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Articles de revues sur le sujet « Leopold (fictional character) »

Auteur : Grafiati
Publié le 25 juillet 2024
Mis à jour le 31 juillet 2025

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1

Gast, Volker, Christian Wehmeier, and Dirk Vanderbeke. "A Register-Based Study of Interior Monologue in James Joyce’s Ulysses." Literature 3, no. 1 (2023): 42–65. http://dx.doi.org/10.3390/literature3010004.

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While fictional orality (spoken language in fictional texts) has received some attention in the context of quantitative register studies at the interface of linguistics and literature, only a few attempts have been made so far to apply the quantitative methods of register studies to interior monologues (and other forms of inner speech or thought representation). This article presents a case study of the three main characters of James Joyce’s Ulysses whose thoughts are presented extensively in the novel, i.e., Leopold and Molly Bloom and Stephen Dedalus. Making use of quantitative, corpus-based
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Kolasińska-Pasterczyk, Iwona. "Interwencja bogini/Szatana? "Wenus w futrze" (2013) – lektura palimpsestowa filmu Romana Polańskiego." Załącznik Kulturoznawczy, no. 10 (December 31, 2023): 281–314. http://dx.doi.org/10.21697/zk.2023.10.14.

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Goddess’s or Satan’s Intervention? A Palimpsest Reading of Roman Polanski’s Venus in Fur (2013) The text concerns Roman Polanski’s film Venus in Fur (2013), a multi-layer psychodrama written for two characters, taking place on several levels of human relations: actress vs. director, literary character vs. performing artist, man vs. woman. Venus in Fur has been defined as a kind of palimpsest, i.e. a film story based on the fictional skeleton of other works. Referring to the concept developed by Gérard Genette, who categorized the ways in which different texts interact with each other, the arti
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O’Brien, Dan. "‘Why will you Jews not accept our culture, our religion and our language?’: James Joyce’s Jew through the Eyes of Jewish America." Boolean: Snapshots of Doctoral Research at University College Cork, no. 2014 (January 1, 2014): 119–22. http://dx.doi.org/10.33178/boolean.2014.23.

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Just as James Joyce is the most important writer since Shakespeare, his Jewish-Irish character, Ulysses’ Leopold Bloom, is the most fascinating fictional Jew since Shylock. All authors must struggle with Joyce’s overwhelming legacy, but what of writers who are themselves Jewish? How do they envisage Bloom and relate to his complex sense of identity—as a Jew, as an Irishman, but most fundamentally as a human being? The three greatest Jewish American writers of the twentieth century, Philip Roth, Bernard Malamud, and Saul Bellow, were all deeply influenced by Joyce. Each of them responded to Joy
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Миколайович Сухомлинов, Олексій. "Часопростір малої вітчизни Леопольда Бучковського". Zeszyt Naukowy Prac Ukrainoznawczych 11 (28 грудня 2023): 5–18. http://dx.doi.org/10.5604/01.3001.0054.4149.

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The article examines the author’s models of the borderland of the Polish writer Leopold Buczkowski. In the author’s texts, man is shown to be helpless in relation to the historical process, and therefore undergoes total destruction and annihilation. Despite this, in the works you can also find signs of detective prose and fiction. The models of the military world created by the writer, despite their territorial attachment, have a universal character and relate to universal human values, regardless of nationality, religion or belonging to a cultural tradition.
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Al Rawi, Ahmed. "The post-colonial novels of Desmond Stewart and Ethel Mannin." Contemporary Arab Affairs 9, no. 4 (2016): 552–64. http://dx.doi.org/10.1080/17550912.2016.1229421.

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In presenting their characters and political ideologies, Desmond Stewart (1924–81) and Ethel Mannin (1900–84) are both unique among British fiction writers because they offered different portrayals of the post-colonial Arab world than what was mostly found in Western mainstream writings. While Stewart discussed the postcolonial era in Iraq by focusing on pan-Arab national movements that rejected the British hegemony during the monarchical period, Mannin focused on the postcolonial era which followed the British occupation and was represented in the Palestinian national movements. This paper ar
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Baisotti, Pablo. "Real and Fragmented Masks of Buenos Aires." Theory in Action 15, no. 4 (2022): 118–44. http://dx.doi.org/10.3798/tia.1937-0237.2231.

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This article presents a vision of the city of Buenos Aires through some novels and short stories created by Argentine writers, in which their characters use "masks" to face reality or, in some cases, fiction. The various characters have masks used to disguise their identities in their relationship with other people and to hide their feelings. The time used to analyze these issues will be: 1) the "real" time, that is, the action that takes place in a linear and continuous time and; 2) a "fragmented" time, represented in two or more levels in which reality and fiction are superimposed and even,
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Argyrides, Patty. "‘Choreopiscopally’: James Joyce's ‘Nausicaa’ and Vaslav Nijinsky's The Afternoon of a Faun." Modernist Cultures 17, no. 1 (2022): 27–53. http://dx.doi.org/10.3366/mod.2022.0358.

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One striking commonality between Vaslav Nijinsky's The Afternoon of a Faun (1912) and the ‘Nausicaa’ chapter in James Joyce's Ulysses (1922) is that both culminate with masturbation scenes and were met with similar reactions – outrage and censorship. Upon closer consideration, the similarities between Faun and Ulysses reach far beyond the climactic solos of Leopold Bloom and Nijinsky as the Faun. In Ulysses, Joyce choreographs the words on the page, the fictional bodies of his characters’ movements through Dublin, and elicits embodied responses from his readers. Using ‘Nausicaa’ and Faun as my
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Goloborodko, Iaroslav, Ilona Kostikova, Evdokiya Goloborodko, Nadiia Karpenko, and Zoya Girich. "Herta Muller’s Modeling Estacade in the Novel “The Hunger Angel”." Revista Amazonia Investiga 10, no. 48 (2021): 150–56. http://dx.doi.org/10.34069/ai/2021.48.12.16.

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The article analyses the novel “The Hunger Angel” (“Atemschaukel” in original) by a German writer Herta Muller (Herta Müller in original), who received a Nobel Prize dedicated to literature. To achieve the paper purpose the following methods are used: the method of conceptual analysis, the method of science fiction analysis, the comparative method. In the novel the mentality of a dominant narrator is being observed. The narrator himself is genetically incorporated in the German ethno culture and his fate is bound to the specific Romanian, Ukrainian and Austrian realities. The novel can be free
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Anisa Sadiq. "Patriarchal Ideology: A Feminist Study in Pakistani Short Stories Fiction." sjesr 6, no. 3 (2023): 24–28. http://dx.doi.org/10.36902/sjesr-vol6-iss3-2023(24-28).

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This paper intends to examine the position of women during the patriarchal structure to become strong enough for honorable survival. We apply Gerda Lerner's creation of Patriarchy (1989) in the present study. Patriarchy provokes Women voiceless through various assumptions and ideologies. The study has been conducted through textual analysis of Pakistani Short stories while focusing on different customs and events represented by Pakistani feminists to highlight the patriarchal structures. It shows that women have been treated as objects without caring for their desires. Their disrespect for pat
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Baus, Jeffrey M. "Oddly Radical: Environmental Virtue Ethics in Simak’s Way Station." Hungarian Journal of English and American Studies 30, no. 2 (2024): 425–48. http://dx.doi.org/10.2478/hjeas/2024/30/2/9.

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Abstract This essay reconsiders Clifford Simak’s Way Station as a nuanced exploration of environmental virtue ethics, challenging the conventional view of Simak’s ideology as conservative. It argues that Simak critiques anthropocentrism, including that in Aldo Leopold’s “Land Ethic,” by advocating for a more authentic ecocentric perspective. Through close analysis, the essay examines how Simak integrates ethical considerations into his portrayal of the ecosphere and his characters’ responses to it, emphasizing the intrinsic value of all beings. Additionally, it explores Simak’s anti-anthropoce
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Przybos, Julia. "Polish Decadence: Leopold Staff's Igrzysko in the European Context." Nordlit 15, no. 2 (2012): 79. http://dx.doi.org/10.7557/13.2045.

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Decadent authors writing about the past share a common artistic practice: revisionist creativity. I argue in my Zoom sur les décadents that this particular type of creativity uses as its main device recombination of legends, myths, and historical events. Historical, cultural or religious figures are reexamined and shown in a new unexpected light. I show in my book how Villiers de Isle-Adam conflates two crucial battles of the Ancient world: Marathon (490 BC) and Thermopiles (480 BC) in ashort story called "Impatience de la foule." The final result of Villiers's telescoping of separate historic
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Al-Muttalibi, Aziz Y. "“Dissociation” in Desmond Stewart’s Leopard in the Grass." JOURNAL OF SOCIAL SCIENCE RESEARCH 11, no. 2 (2017): 2390–400. http://dx.doi.org/10.24297/jssr.v11i2.6145.

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This paper intends toexplore ‘dissociation’ as the literary idea structuring Stewart’s novel.(1) The paper discusses this organizing idea on both structural and thematic levels. Some allusions to parallel instances in contemporary fiction are worked out to enhance the narrative conclusions of the study.
 In a strangely unique sense, Stewart’s novel strikes a historical note in as much as the narrative events occur within the temporal span of the 1950s and a topographical reality in as much as the events and characters move on the soil of Cyropolisand Media names that respectively
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Carroll, Richard. "The Trouble with History and Fiction." M/C Journal 14, no. 3 (2011). http://dx.doi.org/10.5204/mcj.372.

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Historical fiction, a widely-read genre, continues to engender contradiction and controversy within the fields of literature and historiography. This paper begins with a discussion of the differences and similarities between historical writing and the historical novel, focusing on the way these forms interpret and represent the past. It then examines the dilemma facing historians as they try to come to terms with the modern era and the growing competition from other modes of presenting history. Finally, it considers claims by Australian historians that so-called “fictive history” has been best
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Masoga, Mogomme. "Storytelling Research: Implications for the Broader Higher Education System in South Africa." Southern African Journal for Folklore Studies 32, no. 2 (2023). http://dx.doi.org/10.25159/2663-6697/13661.

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The present investigation aims at promoting storytelling as a critical research discipline within the broader higher education system in South Africa. During the apartheid era and in democratic South Africa, storytelling was (and is) not part of the agenda for consideration in the broader higher education system. This status quo was due to multifarious factors including a myopic view of traditional scientific research. In the pre-colonial African communities, stories were told in the evening in the rural home around the fire to capture the attention of and educate the younger family members. M
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Ettler, Justine. "When I Met Kathy Acker." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1483.

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I wake up early, questions buzzing through my mind. While I sip my morning cup of tea and read The Guardian online, the writer, restless because I’m ignoring her, walks around firing questions.“Expecting the patriarchy to want to share its enormous wealth and power with women is extremely naïve.”I nod. Outside the window pieces of sky are framed by trees, fluffy white clouds alternate with bright patches of blue. The sweet, heady first wafts of lavender and citrus drift in through the open window. Spring has come to Hvar. Time to get to work.The more I understand about narcissism, the more I u
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Watson, Robert. "E-Press and Oppress." M/C Journal 8, no. 2 (2005). http://dx.doi.org/10.5204/mcj.2345.

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 From elephants to ABBA fans, silicon to hormone, the following discussion uses a new research method to look at printed text, motion pictures and a teenage rebel icon. If by ‘print’ we mean a mechanically reproduced impression of a cultural symbol in a medium, then printing has been with us since before microdot security prints were painted onto cars, before voice prints, laser prints, network servers, record pressings, motion picture prints, photo prints, colour woodblock prints, before books, textile prints, and footprints. If we accept that higher mammals such as elepha
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