (2) wande

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Harrison, Paul. "Remaining Still." M/C Journal 12, no. 1 (2009). http://dx.doi.org/10.5204/mcj.135.

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A political minimalism? That would obviously go against the grain of our current political ideology → in fact, we are in an era of political maximalisation (Roland Barthes 200, arrow in original).Barthes’ comment is found in the ‘Annex’ to his 1978 lecture course The Neutral. Despite the three decade difference I don’t things have changed that much, certainly not insofar as academic debate about the cultural and social is concerned. At conferences I regularly hear the demand that the speaker or speakers account for the ‘political intent’, ‘worth’ or ‘utility’ of their work, or observe how spea

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