Littérature scientifique sur le sujet « Laymon, kiese »

Créez une référence correcte selon les styles APA, MLA, Chicago, Harvard et plusieurs autres

Choisissez une source :

Consultez les listes thématiques d’articles de revues, de livres, de thèses, de rapports de conférences et d’autres sources académiques sur le sujet « Laymon, kiese ».

À côté de chaque source dans la liste de références il y a un bouton « Ajouter à la bibliographie ». Cliquez sur ce bouton, et nous générerons automatiquement la référence bibliographique pour la source choisie selon votre style de citation préféré : APA, MLA, Harvard, Vancouver, Chicago, etc.

Vous pouvez aussi télécharger le texte intégral de la publication scolaire au format pdf et consulter son résumé en ligne lorsque ces informations sont inclues dans les métadonnées.

Articles de revues sur le sujet "Laymon, kiese"

1

Key, Jennifer. "Heavy by Kiese Laymon." Prairie Schooner 93, no. 2 (2019): 189–90. http://dx.doi.org/10.1353/psg.2019.0099.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
2

Johnson, Kenneth L., and Alison Hawkins. "It's Him and I, Aquemini: Reimagining OutKast in Kiese Laymon's Long Division." Southern Cultures 31, no. 2 (2025): 62–77. https://doi.org/10.1353/scu.2025.a962461.

Texte intégral
Résumé :
Abstract: This article explores how Kiese Laymon's Long Division reimagines the legacy of Southern hip-hop, particularly the disruptiveness of OutKast, through the characters of City and LaVander. Framing the novel's "Can You Use That Word in a Sentence" contest as a metaphorical Source Awards, the essay argues that Laymon uses OutKast's radical duality in Aquemini to construct divergent Black masculinities and rhetorical strategies of resistance. Through parrhesia, code-meshing, and cultural symbolism—waves, Rocawear, southern vernacular—the novel critiques racialized educational spaces and r
Styles APA, Harvard, Vancouver, ISO, etc.
3

Brown, Meghan. "“I Don’t Want People to Forget the Sentence”: An Interview with Kiese Laymon." MELUS 44, no. 1 (2019): 181–96. http://dx.doi.org/10.1093/melus/mly059.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
4

Lumumba, Chokwe Antar, and Kiese Laymon. "The People of Jackson Are Ready: Chokwe Antar Lumumba in conversation with Kiese Laymon." Southern Cultures 25, no. 3 (2019): 118–25. http://dx.doi.org/10.1353/scu.2019.0035.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
5

Dunlap, Leslie K. "Review: How to Slowly Kill Yourself and Others in America: Essays by Kiese Laymon." Ethnic Studies Review 36, no. 1 (2013): 159–61. http://dx.doi.org/10.1525/esr.2013.36.1.159.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
6

Lloyd, Vincent. "State Violence, Divine Abuse." Pólemos 18, no. 2 (2024): 209–24. http://dx.doi.org/10.1515/pol-2024-2014.

Texte intégral
Résumé :
Abstract It is tempting to attribute state violence to the imposition of a normative order, and it is tempting to construct an opposition between sanctifying that order and messianic interruptions of that order. This framework supposes that God, and the surrounding language of the sacred, follows the logic of rule, imposing a set of expectations on what is to be done enforced by threat of punishment. But what if we centre the story of Job in our account of the divine and with it an image of God as abuser rather than ruler, that is, God as only imposing the phantom of norms, norms that shift or
Styles APA, Harvard, Vancouver, ISO, etc.
7

Guerrero, Lisa. "New Native Sons: Ta-Nehisi Coates, Kiese Laymon, and The Phenomenology of Blackness in the Post-Racial Age." CLA Journal 60, no. 4 (2017): 414–33. http://dx.doi.org/10.1353/caj.2017.0015.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
8

"City Summer, Country Summer by Kiese Laymon (review)." Bulletin of the Center for Children's Books 78, no. 9 (2025): 344. https://doi.org/10.1353/bcc.2025.a957641.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
9

Miles, Corey J. "Ethnography in Revision: Black Ethnography and Notes From Kiese Laymon." Cultural Studies ↔ Critical Methodologies, October 6, 2024. http://dx.doi.org/10.1177/15327086241281921.

Texte intégral
Résumé :
Ethnography has been used to reinscribe boundaries of power within academic disciplines. This essay uses Kiese Laymon’s conception of revision to wreck the genre to move sociology beyond the circular process of documenting disparities and offering quick solutions, toward understanding ethnography as a process of frustrating knowledge. It offers two points of entry for revision into the ethnographic process. (a) The shift to reflexivity within ethnography should not stop at naming our positionality, commitments, and relations. Rather revision demands an interrogation of the type of person we ar
Styles APA, Harvard, Vancouver, ISO, etc.
10

Reese, Ashanté M., Tressie McMillan Cottom, and Kiese Laymon. "Interview with Tressie McMillan Cottom and Kiese Laymon: Money, Racism, and Success." Critical Sociology, May 27, 2020, 089692052092801. http://dx.doi.org/10.1177/0896920520928014.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.

Livres sur le sujet "Laymon, kiese"

1

Zoom, Book. Summary of Heavy by Kiese Laymon: Book Zoom. Independently Published, 2021.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
2

SuperSummary. Study Guide: How to Slowly Kill Yourself and Others in America by Kiese Laymon. Independently Published, 2021.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
3

Leader-Picone, Cameron. Black and More than Black. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496824516.001.0001.

Texte intégral
Résumé :
This book analyzes twenty-first century African American fiction through the proliferation of post categories that arose in the new millennium. These post categories—post-black, post-racialism, post-Soul—articulate a shift away from the racial aesthetics associated with the Black Arts Movement and argue for the individual agency of Black artists over the meaning of racial identity in their work. Analyzing key works by Colson Whitehead, Alice Randall, Chimamanda Ngozi Adichie, Paul Beatty, Jesmyn Ward, and Kiese Laymon, this book argues that twenty-first century African American fiction highlig
Styles APA, Harvard, Vancouver, ISO, etc.
4

How to Slowly Kill Yourself and Others in America: Essays. Scribner, 2020.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
5

How to Slowly Kill Yourself and Others in America. Bloomsbury Publishing Plc, 2016.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
6

How to Slowly Kill Yourself and Others in America. Agate Publishing, Incorporated, 2013.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
7

How To Slowly Kill Yourself And Others In America Essays. Agate Bolden, 2013.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
8

How to Slowly Kill Yourself and Others in America. Agate Publishing, Incorporated, 2013.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
9

How to Slowly Kill Yourself and Others in America. Bloomsbury Publishing PLC, 2016.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
10

How to Slowly Kill Yourself and Others in America: Essays. Scribner, 2020.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
Plus de sources

Chapitres de livres sur le sujet "Laymon, kiese"

1

Pollack, Harriet. "Kiese Laymon, Jesmyn Ward, and Natasha Trethewey." In Faulkner, Welty, Wright. University Press of Mississippi, 2024. https://doi.org/10.14325/mississippi/9781496851086.003.0005.

Texte intégral
Résumé :
Today, as in the twentieth century, contemporary Mississippi writers dominate the literary field. Kiese Laymon, Jesmyn Ward, and Natasha Trethewey represent a current Mississippi Renaissance in counterpoint with this volume’s primary trio, Faulkner, Welty, and Wright. These writers interact in a crowded landscape of mutual hauntings as the presence of older texts hovers in the new. This essay considers the six writers' interactions through allusions that often work in reverse, to complicate the texts alluded to, to show us new ways to read that which we thought we had fully read before. Allusi
Styles APA, Harvard, Vancouver, ISO, etc.
2

POLLACK, HARRIET. "Kiese Laymon, Jesmyn Ward, and Natasha Trethewey:." In Faulkner, Welty, Wright. University Press of Mississippi, 2024. http://dx.doi.org/10.2307/jj.16063705.8.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
3

Hudson, Berkley. "Reading Pruitt." In O. N. Pruitt's Possum Town. University of North Carolina Press, 2022. http://dx.doi.org/10.5149/northcarolina/9781469662701.003.0021.

Texte intégral
Résumé :
This bibliographic essay, accompanying a selected bibliography, provides a research roadmap to buttress the visual stories Pruitt and his subjects tell us. Three main categories discussed are Photographic and Documentary Studies; Southern History and Culture; Oral History, Ethnography and Folklore. Scholars and writers referenced include Alan Tratchenberg, William R. Ferris, Deborah Willis, Walter Benjamin, Michael Lesy, bell hooks, John Szarkowski, Shawn Michelle Smith, Roland Barthes, Jacques Lacan, Frantz Fanon, Robert Coles, Michel Foucault, Stuart Hall, John Berger, Susan Sontag, David Bl
Styles APA, Harvard, Vancouver, ISO, etc.
4

Hopper, Briallen. "Everybody’s Protest Essay: Personal Protest Prose on the American Internet." In The Edinburgh Companion to the Essay. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474486026.003.0017.

Texte intégral
Résumé :
This chapter discusses a selection of contemporary ‘personal protest essays’ – often written by women – that employ the ‘mix of narration and reflection’ of the personal essay to explore ‘intersections between individual experience and structures of injustice’. Starting from an outline of the American context for the personal protest essay, Hopper then focuses on essays by Rebecca Solnit, Kiese Laymon, Chanel Miller and Seo-Young Chu. These essays belong to the subgenre of what is termed ‘everybody’s protest essay’, a mashup between the protest essay and the ‘confessional first-person’ form of
Styles APA, Harvard, Vancouver, ISO, etc.
5

Christian, Shawn Anthony. "Baldwin, Delaney, and Black Artists’ Genealogical Legacies." In Speculative Light. Duke University Press, 2025. https://doi.org/10.1215/9781478059042-019.

Texte intégral
Résumé :
In this chapter, Shawn Anthony Christian explores how the friendship between James Baldwin and Beauford Delaney constituted an instance of Black artistic relation as genealogical transition, something deeper than “artistic influence” and more historically and culturally familial than simply a “transmission of ideas.” Baldwin’s public tributes to Delaney compel consideration of the enduring ways Black artists embrace and then exemplify shared values and aesthetics. Just as Baldwin “read” Delaney’s paintings and found in them both affirmation and challenge, especially for his own art, subsequent
Styles APA, Harvard, Vancouver, ISO, etc.
6

Hale, Candice N. "Releasing the Heavy Repercussions of Black Death in Jesmyn Ward’s Men We Reaped." In Jesmyn Ward. Edinburgh University Press, 2023. https://doi.org/10.3366/edinburgh/9781399510615.003.0013.

Texte intégral
Résumé :
This chapter places Jesmyn Ward’s Men We Reaped into critical conversation with Kiese Laymon’s, Heavy – two memoirs that it reads in relation to notions of Black death. With a voice like rage, Ward bears witness to the Black death, trauma, and grief that many Black Southerners experience under the scourge of white supremacy. In Men We Reaped, she chronicles the death and injustices of five Black men, including her brother, during a 5-year span. This chapter reads this text in order to show how we can begin to release the heavy repercussions of Black death and injustice in our communities by em
Styles APA, Harvard, Vancouver, ISO, etc.
7

Miley, Mike. "What’s My Line?" In Truth and Consequences. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825384.003.0002.

Texte intégral
Résumé :
Round One explores works that use (and abuse) trivia to reveal how the hypermediated consumer culture of late capitalism traps individuals in a metaphorical isolation booth, unable to establish a stable sense of self. Just as the quiz-show scandals of the 1950s nearly killed the quiz show, works such as Quiz Show, Melvin and Howard,Slumdog Millionaire, and Chuck Barris’s “unauthorized autobiography” Confessions of a Dangerous Mind suggest that a rigged game presents an existential threat to the self. Amidst the pressure to conform to the norms of the community of television, individuals betray
Styles APA, Harvard, Vancouver, ISO, etc.
Nous offrons des réductions sur tous les plans premium pour les auteurs dont les œuvres sont incluses dans des sélections littéraires thématiques. Contactez-nous pour obtenir un code promo unique!